Vuelveteloca - Sonora - Featured Image - (700x700)

ALBUM REVIEW | Vuelveteloca - Sonora

Vuelveteloca - Sonora - Post Image - (300x300)ARTIST: Vuelveteloca

RELEASE: Sonora 

RELEASE DATE: 27th October 2017

RECORD COMPANY: Fuzz Club Records 

Chilean outfit Vuelveteloca began life over a decade ago and have previously released four full studio albums on various independent labels. They are renowned for their incredible live shows and have shared the stage with some immense noise manipulators such as 'A Place To Bury Strangers, Dead Meadows, Spiritualized and Pond'. Their collective sound echoes through a rhythmic sonic concoction of driving psych, motorik krautrock and splattering's of space rock drenched in dark, heady and sometimes atmospheric stoner rock. To put it in layman's terms Vuelveteloca have that rare ability in today's scene to change it up by becoming sonic chameleons when needed. The band are made up of Tomas Olivos, Marcos De Iruarrizaga, Juan Gili and Mauricio Lacrampette and their fifth album entitled 'Sonora' gets it's full release on the 27th October 2017 via those ever reliable London based purveyors of all things lysergic 'Fuzz Club Records'. The album is available to pre-order right now on lovely deluxe or standard vinyl over at fuzz club.com 

The heaving pull of reverberation stuck fast to a motorik percussive attack announces the arrival of ‘La Niebla’, the albums opening salvo. It’s throbbing bass frequencies arrive at break neck speed trapped in a haze of fuzz that bounces underfoot with the sway of lead guitar and those swirling vocalisations. This track meanders brilliantly as it builds through explosive chorus changes and passages of driving heavy psych laced with the repetitiveness of krautrock and alluring addictiveness of space rock. Up next, ‘Alta Montana’ bounds into the ether tumbling menacingly on a wave of pounding drums and deep resonating bass frequencies. Surging guitars add to the melee pulling an intriguing vocal line into the mix intertwining brilliantly with stinging lead lines and heavy atmosphere. The impressive instrumentation eventually morphs into a singular sonic behemoth, pulsing morse code like sound waves out into the ether. The repetitive thud of ‘Ataque Masivo’ tweaks this listeners attention as it pulsates through fuzzy bass frequencies and the throb of busy percussion. It builds ever so slowly with the arrival of those hazy vocal lines and subtle stabs of synth before exploding into a cacophony of sound that loops and arcs throughout, dragging a continuous chug of guitars with it as it brings us all on it’s magnificent lysergic hued sonic journey.

‘Carnaval’ gyrates and undulates into audible range stuck fast to a menacing but repetitive drum pattern accompanied by lines of blues orientated guitars, throbbing bass lines and addictive vocalisations. It pulsates and drives brilliantly as it carves out a sonic trough, morphing and manipulating sound with relative ease into one animalistic wave of angry spaced out noise whilst ‘L.A’ slows things down for a while to a crawling acid blotched psychedelic wave that washes shimmering frequencies over this listener as it envelopes golden tinged sounds, repetitive beats and reverberating fret noise. It pulls you in before exploding into an angry sonic behemoth that soars skywards wrapped in punishing lead lines and thunderous percussion. ‘Vuelveteloca’ merge the throbbing reverberations of ‘L.A’ with the spaced out vibes of ‘El Lado Frio’, extenuating the lysergic trip in the process by injecting some righteous space rock into proceedings. This track is as menacing as it is brilliant with fuzzy driving guitars, ear splitting reverb and the constant thud of immense percussion collectively circumnavigating those impressive vocal lines. There’s a subtle edge of garage psych underlining the opening bars of ‘Tormento’ that is utterly captivating. Explosive guitars, pounding percussion and the throb of overdriven bass acts as a kind of sonic conduit for those intriguing vocals that are permeated at times by piercing lead lines and intense atmosphere.

The album’s stunning penultimate piece arrives swirling in a high pitched instrumental drone. ‘Vuelveteloca’ unleash what is the best track on this album as far as I’m concerned as ‘Chepical’ unveils it’s kraut like credentials and streams into earshot riding a motorik percussive pattern, an totally addictive vocal line and unwavering guitar signatures. Soaring synths pulse in waves alongside catchy chord structures as a seemingly unmovable bass line orbits in close proximity to those explosive passages of percussion and chittering reverberation. ‘Chepical’ is one of those tracks that catches you off guard, spins you around the room and deposits you somewhere out the back end leaving you wondering what the fuck had just happened. Marvellous stuff indeed. The album closes out with it’s lead single. ‘Cientologia & Altiplano’ is a modern psych gem that builds and builds continuously in unison with a pounding drum track and driving instrumentation. Raging guitars swirl around humming bass lines that collectively stick to that motorik percussive pattern. It’s vocal lines arrive in a golden haze, strapped to a massive sonic surge. They rise and fall through sonic peaks and troughs before dropping into deep reverb filled caverns and soaring lysergic hued cloud structures with relatives ease. It’s a fitting end to a bloody marvellous album.

5/5

LINKS:

fuzzclub.com

facebook.com/vuelveteloca

twitter.com/VL_Chile

ABOUT THE AUTHOR:

Del Chaney - (Author Photo)

Del Chaney has spent the last five years dedicating his time to uncovering the best artists in the unsigned or small independent label based shoegaze, ethereal dream pop, post punk & modern psych rock from all over the globe & reviewing them for this blog - The Primal Music Blog. He is also a contributing writer for The Sound Of Confusion (Now On Hiatus). His other arm  - Primal Radio -  has gained considerable respect from bands and promoters alike since its conception in 2013 & has helped him in actively promoting a genre of music that he is passionate about. Hailing from Dublin, Ireland, he is a keen Vinyl Collector, Tattoo Fan & all round good guy! He is a self confessed music freak & is never far away from a studio console or a turntable.


Hawkeyes / The Radiation Flowers - Split LP - Featured Image (700x700)

EP REVIEW | Hawkeyes / The Radiation Flowers - Split EP

ARTIST: Hawkeyes / Radiation Flowers

RELEASE: Split EP

RELEASE DATE: 7th July 2017

RECORD COMPANY: Sunmask / Cardinal Fuzz

Ontario based heavy psych aficionados 'Hawkeyes' have joined forces with Saskatoon natives 'Radiation Flowers' on a brand new five track 'Split EP' that is absolutely immense. Stacked with massive walls of hypnotic acid drenched noise 'Hawkeyes' formed back in 2012 (apparently out of sheer boredom) and began self-releasing tracks on cassette before their debut album 'Poison Slows You Down' was picked up by Helmet Lady Records back in 2015. 'Radiation Flowers' on the other hand create spacious psychedelically charged shoegaze permeated at times by edgier, fuzzier moments of sonic contemplation accompanied by floating vocalisations that hark back to that early 4AD sound. The album gets it's full release on the 7th July 2017 via 'Sunmask' and the ever reliable Cardinal Fuzz Records and it available to pre-order right now on colour vinyl with full colour printed inner sleeve via cful.bandcamp.com

'Hawkeyes' open up proceedings with the first of two tracks; 'Atom Heart Motherfuckers Never Learn' swirls into audible range stuck firm to a warbling atmospheric guitar progression steeped in hypnotic reverberations. Sparse flourishes of cymbal and fizzing fret noise pull a massive surge of instrumentation into play as growling guitars, humming bass and steady percussion gently pushes us out into a turbulent sonic sea. Wailing lead lines whip up a sonic frenzy as a pulsing metronomic procession of drums and bass keep up a steady tempo for eight minutes plus, acting like some sort of sonic chariot meandering through layer after layer of spaced out grooves and ambient hued textures before 'Hawkeyes' briefly slip their spaced out ambient leanings and explode into a riotous sonic behemoth filled with darker, heavier guitar progressions and explosive accompanying instrumentation, goading the listener with their impressive mind bending production. All in all this is a massive opening salvo. Their second track entitled 'Creator Destroyer' floats into earshot on a wave of intense atmosphere deftly enveloped in beautifully textured acoustic guitar progressions and hushed vocal tones. That illusion is quickly shattered however as they explode into a cacophony of fuzz and reverb. Soaring lead guitars intertwine with delay & the pull of wah-wah to create a claustrophobic wall of hypnotic sound that builds and builds, tumbling brilliantly through rolling percussion and driving bass frequencies before culminating in a wind swept spoken word finale.

'The Radiation Flowers' unfurl '33 Floors Up', a pulsating sonic behemoth that pounds its way through the ether on a resonating wave of instrumentation swirling magnificently through layer after layer of tantalising reverberations. Soaring guitars traverse huge organ swells and there's no let up to the meandering whip of turbulent frequencies as this track explodes into the ether. Up next, 'Always On the Ground' bounds into earshot rocking giddily on a throbbing bass progression before squally synth hits add a sliver of comedy. Off kilter percussion drags itself into the mix accompanied by luscious lead guitars drenched in subtle feedback, effected fret noise and lashings of reverb. The collective instrumentation builds into a rolling wash of sound as beautifully translucent vocalisations ebb and flow into earshot underscored by an off putting organ drone before huge swathes of noise erupt, adding blistering atmospheric depth that seems undulates on that bouncing bass line. The album closes out with 'Never Fade' as 'The Radiation Flowers' meld tremulous shoegaze & indie rock with 60's psych flair. Surging organ swells ride a steady drum pattern as swirling lead guitar lines wrap themselves around another impressive vocal performance. Catchy chorus changes coupled with intricate guitar progressions keep this listener interested as the band inject some serious jolts of melody into proceedings. A fantastic ending to a rather interesting split release.

4/5

LINKS:

cful.bandcamp.com

hawkeyes.bandcamp.com/

theradiationflowers.bandcamp.com/

discogs.com/seller/sunmask/profile

cardinalfuzz.bigcartel.com/

ABOUT THE AUTHOR:

Del Chaney - (Author Photo)

Del Chaney has spent the last five years dedicating his time to uncovering the best artists in the unsigned or small independent label based shoegaze, ethereal dream pop, post punk & modern psych rock from all over the globe & reviewing them for this blog - The Primal Music Blog. He is also a contributing  writer for The Sound Of Confusion (Now On Hiatus). His other arm  - Primal Radio -  has gained considerable respect from bands and promoters alike since its conception in 2013 & has helped him in actively promoting a genre of music that he is passionate about. Hailing from Dublin, Ireland, he is a keen Vinyl Collector, Tattoo Fan & all round good guy! He is a self confessed music freak & is never far away from a studio console or a turntable.


NEW SINGLE PREMIERE | The Grey Merchant - SPOTLESS (THE PROTECTING VEIL)

Hailing from Southern Ireland, 'The Grey Merchant' have just announced their stunning debut single entitled 'Spotless (The Protecting Veil)' , penned in for release on November 8th 2016 via Demeanour Records. 'The Grey Merchant' is the collaborative recording project of Cork based Enda O'Flaherty (Neon Atlas) and a collection of friends and fellow musicians. Their sound gravitates towards a mixture of stoner rock & modern day experimental psych & kraut rock with a moody undertone that is steeped in glorious reverberation. With the promise of further singles and an EP to follow in 2017, 'The Grey Merchant' are most definitely the ones to watch.

'Spotless (The Protecting Veil)' rumbles around a sampled vocal line (courtesy of Charlie Chaplin's speech from 'The Great Dictator') as the track deftly unfurls its edgy side and unleashes a repetitive percussive assault on the senses. Throbbing bass lines and squally droning guitars circumnavigate the entire soundscape as we lurch forward in a distinctly motorik krautrock fashion all the while pulsing stunning frequencies into the atmosphere.

Recommended listening!

LINKS:

soundcloud.com/eannaflatharta

facebook.com/thegreymerchant/