'Dazy Crown' are a Norwich based lo-fi/garage band who create stunning soundscapes full of melodic brilliance. They wowed us way back in July 2016 with their impressive single 'Move' and now this immense quartet have returned with another citric slice of summer in the guise of 'Multi Vitamin', their latest entrancing groove laden offering.
'Multi Vitamin' tumbles through swathes of woozy and highly infectious guitar progressions that ride an insanely laid back percussive pattern. Those simmering vocalisations wobble and arc through hazy layers of bubbling bass frequencies and resonating production as the leaping chorus break snaps you out of a hypnotising trance and tip toes you into a cyclonic world filled with instrumental drones and fuzzy sonic reflections. Stacked to the brim with summery summer vibes, 'Dazy Crown' have hit the proverbial sonic nail on its head with this latest track.
by Primal Music
ARTIST: Is Bliss
RELEASE: The Honeycomb Explosion
RELEASE DATE: 19th May 2017
RECORD COMPANY: Club AC-30 Records
Revered, incantational, hypnotic - Three words that aptly describe what I felt after listening to the absolutely stunning 2016 debut EP entitled 'Velvet Dreams' from Portsmouth based psych aficionados 'Is Bliss'. Signed to celebrated Independent record label 'Club AC-30', 'Is Bliss' are causing quiet a stir right now both on the live scene and within the underground fraternity with their no nonsense, full on, psych induced reverberations! They are made up of Jimmy Stuart - vox/guitar, Dean Edwards - bass & Sam Speakman - drums and they have just released a monumental follow up to their untouchable debut EP 'Velvet Dreams' entitled 'The Honeycomb Explosion'. This sophomore release is a statement of intent by a band who collectively create stunning soundscapes filled with blissed out shoegaze & swirling shamanic psych deftly underscored with passages of dreamy spaced-out grooves and hypnotically charged reverberations. 'The Honeycomb Explosion' was released back on the 19th May 2017 and was initially available to purchase on lovely transparent yellow w/red & orange splatted 12' vinyl via store.clubac30.com
In a haze of cyclonic vocalisations that swirl repetitively through swathes of luscious reverb, the opening salvos of track one ‘Someone’ builds with a menacing hue, dragging hypnotic deep bass frequencies, tremulous drones and angry guitar signatures out into the ether whilst injecting tons of impressive sonic atmospherics as it carefully unfurls it’s far reaching sonic tendrils. Beautifully intense from the off and harking back to to those early 90’s shoegaze sounds ‘Someone’ unleashes a blissful, meandering vocal track that’s whipped and cajoled at times by soaring lead guitar lines and underscored by continuously alluring bass progressions. Up next, ‘Alive (Baby Come On)’ enters the sonic arena swirling dreamily through turbulent organ drones and sparse percussion. Bass lines hum and growl brilliantly as we witness some of the best vocal performances on this whole EP. The track builds builds and builds again until it unleashes a torrent of glorious noise, dragging this listener with it into the eye of a raging sonic firestorm. ‘Alive (Baby Come On)’ has a plethora of influences and I can hear the waviness of Spacemen 3, the punishing guitars of seminal shoegazers Loop & the melodious qualities of Ride streaming through its inner core. Absolutely stunning and definitely my favourite track on the entire release.
‘Is Bliss’ pulse some eastern esoteric flair into proceedings next as sumptuous sitar intertwines with 60’s psych connotations, shimmering tambourine and punchy drum patterns. ‘Into A Dream’ does exactly as it says on the tin. You tumble through layer after layer of droning instrumentation, cascading dream like bass frequencies and that twinkling guitar signatures, guided at every turn by that impressive vocal track and just as you think you are settling in for a session in the shamanic sonic immersion tank you get catapulted out the back end of this track at g-force speeds glued to to a fast moving pulse of intense instrumental chaos before being gently placed back on terra firma with a very big smile on your face (yes it is that good). Up next, ‘Tomorrow’ shimmers hypnotically around an incantational instrumental drone and the jaunty rumble of busy tablas as the dissonant sounds of dreamy sitar bounces and envelopes a stunning vocal performance. Again ‘Is Bliss’ work through their sonic gears with blistering aplomb until eventually they unleash a torrent of explosive frequencies punctuated by screaming guitars, throbbing bass lines and pounding drum patterns that collectively coagulate into one hell of a track finale. The EP then closes out with ‘Inner Soul’, a fantastic sonic trip through layers of blissful reverberations, melodious bass progressions, passages of droning guitars and slow moving percussion that drifts and moves effortlessly, acting as a conduit for those stunning vocal lines. Reminiscent at times to ‘A Storm In Heaven’ era ‘Verve’, ‘Inner Soul’ is an absolutely sublime closing piece to a monumental sophomore EP.
ABOUT THE AUTHOR:
Del Chaney has spent the last four years dedicating his time to uncovering the best artists in the unsigned or small independent label based shoegaze, ethereal dream pop, post punk & modern psych rock from all over the globe & reviewing them for this blog - The Primal Music Blog. He is also a contributing writer for The Sound Of Confusion (Now On Hiatus). His other arm - Primal Radio - has gained considerable respect from bands and promoters alike since its conception in 2013 & has helped him in actively promoting a genre of music that he is passionate about. Hailing from Dublin, Ireland, he is a keen Vinyl Collector, Tattoo Fan & all round good guy! He is a self confessed music freak & is never far away from a studio console or a turntable.
RELEASE: From Void ToMatter Volume 1
RELEASE DATE: 26th May 2017
RECORD COMPANY: VÅRØ Records
Back in March 2016 whilst writing for 'The Sound Of Confusion' I was tasked with reviewing a fantastic fourteen track album entitled 'Hymnals & Bombs' by Swedish based (Borgholm/Gothenburg) cousins Calle Thoor and Oskar Erlandsson AKA Bolywool. Having never heard of the band before I instantly fell face first into their shimmering & experimental sonic landscapes and I was literally blown away by their musical interpretations on life and the way in which they told melancholic stories through the medium of sound. Now the duo have released the first of a planned trilogy of EP's entitled 'From Void To Matter Volume 1'. This stunning two track EP was released back on the 26th of May 2017 via VÅRØ Records and it is available to buy/download right now via varorecords.bandcamp.com
From Void To Matter Volume 1 by Bolywool
Pounding, rhythmically charged percussion announces the opening salvos of ‘Hafmeyjan’ and with its arrival it pulls droning synth swells and the constant twang of guitar with it to collectively conjure up mesmerising incantational atmospherics. Beautifully intense passages of serine vocalisations swirl into the ether riding the turbulent instrumental wave before rippling skywards on undulating pulses of reverb and delay. ‘Hafmeyjan’ stirs the imagination and instills heavy swathes of melancholic abandonment as it meanders through layers of brilliantly executed production used effortlessly to whisper tales of salt lashed islands and far flung windswept beaches. This is a stunning opening track and it reminded me of just how good Bolywool are at telling stories through the medium of sound.
Up next the duo unleash ‘Meø Lögum Skal Land Byggja’ and it opens up tumbling erratically into a shimmering ball of sequenced electronics, swirling samples and the constant accompaniment of a synth heavy drone. Lazy, but brilliantly produced drum patterns rattle and shake, underscored at times by throbbing bass frequencies and tantalising good instrumental atmospherics that glide and shimmer on wave after wave of stunning reverberation. It’s synth lines glisten as they rise and fall giving off the impression of waves crashing on a storm ravaged beach-head and the constant rolling of different sonic frequencies add swathes of light and shade, reminiscent at times to the sun breaking through dark storm clouds. A magnificent ending to what is the opening volume of Bolywool’s planned trilogy of EP’s.
Del Chaney has spent the last four years dedicating his time to uncovering the best artists in the unsigned or small independent label based shoegaze, ethereal dream pop, post punk, post rock & modern psych rock from all over the globe & reviewing them for this blog - The Primal Music Blog. He is also a contributing writer for The Sound Of Confusion (Now On Hiatus). His other arm - Primal Radio - has gained considerable respect from bands and promoters alike since its conception in 2013 & has helped him in actively promoting a genre of music that he is passionate about. Hailing from Dublin, Ireland, he is a keen Vinyl Collector, Tattoo Fan & all round good guy! He is a self confessed music freak & is never far away from a studio console or a turntable.
ARTIST: Secret shine
RELEASE: There Is Only Now
RELEASE DATE: 16th March 2017
RECORD COMPANY: Saint Marie Records
Bristol based 'Secret Shine' have been flittering between shoegaze, indie-pop and dream-pop since their humble beginnings back in the early 1990's and during their illustrious career have released some mesmerising albums to boot. Now on the back of 2016's reissuing of their seminal album 'Untouched', 'Secret Shine' have unleashed a brand new album entitled 'There Is Only Now' via the elusive Texas based independent record label 'Saint Marie Records'. Filled to the brim with ten shimmering new tracks for you to fall in love with, ten tracks that skip nonchalantly between harmonious hook laden guitar progressions, post-punk inspired keyboard fills, soaring melodious vocal tracks and blissed out hazy passages of sonic serenity, 'There Is Only Now' is a stunning return to form from a band who helped to shape this scene into what we know it as today. It was released back on the 16th march 2016 and it is available to buy/download right now on various formats via saintmarierecords.bandcamp.com
There Is Only Now by Secret Shine
The album opens with ‘Burning Stars’, shimmering vocal lines permeate layers of blissed out reverb as melodious synth swells bubble and move through charging guitar progressions and steadying drum patterns. Catchy hooks and monumental production lift this track skywards as ‘Secret Shine’ unleash a mesmerising chorus progression dragging this listener with it as its streams out into the sonic ether. Up next, ‘All In Your Head’ swirls effortlessly through a turbulent synth drone and tremulous guitars before unleashing a beautiful vocal line accompanied by cascading synth patterns and steadying percussion. This track builds and builds brilliantly throughout before tumbling into a shimmering ball of blissful sonic energy. ‘Dirty Game’ shimmies into earshot on a bedrock of metronomic percussion, throbbing bass frequencies and growling guitars as stunning synth lines weave and meander in and out of fantastic vocalisations and brilliant production whilst ‘Drift Away’ throbs and pulses on waves of melodious bass lines, soaring synth and otherworldly vocalisations. There’s a subtle but brilliant hint of 80’s post-punk emanating through the noisier moments on this track that catch you off guard but for the most part it flows effortlessly through hazy shoegaze passages dipped at times into a dreamy pot of loveliness.
‘To The Well’ bounces into earshot on a marvellous bass signature permeated by the constant plink of synth, the thud of a bass drum and the whoosh of sparse percussion. Floating vocalisations with magnificent duel backing lines ride the collective instrumentation before all hell breaks loose and we’re travelling at break neck speed through a soaring spread of resonating frequencies as ‘Secret Shine’ turn up the heat and pulse wave after wave of stunning sound waves out into the ether. Up next, ‘For You’ growls into existence strapped to a noisy guitar drone before a blinding wall of beautiful noise pummels the senses. Lazy percussion, humming bass lines, reverb laden guitars and sequenced synth swells envelope haunting vocalisations before collectively drenching this listener in a blissed out wave of euphoria. ‘For You’ is absolutely stunning and is my favourite track on the entire album. ‘Snowglobe’ glistens as it loops and arcs through meandering duel vocal lines and sublime instrumentation before ‘Falling Again’ screams into the ether on pounding drums, catchy guitar lines and sublime vocals that instantly transport this listener back to the early 90’s.
The albums penultimate piece pulses into audible range on a pulsating synth progression before unfurling repetitive drum patterns and a soaring wall of reverb laden guitars. ‘Things I Said’ is beautifully produced and it swirls around another stunning vocal take filled with stunning backing lines and shimmering instrumentation. The album closes out with another synth laden masterpiece. ‘Make Me You’ floats into the ether and gently caresses the listener with haunting vocal lines and charging guitars, cascading bass lines and meandering synth swells. A brilliant end to a marvellous return to form.
ABOUT THE AUTHOR:
Convenience by The Grey Merchant
Cork based sonic experimentalists 'The Grey Merchant' have twisted their sound completely on it's head with their rather strange new single entitled 'Convenience', released on the 31st May 2017 and lifted off their forthcoming album 'Avenue De Rennes' due for release in late July. Gone are the reverberating tones of experimental psych/stoner/motorik kraut rock & fuzzy shoegaze that were the cornerstone of their previous two singles to be replaced by driving grunge themed instrumentalism with punk undertones and sullen alt-rock vocalisations on this latest release. This band definitely don't like being pigeon holed into any one particular genre. For those of you new to the sound of 'The Grey Merchant', it is the collaborative recording project of Enda O'Flaherty (Neon Atlas) and a collection of friends and fellow musicians.
You can head over to thegreymerchant.bandcamp.com to check out their back catalogue and to get your hands on this latest single.
ARTIST: Mt. Mountain
RELEASE DATE: 24th April 2017
RECORD COMPANY: CARDINAL FUZZ
Perth based droning & experimental psych aficionados 'Mt. Mountain' have announced the follow up to last years monumental six track release 'Cosmos Terros' in the form of 'Dust', a four track sonic thrill ride penned in for release on the 24th April via the ever reliable UK based 'Cardinal Fuzz Records'. 'Mt. Mountain' first came to our attention back in 2014 after the release of their brilliant sophomore self titled EP and we subsequently played it to death over on our online sister station 'Primal Radio'. 'Mt. Mountain' are already lauded and revered in Australia where they have built a reputation as one of the most compelling live bands, a distinction that has seen them share stages with myriad Australian and international heavyweights including Sleep, King Gizzard and the Lizard Wizard, Thee Oh Sees, Endless Boogie, Tortoise, Bardo Pond and Boris. 'Dust' is available to pre-order right now on limited edition of 200 - Copper/Black Swirl 12" Vinyl Records with UK/EU purchases available via Cardinal Fuzz.
Dust by Mt. Mountain
In a whirling instrumental drone steeped in acutely atmospheric tape hiss and trembling sound waves the opening salutations of ‘Dust’ manoeuvres itself into audible range. It builds ever so slowly, drenched in a menacing experimental air as a subtle percussive pulse sets a persuasive tempo, slow enough to accommodate those haunting guitar lines and the brilliant addition of a ghostly flute progression whilst being whipped by an ever present & deeply incessant high pitched drone. Coming in at a mere sixteen minutes plus, ‘Dust’ isn’t for the faint hearted as half way through it explodes into a maelstrom of reverberating noise steeped in flurries of modern & experimental psych and peppered with passages of plodding bass frequencies, throbbing synth, addictive lead lines and simmering vocalisations to collectively enthral and captivate it’s listeners all at once. A marvellous opening track indeed. Up next, ‘Floating Eyes’ staggers into earshot on a rickety guitar progression that rides a wave of tumbling bongo hits, the repetitive twinkle of tambourine and a surging synthetic drone. The addition of warbling lead lines add weight to proceedings as ‘Mt. Mountain’ unleash a swirling psychedelic behemoth steeped brilliantly in eastern esoteric flair. Addictive vocal lines float into the mix bubbling on those cascading bass progressions, doffing a well worn cap to those early experimental psych pioneers as we float away on wave after wave of captivating golden hued frequencies that eventually leads us into the tracks final throws.
Swirling organ swells echoed by translucent guitar and subtle instrumental drones announce ‘Kokoti’, the albums penultimate piece, and we drift off into a entrancing psychedelic haze filled with jangling progressions, glorious flute lines and hypnotically charged percussive reverberations. Ghostly vocalisations fill the remaining quiet spaces as sonic reflections rise and fall in and out of throbbing bass frequencies and wah wah heavy lead lines before the track takes on a completely different form and rises high up into the firmament on wings of trance like psychedelic joy. ‘Kokoti’ is a sonic journey of discovery, it’s probably my favourite track on this entire release and I firmly recommend that you listen to it via headphones to experience every ounce of it’s sonic mastery. The album closes out with a three minute peaceful ‘Outro’. A beautifully intoxicating guitar progression pulses into the ether dragging with it a repetitive percussive pattern filled with haunting vocal lines and massive swathes of reverberation. ‘Outro’ is a fitting closing piece and it deftly book ends this impressive collection of tracks.
ARTIST: Las Cobras
RECORD COMPANY: Fuzz Club Records
When South American based boyfriend/girlfriend duo of Sofía Aguerre and Leandro Rebellato aka 'Las Cobras' signed to the ever reliable London based independent record label 'Fuzz Club' and their debut single dropped into our inbox, they instantly became firm favourites of ours with their swirling, hypnotically charged sun kissed rock n' roll vibe underscored at times with dark experimental tendencies that are deeply enshrined within this modern day fuzz fuelled psych firmament. We soon discovered that this initial debut single barely even scratched the surface of what this duo could achieve sonically and it was only after we peeled back the many layers on this debut album did we immerse ourselves into what traditional Latin American psych truly sounded like. 'Temporal' is released on May 19th 2017 via 'Fuzz Club' and you can pre-order it right now on various formats from fuzzclub.com
After an initial intro of warbling synthesiser drone courtesy of 'Dark Waves', the albums opening piece, we're then shepherded into the welcoming arms of 'Beating Hard', a mesmerising mêlée of sequenced percussion and growling guitars that are broken up at times by plinking keyboard patterns and layered brilliantly by those menacing duel vocals. Screaming lead lines meander through swells of synth and luscious reverberation as the track builds in momentum and pulses through huge instrumental progressions with relative ease. Up next, 'The Time Has Come' staggers into audible range on a bedrock of electronic percussion as it's sampled synth lines loop and pull the entire production together dragging with them tremulous guitar progressions and simmering vocal lines that are absolutely steeped in resonating effects. Lead guitar lines whip up a frenzy and are allowed to lash out at will as their serine but sampled electronic understudies hold the track's deeply repetitive modern swagger in check. 'Our Love Will Grow' jangles into earshot accompanied by a fantastic cascading baseline, hi-hat heavy drum pattern and angry guitars as the subtle but infectious sampled production bubbles underneath what is a fantastically refreshing track indeed. Duel vocals add swathes of melody as pulses of reverberation ripple out into the ether, skipping along with that highly infectious baseline.
There's a tinge of garage psych streaming through the inner core of 'Al Más Allá' thats quite alluring but it's the pull of traditional percussion, jangling guitars and droning synth enveloping a magnificent vocal line drenched in glorious reverberation that peaks this listeners attention. Up next, 'Nothing Against You' sways into the ether on a snaking synth line and another brilliant guitar progression whilst 'So Much Love' growls menacingly on a fractious baseline and a swirling synthetic drone as it's metronomic drum pattern pulls a duel vocal attack through massive swathes of delayed reverb. This track loops and arcs through wave after wave of undulating sonic frequencies and turbulent effect laden production and it's probably my favourite track on the entire release. The albums penultimate piece trembles on a swirling synth drone as throbbing bass frequencies and the explosive drum track dig a deep dark furrow into the sonic firmament. 'Same And Again' swerves through passages of intensely addictive lead lines and mesmerisingly hypnotic vocal lines that intertwine with one another and undulate like a stalking pit viper and atmospheric organ sweeps create magical incantations as the collective wall of the instrumentation pulses ripples of psychedelic abandonment out into the ether at will. The album closes out with the bands debut single. 'Temporal' shakes on pulsating bass lines and shamanic like percussion as haunting opening vocalisations mimic addictive streamlined lead lines and open up into a magnificent lush and textured afro-beat connotations underpinned with mystical impressions, droning incantations and warbling guitar lines. A fitting bookend to a wonderful debut album.
ARTIST: Snakes Don't Belong In Alaska
RELEASE: Mountain Rituals
RELEASE DATE: 7th May 2016
RECORD COMPANY: Sky Lantern Records / Infinity Mirror Records
Finding a foothold in todays burgeoning psych rock circuit and then building on said foothold is something that very few bands can rationally seem to figure out. It's a veritable sonic minefield out there vehemently strewn with the broken shells of those bands who have tried and failed miserably due to a lack of positive sonic evolution. There are however, very slim margins of error to work around. A lot of juggling needs to happen to twist a collective sound into something completely new whilst trying to stay relevant and true to core beliefs. This modern scene (and what every band needs to survive in it) changes from week to week so you really need to have something different in your sonic arsenal to make you stand out from it's overpopulated crowd. Newcastle based experimental psych aficionados 'Snakes Don't Belong In Alaska' have achieved just that. After a fairly intense live regime allowing to them to make a name for themselves by hosting numerous international touring acts and putting out some limited but highly sought after self-releases under their own 'Infinity Mirror' imprint the band have unleashed their first widely available record in the guise of 'Mountain Rituals'. This album is infectious, it's a serious step up in terms of performance, aforementioned sonic evolution & overall song writing. It also destroys any preconceived ideas that we had about what this trio could conjure up musically. The album is thirty seven minutes ling and contains two massive tracks filled with immense passages of intensely experimental sonic exploration that skips menacingly through swathes of pummelling reverberation, howling vocalisations, heavy psych & droning kosmische. It's available to buy/download right now both digitally & on limited edition cassette with artwork by Isla Marie Haddow via snakesdontbeonginalaska.bandcamp.com
Mountain Rituals by Snakes Don't Belong In Alaska
Track one, 'Mountain Void' enters earshot by winding up its coiled innards and slowly building sonic momentum. It's held fast in acres of reverberation as a swirling lead guitar line undulates through plodding bass frequencies and sparse but metronomic percussive hits. The track builds menacingly and at times it whips itself into a frenzy of layered production trickery and wah wah led theatrics before unleashing a powerful psych induced blast of hypnotically charged sonic waves that pulse and envelope the senses, pulling the listener with them as they tumble into the dark rippling abyss and on out into the unknown. Wailing lead lines lick and torment the piece to within an inch of it's life as the band play out twenty one minutes plus of sublime psychedelic instrumentation peppered at times with awe inspiring moments of droning stoner & kosmische delight that lead us brilliantly into its frantically turbulent finale. Up next, the intimidating 'Mountain Mirror' creeps through layers of droning atmosphere as it's effected fret noise melds with hovering reverberations and the twang of resonating guitars. Howling vocalisations skulk into audible range mimicking the bend of guitar strings. Pulsating percussion shakes and shudders on a predestined track like some unseen stalking beast as those bass frequencies pulse and hover in close contact. 'Mountain Mirror' easily funnels you into its repetitive inner core as it ambles through massive waves of spacious reverb and expansive ambient hued psychedelic flavours, before sonically assaulting you with dark humming bass lines, tormenting guitar progressions and haunting shamanic like vocalisations that collectively drag the listener through trademark heavy stoner vibes.
RELEASE: Gazing Into The Sun
RELEASE DATE: 5th May 2017
RECORD COMPANY: Shoegaze Sanctuary Records
Not ones for resting on their laurels and currently one of the best resources for underground sounds from shoegaze to psych-gaze and beyond, the fantastic 'Shoegazer Sanctuary Records' have returned with another stunning twenty track compendium of worldwide underground artists that's fit to bursting with simmering feedback laden goodness to whet your insatiable sonic appetite. After the success of his 'Gazing Into Andromeda' compilation series Joe Shoegazer over at SSR has hit the sonic nail on its head with this latest swerve into todays burgeoning gaze scene entitled 'Gazing Into The Sun' and we reckon this release is their best one yet. The compilation is out right now and it is available to buy/download from shoegazersanctuaryrecords.bandcamp.com
GAZING INTO THE SUN by Shoegazer Sanctuary Records
This compilation fizzes into life with stunning Melbourne based shoegaze aficionados 'Kigo' and the shimmering track 'Never Will' closely followed by fellow Australian native Skye Klein aka 'A Beautiful Machine' with a noisy droning monolith entitled 'Glow' lifted off an album released back in 2000 called 'Solar Winds, White Noise, Antigravity'. Up next, LA based shoegaze trio 'Swanhoppers' unleash their brutish fifteen minute plus opus 'Swimming In An Endless Sea' the closing track from their recently released album 'Lutalica' whilst Swedish based 'The Beremy Jets' are well represented here with a blissful track called 'Feedback Over Talent' lifted off their album 'EP Collection 1'. Latvian based 'Tribes Of The City' (formerly 'The Movies') bring a mixture of music genres to the table from shoegaze/grunge gaze to noise pop with their epic track 'Sun Is Alive' while Uruguayan based alt-gaze outfit 'Tropico Duclos' have supplied their immense homage to all things Kim Gordon with their track 'Cancion Para Kim Gordon'.
Sublime Scottish based heavy shoegazers 'The Cherry Wave' have been wowing fans of the genre with their no nonsense brand of senses pummelling reverberation for a few years now and they are well represented here with a track lifted off their latest album 'Shimaru'. The track is called 'Pure Burst', it's absolutely immense and its a recommendation from us. Up next, our good friends 'Stella Diana' have donated a stunning track from their recently released album 'Nitocris' entitled 'Aphrodia' whilst prolific Spanish based alt-pop/shoegazers 'Linda Guilala' have supplied their shimmering but noisy track 'Monstruo' to the compilation. Stunning Modena based psych-gazers 'RevRevRev' have been on our radar for quite a while and they are represented here with the fabulous 'A Ring Without An End' lifted from their highly praised 2016 released full album 'Des Fleurs Magiques Bourdonnaient'. If you don't know who 'RevRevRev' are you should familiarise yourselves with them immediately. They will seriously blow your mind.
Up next, Hackney based alt-dreamgaze trio 'The Microdance' unleash the title track from their recently released two track single 'Get Darker', a tremulous building affair with explosive vocals whilst Denver based doom-gazers 'Palehorse/Palerider' traverse the darker side of the shoegaze spectrum with a track lifted off their latest EP 'Burial Songs' entitled 'Sundowning'. Minneapolis based psych-gaze collective 'Dead Gurus' supply 'Starlight Sisters' to this comp, lifted off their immense seven track album 'Acid Bench' and it's closely followed by Spanish based post-gazers 'MUNIC!' and a track lifted off their 2015 release 'Perfect Place' entitled '600 Seconds'. Bordeaux based psych-gaze quartet 'Blue Bombay' have donated their hypnotically charged track 'Puzzle' to the mix whilst Californian based psych-gazers 'Sun Colony' unleash their swirling burgeoning track 'Heavy Sky'.
UK based space rockers 'Superdrone' glide into audible range fixed to explosive percussion, smooth layers of guitar and a vocal track that sounds a bit like Ozzy Osbourne overdoing the vocoder. 'Everything Is The Same' is lifted off their latest album 'Superdrone One' whilst Peru based 'La Terminal' unleash their heavy post-gaze sound with 'NonXime', lifted from their debut album 'Laterminal'. The compilations penultimate track comes from French based drone aficionados 'Deep In The Ice' who unfurl the excellent 'La Belle Èpoque' whilst the albums closing piece is left to Newcastle based stoner infused psych rock cavillers 'Cave Suns' with a track entitled 'Neptune'. A absolutely marvellous bookend to a masterful selection of tracks.
RELEASE: Swim EP
RELEASE DATE: 28th April 2017
RECORD COMPANY: Across The Floor Records
Aarhus based noisy duo 'ZRN' have released their latest five track behemoth entitled 'Swim' to the masses back at the end of April 2017. 'ZRN' are a side project of monstrous Danish psych rockers 'Tales Of Murder And Dust' and their sound has gone from meandering, atmospheric almost slowcore/shoegaze leanings on their 2015 full-length release 'Animous' into a more of a menacing experimental/noise rock orientation on these new tracks. The EP was officially released back on the 28th April 2017 via and it is available to buy/download right now from zrnband.bandcamp.com
Swim EP by ZRN
In a spiralling drone and accompanied by sequenced production theatrics the opening salvos of 'Across' sweep into earshot dragged by the fizz of undulating synth and the hypnotic call of dark malevolent atmosphere. Chalking in at a full twelve minutes long this track circumnavigates a stunning array of sound waves as it's gravitational pull buffers and pivots sequenced bleeps and whirrs with stunning effect. It groans and creeks in parts as it's soaring synth lines cut deep sonic throughs through delayed reverberations, rippling magnificent swathes of ambient & lo-fi permutations out into the ether. 'Across' is an absolutely magnificent opening track. Up next, the EP's lead single staggers into audible range. 'Deep End' is immensely infectious! It undulates and snakes on layers of dark, noisy bass frequencies supplemented with repetitive lead lines, shimmering tambourine shakes and a heavy sense of sonic foreboding. It's vocal lines glide and snake in and out of the instrumentation, under constant bombardment from whirring lead guitar lines and addictively atmospheric production.
'Diving Off' stalks metronomically into the ether pulling with it those deep dark plods of menacing piano that seem to echo and billow as they fall. Haunting vocalisations accompanied by swirling synth swells swim in dark reverberation as growling guitar & undulating fret noise envelope the entire track in ink black atmosphere. Absolutely immense, 'Diving Off' is probably my favourite track on the entire release. Up next the album deftly unfurls it's penultimate piece. The shuddering twang of overdriven guitar held fast in a regimental flight path builds and shudders through layers of resonating frequencies. 'Slow Affection' has mantra like qualities that whip and curl brilliantly around the inner psyche. It's vocal lines are distant, almost demon like as they ride turbulent instrumentation mixed with intermittent sequenced theatrics to blistering effect. The EP closes out with a dark slab of experimental noise. 'Dry' is an intoxicating affair filled with infectious vocalisations, sequenced electronics and dark, jittering synth swells that are collectively drenched in massive swathes of reverb. It pulses wave after wave of dark atmospherics as it traverses three minutes plus of immense production. A brilliant ending to a very interesting EP.