ALBUM REVIEW - Prana Crafter - Enter The Stream - Featured Image - (700x700)

ALBUM REVIEW | Prana Crafter - Enter The Stream

ALBUM REVIEW - Prana Crafter - Enter The Stream - Post Image - (300x300)ARTIST: Prana Crafter

RELEASE: Enter The Stream

RELEASE DATE: 31st July 2018

RECORD COMPANY: Sunrise Ocean Bender 

William Sol aka 'Prana Crafter' has released some mesmerising experimental psych & acid folk through a plethora of underground labels throughout the years from his home base on Washington’s Olympic Peninsula. Through labels like  Beyond Beyond is Beyond, Eiderdown, Deep Water Acres, and Reverb Worship his soundscapes have permeated the sonic ether, flowing down through various levels of consciousness to paint a sonic tapestry so rich in colour that listening to his work is genuinely more akin to a intensely spiritual journey of sonic discovery. Now Sol has returned with what could be the best album of 2018 so far? A blistering new long player entitled 'Enter The Stream', a collection of eight tracks that skip effortlessly through ambient tinged psych folk, acid folk and kosmische styled psych rock all steeped in a kind of esoteric brilliance. 'Enter The Stream' is officially released on July 31st 2018 jointly via the good folks over at Sunrise Ocean Bender Records and Cardinal Fuzz Records and is also available to pre-order right now through pranacrafterabode.bandcamp.com

'Enter The Stream' begins meditatively, oozing an eerie kind of calmness that completely envelopes this listener in blissful sonic tones as those swirling acoustics tumble through layers of reverberation, carefully cushioning refrained vocalisations and the lulling tap of guitar strings. It's a beautiful opening salvo steeped in highly personal themes but wonderfully refreshing in the way it settles the listener from the off with its hypnotic almost metronomic swing that gently leads us into the ambient strewn wilderness that is 'Moon Through Fern Lattice'. This track opens up shimmering on layers of cyclonic drones and effervescent instrumentation accompanied by the addictive pull of lead guitar as we buffer on ambient themed waves of psychedelically attuned instrumentation. Up next, 'Mycorhizzal Brainstrom' floats into the sonic ether on waves of beautiful frequencies accompanied by progressions of guitar and the fizz of electronics. Melodic lines of lead guitar dance and swing with ease, dipping in and out of  translucent waves of reverb and the constant pitter patter of ambient synth. 'Mycorhizzal Brainstrom' is a triumph, a lysergic sonic adventure and an album highlight for me. 'The Spell' jangles into existence strapped to an acoustic progression whipped by the occasional line of distorted lead guitar overlaid with a kind of spaghetti western brilliance. Sol's vocalisations control the tempo here and they sit brilliantly inside the groove, eventually leading us into a lead break that momentarily shatters the air of serenity surrounding this track before we're back inside that swinging groove and pulled into it's final death throws.

'Old North Wind' bellows into life, moving on melodic tentacles of acoustic guitar draped in reverb and an instant hit of melancholy. Beautiful lines of vocal swirl around entrancing instrumental progressions joined sporadically by subtle highlights of lead guitar and slow moving percussion. A magical lead break unfurls it's sonic tendrils and intertwines with the melee of sounds adding blissful atmosphere as we flutter along in it's wake, pondering life and love and everything else in between whist up next, 'Kosmic Eko' does exactly as it says on the tin. Ambient stylings coalesce alongside angry pulses of distortion as tumbling lines of lead guitar plunge into pools of reverb allowing those swirling atmospherics to hold court as the track tries to build momentum from far below the mix. There's a hesitancy here, this listener wants the track to take flight and soar skywards but Sol has other ideas and allows it to tantalisingly hang in a cloud of frequencies until eventually it teeters out into marvellous oblivion. This is absolutely sublime songwriting craftsmanship and only goes to showcase just how good this album really is. The albums penultimate piece entitled 'Pillow Moss Absorption' begins with an acoustic progression that eventually leads into something altogether eclectic. Beautifully entrancing lines of guitar drenched in wah wah theatrics and underpinned with swells of organ and fizzing synths take centre stage as we're whisked off into an esoteric world filled with sonic wonderment. The instrumentation erupts again as progressions of acoustic guitar return and meld with waves of reverb, changing tempo with each sweep, tumbling and splashing through waves of brilliant production until we're swept headlong into the albums closing piece. 'At The Dawn' caps off a truly stunning collection of songs. This track feels like a bookend of sorts and whereas 'Pillow Moss Absorption' was loose and more free form in its approach, 'At The Dawn' is more structured and settled in its own skin. It's a beautiful ending to a truly marvellous album.

5/5

LINKS:

pranacrafterabode.bandcamp.com

pranacrafter.com 

facebook.com/pranacrafter/

twitter.com/pranacrafter

sunriseoceanbender.com

cardinalfuzz.bigcartel.com

ABOUT THE AUTHOR:

Del Chaney - (Author Photo)

Del Chaney has spent the last five years dedicating his time to uncovering the best artists in the unsigned or small independent label based shoegaze, ethereal dream pop, postpunk & modern psych rock from all over the globe & reviewing them for this blog - The Primal Music Blog. He also was a contributing writer for The Sound Of Confusion (Now On Hiatus). His other arm  - Primal Radio -  has gained considerable respect from bands and promoters alike since its conception in 2013 & has helped him in actively promoting genres of music that he is passionate about. Hailing from Dublin, Ireland, he is a keen Vinyl Collector, Tattoo Fan & all round good guy! He is a self confessed music freak & is never far away from a studio console or a turntable.


NEW SINGLE - Sun Mahshene - Takes Of Fiction - Featured Image - (700x700)

NEW SINGLE | Sun Mahshene - Tales Of Fiction

Dublin-based noise merchants 'Sun Mahshene' conjure up a blisteringly good lysergic brew filled to the brim with alternative led sounds, psych, shoegaze and swirling electronics on their highly anticipated new single 'Tales Of Fiction', penned in for release via Deathcapades Music Ltd on the 28th July 2018. High up on our list of bands to watch, 'Sun Mahshene' are on the forefront of Irelands own shoegaze revival, leading the sonic charge and transforming this once revered genre of music into something altogether new sounding. The musical collective is made up of Nathan Henderson - guitar/vocals, Ian McGinn - guitar, Ryan Daffy - guitar, Darren Hughes - bass, David Murray - drums, Ray Burke - percussion/backing vocals & Robert Crosbie - keys/synth. The single was recorded and co-produced in Darklands Audio (Dublin, Ireland) by Dan Doherty and written by Nathan Henderson.

'Tales Of Fiction' follows on from their sublime 2016 released EP 'Drones That Don't Kill' and is lifted from their forthcoming debut album entitled 'Contradictions & Tales of Fiction' due for full release this October. The single will be available to buy/download on release day via sunmahshene.bandcamp.com and all major streaming and digital platforms.

Recommended!

LINKS:

sunmahshene.bandcamp.com

facebook.com/sunmahshene/

twitter.com/Sun_Mahshene


NEW VIDEO - A Ritual Sea - Seasons (Like You) - Featured Image - (700x700)

NEW VIDEO | A Ritual Sea - Seasons (Like You)

Dublin/Paris-based dream-gazers 'A Ritual Sea' have unleashed a beautiful slice of summer in the guise of their new single 'Seasons (Like You)', the latest track to be lifted from their forthcoming and highly anticipated debut album penned in for release in early 2019. 'A Ritual Sea' released their marvellous debut single 'Serpentine' in late 2016, going on to share the stage with the likes of Jane Weaver and The Underground Youth, amongst others throughout 2017. The quartet have already been highlighted as ones to watch this year by some of our more enlightened peers here in Ireland and we reckon their collective sound is deeply infectious. It'll be very interesting to hear what comes next from them.

The accompanying video is delicious with a distinctly cinematic edge and was filmed in Lioux, France. It's the perfect accompaniment to those shimmering dream-pop sounds. The band will launch their new single on Thursday the 9th of August in Drop Dead Twice on Frances Street, Dublin 8 alongside Hostess (ex CAP PAS PCAP) and Father. 

Recommended!

LINKS:

soundcloud.com/aritualsea

instagram.com/aritualsea/

facebook.com/ARitualSea

twitter.com/ARitualSea


ALBUM REVIEW - Lumerians - Call Of the Void - Featured Image - (700x700)

ALBUM REVIEW | Lumerians - Call Of The Void

ALBUM REVIEW - Lumerians - Call Of the Void - Post Image - (300x300)ARTIST: Lumerians 

RELEASE: Call Of The Void

RELEASE DATE: 22nd June 2018

RECORD COMPANY: Fuzz Club Records 

Oakland-based psychonauts 'Lumerians' create a mind-bending hypnotic brew filled to the brim with parts procured from various music genres such as experimental psychedelia, space rock, krautrock, noise rock, drone rock, electronica & dub. The resulting concoction is a thrilling excursion into the mystical & futuristic realms of contemporary psychedelia. Formed in San Francisco back in 2006 by Chris Musgrave - drums/percussion, Jason Miller - vocals/synth/organ/guitar, Marc Melzer - vocals/bass/synth and Tyler Green - guitar/synth/keys, the band relocated to Oakland just before the release of their debut album 'Transmalinnia', building their own recording studio called New Telos Sound in a former church. They released their sophomore LP 'The High Frontier' back in 2013 and two collections of improvised compositions called 'Transmission from Tellos III & IV'. They have also shared the stage with bands such as My Bloody Valentine, Killing Joke and Black Moth Super Rainbow. Now after a four year hiatus the band have returned with their third 'official' studio album entitled 'Call Of The Void'. The album is released on June 22nd 2018 via Fuzz Club Records and is dedicated to the memory of Barrett Clark, 'Lumerians' long-time friend, sound engineer and collaborator who passed away in the tragic Ghost Ship warehouse fire in Oakland 2016. 'Call of the Void' is available to pre-order right now on various formats via both fuzzclub.comfuzzclub.bandcamp.com respectively.

The fizz of melodic electronics merge brilliantly with those swirling instrumental drones as ‘Fuck All Y’all’ arrives to permeate the ether accompanied by the slow pull of percussion and the deep throb of bass frequencies. Repetitive organ notes hover and glide just above the sonic melee whipped by tightly wound lines of lead guitar as we’re led into a magnificent break and momentarily guided out it’s back end by the lull of squally guitars and that hypnotically a-tuned metronomic tempo. ‘Fuck All Y’all’ serves up a sonic tonic to cure all ills and is a blistering opening salvo indeed. Up next, ‘Silver Trash’ pounds into existence on repetitive threads of motorik percussion as swirling synths meander through cascading lines of bass. Woozy guitars cling closely to that explosive drum track allowing the surge of electronic instrumentation, drenched in effects, to bring lines of vocal into audible range, all balancing precariously on top of tumbling swells of organ and whirring lines of lead guitar. ‘Silver Trash’ is a triumph, it’s absolutely phenomenal and a definite stand out piece on this album.

‘Space Curse’ bounces into the ether in a 70’s krautrock haze. Filled with intermittent bleeps and whirrs this track rocks steadily on a bedrock of rolling percussion as various analogue synths pulse lines of catchy chord sequences across booming bass frequencies deftly accompanied by fascinating lines of vocal whilst ‘Signal’ starts small but builds incrementally into a droning sonic behemoth filled with intense melody, ambient strewn breaks and lines upon lines of sequenced electronics. ‘Fictional’ rattles into the ether on a pounding drum track accompanied by hypnotically addictive bass progressions and soaring lines of synth. Duel vocal’s glide brilliantly here all enveloped by the swirling sonic maelstrom, adding squealing guitars and layers of stylish reverberation as fizzing electronica meets metronomic krautrock and collectively dives headlong into a broiling melee of lysergic tinged modern psychedelia.

‘Masters Call’ glides into audible range swirling on an instrumental drone as layers of reverb reach out to slow it’s momentum. Tumbling percussion accompanies booming pulls of bass as sequenced synths arrive to accompany those edgy lines of vocal merging brilliantly into one surging wave of psych induced electronica whilst the albums penultimate piece entitled ‘Ghost Notes’ is deeply atmospheric. Huge swells of reverberation embraces menacing lines of synth, rolling percussion and heady waves of bass frequencies as it’s entrancing vocal’s arrive meandering in and out of angry guitars and overpowering instrumental progressions eventually crescendoing into a magnificent bass led break that builds and builds all over again. ‘Ghost Notes’ is fascinating and another album highlight for me. ‘Call Of The Void’ closes out with ‘Clock Spell’ and instantly arrives strapped to a droning analogue signal and a slow moving line of structured percussion. Catchy electronic bleeps and whirrs accompany layers of reverb that seem to rise and fall brilliantly alongside those hypnotic vocalisations. It’s a blistering ending to a wonderful album.

4/5

LINKS:

fuzzclub.bandcamp.com

fuzzclub.com

facebook.com/Lumerians/

twitter.com/Lumerians

instagram.com/lumerians/

ABOUT THE AUTHOR:

Del Chaney - (Author Photo)

Del Chaney has spent the last five years dedicating his time to uncovering the best artists in the unsigned or small independent label based shoegaze, ethereal dream pop, postpunk & modern psych rock from all over the globe & reviewing them for this blog - The Primal Music Blog. He is also a contributing writer for The Sound Of Confusion (Now On Hiatus). His other arm  - Primal Radio -  has gained considerable respect from bands and promoters alike since its conception in 2013 & has helped him in actively promoting genres of music that he is passionate about. Hailing from Dublin, Ireland, he is a keen Vinyl Collector, Tattoo Fan & all round good guy! He is a self confessed music freak & is never far away from a studio console or a turntable.


NEW SINGLE - Burning House - Peach - Featured Image - (700x700)

NEW SINGLE | Burning House - Peach

Southampton based alt-gaze trio 'Burning House' have just announced a brand new single entitled 'Peach', the follow up to their sublime four track debut EP 'Tracer' which was released back on the 17th February 2018. The band inject blissed out noisy infusions into melody driven song structures adding conscience shaking melancholy along the way to create something altogether infectious. 'Peach'  was officially released back on the 8th June 2018 is available to buy/download right now via burninghouse.bandcamp.com

'Peach' jangles on multiple layers of fuzzy reverberation as it's intricate guitar progressions spin overlapping sonic webs that envelope an impressive vocal line drenched in blissed out melancholy. 'Peach' is another impressive track by a band who continue to amaze!

Recommended!

LINKS:

burninghouse.bandcamp.com

facebook.com/BurningHouseMusic

soundcloud.com/burning-house/tracks

twitter.com/burninghouse_


ALBUM REVIEW - Lay Llamas - Thuban - Featured Image - (700x700)

ALBUM REVIEW | Lay Llamas - Thuban

ALBUM REVIEW - Lay Llamas - Thuban - Post Image - (300x300)ARTIST: Lay Llamas 

RELEASE: Thuban

RELEASE DATE: 15th June 2018

RECORD COMPANY: Rocket Recordings

It's been four years since the release of Italian-based sonic manipulators 'Lay Llamas' sublime debut album 'Østro' on Rocket Recordings and since then their sonic manifestations have gone from strength to strength. Since the departure of Gioele Valenti (now with his own band - JUJU) 'Lay Llamas' have come solely under the command of Nicola Giunta who has reimagined their collective sound into something otherworldly, melding the rhythmic side of krautrock with afrobeat, neo-psych, electronica, spoken-word and experimental atmospherics. Having put out a number of smaller releases on labels such as Backwards, 4 Zero and ArteTetra, 'Lay Llamas' under Giunta's guidance have played on the live circuit with some heavy hitters from the modern psych scene such as the infamous 'Goat' at London’s Roundhouse and effortlessly managing a sonic demolition job of some considerable force at Liverpool International Festival of Psychedelia. Now they have returned to Rocket Recordings to unleash the latest chapter in this fascinating story. Their latest long player entitled 'Thuban' is an eight track sonic rollercoaster of unparalleled psychic abandonment featuring contributions from members of 'Clinic' and 'Goat' along with spoken-word contributions from Mark Stewart of 'The Pop Group' fame. 'Thuban' gets it's official release on the 15th June 2018 and is available to pre-order right now on various formats via rocketrecordings.bandcamp.com 

Melodic wind strewn instrumentation buffers and whirrs as the opening salvos of 'Eye-Chest People's Dance Ritual' arrive pulling twinkling frequencies with it as swells of synth rise from deep below the mix. Metronomic drum patterns dance repetitively alongside the throb of melodic bass and sequenced electronics as those hazy vocalisations meander into audible range attached to woozy instrumentation and the pull of guitars. Instrumentally sublime, this opening track is deeply captivating and filled with sonic brilliance. Up next, 'Holy Worms' swirls into the ether strapped to a boundless swagger filled with busy drum patterns and the hypnotic sway of percussion. Funky bass progressions meander in and out of fizzing lines of synth, tremulous guitars and hypnotic sonic vibes as Giunta crafts something altogether spiritual in nature whilst 'Silver Sun' drones into existence on squally lines of electronic atmospherics and the gentle swing of fizzing reverberations before opening up into a charging rhythmic beast that rises and falls through walls of addictive instrumentation with relative ease. Manifestations of sax and pulsating bass progressions add distinctly addictive sonic flavourings to the track and they envelope another impressive vocal performance.

'Cults and Rites From The Black Cliff (Ft. Clinic)' is an instant album highlight. It's darkly atmospheric beginnings pulse those  penetrating bass frequencies out into the ether, unfurling heady waves of dystopian led sonics that loop and arc at will throughout. Distant wails of sax penetrate the hazy clouds of reverb and those menacing electronics as the metronomic pull of afrobeat and middle-eastern styled krautrock meets to form a brand new sonic singularity, moving as one collective that pushes a massive wall of delicious noise before it before finishing up dancing on a wave of sax and acoustic guitar. 'Cults and Rites From The Black Cliff (Ft. Clinic)' is absolutely mesmerising and worthy of your ears. Up next, 'Altair' features those  magnificent sonic alchemists 'Goat' who provide a kind of  psychedelic serenity alongside the fizzing psychedelic vibes created by Lay Llamas and this track doesn't disappoint whilst 'Fight Fire With Fire' featuring the dystopian hued spoken-word courtesy of Mark Stewart hangs suspended in a sea of glitchy reverberations and pulsing electronic atmospherics. Crawling feedback laden frequencies pull repetitive percussion and throbbing lines of melodic bass into the mix, instantly injecting structure and clarity into proceedings. This is addictive, brilliantly produced and another album highlight for me.

The albums penultimate piece comes in the guise of 'Chronicles From The Fourth Planet' and this track title maybe feeds on one of the albums main themes. The albums press release stated that - "Dwelling in the night sky of the Northern hemisphere, Thuban (named after the Arabic for ‘snake’ also known as Alpha Draconis, and sometimes as the ‘dragon’s tail’) was the star closest to the North pole from the fourth to the second millennium BC. Yet in a migration that perhaps allows us to consider our own insignificance in the realm of the cosmos, its never-ending trajectory will mean that it will once again become the polar star by 20346AD. It’s a star system powered by mystical significance enough for both Matt Groening to include it in Futurama and for David Icke to consider it the homeland of the shapeshifting reptiles that he maintains secretly control Earth". 'Chronicles From The Fourth Planet' opens up in a heady psychedelic cloud filled with distant instrumental drones, throbbing lines of bass and oodles of reverb. Pulsing percussion courtesy of Indian tabla drums arrive pulling noisy lines of lead guitar and the undulating echoes of hazy vocalisations with them as contrasting twangs of acoustic guitar inject catchy chord changes highlighted by cascading bass progressions and layer upon layer of delicious atmosphere. Surging swells of synth add intense weight to proceedings as we rise and fall through heady waves of jittering frequencies and are eventually lulled into submission in tracks final throws by the sway of instrumentation and the peaceful sound of waves washing the shoreline. The album closes out with 'Coffins On The Tree, A Black Braid On Our Way To Home'. A repetitive bass progression hugs the rumble of percussion and the twinkle of instrumentation as swirling drones and infectious electronics wash over this listener. This track builds ever so slowly, adding brilliantly executed layered vocalisations, sublime production and slow moving drum patterns into the mix as those heady lines of guitar join in with melee of collective sounds to create something altogether magical. It's a fantastic closing track and a fitting ending to what is a marvellous album.

4/5

LINKS:

layllamas.bandcamp.com

twitter.com/LayLlamas

facebook.com/layllamas/

rocketrecordings.bandcamp.com 

rocketrecordings.blogspot.co.uk

ABOUT THE AUTHOR:

Del Chaney - (Author Photo)

Del Chaney has spent the last five years dedicating his time to uncovering the best artists in the unsigned or small independent label based shoegaze, ethereal dream pop, postpunk & modern psych rock from all over the globe & reviewing them for this blog - The Primal Music Blog. He is also a contributing writer for The Sound Of Confusion (Now On Hiatus). His other arm  - Primal Radio -  has gained considerable respect from bands and promoters alike since its conception in 2013 & has helped him in actively promoting genres of music that he is passionate about. Hailing from Dublin, Ireland, he is a keen Vinyl Collector, Tattoo Fan & all round good guy! He is a self confessed music freak & is never far away from a studio console or a turntable.


NEW SINGLE - Thud - ADO - Featured Image - (700x700)

NEW VIDEO | Thud - Ado

Self styled 'space-gazers' and Hong Kong natives 'Thud' have just unleashed a brand new video to accompany their latest single entitled 'Ado', produced by the band themselves in Hong Kong and mixed in Leeds over in the UK by the ever prolific Matthew Johnson at Suburban Home Studio (Hookworms, Eagulls, The Spook School). 'Thud' are made up of Andy & Sky on guitars, Wang - bass, Wai - drums and Kim on vocals/synth. 'Ado' is released via long term collaborators 'Songs For Children' and a new UK-based indie label 'Ghost Crew Records'. The video was directed by Neo Yeung and the single 'Ado' b/w 'Still Still' is available right now digitally HERE and is released later in the year on 7" vinyl.

'Ado' is a slice of summer sun drenched in luscious reverb with the ability to soar into the ether at will with layers of guitar, swells of synth and pounding percussion all enveloping a stunning vocal line. Simply magnificent.

Recommended!

LINKS:

facebook.com/thudwearethud/

twitter.com/wearethud

Instagram.com/wearethud

hyperurl.co/thudado


ALBUM REVIEW - Sot Science - Maps - Featured Image - (700x700)

ALBUM REVIEW | Soft Science - Maps

ALBUM REVIEW - Soft Science - Maps - Post Image - (300x300)ARTIST: Soft Science

RELEASE: Maps

RELEASE DATE: 1st June 2018

RECORD COMPANY: Test Pattern Records

Sacramento-based 'Soft Science' reside in the grooves between music genres, pulling different influences from each to create something altogether sublime. From shoegaze to dream-pop and power-pop to alt-rock, each of the aforementioned genre's sonic impressions are brilliantly compressed and honed until their forms have been collectively reimagined into one intensive surge of melody. The band are made up of Ross Levine, Katie Haley, Matt Levine, Tony Cale & Mason DeMusey with influences ranging from The Beach Boys to Lush, Pale Saints, Teenage Fanclub, New Order and Jesus And Mary Chain. Their latest long player entitled 'Maps' was officially released back on June 1st 2018 via the good folks over at 'Test Pattern Records' and is available to buy/download right now on various formats via testpatternrecords.bandcamp.com

In a haze of fizzing guitars and dreamy melody the opening bars of ‘Undone’ permeate the senses with tingling clouds of shimmering reverberation. Swirling sound-waves charge skywards as a steady drum pattern tethers itself to those sublime swells of synth and the throb of luscious bass allowing that alluring vocal line to meander in and out of the collective instrumentation with relative ease. ‘Undone’ is captivating and a marvellous opening salvo indeed. Up next, ‘Breaking’ bounces into audible range strapped to a tumbling line of synth and a fast injection of tempo. Surging swells of keyboard dance just below the mix as jangling guitar progressions envelope those magical vocalisations and we’re pulled into that soaring chorus break. Catchy chord changes here erupt as we rise on clouds of synth and tumble into reverberating walls of beautiful noise. ‘Diverging’ charges into the ether on a pounding swagger of percussion as the throb of bass as those swirling lines of synth pull beautiful vocalisations out into the open allowing fuzzy guitars to ebb and flow with ease. There’s a brilliant instrumental break here that rises majestically, bursting through layers of hypnotic synth, swirling guitars and boisterous drums to allow subtle vocal refrains to peek through until the tracks end. ‘Diverging’ is a triumph and a definite highlight for me on this release.

‘There’ arrives grinding through layers of reverberating guitars before that melodic vocal line takes hold and pulls the listener skywards. This is an absolutely magnificent slice of dreamy shoegaze tinged with simmering flourishes of dream-pop. Lines of lead guitar whirr and intertwine brilliantly with those catchy chord structures as swirling instrumental drones circumnavigate the entire track creating cyclonic frequencies that bounce and jostle for space in amongst lines of humming bass and hypnotic synth. There’s a subtle tinge of Californian psychedelia emanating from 'Apart' that is addictively delicious. That off beat jingle of tambourine coupled with the flutter of organ and that slow moving drum track instantly captivates as we’re led into a magnificent change of tack and those lead guitars whip and harass the piece into submission. The vocal lines here flow cleanly, easily hovering over that laid back groove too which only adds to the overall feel of the track. ‘Sooner’ soars into the ether on cyclonic waves of simmering synth, humming bass and jangling guitars that all meld effortlessly with those dreamy vocalisations courtesy of Katie Haley. Catchy chorus changes reminiscent of seminal era Lush are intensely captivating here also as are those twinkling tambourine shakes that arrive sporadically to ride that steady percussive swagger.

‘Know’ explodes into a riotous kaleidoscope of colourful sonic waves as those arcing 80’s themed synth lines merge with charging bass frequencies and the sheer rage of percussion. Swirling guitars circumnavigate around the vocal track menacingly, backed up with lines of lead and oodles of reverberation as we’re led through a brilliant song-structure and catapulted out into the ether. ‘Know’ is sublime and another highlight for me on this release. The serine opening bars of 'Still' meander into audible range gliding on lines of synth and layers of fuzzy guitar. It’s melodic vocal lines ride a steady wave of percussion and juggle blissful chord changes with ease. It’s a little slice of summery summer vibes all wrapped up in one dreamy shoegaze package. The albums penultimate piece comes in the form of ‘Enough’. Noisy guitars pull glistening swells of synth out into the open as that brilliant drum track keeps a metronomic tempo underfoot and the throb of bass frequencies tingle the senses. Vocal lines shimmer as they glide through those verse progressions and sparkle brightly as those twinkling electronics arrive and the soaring lines of synth carry them skywards through the scintillating chorus progressions whilst ‘Slip’, the albums closing piece, is one minute and twenty four seconds of melodic bliss and a fantastic finale to a wonderful album.

4/5

LINKS:

Del Chaney - (Author Photo)

Del Chaney has spent the last five years dedicating his time to uncovering the best artists in the unsigned or small independent label based shoegaze, ethereal dream pop, postpunk & modern psych rock from all over the globe & reviewing them for this blog - The Primal Music Blog. He is also a contributing writer for The Sound Of Confusion (Now On Hiatus). His other arm  - Primal Radio -  has gained considerable respect from bands and promoters alike since its conception in 2013 & has helped him in actively promoting genres of music that he is passionate about. Hailing from Dublin, Ireland, he is a keen Vinyl Collector, Tattoo Fan & all round good guy! He is a self confessed music freak & is never far away from a studio console or a turntable.


NEW SINGLE RELEASES - Night Tide - Slow Science - Featured Image - (700x700)

NEW SINGLE | Night Tide - Slow Science

'Night Tide' hail from Caen, France and create hazy modern themed shoegaze permeated by 80's/90's indie-pop and subtle post-punk connotations reminiscent of Alvvays, Snail Mail, The Cure, New Order and The Stone Roses. The band are made up of Lucie & Dorian and they adhere to a DIY manifesto (which we applaud them for) of writing, recording & producing their music in their living room.

Their latest single entitled 'Slow Science' is a wonderfully melodic slice of summer with intricate lines of guitar overlapping catchy hooks and brilliantly executed vocalisations. 'Slow Science' is the first single from a batch of tracks that will eventually go on to the form their debut EP. We love it and can't wait to hear more from them going forward.

'Slow Science' had it's official release on June 6th and is available to buy/download right now via nighttide.bandcamp.com

Recommended!

LINKS:

nighttide.bandcamp.com

soundcloud.com/user-912001048/slow-science


NEW SINGLE RELEASES - Corasandel - Diving - Featured Image - (700x700)

NEW SINGLE | Corasandel - Diving

Lincoln-based ambient tinged experimental shoegaze duo 'Corasandel' have announced a brand new single entitled 'Diving' b/w 'Tape Interference'. Continuing Corasandel’s work with local musicians, producers and labels the single will have it's official release on June 12th 2018 via 'Old Tin Box Recordings'.

'Diving' meanders into the ether jittering precariously on a slow but busy percussive sequence accompanied by instrumental drones and intricate lead lines that ebb and flow brilliantly just above humming bass frequencies and oodles of reverb. Melodic in stature, it's vocalisations are hushed yet impressive and they wash over the entire piece effortlessly until we're led into that ambient strewn break where we float on waves of shimmering atmospherics. The singles b-side is an experimental gem. 'Tape Interference' could have been lifted from experimental pioneers 'The Telescopes' latest release 'Stone Tape'. It pulses into life straddling swells of atmosphere as ambient electronics dance and whirr pulling fret board theatrics into the ether that rise and fall into deep resonating pools of wonderful reverberation with ease.

'Diving' is available to pre-order right now via corasandel.bandcamp.com

LINKS: