ARTIST: Has A Shadow

RELEASE: Sorrow Tomorrow

RELEASE DATE: 18th January 2017

RECORD COMPANY: Fuzz Club Records

Mexico natives ‘Has A Shadow’ release their sophomore album (their first via Fuzz Club Records) entitled ‘Sorrow Tomorrow’ on January 18th 2017. The band create a brand of dark and ritualistic modern day psych gaze that heaves and undulates through swathes of unabashed reverberation and driving instrumentation tinged with menacing gothic tones. This new album follows a run of EU dates that included an appearance at Liverpool Psych Fest and shows with LSD & The Search for God, TAU and The Jabberwocky Band. You can pre-order ‘Sorrow Tomorrow’ ahead of it’s January release, on various formats over at

In a hail of fragmented frequencies and the sampled barking of dogs the opening salvo’s of ‘Sorrow’ squeal into audible range riding rough shot on shuddering synth swells and the metronomic sway of percussion. Tormented vocalisations swirl repetitiously as the track builds and surges into a raging sonic tornado allowing it’s wailing guitar progressions to pulse wave after wave of intense reverberation out into the ether. Up next, ‘Lord Of Flies’ saunters into the musical arena with a distinctly edgy swagger. It’s creeping drum pattern swings hypnotically dragging with it those dark organ progressions, snaking guitars and the menacing throb of bass frequencies. Vocally ‘Lord Of The Flies’ is steeped in gothic flair and unrepentant reverberation as we exquisitely meander through waves of intense dark frequential matter and swirling atmospherics making this a brilliantly executed track. Track three, ‘The Flesh’ pulsates and swirls on undulating waves of dark instrumentation that includes throbbing bass lines, reverb laced organ swells, repetitive percussion, fuzz -laden guitars and hauntingly good vocalisations.

‘Attack Of The Junkie’ effortlessly drones into earshot, building repetitiously as the drag of the organ swell brings with it those thunderous drums and echoing vocalisations. This track is a driving psych induced behemoth that takes no prisoners as it’s tremulous guitars & throbbing bass progressions wage a war of sonic attrition, bending unsuspecting frequencies at will until eventually turning them into a colossal wall of magnificent noise. ‘Attack Of The Junkie’ is a triumphant track, possibly my favourite on the entire album. It is inherently filled with hard hitting sonic aggression and worthy of your ears. ‘Cul De Sac’ pulses on a sequenced synth line as ‘Has A Shadow’ unleash a noisy post-punk sheen on proceedings. The melodious bass line weaves a jittering sonic web as it works through it’s predesignated course, all the while being harassed by swirling reverberation, intense vocalisations and dark menacing instrumentation. Guitars explode into a cacophony of noise as those hypnotically charged organ lines takes hold, dragging the listener with them on an undulating white knuckle thrill ride.

Up next, the albums latest single jangles into earshot steeped heavily in an air of atmospheric trepidation. ‘Vampire Kiss’ has brash and scuzzy guitars that swirl deep within a dark haze of reverb. You really have to check yourself as those throbbing bass frequencies & thunderous drums dance and swing a hypnotically charged jig, effortlessly circumnavigated by those hauntingly good organ lines and the foreboding vocal tones of Daniel Garcino. ‘Horror Will Grow’ swirls into the ether on a another repetitious drone as it’s menacing organ lines snake and move held fast within a turbulent cloud of dark reverberation accompanied by brilliantly executed guitar lines and shuffling percussive hits. This slow burning psychedelic beast stalks the outer limits of the subconscious as those swirling vocalisations of Garcino slowly pick their way through the many layers of the human psyche and burrow themselves where they can be instantly recognisable for future reference.

The albums penultimate track explodes in a torrent of thunderous drums and driving guitars. ‘Not Even Human’ shatters the slow burgeoning drag of the previous track by spewing forth a cacophony of fuzzy atmospheric instrumentation & jittering repetitious noise. Somewhere deep within the sonic maelstrom, however, Daniel Garcino vocals meticulously hold court and strenuously keep everything together magnificently. The albums final onslaught comes in the form of ‘World Sensation’, a swirling salacious beast riding a growling guitar progression and a sparse wave of percussion. The organ arrives on cue as the track explodes into a colourful array of reverberating frequencies orbiting another impressive vocal display, before we’re all swallowed up by glorious surf/psych sounds until the tracks finale! A belter of a track to finish off one hell of a sonic thrill ride.




Del Chaney has spent the last four years not only fronting popular experimental Irish based electronic duo Analogue Wave but also dedicating his time to uncovering the best artists in the unsigned or small independent label based shoegaze, ethereal dream pop, post punk, post rock & modern psych rock from all over the globe & reviewing them for this blog – The Primal Music Blog. He is also a contributing writer for The Sound Of Confusion. His other arm – Primal Radio – has gained considerable respect from bands and promoters alike since its conception in 2013 & has helped him in actively promoting a genre of music that he is passionate about. Hailing from Dublin, Ireland, he is a keen Vinyl Collector, Tattoo Fan & all round good guy! He is a self confessed music freak & is never far away from a studio console or a turntable.