ARTIST: Hanford Reach

RELEASE: Nathalie EP

RELEASE DATE: 25th January 2019

RECORD COMPANY: Medium Lavender Music 

Brooklyn-based ‘Hanford Reach’ first tweaked our radar back in 2017 just before the release of their debut four track EP ‘Canyons’. Since then the recording duo, consisting of Chris Sherman & Leah Cinnamon, have released a splattering of singles leading up to this brand new four track release entitled ‘Nathalie’. Spanning a multitude of sonic disciplines, ‘Hanford Reach’ create solid, melody filled standards stuffed to the brim with ear catching chord structures and clever instrumentation. ‘Nathalie’ was officially released on the 25th January 2019 via the bands own record label ‘Medium Lavender Music’ and is available to buy/download right now from

The EP open up with ‘Ontario’; driving guitars ride a ridiculously live sounding drum pattern before collectively imploding into a swirling cacophony of golden tinged synth and the luscious pull of cleverly created bass frequencies. Steeped in punchy and  woozy psych-pop, the vocal lines courtesy of Chris Sherman, cut through the instrumentation brilliantly, instilling melody and an overall freshness to a sound that we’ve come to know from the bands previous releases. Up next, ‘Microfiche’ arrives swaying to a slow moving percussive swagger and trapped in a dense cloud of jangling guitars. Featuring Dan Kendall on synths and effects, the track glides gracefully on that cascading baseline before falling into precise reverb filled instrumental pauses with ease and capturing another impressive vocal performance wonderfully.

‘Asunder’, the EP’s lead track, resonates into audible range on splurge of guitar trickery and jazzy drum pattern before woozy bass notes and swells of synth arrive to back up that fragile vocal line. Building majestically, it charges into a fantastic chorus change, led in part by a blistering lead guitar line and explosive drum rolls. Melodic in intensity and brilliantly executed, ‘Asunder’ is a definite EP highlight for me. ‘Nathalie’ closes out with ‘Morning Phantoms’, a busy psychedelically leaning sonic behemoth that loops and arcs through layers of glistening reverb and those jangling lines of guitar. Irresistibly catchy, the bass line meanders and snakes just below the mix, intertwining with those huge drum fills and the addictive swell of woozy synth while the vocal lines ride the infectious sonic melee below. It’s a great ending to another impressive Handford Reach release.




Del Chaney - (Author Photo)

Del Chaney has spent the last six years dedicating his time to uncovering the best artists in the unsigned or small independent label based shoegaze, ethereal dream-pop, postpunk & modern psych rock from all over the globe & reviewing them for this blog – The Primal Music Blog. He is also a contributing writer for The Sound Of Confusion (Now On Hiatus). His other arm  – Primal Radio –  has gained considerable respect from bands and promoters alike since its conception in 2013 & has helped him in actively promoting genres of music that he is passionate about. Hailing from Dublin, Ireland, he is a keen Vinyl Collector, Tattoo Fan & all round good guy! He is a self confessed music freak & is never far away from a studio console or a turntable.