Toronto based cinematic psych/kraut inspired post-rock trio 'Datura Daydream' have unleashed the latest single and it's accompanying video 'Sea Six' to be lifted from their brilliant new album 'THE LICK IS IN THE LISP'. The band are made up of Kevin Robert Fong - vocal/guitar, David Larocque - bass & Turner Roscoe Wigginton - drums and their latest single is a heady sonic brew filled with a metronomic krautrock hued percussive attack, swirling psych induced guitars, hazy vocalisations and beautifully melodic throbbing bass frequencies. 'THE LICK IS IN THE LISP' is available to buy/download right now from daturadaydream.bandcamp.com
by Primal Music
RELEASE: Fever Dreams
RELEASE DATE: 18th November 2016
RECORD COMPANY: Unsigned
Toronto based noisy shoegaze duo 'Tonemirror' have unleashed their six track debut EP 'Fever Dreams' to the masses via their bandcamp page. The band exploded onto the underground scene back in June 2016 with their debut single & Primal Radio fav 'Supermoon' and pretty soon caught the attention of a fair few online radio Dj's with their no nonsense, hard hitting blend of noisy shoegaze underscored with post-hardcore tendencies and coupled vocally with subtle dream-pop sensibilities! The band are made up of Jake Lehman - guitar/vocals & Robby Sedran - drums and the 'Fever Dreams' EP is available to buy/download right to from:tonemirror.bandcamp.com
Fever Dreams EP by Tonemirror
Jangling guitars and echoing reverberation announces the arrival of 'Lost' and it's gloriously evident to me that these guys love brash & fuzzy frequencies. The drums erupt as those swirling guitar progressions wrap themselves around a brilliantly executed vocal and drag this track through walls of noise & crashing cymbal splashes. Up next, 'Smile' swirls woozily into earshot on a wave of almost ethereal sounding guitar and above all I'm instantly hooked with just how live the drum track sounds! It's impressively explosive and injects atmosphere into the entire track as it's vocal track arrives, held fast within an addictive slacker vibe that is brilliantly reminiscent at times to early 90's shoegaze stalwarts 'Swervedriver'. Track three has captivated me ever since I first heard it back in June. 'Supermoon' builds & creeps like a stalking animal as those guitars weave a shimmering sonic web of reverberation and instil a blissful edge to proceedings. They spread out and envelope the hi-hat heavy percussive attack with ease allowing the vocal line to bleed into every facet of the tracks instrumentation. A stunning track and possibly my favourite on this entire release.
'Drag Me' announces itself on a tremulous frequential cloud as those jazz like percussive hits skittishly arrive coupled with another impressive vocal track. It's not long before the track explodes and pulls you into its soaring chorus, filled with lead licks, psychedelic swirls, mind bending reverberation and driving guitar drones. The EP's penultimate piece is growling, noisy beast! 'XYZ' drives and pulses angry guitars steadied by explosive percussion and wailing vocals that collectively creates a massive wall of highly addictive fuzzy noise. Absolutely immense! 'Fever Dreams' closes out out with 'Asomnia', a skulking forlorn passage filled with dark, atmospheric instrumentation and wailing vocalisations courtesy of Jake Lehman. A fitting ending to a rather impressive debut EP.
ABOUT THE AUTHOR:
Del Chaney has spent the last four years not only fronting popular experimental Irish based electronic duo Analogue Wave but also dedicating his time to uncovering the best artists in the unsigned or small independent label based shoegaze, ethereal dream pop, post punk, post rock & modern psych rock from all over the globe & reviewing them for this blog - The Primal Music Blog. He is also a contributing writer for The Sound Of Confusion. His other arm - Primal Radio - has gained considerable respect from bands and promoters alike since its conception in 2013 & has helped him in actively promoting a genre of music that he is passionate about. Hailing from Dublin, Ireland, he is a keen Vinyl Collector, Tattoo Fan & all round good guy! He is a self confessed music freak & is never far away from a studio console or a turntable.
ARTIST: Soft Wounds
RELEASE: Soft Wounds
RELEASE DATE: 31st January 2016
Toronto based alt-gazers ‘Soft Wounds’ bumped up the release date of their debut self titled album from its original January 31st date obviously to ride on the buzz created from the release of their debut single. Their brand of fuzzy alt rock strewn soundscapes with hints of impressive shoegaze & dream pop has been making waves within the underground gazing community ever since they sprung their impressive debut 5 track ‘Demo’ (Nov 2015) & their subsequent debut single entitled ‘Baby Blue’ back at the beginning of January. The band are made up of Andrew Peach – Bass, Charlie Berger – Vocals/Guitar, Matt Rimon – Guitar/Vocals & Jimmy Fitzgerald – Drums. ‘Soft Wounds’ is available to buy/download right now via the bands bandcamp page: www.softwounds.bandcamp.com
Soft Wounds by Soft Wounds
My 2016 North American odyssey continues with Soft Wounds, another Toronto-based gaze gang. Their eponymous debut album came out in January, to some impressive reviews. Its cavernous reverb sounds are augmented by some scuzzy noise rock influences too which come through in a well-placed squally guitar line, or a vocal melody like those in You Can’t Stay Here or See the Sun.
Opener Honora kicks in with purpose. A track of warbly delay lays down the shoegazey bedrock of the sound and built on top is a loose alt-rock structure that tends toward the anthemic. This big vision continues in Baby Blue, an affecting ode to girls gone by and one of the highlights of the record. ‘There’s a voice inside my head’ runs the refrain from Voices, but it must be a benevolent presence because the song tumbles along with an easy rhythm. Bright and Early opens with a blistering guitar line and settles into a dark sashay.It’s back into high gear with You Can’t Stay Here, equal parts jangly and grungy guitars and Dive In is gritted up with another cracking, crackly guitar solo. Forty Winks is warm and woozy, like being wrapped in a huge fuzzy duvet, before we are jolted back to consciousness with the sing-a-long See the Sun. The opening strains of Stray settle into a rolling but somehow melancholy groove while the guitars chime prettily along.
Soft Wounds debut is a record that seems to benefit from influences beyond the usual suspects. And could it hint at aspirations to head somewhere grander in the future? Only the voices in their head will know the answer.
In her time, Sarah Cuthbert-Kerr has attended raves and rock clubs. She enjoys pedals, pizza and spy dramas. Sarah also plays guitar in Edinburgh-based noisemakers Wozniak and is co-founder of Morningside Young Team who put on gigs and put out records for discerning audiences who enjoy fuzz and confusion.
RELEASE DATE: 03/07/15
The enigmatic 'Lust' seem to have appeared from the ether. The Toronto four-piece played their first show in June and released their self-titled debut album in July. Fast work, or the fruition of months, years or decades of planning? Who knows. Their eight track debut creates a head-swirling atmosphere that’s only punctured fleetingly, as by a thunderstorm. The slow-ness and depth of sound, combined with the whisper of unsettlingly intense lyrics seems intended to hypnotise.
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Opening track 'Calm' eases in with chorused guitars and sets the rhythm for the record, with its slow, deep breaths. Although the noise grows, the pace is steady – in and out. A tumult of textures and layers, 'Whisper' rouses us briefly, but 'Day Dream' sends us back to a reverie. It’s definitely dream pop, but they pile some dirt on too. Keeping it dreamy, 'You and I' casts a sonic hex which is shattered by 'Alone' – an energy boost of drums, distortion and wonderful whammy action. In 'Are These Feelings Real?' a recorded voice doubts their reality, and no wonder. This deep into Lust’s debut, disorientation is all. And that only deepens as 'Breathe' begins and seems somehow to be a continuation and evolution of the preceding song. It’s almost smothering – a long way from the airiness of Calm, all those songs ago. The album closes with 'When You’re Blue', with its swooping minor chords and whispered lyrics, it’s a dark incantation.
Lust have us under their spell.