EP REVIEW - Martes Niebla - Martes Niebla - Post Image - (300x300)ARTIST: Martes Niebla

RELEASE: Martes Niebla

RELEASE DATE: April 4th 2018


From the far away lands of Seville, Spain, comes the dynamic dream pop/post-punk genre crossover of ‘Martes Niebla’, a band whose self-titled debut EP keeps things simple yet stunningly enjoyable. Across four tracks the band, singing in their native Spanish, pull together a sonic palette so effortlessly enjoyable that I could comfortably call it one of my favourite reviews of this past while. Unlike many contemporaries, Martes Niebla don’t spend effort and time trying to sound like somebody else; they defiantly push through with something that remains both un-complicated and strikingly beautiful. The band are made up of Inés Olalla (Blacanova), Erica Pender (Terry vs. Tori), Davis Rodriguez (Escuelas Pías), Cristian Bohórquez (Blacanova, Escuelas Pías) & Paco Arenas (Blacanova). ‘Martes Niebla’ had it’s official release back on April 4th 2018 and is available to buy/download right now via martesniebla.bandcamp.com

‘Fósiles’, the opening track, displays these aforementioned qualities of contrast: between sentimentality and exploration, between simplicity and intricacy and more, in the most direct way. The guitar riff that weaves itself throughout the song sits comfortably atop the slow build of a drum beat and a constructed guitar soundscape in the background. The vocals float along with the instruments in such a way that they become like a second guitar riff, breathing a personality into the instrumental colouring of the song. ‘La verdad blanda’ follows, with its much more upbeat and almost dance orientated backing drum beat. The guitars take a back seat to the rhythm section, meanwhile a neat female vocal (which fits perfectly with the scope of the song) sings in a dreamy voice over the track. Somewhere between post-punk and electronic rock, Martes Niebla again utilize their own originality to make something that, above all, is supremely enjoyable.

Speaking of post-punk, ‘Marble’, the EP’s third track, takes a leaf from French coldwave. It opens with a drum/bass combination that sounds like something straight out of an 80’s post punk track; the production is icy, laid out yet danceable and emphasis is placed on the rhythm section while vocals and guitar enter and exit jaggedly against the music’s backdrop. While it differs from the opening track, I feel it appropriately suits the band and their sound in the context of the whole EP. ‘Cervatillos’ may be the best track on the entire EP. It utilizes that nostalgic feeling that can be found on ‘Fósiles’ and develops it further: pushing it past the six minute mark while never letting things feel overlong or extensively drawn out. Ultimately, the sound is a familiar one: much like previous tracks, ‘Cervatillos’ showcases the bands interest and influence from post-punk and dream-pop.

There isn’t a huge amount to add in retrospect to this review. Things are pretty simple: an interesting band create interesting music that sounds unique without being pretentious. The production is done well, the performances are fantastic, the music is well written, and the sound is neat and slender. Thrown together these elements make something worth listening to and beyond. Okay, stop indulging in this review, quit the ostentatious bands that try to hard and enjoy something made of pure and intelligent sound.








Cam Phillips - Contributing Writer

Cam Phillips is a writer and above all, a music lover, who seeks to gain experience through writing and listening. He is also an avid film viewer and art and literature junkie who enjoys creative writing. His most recent published work was featured on Baeble Music and Culture (USA), Sounds and Colours Magazine (Latin America, London), Easterndaze (Latvia) and the Australian-based heavy music blog, I Probably Hate Your Band.