ALBUM REVIEW - MOTE - Samalas - Featured Image - (700x700)

ALBUM REVIEW | Mote - Samalas

ARTIST: Mote

RELEASE: Samalas

RELEASE DATE: 14th March 2019

RECORD COMPANY: Unsigned

Melbourne-based quartet 'Mote' unleash a cataclysmic whirligig of sound on their latest long player with every single track literally filled to the brim with motorik krautrock, modern experimental psych and futuristically attuned spaced out jams. Since unleashing their sizzling five track 'Recordings I' back in 2017 the band have garnered some serious attention from fans on the worldwide underground psych scene and now they've unleashed an absolute sonic behemoth entitled 'Samalas', their debut seven track release. Officially unveiled back on March 14th, 'Samalas' is a brutish tour de force that takes the listener on a white knuckle, lysergic tinged, sonic thrill ride of ingenious proportions. The album is available to buy/download right now on various formats via motemelbourne.bandcamp.com

Swirls of droning notes echo and pulse alongside glitchenous electronic frequencies as the opening salvos of ‘Awesome Wells’ permeate the sonic ether. Rattling percussion and the soft purr of acoustic vibes arrive next to meld with twanging guitar and huge swathes of reverb, creating a perfect plunge point just as the track begins to pick up tempo and starts to resonate perfectly. There are sampled vocals here, swirling motorik krautrock like rhythms deftly straddled by addictive throbs of bass that are all wonderfully constructed around that continuous instrumental drone. Massive in stature and fantastically addictive, ‘Awesome Wells’ is an absolute triumph. ‘Jolo’ unfurls it’s sonic tendrils and wraps its cinematic self around a blistering line of guitar and a swirling instrumental drone. Explosive drum patterns exacerbate it’s space rock credentials as we’re spun in and out of catchy chord structures and those wonderful eastern esoteric vibes. Coming in at a whopping nine minutes plus, ‘Jolo’ pulls on the heart strings a tad as it drags you through huge walls of woozy wah wah led guitar and bounces you atop of those huge bass progressions until we’re led into a brilliant break about halfway through that spirals wonderfully into a cacophony of swirling sonic atmospherics. ‘Jolo’ is a seismic sonic blast and an album highlight for me.

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‘Requiem For Al’ begins with a slow moving drone and the soft pulse of repetitive bass notes. Luscious lines of guitar float on top of of reverberating waves of noise leading us gently into massive atmospherically charged chord changes that instil a melancholic edge to proceedings before we fall into that behemoth like break and on into the tracks final throws. Up next, ‘Adventure Call’ slides into the ether on a synth led progression before winding itself up into a magnificent krautrock gem. Wailing guitars, cascading lines of bass and turbulent instrumental drones join in with the sonic melee, adding an intense ambient styled atmosphere until the arrival of the lead guitar that seems to whip and cajole the entire track and that twinkling line of synth that seems to run the gauntlet just below the mix. ‘Adventure Call’ is a fascinating track , possibly my favourite on the entire release and one that I will keep coming back to again & again . The albums title track  'Samalas' is a fourteen minute plus sonic adventure of monolithic proportions mixed with monumentous passages of modern psych, some far out space rock and a sprinkling of ambient abandonment. It builds brilliantly from the off, tumbling through lysergic tinged clouds of frequency laden reverberations peppered with intricate instrumental structures that knit together brilliantly giving off a feel more like a live jam than a track on a studio album. Huge in scope, ‘Samalas’ is absolutely immense.

Having bought the album digitally via bandcamp to support the band, I was pleased to see that it came with two bonus tracks. ‘Magnetic Space’ swirls into the ether on a chittering drone before the arrival of repetitive guitars and drums that collectively cut a wedge into those booming bass heavy notes. Its vocal lines are entrancing, consumed by reverb and hang in a kind of suspended animation just above the charging percussion as the lines of lead guitar undulate in and out of explosive drum fills whilst ‘Hollow’ meanders into audible range on the now customary instrumental drone before a brilliantly constructed bass line ushers in noisy guitars and a steady back beat all the while building into this futuristic sounding sonic behemoth. Reminiscent at times to those UK-based experimental psych heads ‘Dead Sea Apes’, ‘Hollow’ closes out what is now a new addition to my ‘Best Album Releases Of 2019’ list.

5/5

LINKS:

motemelbourne.bandcamp.com

facebook.com/motemelbourne/

ABOUT THE AUTHOR:

Del Chaney - (Author Photo)

Del Chaney has spent the last six years dedicating his time to uncovering the best artists in the unsigned or small independent label based shoegaze, ethereal dream pop, postpunk & modern psych rock from all over the globe & reviewing them for this blog - The Primal Music Blog. He is also a contributing writer for The Sound Of Confusion (Now On Hiatus). His other arm  - Primal Radio -  has gained considerable respect from bands and promoters alike since its conception in 2013 & has helped him in actively promoting genres of music that he is passionate about. Hailing from Dublin, Ireland, he is a keen Vinyl Collector, Tattoo Fan & all round good guy! He is a self confessed music freak & is never far away from a studio console or a turntable.


ALBUM REVIEW - Holy Monitor - II - Featured Image - (700x700)

ALBUM REVIEW | Holy Monitor - II

ARTIST: Holy Monitor

RELEASE: II

RELEASE DATE: October 12th 2018

RECORD COMPANY: Blackspin Records

Blistering Athens-based experimental psych/kraut rock collective 'Holy Monitor' wowed us back in early 2017 with their debut self-titled full length release absolutely filled to the brim with luscious soundscapes that pull together different disciplines to create an otherworldly sonic vibe charged with glistening hypnotics that are all collectively drenched in a woozy kind of psychedelic abandonment. 'Holy Monitor' first pinged our radar with their very impressive 'Ongakubaka Records' released 'Golden Light​/​Aeolus', a compilation containing both of the bands previously released (only digital & in a ltd edition cassette) EP's and since then we've been firmly on board with what they create musically. From rhythmic krautrock to blissed out space rock and on into modern day psych permutations, 'Holy Monitor' do not disappoint. Now the band have unleashed 'II', their monstrous sophomore full length that builds on what the band have already manifested, a wonderful, no nonsense lysergic tinged sonic assault on the cranium. 'II' was officially released back on October 12th 2018 via the good folks over at Backspin Records in Greece and is available to buy/download right now from holymonitor.bandcamp.com

‘Fields Of Mars’ drones into existence swirling within a squally wave of extraterrestrial sonics and ambient hued sound waves. It builds as it manoeuvres itself into striking position unleashing fizzing lines of guitar melded with the repetitive pitter patter of cymbal noise. There’s a distinct tinge of 60’s psych undulating through the guitar sound that is thoroughly addictive, it adds to the overall atmospherics of the track and tunes the listener in at an early stage. Menacing swells of synth join forces with slow moving percussion, tumbling lines of bass and throb of reverberation as we’re scooped up and ferried along brilliantly with the impressive hypnotic sonic melee. As opening tracks go ‘Fields Of Mars’ is absolutely immense. Up next, ‘Animal Heart’ charges into the ether drenched in a garage tinged golden hue. Rocking kraut like percussion keeps a steady back beat as all around it swirls through heady clouds of futuristic neo-psychedelia. Fizzing synths, repetitive guitars and cascading lines of bass are the order of the day catching the listener off-guard with mesmerising instrumentation that collectively loop and arc throughout the sonic arena whilst the lines of vocals tie everything together perfectly. ‘Animal Heart’ is a triumph and a definite album highlight for me.

‘Cirrus’ begins pounding on a repetitive percussive assault before swirling lines of synth and captivating lines of guitar arrive pulling the distinctive throb of bass into the mix and melding into a perfect accompaniment for another melodic vocal. Catchy chord structures and impressive hooks lift and twist the track perfectly as we’re led into that magnificent instrumental break and on into the tracks sublime finale whilst ‘Hunter’s Moon’ conjures up subtle elements of of psych folk as it rumbles and shudders on a brilliant drum track accompanied by enchanting instrumentation and addictive vocalisations all drenched in a kind of lysergic tinged psychedelic abandonment. Up next, ‘Spirits Of The Wild’ swirls through clouds of deliciously hypnotic sonic fare filled with animalistic sampling, shimmering tambourines and shamanistic tendencies. It moves like a living organism, pulsing and undulating as one huge sonic form, dancing and twirling through a multitude instrumental connotations laced with reverberating frequencies that shimmer and shine. There’s a brilliant cultural feel here, a snapshot if you will of the psychedelic side of Greece. It overpowers this listener and is both captivating and exhilarating all at once.

‘Soothing Water’, the albums penultimate piece, drones into existence trapped in a cyclonic whirlwind of fizzing synth and the repetitive pull of those pounding drums. Throbbing lines of bass frequencies intertwine with soaring lines of melodic guitar, ushering in another futuristically sounding vocalisation. Busy lines of lead guitar enter the mix, following the duel lines of vocal perfectly and adding an intimate atmospheric feel to proceedings as all around them explodes into a cacophony of magical sounds. ‘Soothing Water’ is absolutely immense and another album highlight. ‘The Way Out’ closes out proceedings on this mesmeric album. Originally appearing on the bands digital EP ‘Golden Light’, ‘The Way Out’ epitomises that "Holy Monitor" sound. Like a pulsating beacon of musical promiscuity, this track ripples outwardly, like some magical pre-ordained mantra, meandering through throbbing bass lines coupled with hypnotic rhythmic percussive patterns, surging synth swells and a magnificent vocal attack. It’s an acid drenched modern psych gem and a firm favourite of mine that closes out another impressive release by one of my favourite bands around today ......... Bravo 'Holy Monitor'.

5/5

LINKS:

facebook.com/holymonitor

holymonitor.bandcamp.com

ABOUT THE AUTHOR:

Del Chaney - (Author Photo)

Del Chaney has spent the last six years dedicating his time to uncovering the best artists in the unsigned or small independent label based shoegaze, ethereal dream pop, post-punk & modern psych rock from all over the globe & reviewing them for this blog - The Primal Music Blog. He is also a contributing writer for The Sound Of Confusion (Now On Hiatus). His other arm  - Primal Radio -  has gained considerable respect from bands and promoters alike since its conception in 2013 & has helped him in actively promoting genres of music that he is passionate about. Hailing from Dublin, Ireland, he is a keen Vinyl Collector, Tattoo Fan & all round good guy! He is a self confessed music freak & is never far away from a studio console or a turntable.


ALBUM REVIEW - Lumerians - Call Of the Void - Featured Image - (700x700)

ALBUM REVIEW | Lumerians - Call Of The Void

ALBUM REVIEW - Lumerians - Call Of the Void - Post Image - (300x300)ARTIST: Lumerians 

RELEASE: Call Of The Void

RELEASE DATE: 22nd June 2018

RECORD COMPANY: Fuzz Club Records 

Oakland-based psychonauts 'Lumerians' create a mind-bending hypnotic brew filled to the brim with parts procured from various music genres such as experimental psychedelia, space rock, krautrock, noise rock, drone rock, electronica & dub. The resulting concoction is a thrilling excursion into the mystical & futuristic realms of contemporary psychedelia. Formed in San Francisco back in 2006 by Chris Musgrave - drums/percussion, Jason Miller - vocals/synth/organ/guitar, Marc Melzer - vocals/bass/synth and Tyler Green - guitar/synth/keys, the band relocated to Oakland just before the release of their debut album 'Transmalinnia', building their own recording studio called New Telos Sound in a former church. They released their sophomore LP 'The High Frontier' back in 2013 and two collections of improvised compositions called 'Transmission from Tellos III & IV'. They have also shared the stage with bands such as My Bloody Valentine, Killing Joke and Black Moth Super Rainbow. Now after a four year hiatus the band have returned with their third 'official' studio album entitled 'Call Of The Void'. The album is released on June 22nd 2018 via Fuzz Club Records and is dedicated to the memory of Barrett Clark, 'Lumerians' long-time friend, sound engineer and collaborator who passed away in the tragic Ghost Ship warehouse fire in Oakland 2016. 'Call of the Void' is available to pre-order right now on various formats via both fuzzclub.comfuzzclub.bandcamp.com respectively.

The fizz of melodic electronics merge brilliantly with those swirling instrumental drones as ‘Fuck All Y’all’ arrives to permeate the ether accompanied by the slow pull of percussion and the deep throb of bass frequencies. Repetitive organ notes hover and glide just above the sonic melee whipped by tightly wound lines of lead guitar as we’re led into a magnificent break and momentarily guided out it’s back end by the lull of squally guitars and that hypnotically a-tuned metronomic tempo. ‘Fuck All Y’all’ serves up a sonic tonic to cure all ills and is a blistering opening salvo indeed. Up next, ‘Silver Trash’ pounds into existence on repetitive threads of motorik percussion as swirling synths meander through cascading lines of bass. Woozy guitars cling closely to that explosive drum track allowing the surge of electronic instrumentation, drenched in effects, to bring lines of vocal into audible range, all balancing precariously on top of tumbling swells of organ and whirring lines of lead guitar. ‘Silver Trash’ is a triumph, it’s absolutely phenomenal and a definite stand out piece on this album.

‘Space Curse’ bounces into the ether in a 70’s krautrock haze. Filled with intermittent bleeps and whirrs this track rocks steadily on a bedrock of rolling percussion as various analogue synths pulse lines of catchy chord sequences across booming bass frequencies deftly accompanied by fascinating lines of vocal whilst ‘Signal’ starts small but builds incrementally into a droning sonic behemoth filled with intense melody, ambient strewn breaks and lines upon lines of sequenced electronics. ‘Fictional’ rattles into the ether on a pounding drum track accompanied by hypnotically addictive bass progressions and soaring lines of synth. Duel vocal’s glide brilliantly here all enveloped by the swirling sonic maelstrom, adding squealing guitars and layers of stylish reverberation as fizzing electronica meets metronomic krautrock and collectively dives headlong into a broiling melee of lysergic tinged modern psychedelia.

‘Masters Call’ glides into audible range swirling on an instrumental drone as layers of reverb reach out to slow it’s momentum. Tumbling percussion accompanies booming pulls of bass as sequenced synths arrive to accompany those edgy lines of vocal merging brilliantly into one surging wave of psych induced electronica whilst the albums penultimate piece entitled ‘Ghost Notes’ is deeply atmospheric. Huge swells of reverberation embraces menacing lines of synth, rolling percussion and heady waves of bass frequencies as it’s entrancing vocal’s arrive meandering in and out of angry guitars and overpowering instrumental progressions eventually crescendoing into a magnificent bass led break that builds and builds all over again. ‘Ghost Notes’ is fascinating and another album highlight for me. ‘Call Of The Void’ closes out with ‘Clock Spell’ and instantly arrives strapped to a droning analogue signal and a slow moving line of structured percussion. Catchy electronic bleeps and whirrs accompany layers of reverb that seem to rise and fall brilliantly alongside those hypnotic vocalisations. It’s a blistering ending to a wonderful album.

4/5

LINKS:

fuzzclub.bandcamp.com

fuzzclub.com

facebook.com/Lumerians/

twitter.com/Lumerians

instagram.com/lumerians/

ABOUT THE AUTHOR:

Del Chaney - (Author Photo)

Del Chaney has spent the last five years dedicating his time to uncovering the best artists in the unsigned or small independent label based shoegaze, ethereal dream pop, postpunk & modern psych rock from all over the globe & reviewing them for this blog - The Primal Music Blog. He is also a contributing writer for The Sound Of Confusion (Now On Hiatus). His other arm  - Primal Radio -  has gained considerable respect from bands and promoters alike since its conception in 2013 & has helped him in actively promoting genres of music that he is passionate about. Hailing from Dublin, Ireland, he is a keen Vinyl Collector, Tattoo Fan & all round good guy! He is a self confessed music freak & is never far away from a studio console or a turntable.


ALBUM REVIEW - Psychic Lemon - Frequency Rhythm Distortion Delay - Featured Image - (700x700)

ALBUM REVIEW | Psychic Lemon - Frequency Rhythm Distortion Delay

Album Review - Psychic Lemon - Frequency Rhythm Distortion Delay - Post image - (300x300)ARTIST: Psychic Lemon 

RELEASE: Frequency Rhythm Distortion Delay 

RELEASE DATE: January 12th 2017

RECORD COMPANY: Tonzonen Records

London based psych aficionados 'Psychic Lemon' inject swirling space rock, well drilled prog rock and motorik krautrock into their overall sound that is both hypnotic and addictive all at once. This impressive three piece (previously a quartet) have been ploughing a deep sonic furrow into the underground psych collective since the release of their self-titled debut album back in 2016 but I have to admit that I hadn't heard of the band up until receiving the press release for their brand new album. I've since rectified that issue. Entitled 'Frequency Rhythm Distortion Delay', this immense collection of five tracks is explosive, exquisite and quite possibly one of the best albums that I've heard in some time. At times sonically transcending, 'Frequency Rhythm Distortion Delay' breathes new life into a collective of genres that have been very much diluted beyond hope over the past few years. 'Psychic Lemon' strip these genres back to their base components before collectively reimagining them into a huge singular sonic entity. 'Frequency Rhythm Distortion Delay' gets it's official release on January 12th 2018 via tonzonen records and is available to buy/download on various formats including lovely vinyl from psychiclemon.bandcamp.com 

The swing of African themed drums pulls humming bass frequencies into audible range as ‘Exit To The Death Lane’ winds itself into a coiled sonic behemoth and prepares to strike. Swirling guitars ride turbulent waves of reverberation enveloping an impressively mantra like vocal line thus adding hypnotic circumventions to the piece as it manipulates sound waves and bends notes at will before erupting into a massive wall of fuzzed out psych induced melody. This is something altogether mesmerising. It’s a mix of space rock, modern psych and fucked up rock and roll all packed up into a huge opening salvo to whet the sonic appetite with. Up next ‘Psychic Lemon’ unleash their garage-psych side as ‘Hey Droog!’ explodes into pulsating percussive assault accompanied by throbbing bass lines and the swirling sounds of organ delectably drenched in sullen reverberation. Wailing lead guitar deploys a raging wah-wah pedal that meanders in and out of tempo driven drum patterns, unleashing a holy sonic war of attrition and laying waste to all before it. It's another massive assault on the cranium and bloody masterful in its approach. ‘You’re No good’ tumbles into the ether riding a krautrock like percussive pattern as it's repetitive nature keeps metronomic time allowing addictive lead lines to permeate the mix, sitting precariously on top of gravity defying bass patterns. The musicianship on this track is impressive and it’s vocal lines although sparse are very effective. Listen out for that magnificent break half way through and the brilliant introduction of saxophone. It will suck you into a mesmerising world of psychedelically charged experimentation.

The highlight of the album for me and it’s penultimate track comes in the guise of ‘Interstellar Fuzz Star’ and it does exactly as it says on the tin. A raging wall of turbulent instrumentation rides a pounding wall of percussive noise collectively enveloping an absolutely magnificent marauding bass line whilst lead guitar lines whip the entire track to within an inch of its life. ‘Interstellar Fuzz Star’ is a fuzzed out white knuckle sonic ride straight to heart of the sun and it’s explosive ending will blow your fucking mind. The album closes out with ‘Satori Disco’, a melody infused spaced out gem that sits on a bed rock of rolling drums and the consistent throb of bass frequencies. Angry strummed guitars hold court here as lead lines dipped in reverb meander in and out of the piece pulling hypnotic Saxophone and wailing wah-wah with it as it rides it's turbulent pre-destined sonic course. This is a bloody impressive track and a fabulous ending to what is for me a masterpiece of an album. Seriously recommended.

5/5

LINKS:

psychiclemon.bandcamp.com

psychiclemon.co.uk

facebook.com/psychiclemon

twitter.com/psychic_lemon

instagram.com/psychic_lemon

ABOUT THE AUTHOR:

Del Chaney - (Author Photo)

Del Chaney has spent the last five years dedicating his time to uncovering the best artists in the unsigned or small independent label based shoegaze, ethereal dream pop, post punk & modern psych rock from all over the globe & reviewing them for this blog - The Primal Music Blog. He is also a contributing writer for The Sound Of Confusion (Now On Hiatus). His other arm  - Primal Radio -  has gained considerable respect from bands and promoters alike since its conception in 2013 & has helped him in actively promoting a genre of music that he is passionate about. Hailing from Dublin, Ireland, he is a keen Vinyl Collector, Tattoo Fan & all round good guy! He is a self confessed music freak & is never far away from a studio console or a turntable.


Holy Monitor - Ghost - Featured Image - (700x700)

NEW SINGLE PREMIERE | Holy Monitor - Ghost

Hailing from the sunbaked Mediterranean shores of Greece, experimental neo-psych/krautrock space rockers ‘Holy Monitor’ have unleashed a stunning new single back in September entitled 'Ghost', a ten minute plus journey filled to it's psychedelic brim with magical incantational sonic energy. The band are made up of Stefanos Mitsis - guitars, Alex Bolpasis - bass,  Vangelis Mitsis - synths/organs and George Nikas - drums/guitars/vocals and this latest single follows on from their absolutely stunning self-titled album released back in February 2017. The single is available to buy/download right now from holymonitor.bandcamp.com 

'Ghost' shuffles into audible range on a glistening instrumental drone accompanied by the throb of synth and the fizz of effected electronics. It builds meticulously into a pulsating organism with the arrival of humming bass frequencies before tumbling headlong into a metronomic percussive beast. Plinking synth lines and waves of reverberation arrive adding lysergic atmosphere to the mix with every single chord change, allowing magnificent guitar progressions to lick and harass the piece to within an inch of it's life. Organ lines howl pulling clandestine vocalisations with them as they meander through layers of reverberation collectively merging with every other piece of the sonic jigsaw to bring us a mesmerising ten minutes of music.

Recommended!

LINKS:

facebook.com/holymonitor

holymonitor.bandcamp.com


Cobra Family Picnic - Magnetic Anomaly - Featured Image - (700x700)

ALBUM REVIEW | Cobra Family Picnic - Magnetic Anomaly

Cobra Family Picnic - Magnetic Anomaly - Post Image - (300x300)ARTIST: Cobra Family Picnic 

RELEASE: Magnetic Anomaly 

RELEASE DATE: 22nd May 2017

RECORD COMPANY: Cardinal Fuzz/Sky Lantern Records

Tuscan based psych aficionados 'Cobra Family Picnic' released a stunning album entitled 'Magnetic Anomaly' back on the 22nd May 2017 via Cardinal Fuzz Records (UK) & Sky Lantern Records (USA). The band create a fuzzy, blissed-out haze that skips through lysergic rhythmically focused space-rock, kraut-rock, experimental neo-psych and kosmische with relative ease and have over the last three years shared stages with critically acclaimed bands such as Moon Duo, White Manna, The Myrrors and Mugstar. Members of the band recorded here include names from a host of other local Tucson psych ensembles, such as The Desert Beats, The Night Collectors, and Wight Lhite. 'Magnetic Anomaly' is available to buy on lovely vinyl from Cardinal Fuzz, Sky Lantern Records or via cobrafamilypicnic-slr.bandcamp.com

Sampled vocalisations precariously count down to lift off as ‘Draags’ winds up a twisted drone, skittish feedback laden guitars and the surge of instrumentation like some deranged psych induced jazz recital in the back room of an Albert Hofmann experiment. Off kilter percussion keeps a rhythmic almost processional beat as undulating keyboard thrills tickle and harass the hum of bass frequencies and the whip of angry lead lines whilst swirling vocal samples intertwine brilliantly with seething noise and entrancing production. This is a fascinating jump off point to a deeply experimental collection of minimalistic tracks that literally pierce the listeners inner psyche, taking them on a journey of sonic discovery in the trance-inducing process. ‘IPT 001’ is a sojourn, a side step if you will into the eye of a spinning instrumental drone badgered by fizzing vocal samples and turbulent electronic theatrics while deeply transfixing atmospherics swirl and whirr through layers of mind altering reverberations.

‘Elysium’ shakes into audible range stuck fast to shimmering waves of tambourine and snaking feedback. Tumbling drum patterns envelope a throbbing bass line as the pull of wah-wah pedal melds with spiralling electronics licking and caressing a yearning vocal take. Shamanic instrumentation undulates and pulses psychedelically charged waves out into the ether as the track builds and builds into a raging sonic behemoth making ‘Elysium’ my favourite track on the entire release. Revolving drones intertwined with sporadic but haunting vocalisations announce the arrival of ‘IPT 011’ and we’re thrown headlong into an experimental world of intensely atmospheric synth swells, resonating fret board theatrics and deep lying reverberations melded with dissonant electronics and glistening field noise whilst ‘Frost’ breaks the serenity and streams into earshot on a thunderous drum pattern accompanied by shaking tambourine and a swirling instrumental drone. Tremulous guitars ride the collective sonic surge as the arrival of sublime vocalisations and screaming lead lines twist the mood from one of metronomic incantation into ascending space rock before we fall out the back end into a blistering melting pot of lysergic repose.

Melodiously fuzzy bass frequencies keep steady time as ‘Gilgamesh’ meanders into earshot pulling with it the shimmer of tambourine and those mechanical drums. Mind altering guitar signatures circumnavigate reverberating vocal lines, whipping and harassing each word to within an inch of its life as those sullen organ lines bubble up from below adding delicious atmosphere. ‘IPT 111’ hovers in a haze of atmosphere as sporadic drones fizz and whirr through horrifying vocal samples and swirling instrumental waves. Potent percussive hits meld with dancing electronics that pull the listener into it’s deeply experimental finale whilst the albums penultimate piece groans into existence tumbling within a swirling sonic behemoth. ‘Moody Mountain’ pummels the senses with fuzzy archaic melody and incandescent frequencies that build and build into raging instrumental drone until the arrival of a slow rolling beat and eventually brings some clarity to proceedings, pulling with it an impenetrable bass line, atmospheric vocalisations and a raging wall of guitars. For those of us lucky enough to purchase this album on vinyl there’s an additional bonus track entitled ‘Contact’ to grace your earholes with once you partake in using the digital download code provided. This track is a nine minute white knuckle ride through pulsating kraut like percussion, addictive bass lines, echoed vocal lines and raging guitars that will quite literally blow your mind. A fantastic ending to a marvellous album.

4/5

LINKS:

cobrafamilypicnic-slr.bandcamp.com

cobrafamilypicnic.com

facebook.com/cobrafamilypicnic/

skylanternrecords.bandcamp.com

cful.bandcamp.com

ABOUT THE AUTHOR: 

Del Chaney - (Author Photo)

Del Chaney has spent the last five years dedicating his time to uncovering the best artists in the unsigned or small independent label based shoegaze, ethereal dream pop, post punk & modern psych rock from all over the globe & reviewing them for this blog - The Primal Music Blog. He is also a contributing  writer for The Sound Of Confusion (Now On Hiatus). His other arm  - Primal Radio -  has gained considerable respect from bands and promoters alike since its conception in 2013 & has helped him in actively promoting a genre of music that he is passionate about. Hailing from Dublin, Ireland, he is a keen Vinyl Collector, Tattoo Fan & all round good guy! He is a self confessed music freak & is never far away from a studio console or a turntable.


Hawkeyes / The Radiation Flowers - Split LP - Featured Image (700x700)

EP REVIEW | Hawkeyes / The Radiation Flowers - Split EP

ARTIST: Hawkeyes / Radiation Flowers

RELEASE: Split EP

RELEASE DATE: 7th July 2017

RECORD COMPANY: Sunmask / Cardinal Fuzz

Ontario based heavy psych aficionados 'Hawkeyes' have joined forces with Saskatoon natives 'Radiation Flowers' on a brand new five track 'Split EP' that is absolutely immense. Stacked with massive walls of hypnotic acid drenched noise 'Hawkeyes' formed back in 2012 (apparently out of sheer boredom) and began self-releasing tracks on cassette before their debut album 'Poison Slows You Down' was picked up by Helmet Lady Records back in 2015. 'Radiation Flowers' on the other hand create spacious psychedelically charged shoegaze permeated at times by edgier, fuzzier moments of sonic contemplation accompanied by floating vocalisations that hark back to that early 4AD sound. The album gets it's full release on the 7th July 2017 via 'Sunmask' and the ever reliable Cardinal Fuzz Records and it available to pre-order right now on colour vinyl with full colour printed inner sleeve via cful.bandcamp.com

'Hawkeyes' open up proceedings with the first of two tracks; 'Atom Heart Motherfuckers Never Learn' swirls into audible range stuck firm to a warbling atmospheric guitar progression steeped in hypnotic reverberations. Sparse flourishes of cymbal and fizzing fret noise pull a massive surge of instrumentation into play as growling guitars, humming bass and steady percussion gently pushes us out into a turbulent sonic sea. Wailing lead lines whip up a sonic frenzy as a pulsing metronomic procession of drums and bass keep up a steady tempo for eight minutes plus, acting like some sort of sonic chariot meandering through layer after layer of spaced out grooves and ambient hued textures before 'Hawkeyes' briefly slip their spaced out ambient leanings and explode into a riotous sonic behemoth filled with darker, heavier guitar progressions and explosive accompanying instrumentation, goading the listener with their impressive mind bending production. All in all this is a massive opening salvo. Their second track entitled 'Creator Destroyer' floats into earshot on a wave of intense atmosphere deftly enveloped in beautifully textured acoustic guitar progressions and hushed vocal tones. That illusion is quickly shattered however as they explode into a cacophony of fuzz and reverb. Soaring lead guitars intertwine with delay & the pull of wah-wah to create a claustrophobic wall of hypnotic sound that builds and builds, tumbling brilliantly through rolling percussion and driving bass frequencies before culminating in a wind swept spoken word finale.

'The Radiation Flowers' unfurl '33 Floors Up', a pulsating sonic behemoth that pounds its way through the ether on a resonating wave of instrumentation swirling magnificently through layer after layer of tantalising reverberations. Soaring guitars traverse huge organ swells and there's no let up to the meandering whip of turbulent frequencies as this track explodes into the ether. Up next, 'Always On the Ground' bounds into earshot rocking giddily on a throbbing bass progression before squally synth hits add a sliver of comedy. Off kilter percussion drags itself into the mix accompanied by luscious lead guitars drenched in subtle feedback, effected fret noise and lashings of reverb. The collective instrumentation builds into a rolling wash of sound as beautifully translucent vocalisations ebb and flow into earshot underscored by an off putting organ drone before huge swathes of noise erupt, adding blistering atmospheric depth that seems undulates on that bouncing bass line. The album closes out with 'Never Fade' as 'The Radiation Flowers' meld tremulous shoegaze & indie rock with 60's psych flair. Surging organ swells ride a steady drum pattern as swirling lead guitar lines wrap themselves around another impressive vocal performance. Catchy chorus changes coupled with intricate guitar progressions keep this listener interested as the band inject some serious jolts of melody into proceedings. A fantastic ending to a rather interesting split release.

4/5

LINKS:

cful.bandcamp.com

hawkeyes.bandcamp.com/

theradiationflowers.bandcamp.com/

discogs.com/seller/sunmask/profile

cardinalfuzz.bigcartel.com/

ABOUT THE AUTHOR:

Del Chaney - (Author Photo)

Del Chaney has spent the last five years dedicating his time to uncovering the best artists in the unsigned or small independent label based shoegaze, ethereal dream pop, post punk & modern psych rock from all over the globe & reviewing them for this blog - The Primal Music Blog. He is also a contributing  writer for The Sound Of Confusion (Now On Hiatus). His other arm  - Primal Radio -  has gained considerable respect from bands and promoters alike since its conception in 2013 & has helped him in actively promoting a genre of music that he is passionate about. Hailing from Dublin, Ireland, he is a keen Vinyl Collector, Tattoo Fan & all round good guy! He is a self confessed music freak & is never far away from a studio console or a turntable.


ALBUM REVIEW | Stupid Cosmonaut - Algol (Drone Rock Records)

ARTIST: Stupid Cosmonaut

RELEASE: Algol

RELEASE DATE: March 2017

RECORD COMPANY: Drone Rock Records

UK based sound manipulators ‘Stupid Cosmonaut’ release the next chapter in their impressive sonic catalogue this coming March via Drone Rock Records in the form of their deliciously entrancing four track monolith 'Algol'. Their sound permeates the outer reaches of ambient psych-rock whilst it’s inner core is full of dark, atmospheric synth swells, beautifully produced percussion and swathes of minimalistic drones that collectively create music to immerse your entire being into until you float away on sonic ripples of shimmering ambience. The band are made up of Steve McNamara – synths/bass, Sam Read – synths,/guitar, Andy Hunt – drums & Mark Hawnt - synths. The album is available to pre-order right now on lovely vinyl (colour Side A / Side B effect in black and grey/limited to 250 copies) via dronerockrecords.com

'Algol' unfurls it's sonic wings and swirls into earshot on a wave of hushed voices, haunting bass frequencies and repetitive fret board theatrics. 'Solitary Stasis' floats through the ether on clouds of sweeping synth swells and ambient reverberation coupled with intense atmosphere and the constant chattering of samples vocalisations that seem to come and go in and out of earshot at will. A stunning opening track indeed. Up next, 'The Demon Star Pilot' announces itself on indignant guitar tones and swirling synth swells. coming in at a whopping sixteen minutes plus I quickly realise that I have to strap myself in for the long haul. Senses pummelling frequencies underscored by dark swathes of unrelenting synth lines quiver and wail in a visible mass of atmospheric reverberation as we're swept up and advanced into what I now firmly believe deep space actually feels like. Alone and frightened the arrival of a metronomic percussive thrill and something solid sonically to focus on is a welcome reprise. That's not to say this isn't enjoyable, I'm simply referring to the brilliance of 'Stupid Cosmonaut' and their use of dark atmospherics to stimulate the senses. 'The Demon Star Pilot' rumbles on through massive walls of shimmering synth and soaring lead guitar lines as the ever present cadence of drums, addictive bass thrills and droning instrumentation loops and arcs all over the entire track, helping the listener to experience the full on sonic arsenal that this band can unleash at will. Let's not be fooled here, this track is absolutely immense! You need to listen to it via headphones to experience total sonic immersion.

The album moves on with frightening pace as the albums penultimate piece 'Passing Between Dancing Giants' enters into audible range spiralling menacingly in seething synth lines, echoing reverberation and the constant thump of repetitive drum progressions. 'Passing Between Dancing Giants' is so good it belongs on a sci-fi movie soundtrack. It is huge in scale and moves like a monstrous tidal wave through the ether pulsing instrumental drones, sound waves and frequential noise through swathes of dark reverberation, deploying expansive deluges of sound into every single facet of being. Its a triumphant piece and one that I will keep coming back to again and again. The album closes out in a flurry of psych induced guitar progressions, surging synthetic drones and turbulent glitchy sound waves. 'Barus' is absolutely immense! Swirling atmosphere builds rapidly from behind the dark oppressive instrumentation as hauntingly good production holds court dragging this behemoth into the ether, pulling with it sparse percussion and the dark throb of bass frequencies. Synth swells bob and weave a steady path, intertwining with the twang of guitars but dodging the explosive drum patterns as 'Stupid Cosmonaut' unleash the heaviest track on the entire release. Gone are the ambient stylings of previous tracks to be replaces by a monolithic modern day space rock anthem! 'Barus' is a fitting end to a bloody marvellous album!

Bravo 'Stupid Cosmonaut' ..... we've just pre-ordered this one on vinyl!

4/5

LINKS:

dronerockrecords.com

stupidcosmonaut.bandcamp.com

facebook.com/stupidcosmonaut/

twitter.com/stupidcosmonaut

ABOUT THE AUTHOR:

Del Chaney has spent the last four years dedicating his time to uncovering the best artists in the unsigned or small independent label based shoegaze, ethereal dream pop, post punk, post rock & modern psych rock from all over the globe & reviewing them for this blog - The Primal Music Blog. He is also a contributing writer for The Sound Of Confusion (Now On Hiatus). His other arm - Primal Radio - has gained considerable respect from bands and promoters alike since its conception in 2013 & has helped him in actively promoting a genre of music that he is passionate about. Hailing from Dublin, Ireland, he is a keen Vinyl Collector, Tattoo Fan & all round good guy! He is a self confessed music freak & is never far away from a studio console or a turntable.


EP REVIEW | Tuath - Things I Don't Know

ARTIST: Tuath

RELEASE: Things I Don't Know

RELEASE DATE: 28th January 2016

RECORD COMPANY: Unsigned

‘Tuath’ exploded onto the Irish underground scene back in March 2015 with their intensely addictive & deeply experimental debut EP ‘An Taobh Tuath(Ail)’ closely followed by their immense spaced out single ‘Amhairc Thart Ort Fein’ in September of the same year. Last year the band returned with a blistering four track EP entitled ‘Existence Is Futile’ packed full of experimental dreamscapes that skipped from serine psych-rock into blissfully dreamy shoegaze and on into expressive jazz fusion coupled with swirling hypnotically progressive rhythms and sullen space rock hues. Now the band have created what is probably their most interesting release to date. 'Things I Don't Know' pulses through four tracks of soaring reverb laced progressions, deeply filled with haunting vocalisations that are collectively underpinned by heavier grunge filled moments, swirling instrumentation and massive swathes of melody.

The opening track, 'Stoically, I Ran Through The Rubble' jangles into earshot on wavy guitars and floating atmospherics. Melodious vocals hold court here and when allowed to roam in the over all mix have a knack of drawing you into them even when all around them is waging a sonic war of attrition. Up next, ‘Seacht Seachtaine’ revolves effortlessly around an addictive guitar progression as Rob Mulhern’s darkly melodic vocals churn through wave after wave of diminishing reverb and pulsing sequenced swirls. The back story surrounding this track is harrowing. It deals with the loss of Mulhern's close friend who committed suicide back in 2016 and the events incorporating the seven weeks between hearing he was dead and the coast guard having found the body. It's written as a narrative in Ireland's native tongue and it ignites into an agitating psychedelic behemoth with punishing percussion that drags droning guitars and boiling saxophone lines into the mix thus melding perfectly with haunting vocalisations, twisting and arcing into one massive wave of utterly addictive turbulent noise. Possibly my favourite track on this entire release ‘Seacht Seachtaine’ is a serious recommendation from me.

The penultimate piece on this release 'Things I Dont Know' swirls into the ether on waves of shimmering synth & reverberating guitars, occasionally broken up by the incoherent ramblings of Tuath’s lead man Rob Mulhern and the welcomed sampled vocalisations of Carl Sagan. Just as we’re about to float away into the ether however, explosive percussion shatters hypnotically charged sonic incantations by driving a flirtatious break beat into proceedings that leads us on merry dance through stellar production theatrics and on into the tracks atmospheric finale. The EP's closing act entitled 'Superhighway To Ignorance' drones into the audible range held fast in tempestuous swirling synth line before exploding into a raging torrent of noise that meanders through so many different musical genres it’s difficult to pin one down at any given time. 'Superhighway To Ignorance' is a whirring ball of sonic turbulence supplemented at times by wailing incoherent vocalisations and driving instrumentation. It has repetitiously overdriven guitars that ride a tempestuous beat whilst it's lead lines lick and harass the piece to within an inch of it’s life. It’s important to stress here that traditionally ‘Tuath’ are masters of experimenting with sound so newer fans of their work might be asking themselves ‘What The Fuck?’. Don’t panic, go with it & pop on some headphones to check out what is actually going on under the latent noise. This track will be an absolute monster when played live and it's a fitting ending to what is a massive step up for a band who we have covered intensely here at Primal Music from their very first release. Bravo Tuath!

5/5

LINKS:

soundcloud.com/tuath

facebook.com/tuathband

tuath.bandcamp.com

tuath.space

ABOUT THE AUTHOR:

Del Chaney has spent the last four years dedicating his time to uncovering the best artists in the unsigned or small independent label based shoegaze, ethereal dream pop, post punk, post rock & modern psych rock from all over the globe & reviewing them for this blog - The Primal Music Blog. He is also a contributing writer for The Sound Of Confusion (Now On Hiatus). His other arm - Primal Radio - has gained considerable respect from bands and promoters alike since its conception in 2013 & has helped him in actively promoting a genre of music that he is passionate about. Hailing from Dublin, Ireland, he is a keen Vinyl Collector, Tattoo Fan & all round good guy! He is a self confessed music freak & is never far away from a studio console or a turntable.


ALBUM REVIEW | Shoegazer Sanctuary Records (V/A) - Gazing Into Andromeda Volume II

ARTIST: Shoegazer Sanctuary Records

RELEASE: Gazing Into Andromeda Volume II 

RELEASE DATE: 7th January 2016

RECORD COMPANY: Shoegazer Sanctuary Records

I'm not really one for reviewing compilations. I've always found that they're either full of the same old, same old bands & featured artists or it's just another blog, webzine or net label trying their luck by forcing me into another click bait exercise. It's all a very disappointing & mundane exercise to be honest. But I sat back and watched as the Connecticut based net label 'Shoegazer Sanctuary Records' release their debut compilation 'Gazing Into Andromeda Volume I' in July of last year and I was mesmerised at how they selected the list of artists for the release. They didn't add the usual heavy hitters from the underground psych/gaze/ethereal/ambient scene just to get Facebook likes or numbers across a blog. They didn't annoyingly force the release into my inbox either by harassing or tagging me in their social media posts. They purposefully & honestly decided on each artist by their sonic individuality (and not by their social standing) and that's the reason why I'm reviewing this compilation release today. 'Gazing Into Andromeda Volume II' features 20 artists from the world wide space rock, shoegaze, psych-gaze & ambient electronica scene that you may or may not have ever heard of before, and that really shouldn't matter. What you can bet your bottom dollar on is that every single track on this release will blow your socks off. As usual the label have put this out as a 'Name Your Price' tariff up on their bandcamp page: shoegazersanctuaryrecords.bandcamp.com

This massive compendium of sound opens up with Italian giants 'Clustersun' and a track taken from their amazing 2014 release 'Out Of Your Ego'. The chosen track is 'Clustersun' and it shimmers in a beautifully translucent psych-gaze haze filled with melodic drones and fizzy sonic sequences. Up next, Melbourne natives 'Fire To The Stars' bring magical synth swells, swirling vocalisations and droning reverberation to the fore as 'Keep You Safe' taken from their 2016 release 'Made Of Fire' is brought to bare. Connecticut based 'Omega Vague' unleashes a huge sonic behemoth next, in the form of 'From The Outside', lifted off last years triumphant full release 'Obsolescent' whilst Canadian based 'Slowly' ushers in tremulous instrumentation and gloriously addictive shimmering tones as the melancholically atmospheric 'Melt' does exactly as it says on the tin. Utterly delectable and a beautifully crafted piece of music.

It's off to Malaysia next as we're graced with beautiful waves of reverb laden guitars and ethereal vocalisations courtesy of the track 'Past', lifted off SOFT's majestic 2013 release 'A Warm Romanticism In A Coldwave Room'. Sit back as this track explodes into the ether, swirling into beautiful, cascading frequencies as it burns out. Up next is the California based Ryan Fields aka 'Project Skywards' and a track called 'No More Lies' originally released back in 2006 on his immense 4 track EP entitled 'Sirius'. 'Project Skywards' blend ambient electronica and experimental space rock with magnificent results. Definitely worthy of your ears. The next five track blend seamlessly. The hazily hypnotic space rock sounds of 'The Quality Of Mercury' swirl into the ether as 'Her Eyes Are The Stars' explodes into earshot whilst Sweden's own shoegaze wonders 'Zeit' bring the noise with their 2013 release 'Silvery Nights'. Then it's up to Atlanta based 'Absence Of Ocean' to bring their majestic blend of experimental post-gaze into the mix as 'We Don't Sleep' spins into earshot on a cloud of swirling reverb & quivering atmospherics. Up next, impressive Californian doom gazers 'Sleep White Winter' bring a heavy darkness to proceedings with two tracks. Firstly 'Philo Sophia' gets a spin, lifted off their latest six track release 'Degeneracy of Nostalgia' followed by 2014's 'A Succession of Unrecognizable Emotions' lifted off their self titled full length album.

Half way through and the immense tracks keep coming. One of our favourite UK based bands of the past few years 'The Virgance' aka Nathan Smith injects his fuzzy brand of experimental psych into proceedings with the incredibly intense  'Saturnine', lifted off his immense 2015 release 'Paradigm 3' whilst up next we're whisked off into a dreamlike electro-gaze state as Vitaly Bogachev aka 'Talhayme' unleashes 'Real Me' lifted off his 2016 release 'Telesanctuar'. Up next are a band who tweaked my attention back in 2014. Melbourne based 'The Lost Jackets' released a five track EP back then entitled 'The Airports Of The World All Look The Same' and I instantly fell in love with it. Here they are represented by the brooding track 'Sirens', lifted off their 2016 release 'Don't Turn Your Back On The Sea'. Well worth your time! Argentina based 'Ison Spectra' swirls effortlessly into earshot with their experimental space-gaze release 'Oceano' whilst Brazilian based Roberta Artiolli and Bruno Romani aka 'S.E.T.I' reinvigorate the senses with the beautifully dreamy synth laden 'Sinta​-​se, Perca​-​se', taken from their latest full length album 'Extase' released back in 2015. Santiago, Chile is our next port of call as delicious dream gazers 'Perfectos Extraños' float into earshot on a swirling frequential drone and instrumental atmospherics. The track represented here, entitled 'Shanghái' is filled with warm, summery eastern flair.

Québec based 'The City Gates' have been wowing the underground fraternity over the past year or so with their brand of no nonsense gaze induced soundscapes. The brilliant 'Maddening Ride' is taken from their highly anticipated forthcoming sophomore release penned in for sometime in 2017. Recommended listening if you ask me. Up next, Berlin based shoegazers 'Downhill Willows' unleash the brilliant track 'Machines', lifted off their self titled debut album, released back in 2016. Special mention here has to go to the immense vocalisations of Kenneth Estrada. Check them out. The spiralling dark-wave sounds peppered with subtle psych-gaze highlights of North Carolina based 'Spirit System' (another band that we've reviewed here at Primal) effortlessly swerve into audible range with their track 'Nest' lifted off their immense album 'Nightfalling' whilst the brilliant London based 'Doldrums' have added their epic track 'Dreamcatcher' to the list, bringing with it a touch of impressive neo-psychedelia. I'm please to see another one of my favourite bands make an appearance on this compilation as Michigan based 'Great Black Night' bring their fuzzy brand of melodiously dreamy psych-pop to the sonic table. 'Spit You Out' is lifted from the bands latest six track release 'Lift Those Hands', a serious recommendation from me! 'The Dead Lucid' released their debut six track self titled EP to the masses back in October 2016. This is an immense slice of impressive psych rock and it's well represented here with 'If You Don't Mind', a serious throw back to that delicious 60's psych sound.

Self classed as 'Soundgaze', Rome based Massimiliano Nardulli and Gabriele Saffioti aka 'Pipes Not Dead' create a heady mix of shoegaze & electronica with outstanding results. 'The Place Where Time Stood Still' plinks into existence on sequenced theatrics and electronic percussion before scooping you up on a journey of sonic discovery. Up next are the experimental indie rock/shoegaze stylistics of L.A based 'PurePleaser' who's track 'The Grateful 4' at first confuses me before exploding into a electro-gaze masterpiece.  The penultimate track on this epic 20 track compilation comes courtesy of 'The Infinite Seas', an LA based electronica duo comprised of Infinite Creativity Group Founder and Producer Dino Bose and Vocalist/Dancer Yanna Fabian who create dark and broody electronica. 'Dark Lightning' is reminiscent at times to the brilliant 'Spc Eco', with it's huge production and ear catching vocalisations. The final piece of this immense worldwide sonic puzzle goes to Maryland based 'Soñder' and their specially commissioned 'Sanctuary Remix' of 'STRAÑGE'. A fitting book end to one of the more interesting music compilations out there today. Go get it!

4/5

LINKS:

shoegazersanctuaryrecords.bandcamp.com

twitter.com/JShoegazer

facebook.com/groups/shoegazersanctuary/

facebook.com/shoegazersanctuaryrecords/

ABOUT THE AUTHOR:

Del Chaney has spent the last four years dedicating his time to uncovering the best artists in the unsigned or small independent label based shoegaze, ethereal dream pop, post punk, post rock & modern psych rock from all over the globe & reviewing them for this blog - The Primal Music Blog. He is also a contributing writer for The Sound Of Confusion. His other arm - Primal Radio - has gained considerable respect from bands and promoters alike since its conception in 2013 & has helped him in actively promoting a genre of music that he is passionate about. Hailing from Dublin, Ireland, he is a keen Vinyl Collector, Tattoo Fan & all round good guy! He is a self confessed music freak & is never far away from a studio console or a turntable.