RELEASE DATE: December 4th 2017
RECORD COMPANY: Unsigned
Do you like your dream pop lush, thick, full of ambient undertones and ethereal texturings? If so, look no further than the new Heligoland EP - 'Coriallo', a mixture of the deepest most harmonious dream pop mixed with the kind of ambience relative to somebody like Eno or even Robin Guthrie. In fact, this EP is mixed, produced and mastered by the man himself, known for his contributions to what we now know as ethereal wave and alternative rock in general via his stint in the famous Cocteau Twins. His touch and contribution on the EP are highly notable; I felt like some of the songs atmospherically sounded very similar to 'Guthries' - Continental (released 2006), a brilliant mixture of instrumental ambience that I highly recommend. Anyway, thankfully here Guthrie's position as producer only adds to the band and their sound; he leaves room for originality while enhancing elements of the bands performance and texturing, to achieve brilliant sounds for the listener. 'Coriallo' was officially released back on December 4th 2017 and is available to buy/download right now on various formats via heligoland.bandcamp.com
Coriallo by Heligoland
'Coriallo' opens with ‘Elk’; a low, downtempo and moody track that is built around the slow tempo of the drums and the shimmering background soundscapes of what I assume is some kind of synth. Guitar tones are lush and dreamy, reverberating and echoing around the mix, mingling with the voice. Speaking of which, the vocals remain extremely emotive for the whole song, somewhat clear in the mix but always suitable to the music. Lines like ‘I want to turn away/ because the right way seems to fool my mind’ become fully realized and emphasised by the beauty and patience of the vocals on the song. ‘Orion’ almost does away with the drums in favour of a more guitar based sound; the entire song is like a conversation between the vocals and the guitar. Deep down at the back of the mix, the drums steadily roll along with the rhythm. Structural the song feels free form; a fact that makes the listener pay closer attention to the performances and sounds. In turn these elements hold their own, assisted greatly by Guthries technical wizardry.
‘Anavo’ begins strong but enters a rough patch where it begins to sound like background music as the melodies and sound drift off distantly. The vocals enter a pitch range that seems a tad too comfortable with the guitar, creating a melding together of instruments that seems to kind of alter the music into background sounds. I’m glad to say though, that the followup ‘Three’ puts things back on course for the band. This track uses the same downtempo mood as the opener; the guitars are strummed distantly along with the beautiful sound of dreamy synths in the background. The vocals become a heavier, more defined sound, and the bass and drums step up to form a truly enjoyable rhythm section. The second half of the song is especially brilliant, and certainly a high point for the album in terms of the guitar. ‘Trust’ is possibly the best song on the EP; layered, emotive vocals open the mix and push it forward: layers of immaculately mediative guitars and atmospherics cover the corners of the sound… a truly beautiful song.
Rumour has it that Heligoland, with Guthrie producing, are releasing a full length album, which makes me consider a few things in relation to my thoughts on the album. Firstly, before that, I have to say that I really did enjoy this EP. I loved the performances, I love the texturings and the songwriting, and perhaps most of all I liked the production and overall quality of the sound. But, five songs was about enough. What I mean by this is by the time I reached the fifth track, I had heard just about as much slow simple drum beats, a particular vocal pitch and the lush roll of guitars that one could. On a full length, things may have to be altered a bit, or the same recipe may make the food taste bland. This EP however, pertains to the not too little and not too much rule, landing somewhere neatly in a place that makes it what some would call a comfortable listen. Things are glistening, things are beautiful, things are slightly contemplative and things are personified, positively transfigured and majestically presented through pure, beautiful sound.
ABOUT THE AUTHOR:
Cam Phillips is a writer and above all, a music lover, who seeks to gain experience through writing and listening. He is also an avid film viewer and art and literature junkie who enjoys creative writing. His most recent published work was featured on Baeble Music and Culture (USA), Sounds and Colours Magazine (Latin America, London), Easterndaze (Latvia) and the Australian based heavy music blog, I Probably Hate Your Band.
by Primal Music
Shutting Down by Tombstones In Their Eyes
L.A based sound manipulators 'Tombstones In Their Eyes' have returned with an immense new double A-Side single entitled 'Shutting Down' b/w 'Take Me Home' which follows on from their August 2017 release, the widely acclaimed five track 'Fear' EP. Stoner rock, neo-psych, subtle flavours of shoegaze and rolling slowcore melded with fluttering dark frequencies, intense melody and those totally addictive vocalisations of John Treanor make up the bands collective sonic melting pot and if you ask us, this latest double A-Sided single is their best release to date! It gets its full unleashing on November 17th 2017 and is available to pre-order right now via tombstonesintheireyes.bandcamp.com
'Shutting Down' floats and flutters on a heady wave of fuzzy guitars and throbbing bass frequencies that swirl effortlessly through tripped out psychedelic moments and unsurpassed melody with relative ease. It's a mellower accompaniment to the absolutely stunning 'Take Me Home' which explodes skywards from it's very first notes bleeding reverberation into the atmosphere as it stream across the sonic ether on a steady percussive pattern. Treanor's vocals are totally addictive and they ride a tempestuous wave of guitars and bass supplemented with oodles of reverb to stunning aplomb. This as far as we're concerned is a massive step forward from a band who are making serious waves in the underground scene right now!
ARTIST: Tombstones In Their Eyes
RELEASE DATE: 4th August 2017
RECORD COMPANY: Send Me Your Head Records
Stoner rock, neo-psych, subtle flavours of shoegaze and rolling slowcore melded with fluttering dark frequencies, intense melody and those totally addictive vocalisations of John Treanor make up the collective sonic melting pot of musically astute L.A based quartet 'Tombstones In their Eyes'. Back in May 2016 they literally blew me away with their 'Bad Clouds' EP, so much so that I have been waiting with baited breath to see what these guys could come up with next. The band are made up of John Treanor – Vocals/Guitar/Keyboards, Josh Drew – Bass/Backing Vocals, Stephen Striegel – Drums/Percussion & Samuel Sherwood – Percussion and they have just announced their third EP entitled 'Fear' penned in for release on August 4th 2017 via 'Send Me Your Head Records' with pre-order options now available via tombstonesintheireyes.bandcamp.com
Fear by Tombstones In Their Eyes
The EP unfurls its sticky sonic tendrils with ‘I Want To Fly’. An explosive opening breathes life into an effortless vocal track that sits gracefully atop growling guitars, shuddering percussion and throbbing bass frequencies as ‘Tombstones In Their Eyes’ dip into their inner psych, melding it with subtle shoegazing tendencies and angry alt-rock to create a magically intense piece of music. Up next, my favourite track on the entire release enters audible range. ‘Separate’ tumbles into the ether strapped tightly to a downward spiralling tremulous drone before hazy vocalisations snake and undulate through warbling guitars, fizzing synth and cascading bass lines. It builds in intensity as it works through it’s sonic gears, moving menacingly through swathes of impressive reverb before culminating into a swirling mass of blissful noise. It’s a triumph of a track and it’s filled with everything that is needed to stir the senses completely.
‘Always There’, the EP’s lead single, sounds more like a mash up of french band AIR, R.E.M and some other nondescript alternative outfit from the mid 90’s. It doesn’t do it for me at all I’m afraid and I find it hard to understand what it is exactly that the band where trying to achieve here. I’ll probably be hung for saying that but for me it’s a very confusing track. Up next, ‘Another Day’ fizzes into life tumbling effortlessly through waves of hazy reverberation as melodious guitars are cajoled and whipped by swirling drones, the plink of synth and driving percussion before we’re dragged headlong into a marvellous chorus progression that simply soars. Brilliantly executed and filled with excellent production ‘Another Day’ mesmerises. The EP close out with another triumphant piece of music. ‘Fear’ swirls through a hazy psych filled world with blistering aplomb. Metronomic percussion coupled with shimmering tambourine adds intense atmosphere as a growling wall of noise pulls hypnotic vocalisations out into the ether, trembling on waves of throbbing bass and undulating synth swells. Soaring lead guitar gloriously punishes this entire piece to within an inch of it’s life, intertwining at times with those shamanic like vocal lines before we’re dropped off the back end, holding on desperately to it’s fading instrumental drones. A blistering end to a rather good EP.
Del Chaney has spent the last four years dedicating his time to uncovering the best artists in the unsigned or small independent label based shoegaze, ethereal dream pop, post punk & modern psych rock from all over the globe & reviewing them for this blog - The Primal Music Blog. He is also a contributing writer for The Sound Of Confusion (Now On Hiatus). His other arm - Primal Radio - has gained considerable respect from bands and promoters alike since its conception in 2013 & has helped him in actively promoting a genre of music that he is passionate about. Hailing from Dublin, Ireland, he is a keen Vinyl Collector, Tattoo Fan & all round good guy! He is a self confessed music freak & is never far away from a studio console or a turntable.
RELEASE: Swim EP
RELEASE DATE: 28th April 2017
RECORD COMPANY: Across The Floor Records
Aarhus based noisy duo 'ZRN' have released their latest five track behemoth entitled 'Swim' to the masses back at the end of April 2017. 'ZRN' are a side project of monstrous Danish psych rockers 'Tales Of Murder And Dust' and their sound has gone from meandering, atmospheric almost slowcore/shoegaze leanings on their 2015 full-length release 'Animous' into a more of a menacing experimental/noise rock orientation on these new tracks. The EP was officially released back on the 28th April 2017 via and it is available to buy/download right now from zrnband.bandcamp.com
Swim EP by ZRN
In a spiralling drone and accompanied by sequenced production theatrics the opening salvos of 'Across' sweep into earshot dragged by the fizz of undulating synth and the hypnotic call of dark malevolent atmosphere. Chalking in at a full twelve minutes long this track circumnavigates a stunning array of sound waves as it's gravitational pull buffers and pivots sequenced bleeps and whirrs with stunning effect. It groans and creeks in parts as it's soaring synth lines cut deep sonic throughs through delayed reverberations, rippling magnificent swathes of ambient & lo-fi permutations out into the ether. 'Across' is an absolutely magnificent opening track. Up next, the EP's lead single staggers into audible range. 'Deep End' is immensely infectious! It undulates and snakes on layers of dark, noisy bass frequencies supplemented with repetitive lead lines, shimmering tambourine shakes and a heavy sense of sonic foreboding. It's vocal lines glide and snake in and out of the instrumentation, under constant bombardment from whirring lead guitar lines and addictively atmospheric production.
'Diving Off' stalks metronomically into the ether pulling with it those deep dark plods of menacing piano that seem to echo and billow as they fall. Haunting vocalisations accompanied by swirling synth swells swim in dark reverberation as growling guitar & undulating fret noise envelope the entire track in ink black atmosphere. Absolutely immense, 'Diving Off' is probably my favourite track on the entire release. Up next the album deftly unfurls it's penultimate piece. The shuddering twang of overdriven guitar held fast in a regimental flight path builds and shudders through layers of resonating frequencies. 'Slow Affection' has mantra like qualities that whip and curl brilliantly around the inner psyche. It's vocal lines are distant, almost demon like as they ride turbulent instrumentation mixed with intermittent sequenced theatrics to blistering effect. The EP closes out with a dark slab of experimental noise. 'Dry' is an intoxicating affair filled with infectious vocalisations, sequenced electronics and dark, jittering synth swells that are collectively drenched in massive swathes of reverb. It pulses wave after wave of dark atmospherics as it traverses three minutes plus of immense production. A brilliant ending to a very interesting EP.
Del Chaney has spent the last four years dedicating his time to uncovering the best artists in the unsigned or small independent label based shoegaze, ethereal dream pop, post punk, post rock & modern psych rock from all over the globe & reviewing them for this blog - The Primal Music Blog. He is also a contributing writer for The Sound Of Confusion (Now On Hiatus). His other arm - Primal Radio - has gained considerable respect from bands and promoters alike since its conception in 2013 & has helped him in actively promoting a genre of music that he is passionate about. Hailing from Dublin, Ireland, he is a keen Vinyl Collector, Tattoo Fan & all round good guy! He is a self confessed music freak & is never far away from a studio console or a turntable.
RELEASE: Confined EP
RELEASE DATE: 14/02/15
RECORD COMPANY: Ronald Records & Hail Hail Records
From Atlanta Georgia, USA, 'Pallow' released 'Confined' earlier this year. This is a well-chosen title for these four songs which are tightly-controlled, like someone on the verge of totally losing it, but who somehow always retains their decorum. This is emphasised by the music's deliberate pace, which makes each strummed bass note feel heavy with significance.
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'In Wait' is a tense opener, ushered in with a whispered woosh, building to intertwine with intricate guitars and ringing cymbals. There's a frustration about 'Muted' - a brooding track that feels like an argument that needed to happen, but didn't. The distortions layer and momentum grows, but then ebbs away to an ambient moan. It's in 'Synthetic Now' that things get emotional. The vocal cracks as reverbed guitars glower in the background. Before we get too carried away, an off kilter drum beat stiffens that upper lip. Final track 'Inward' is heavy with regret and morose bass. 'Think of what could have been', we are urged. And we do, we must. A torrent of feedback and fuzz gives a glimpse of Pallow's torment, but only briefly.
My question is what happens if 'Pallow' really lose it? Let's hope we find out. Confined is out now on download at www.pallow.bandcamp.com and on tape from Ronald Records and hailhail records.
In her time, Sarah Cuthbert-Kerr has attended raves and rock clubs. She enjoys pedals, pizza and spy dramas. Sarah also plays guitar in Edinburgh-based noisemakers Wozniak and is co-founder of Morningside Young Team who put on gigs and put out records for discerning audiences who enjoy fuzz and confusion.