Primal Fav's - 'Dead Rabbits' have unleashed the stunning first single entitled 'Get Me Over There' from their highly anticipated forthcoming full length album 'Everything Is A Lie' penned in for release via the fantastic London based purveyors of all things sonically wonderful 'Fuzz Club Records' on September 5th 2016. These Southampton based neo-psych shoegazers have been wowing their fans with their musical talent having previously released two albums, 2013's awesome debut 'The Ticket That Exploded' and the brilliant 'Time Is Your Only Memory' back in 2014.
'Dead Rabbits' formed in 2011 and since then have been busy playing countless gigs and tours throughout the UK and Europe - appearing at Eindhoven Psych Lab, Common People, Cosmosis Festival and sharing the stage with the likes of Band of Skulls, Yuck, Night Beats, Crystal Stilts and The Telescopes. Later this year the band will be heading out on a huge EU tour with The Warlocks.
'Get Me Over There' rumbles and growls on a bed of fuzzy jangling guitars, swirling pulsating bass frequencies and skittish percussion as the howling vocals ride a raging sonic twister into the ether. One of the best tracks this year by far and most definitely recommended listening!
Head over to www.fuzzclub.com for pre-order details.
by Primal Music Blog
ARTIST: Jewish Mandiolo
RELEASE: Gustavinho Debaixo D'água
RELEASE DATE: 09/07/15
RECORD COMPANY: Unsigned
'The Jewish kings' are a new experimental post rock band from Rio De Janeiro, Brazil who specialize in experimental textures, flamboyant Latin grooves but with guitar effects that larry lalonde (Primus guitarist) would be wet for! The band are made up of Bernardo Arenari, Luiz Bento, Denisson Caminha, David Dinucci & Danilo Nagib.
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In the first track 'Agua' we are exposed to almost too much coolness for a mans ears to take. The opening chords are vague, spacious and driving while the bass leans over and gives yer ears a wee sombre kiss coupled with a subtle whisper conveying its love for making you happy. This track goes in and out of dominent 6th chords that add such a strange resolution - resolution - resolution kind of feel to the progression as opposed to the usual tension - resolve setup of our tritonic Jazz forefathers. After our typical start the tracks middle section takes us to shoegaze land where we swallow a dose of some concotion off of the same shelf as 'Do Make Say Think's - Goodbye Enemy Airship or The Landlord Is Dead' album's of yore! Of course then it takes us into a combination of the two but with an added brass section...... and as the main songwriter in 'Tuath', I love me a brass section! The crescendo in this track is so expertly conveyed that you will wonder how this band are just on their first EP.
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The third track 'Imersáo' has a shoegazey type of James Bond feel that you just gotta check out. You will not be able to prevent yourself from singing 'Live And Let Die' over the tune. This track has elements of 'Yo La Tengo' on vocals but with some of the same guitar textures of 'Conan Mockasins' debut album! While listening to it I was tempted to name drop 'Neutral Milk Hotel' in terms of the way his voice sounds. 'Imersáo' stinks of late 90's guitar 'Radiohead' but upon saying that it is still its own buzz! I reccomend experimenting with some 'Bucolic Remedies' before listening to this track. For absolutely no reason at the end of this song it blasts the distortion really loudly with some delicious unison bends. I am not sure weather this was a half assed ending or if they genuinely planned it to sound like this but either way I love it. Check it out:
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'Amor LIquido' is by far the coolest track on this EP. The intro is in an odd groove and takes me back to 'Bad Moon Rising' in terms of guitar sound. The drum sound is grainy & the bass doesn't give a toss about frequency masking and then imagine that 'Sonic Youth' had the cop on to include a brass section? Because of course they incorporate some really tense but harmonic brass harmonies all the while incorporating some Rio De Janeiro musical stylings in the form of some claps. In my opinion this is an excellent thing to do as it completely melds the culture from which this band come with the music that they like. The Jazzy Latin flavors are bloody magic & they make me want to go and put some trad onto the next 'Tuath' record. Also I must add that unlike most experimental bands these dudes sing in their own language which again, as the main songwriter in 'Tuath' I think is a magic buzz altogether and they should be stamped for their bravery in the field.
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'Merguhlar' is a song I am going to mention even though I didnt enjoy it for a contradictary reason: The first half of it is a story and it is in Portuguese & due to this it takes ages to get to the meat and potato's! This would not be a problem for me if I spoke Portuguese but I don't unfortunately. Anyways when it does kick off it is beautiful and contains some of the nicest shoegaze out there at the moment as it boasts some beautiful off kilter harmonies, the right amount of distortion and the panning techniques keep the sound interesting. Check this track out:
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The EP's closer 'Foz (Debaixo D'água)' is a feel good, Jazzular & almost Funk effort that lands directly at a loud Post Punk mid section half way through the intro but with the anthemic shouting of a lot of modern Indie music. These guys really know how to progress their music in an intricate way and this song is a great example of that. This is by far my second favorite track on this EP. It's a lovely closer & a magic sign off for what is a short but great listening experience.
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This band are great but I feel with a bit more experimentation they will be quite a force to be reckoned with. I doubt I will ever see this band live but I am a big fan of their sound.
I rate this 4 out of 5.
ABOUT THE AUTHOR:
Robert Mulhern is the Vocalist, Guitarist, Producer & Engineer in Irish heavy experimental shoegazers 'Tuath'. Hailing from Donegal, Ireland Robert’s musical influences span numerous genres and are far reaching. 'Tuath' are quietly establishing themselves as forerunners in Ireland’s experimental shoegaze & psych-rock scene.
by Primal Music
RELEASE DATE: 03/07/15
The enigmatic 'Lust' seem to have appeared from the ether. The Toronto four-piece played their first show in June and released their self-titled debut album in July. Fast work, or the fruition of months, years or decades of planning? Who knows. Their eight track debut creates a head-swirling atmosphere that’s only punctured fleetingly, as by a thunderstorm. The slow-ness and depth of sound, combined with the whisper of unsettlingly intense lyrics seems intended to hypnotise.
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Opening track 'Calm' eases in with chorused guitars and sets the rhythm for the record, with its slow, deep breaths. Although the noise grows, the pace is steady – in and out. A tumult of textures and layers, 'Whisper' rouses us briefly, but 'Day Dream' sends us back to a reverie. It’s definitely dream pop, but they pile some dirt on too. Keeping it dreamy, 'You and I' casts a sonic hex which is shattered by 'Alone' – an energy boost of drums, distortion and wonderful whammy action. In 'Are These Feelings Real?' a recorded voice doubts their reality, and no wonder. This deep into Lust’s debut, disorientation is all. And that only deepens as 'Breathe' begins and seems somehow to be a continuation and evolution of the preceding song. It’s almost smothering – a long way from the airiness of Calm, all those songs ago. The album closes with 'When You’re Blue', with its swooping minor chords and whispered lyrics, it’s a dark incantation.
Lust have us under their spell.
ABOUT THE AUTHOR:
In her time, Sarah Cuthbert-Kerr has attended raves and rock clubs. She enjoys pedals, pizza and spy dramas. Sarah also plays guitar in Edinburgh-based noisemakers Wozniak and is co-founder of Morningside Young Team who put on gigs and put out records for discerning audiences who enjoy fuzz and confusion.
ARTIST: Everyone But Me
RELEASE: Everyone But Me EP
RELEASE DATE: 16/05/15
RECORD COMPANY: Custom Made Music
As most people who read my reviews for ‘The Primal Music Blog’ would know it takes a hell of a lot to move me musically to the point that I take the time to write about it. I tend to be rather picky when it comes to a genre of music that Im passionate about. Shoegaze & Dreampop to me should (first & foremost) have the ability to move the listener beyond the normal realms of sonic bewilderment & in turn transport him or her to a higher plain where a multitude of reverb layered guitar textures intertwined with solid drum patterns, translucent vocal arrangements & throbbing bass lines assault your cranium with beautiful blissful tones full of emotive goodness! Or in lay mans terms - It needs to sound fucking immense! So with all of that in mind, allow me to introduce you to my new favourite band - ‘Everyone But Me’.
Hailing from Columbus, Ohio ‘Everyone But Me’ are no prudes when it comes to creating beautiful fuzzy dreamgazing soundscapes. Their self titled 5 track debut will attest to that. Released on 16th May 2015 via digital download on bandcamp & on tape via the brilliant ‘Custom Made Music’ this EP will catapult you into a world where gazing is king & emotive melodic chorus changes evoke the heady infantile early days of the first wave shoegaze era. The band are made up of duo Nick Bain & Jason Grady but their sound is insanely massive! It loops & arc’s all over the sonic palette with an intensity so big that will have you swimming in a golden hallucinogenic haze. Creatively astute & impressively imaginative ‘Everything But Me’ will attract even the lesser fans of the shoegazing / dreampop genre with this immense self titled debut EP.
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The EP opens up with an absolutely amazing whirlwind of fuzzy reverb, layered synths, infectious vocals & programmed drums. ‘Isn’t Far’ is an impressive opener full of infectious looping sound waves leading to a soaring chorus that will tickle your spine as you are lifted up and carried along with its psychedelic overtones. Simply stunning!
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Track 2 - ‘Say Farewell’ is a charging beast of a track reminiscent in parts to UK based shoegazers '93 Million Miles From The Sun’. This track is astonishing with its sprawling swirling synth patterns, delayed reverb induced vocal arrangements & pounding repetitive drum sequences. But for me its the melodic vocal charge in the chorus that is absolutely immense. The production on this track alone is stunning. Check it out:
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‘Just Like Anyone’ is a full on sonically intense train ride to a land where reverb is a god given birth right. Its a swirling mass of droning guitars, sweeping drums & haunting vocals that will blow your mind. Again the chorus changes on this track are uplifting to the point of no return. This is another level of shoegazing. Truly a masterpiece!
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The beginnings of track 4 on this self titled EP from Ohio based ‘Everything But Me’ lead you into a false sense of security! Im not afraid to admit that. The opening salvo’s of 'I Never believed You’ distract you from the sonic assault that lurks in its shadowy underbelly! A wall of beautiful fuzzy reverberated sound hits you full on in the face & this listener is hooked all over again. So good!
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The final track on this impressive EP is 7 minutes plus of sonically delightful fuzzy sound waves. ‘Still Not Enough’ is a charging monolith of a track that is so addictively hallucinogenic at times that I had to press stop, then rewind & start it all over again just incase I missed something the first time around! The immense vocals are so intensely intertwined with swirling guitars, the ever present pounding drum pattern & layers upon layers of shimmering bloody brilliance that you can do nothing at all other that float along with it on a wave of amazing shoegaze. This is a track that just keeps giving! A triumphant ending to a absolutely beautiful EP.
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This debut 5 track EP from Ohio based dreamgaze duo ‘Everything But Me’ is a rare thing indeed. It's as rare as hens teeth! I can safely say right now that the Everything But Me EP will be in my top 5 EP’s of 2015 come years end without a doubt! It is simply stunning from its opening fuzzy chord progressions right through to its shimmering finality. It had me hooked from the very first note & I am so glad to have heard it.
Its one of those releases that I will continue to return to again & again. Magnificent!
Del Chaney has spent the last three years not only fronting popular Irish Electronic duo Analogue Wave but also dedicating his time to uncovering the best artists in the Unsigned or Small Independent Label based Shoegaze Dream Pop Post-Punk & Post-Rock genre’s of music from all over the globe & reviewing them for this blog - The Primal Music Blog. His other arm - Primal Radio - has gained considerable respect from bands and promoters alike since its conception in 2013 & has hepled him in actively promoting a genre of music that he is passionate about. Hailing from Dublin, Ireland, he is a keen Vinyl Collector, Tattoo Fan & all round good guy! He is a self confessed music freak & is never far away from a studio console or a turntable.
RELEASE: Confined EP
RELEASE DATE: 14/02/15
RECORD COMPANY: Ronald Records & Hail Hail Records
From Atlanta Georgia, USA, 'Pallow' released 'Confined' earlier this year. This is a well-chosen title for these four songs which are tightly-controlled, like someone on the verge of totally losing it, but who somehow always retains their decorum. This is emphasised by the music's deliberate pace, which makes each strummed bass note feel heavy with significance.
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'In Wait' is a tense opener, ushered in with a whispered woosh, building to intertwine with intricate guitars and ringing cymbals. There's a frustration about 'Muted' - a brooding track that feels like an argument that needed to happen, but didn't. The distortions layer and momentum grows, but then ebbs away to an ambient moan. It's in 'Synthetic Now' that things get emotional. The vocal cracks as reverbed guitars glower in the background. Before we get too carried away, an off kilter drum beat stiffens that upper lip. Final track 'Inward' is heavy with regret and morose bass. 'Think of what could have been', we are urged. And we do, we must. A torrent of feedback and fuzz gives a glimpse of Pallow's torment, but only briefly.
My question is what happens if 'Pallow' really lose it? Let's hope we find out. Confined is out now on download at www.pallow.bandcamp.com and on tape from Ronald Records and hailhail records.
ARTIST: Manon Meurt
RELEASE: Manon Meurt EP
RELEASE DATE: 16/02/14
I love new discoveries, even if I am a bit behind the curve… So, meet 'Manon Meurt' from the Czech Republic and who released this mini-album way back in February 2014. These six tracks are a beguiling introduction to a band who let their music breathe. While many gazers heap track upon track, Manon Meurt’s songs are spacious and special.
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Opening song 'To Forget' blends beautiful vocals, including a deeply buried but gorgeous male backing vocal which must be mentioned, with a rush of reverb-laden guitars. There’s plenty of fresh, sparkly air to enjoy in the middle eight, before they start building that wall of sound. The big-bottomed 'Glowing Cityscape' is driven by growling bass and Phil Spectre-esque drums which contrast deliciously with delicate vocals. Judicious guitar adds texture and sparkle. '94' is a hymn to the golden age of gaze (surely!), with the Holy Trinity of reverb, fuzz and delay all in evidence, and the swooning lyric calling ‘God save me’. Hallelujah! We’re drawn in to 'Until You Can' with a mesmerising Eastern mantra that shape-shifts into a heavy psychedelic sway.
The mood changes with the mild melancholy of 'In These Eyes' before closing track 'Blue Bird' appears on the horizon. The wistful whisper of shimmery cymbals and sparkling guitars succumbs to a swell of sound that soars in the sky, and fades.
Manon Meurt's self-titled debut release is available to pre-order on vinyl right now from the Canadian based Label Obscura : www.labelobscura.com/manon-meurt-manon-meurt/
Sheens - Screens
Madrid based noisy shoegazers 'Sheens' have exploded onto the musical canvass with this immense demo release entitled 'Screens'. Ones to watch as the summer progresses this track is full of full on fuzzy layered shoegaze! This track is their first attempt at home recording and we reckon that it is immense! Look out for more from this band as the summer rolls on! 'Screens' has now gone up on our 24 hour rotation over on www.primalradiolive.com
RELEASE: Geisha EP
RELEASE DATE: 29/04/15
RECORD COMPANY: Unsigned
Italy is a hotbed of brilliantly emotive, post punk fuelled, droning shoegaze & dreampop bands these days and ‘The Primal Music Blog’ has reviewed many of them before. From Milan to Napoli, Rome to Modena we are big supporters of the Italian ‘Scene That Celebrates Itself' or ‘Italiogaze’ as the scensters are calling it these days. This week we were introduced to yet another immense musical outfit based in Italy. ‘Arirang’ were born in Milan and are made up of Marco Mercuzio P - Guitars / Vocals, Francesco M - Bass & Giacomo C on Drums. Their debut EP release entitled ‘Geisha’ was officially announced to the masses back in April 2015 and is a truly magnificent collection of post rock inspired soundscapes intertwined with stunningly emotive cinematic shoegaze that is at times interspersed with post punk inspired vocal arrangements that will leave you truly amazed. The musicianship alone on this 5 track release is simply stunning!
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The EP opens up with beautifully arranged ‘Humming Rigmaroles’. This is a slice of cinematic post rock in its purest form. Stunning reverb infused vocals sit on top of an enticing drum arrangement & lead you into its explosive core. This track is full of musical peaks & troughs and it will take you on an unbelievable sonic journey. Stunning!
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Track 2 ‘Mantrabox’ begins with full on rock god connotations. Reminiscent in parts to ‘God Is An Astronaut’ with its explosive guitar arrangements and post rock infused progressions. The reverb fuelled vocal arrangement is simply addictive and leaves you wanting more. There’s a subtle hint of programmed drums running through this tracks spine but this only enhances the overall sound. Check it out:
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Track 3 is another cinematic soundscape wonder! ‘Under The Mount’ begins on a slower curve than the previous 2 tracks but don’t be fooled. This track opens up into an instrumental shoegazing masterclass as waves & waves of emotive walls of reverb drenched guitars wash over you and scoop you up with their many layers of immense goodness until it breaks and gently places back onto terra firma. I am amazed at the level of musicianship that Arirang are expressing on this track. It is simply sublime! Bravo!
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Track 4 - 'Oh Whale', is a slow burner. Ethereal vocals float on top of a steady but sparse percussion arrangement & intoxicating guitar lines until it erupts into a full on post rock gem. ‘Arirang’ have a cunning knack of bringing their listeners on a journey of musical discovery with the ebb & flow of their musical soundscapes. The programmed drum patterns returns mid way through the track but again it adds to the overall sound. This is yet another beautiful track of immense proportions & fans of emotive post rock will instantly fall in love with it. Stunning! Check it out:
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The closing track on this impressive release from Milan based ‘Arirang’ is a whopping 12 minutes plus of post punk infused vocal arrangements, droning sounds, pounding drums & swirling guitars. 6 minutes in and silence . . . . . . only to build into a maelstrom of instrumental shoegaze fuelled swirling guitars & pounding drums of immense proportions. A fitting end to a truly epic release.
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Del Chaney has spent the last two years not only fronting popular Irish Electronic duo Analogue Wave but also dedicating his time to uncovering the best artists in the Unsigned or Small Independent Label based Shoegaze Dream Pop Post-Punk & Post-Rock genre’s of music from all over the globe & reviewing them for this blog - The Primal Music Blog. His other arm - Primal Radio - has gained considerable respect from bands and promoters alike since its conception in 2013 & has hepled him in actively promoting a genre of music that he is passionate about. Hailing from Dublin, Ireland, he is a keen Vinyl Collector, Tattoo Fan & all round good guy! He is a self confessed music freak & is never far away from a studio console or a turntable.
RELEASE: Lemonseeds EP
RELEASE DATE: 23/06/15
‘Morels’ hail from Baltimore, Maryland & have a unique collective sound that is sometimes melodic alt-rock, sometimes noise-pop mixed with a hint of fuzzy impressive shoegaze & intertwined with post punk inspired vocal arrangements. But what interests me the most about this band is their ability to evoke melancholic snapshots in time of hazy youth, warm summer days & full on fuzzy shoegazing. Made up of ex-members of both Bad Liquor and The Warlocks plus members of The Flying Eyes/Bad Lung they have just released a stunning collection of tracks on the aptly named - ‘Lemonseeds EP’.
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The ‘Lemonseeds EP’ opens up with a straight laced indie rock inspired stalwart of a track entitled - ’Honeybee’. On first listen this track has an early 90’s feel to it with its vocal tones & production effects intertwined with an edgy musical undertone. Its a happy, jangling, floating 3 minute affair with addictive guitar parts & a solid drum pattern but to me it does exactly what it says on the tin. This kind of stuff doesn’t normally float my boat but ‘Morels’ have my attention! Check it out:
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At first the deceiving opening drum pattern on track 2 leads me to believe that we’re on a similar voyage to a land of tame run of the mill indie rock. But boy was I wrong! ‘Morels’ open up a swirling maelstrom of beautiful shimmering guitars, immense drums, addictive bass lines & what I think is a synth progression running just under the madness that reminds me of very early ‘Cure’. There is also a subtle hint of mid/late 80’s post punk in the vocal too on ‘Raygun’ that just sucks you in and keeps you interested & fixed on the track. This is a sublime wall of sound that is simply beautiful. You need to check it out:
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Track 3 ‘Lemonseeds’ floats into the musical atmosphere with a hazy laid back alt rock vibe surrounded by swirling synths & yet another brilliant vocal performance. This is what I mean when I say that ‘Morels’ have the ability to evoke memories. This track just washes over you & takes you with it as it tells its story. A triumph, musically!
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The closing track on this latest 4 track EP from Baltimore based noise merchants ‘Morels’ is possibly my favourite on the entire release. ‘Communion’ is a full on menacing ball of energy with its 80’s inspired emotive synth swells, Sisters of Mercy / Cult esq vocal arrangements, impressive drum patterns & full on walls of swirling droning guitars. This track alone makes it all worthwhile. You need this in your music collection! Check it out below:
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RELEASE DATE: 29/06/15
RECORD COMPANY: Morningside Young Team Records
In the realm of instrumental shoegaze noise-rock, psych & post-rock it is the ability of the musician and or musicians to collectively carry a project to its finality thats the most important overriding factor. These modern day creators of psychedelic gazing are tasked with the job of carefully enticing listeners into their world by virtue of a sonic journey through many layers of infectious mind bending tone & shape and on into a blissful arena of sound. Musicians need to be masters of their craft & commit to enthralling listeners with their collective creative abilities in order to achieve their fans adoration. One such band have continued to impress not only me but the vast majority of the underground shoegaze, noise-rock, psych & post-rock world with their stunning musical soundscapes & their collective ability to bring listeners to their music on a psychedelic rollercoaster ride through waves & waves of addictive shoegazing goodness.
From their earliest creations Edinburgh based sound gazers 'Wozniak' have produced mind numbing music of brilliant shimmering proportions. 'Wozniaks' first release 'MFMB / New Hampshire' was a tiny crack in the surrounding framework that encompasses their musical world but what it did was to allow us to briefly peek inside. Listening to it let us collectively (as music fans first & foremost) sample a small sliver of their psychedelic might. It wasn't until the release of their immense EP 'Pikes Peak' that they broke the mould & unleashed a torrent of beautifully inspired shoegaze & noisey post rock infused cinematic sounds into the atmosphere that are so good they actually had the ability to sweep up this listener & carry him on an awe inspiring wave of shimmering musical brilliance.
After releasing the brilliant explosive single 'Five Star' back in November 2014 as a follow up to the mighty 'Pikes Peak' the band have released another stunning collection of tracks on Morningside Young Team Records aptly named - 'Auster'. The EP takes its name from the Roman God of the south wind, and reflects the elemental forces at work on Auster’s four stunning tracks. With its swirling snarl of guitars, dark, dirty bass tones and tom-heavy drums, the EP builds on 'Wozniak’s' previous releases revealing sophisticated sounds and songs that reveal themselves over repeated listens. 'Auster’s' layers of shoegaze sounds are underpinned by a noise-rock intensity and the expansive structures of post-rock bringing to mind comparisons with Slowdive and Mogwai.
This latest release opens up with the rather beautiful 'Snow Effect'. Glimmering guitars, addictively layered lead progressions, fuzzed out intricate bass lines, the steading presence of John Sinclair on drums mixed with that absolutely stunning standout vocal performance from Sarah Cuthbert-Kerr makes this track shimmer. As opening tracks go this has to be one of the best that I've heard this year. 'Snow Effect' has the ability to tell a story through the medium of music. Its chorus alone will shake up your memories & have you dreaming of the heady sunny days gone by. This is an absolutely stunning first track!
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The opening salvos of 'Wings Of Pegasus' charge into the musical atmosphere & instantly bring you back down to earth with its full on instrumental noise-rock swagger accompanied by that ( a- typical of Wozniak ) swirling maelstrom of guitars courtesy of both Simon & Sarah's penchant for guitar effect pedals & their ability to craft wondrous sounds from them! This is an addictively repetitive monster of a track that belongs on an early Death In Vegas mixtape & should in my opinion be remixed for the dance floor at some stage further down the road.
Next up on this immense release is another instrumental masterpiece - 'Gospel Of Infinity' is a call to arms. It builds from its very first repetitive chord progression whilst sitting on top of Johns Sinclair's rolling drum pattern & intertwining with yet another addictive bass line courtesy of the brilliant James Urquhart until the band eventually explode in unison as one swirling singular mass of gazing noisy sound waves.
The closing track on 'Auster' is simply EPIC. 'Hester & Zelda' is eight minutes plus of pure joy. Its cinematic beginnings are steeped with post-rock tendencies but don't be fooled. Wozniak refuse to be tamed within any genre specific borders. They unleash a full on sonic assault on your senses that will have you on the one hand gazing at your shoes immersed in a beautiful swirling mass of sound & on the other I can guarantee you will spend your time being absolutely amazed at this tracks post-rock infused glory. A truly wonderful track by a band who are not afraid to experiment by beating & bending sound until its moulded into their preferred shape. Stunning!
If creating & releasing music can be classed as a continuous progression with each step a betterment of yourself as a musician or as a collective of musicians then Wozniak have made a serious leap up the musical ladder with this latest EP release. What 'Auster' shows is that this band are one with their music & that they have the ability to create serious waves in todays underground musical landscape. I firmly believe that they have (as a collective) raised the musical bar for others to see clearly. This is a bold statement of intent from a band that I have a lot of time for & who I know have a lot more to give to us paltry music fans going forward. This EP is a must have for any serious music fan reading this (who like me) love their music on the shadier side of noisy post-rock but with that full on atmospheric shoegaze wall of sound.
It is my belief that the sounds 'Wozniak' are creating today will be influencing new bands for years to come.
Next up a full album release .......... & I can't wait.