ALBUM REVIEW | Hideous Towns - Disquiet Living

ARTIST: Hideous Towns

RELEASE: Disquiet Living

RELEASE DATE: 25th November 2016

RECORD COMPANY: The Lost And Lonesome Recording Co.

Melbourne based 'Hideous Towns' have been on our radar here at Primal Music ever since their self titled five track EP release back in 2014. The band consists of Alana West, Ashley Stirling, Chris MacLean & Ryan DeCoite and they collectively create a beautifully astute melding of dreamy dream-pop, alt-rock and blissed out shoegaze! Their debut album 'Disquiet Living' was released back on November 25th 2016 via The Lost And Lonesome Recording Co and it is available to buy/download right now from hideoustowns.bandcamp.com 

Skittish percussion and jangling guitar progressions announce the arrival of ‘Don’t Forget’, the opening salvo on ‘Disquiet Living’. The stunning vocal arrangement swirls into earshot held fast within a surging maelstrom of fuzzy noise until we’re scooped up with it and pulled head long into a wonderful musical trip. Up next ‘Lion’ woozily swerves into the ether on a beautifully golden guitar line coupled with sublime vocalisations, throbbing bass frequencies and motorik percussion whilst ‘Jacques - Louis David’ reverberates old school post-punk sounds with a distinctly modern twist. Driving bass lines and explosive drums hold a steady central spine while the swirling lead guitar lines weave a blistering sonic web, deftly circumnavigating those impressive vocal lines courtesy of Alana West.

‘Waratah’ pulses dreamy frequencies out into the ether on waves of intoxicating instrumentation as we meander through melodious bass lines, wavy effects laden verse progressions and on into those explosive chorus breaks. A thoroughly enjoyable track and probably my favourite on the entire album. Up next, ‘Glass Curtain’ is drenched in delicious reverb and underscored with angry guitars, driving bass frequencies and those immense ‘call to arms’ vocal progressions reminiscent at times to seminal UK based noise makers ‘The Cranes’. ‘Don’t Look Up’ is a beautiful slice of noisy melody driven dream-pop whilst ‘Coincidences’ is jam packed full of atmospherics and brilliantly executed guitar lines that coalesce effortlessly with West’s distinctive vocalisations.

Fuzzy guitars announce the arrival of ‘Value’ (the albums first single) and it’s not long before it’s undulating bass lines take hold, deftly intertwined with a steadying drum pattern. Collectively they take up a type of sonic holding pattern as those reverberating guitars try ever so hard to keep up with those turbulent vocal lines. Up next, ‘Fantasy’ is led by hi-hat heavy percussion and another addictive bass line. This track drives sonic wedge through wave after wave of impressive instrumentation that is constantly battered by West’s sublime vocalisations. The albums penultimate track slows proceedings down a tad as lazy percussion and scaled back guitars allow the vocals to soar into the sonic ether. ‘Wake Us’ is a beautiful slice of modern dream-pop. Instrumentally reminiscent at times to Adam Granduciel’s ‘The War On Drugs’ albeit a million times better vocally. The albums closing piece is thing of beauty. ‘Natural Expression’ bobs and weaves on a shimmering wave of instrumentally charged reverb as those sparse percussive hits chug along nonchalantly. Beautifully radiant sound waves pulse outwardly as the vocals arrive accompanied by shimmering lead guitar lines that dance and arc all over the sonic ether. Harmonious vocalisations and spoken word add spine tingling atmospherics as ‘Hideous Towns’ close out on a triumphant piece of music.

4/5

LINKS:

hideoustowns.bandcamp.com

facebook.com/HideousTownss/

soundcloud.com/hideous-towns-1

ABOUT THE AUTHOR:

Del Chaney has spent the last four years not only fronting popular experimental Irish based electronic duo Analogue Wave but also dedicating his time to uncovering the best artists in the unsigned or small independent label based shoegaze, ethereal dream pop, post punk, post rock & modern psych rock from all over the globe & reviewing them for this blog - The Primal Music Blog. He is also a contributing writer for The Sound Of Confusion. His other arm - Primal Radio - has gained considerable respect from bands and promoters alike since its conception in 2013 & has helped him in actively promoting a genre of music that he is passionate about. Hailing from Dublin, Ireland, he is a keen Vinyl Collector, Tattoo Fan & all round good guy! He is a self confessed music freak & is never far away from a studio console or a turntable.