RELEASE: East / West
RELEASE DATE: March 15th 2018
RECORD COMPANY: Buh Records / Recoop
Hailing from Ecuador, 'Sexores' have been major players on the underground music scene for quite some time. With various releases spanning over eight years the band have continuously evolved and continuously shed their sonic exo-skeleton to bring us some of the most incredible selections of music to ever have graced todays independent music scene. Their influences are wide ranging and span a multitude of music genres with relative ease. From electronic dream-pop to dark atmospheric shoegaze, modern psych rock to new wave and synth-pop to retro-wave, 'Sexores' continue to amaze with each evolving release. Now the band have returned with a massive double album entitled 'East / West', a collection of tracks that touches on many of the afore mentioned music genres whilst continuing to remain a standalone beacon of hope in this muggy and overly diluted modern underground scene. Split into two parts, 'East / West' opens with eight unabashed cuts of what are primarily synth-pop tunes touched with undercurrents of dream-pop, subtle atmospheric shoegaze and bubbling new wave whilst part two is a journey into sonic experimentalism that touches on dark psychedelics, menacing electronics and synth driven sonic futurism. 'East / West' is carefully balanced on knife edge and takes several listens before the listener finally realises just what 'Sexores' are trying to achieve. It's an album of evolutionary change by a band who are in a constant flux with music. 'East / West' was produced by Daniel Pasquel & co-produced by Sexores. It was officially released back on March 15th 2018 via 'Buh Records' & 'Recoop Records' respectively and is available to buy/download on various formats right now via sexores.bandcamp.com
East / West by Sexores
The albums a-side opens up swirling into luscious synth-pop territory as ‘Bluish Lovers’ shimmers and dances through bounding electronic percussion and the constant whoosh of synth. Twinkling layers of reverb stick to fizzing electronics and balance precariously on top of those deep penetrating bass frequencies as wonderfully blissful vocalisations are pulled along with the collective instrumentation. It’s a marvellous opening salvo. Up next, ‘The City That Sorrow Built’ pulses into audible range lurching on a massive metronomic themed percussive assault as tumbling progressions of synth carefully cushion another beautiful vocal performance. Catchy lines of cascading synth meld brilliantly with tricky electronic sequences to highlight changes in progression thus allowing the vocals to soar skywards whilst ‘When I’m In Your Eyes’ is the clearest sign thus far that ‘Sexores’ have evolving their sound. It’s sequenced percussion and swirling electronics are at times nauseating but it has definite plus points too as it’s subtle undercurrents of dark-wave and those brilliantly executed vocal lines help to raise it’s profile immensely.
‘Tropical Nest’ is a blissed out slice of endearing electronic dream-pop filled to the brim with shimmering instrumentation and magically overpowering chord changes that both captivate and mesmerise all at once whilst the opening bars of ‘Underneath’ are steeped in melancholy before those wonderfully deep piano stabs give way to bouncing 80’s themed dreamy electronica and those catchy chorus changes soar skywards strapped to twinkling lines of repetitive synth. ‘Evil Drivers’ delivers another slice of synth-pop as big bass heavy frequencies meld with soaring lines of synth and the repetitive tap of sequenced percussion to deliver that absolutely immense vocal line whilst ‘Berlin’ leans into a more industrial feel with it’s pulsing bass frequencies, floating lines of synth and the metronomic tap of percussion. There’s an in your face rawness to the accompanying vocal line that helps it to sit perfectly in amongst the repetitiveness of the instrumentation here and that helps to keep things very interesting indeed. ‘Rigel’ is absolutely huge in scope. It’s massive lines of instrumentation pummel the senses as those dreamy vocal lines intertwine with sequenced electronics and the ever constant pitter patter of reverb hued synth. It’s a wonderful track and a definite highlight for me on this release.
‘The Great Blue Hole’ erupts into a swirling instrumental cloud of synth and reverb as subtle twinkles of electronics bubble to the surface and meld with hushed vocalisations. Massive chord changes usher in a dark kind of atmosphere as we tumble through layers of hazy production drenched in swathes of sticky reverberation and we float effortlessly through clouds of frequency laced brilliance. The next two tracks are utterly mesmerising. The opening salvos of ‘Dazed’ are big and brash sounding. Droning synths and brilliant production values hog the limelight here as Sexores turn their sound on it’s head once again and inject some dark experimental psych into proceedings whilst ‘#nsfk’ is totally atmospheric in it’s approach. Dark penetrating drones twist and morph into something altogether menacing as subtle samples and fizzing electronics whip and arc through layers of deep black reverberations.
We float into the albums distinctly atmospheric b-side with the brilliantly cinematic ‘Neon Hearts’. Sounding like it belongs on a 70’s sci-fi soundtrack, ‘Neon Hearts’ swirls and flows with ease alongside soaring layers of synth and majestically executed lines of twinkling keyboard and those huge chord sequences reminiscent at times to those early electronic pioneers like Vangelis or Jean-Michel Jarre whilst ‘6th Floor’ is a mass of pulsing synths, frequential sequences and pre-destined electronics. ‘Tibidabo’ is beautifully atmospheric in it’s approach. Surging lines of synth accompany cascading electronics and subtle vocal samples into a melee of reverberation and catchy production until we’re introduced to the albums penultimate piece. Swirling electronic drones buffer and fizz as ‘Luna’ unfurls its sonic tendrils and reaches out to engulf the listener in a haze of glitchy synth and dark atmospherics. This menacing track builds like a steam train, is absolutely sublime and definitely worthy of your ears. ‘East/West’ closes out with ‘This Is Not My Way Home’, a punishing slice of sonic experimentation. Menacing electronic drones meld with dark sonic manifestations to bring us something altogether animalistic in stature and closes out an exceptional album of deep sonic experimentalism. ‘East/West’ is most definitely an album of two opposing sonic halves but totally captivating none the less.
ABOUT THE AUTHOR:
Del Chaney has spent the last five years dedicating his time to uncovering the best artists in the unsigned or small independent label based shoegaze, ethereal dream-pop, postpunk & modern psych rock from all over the globe & reviewing them for this blog - The Primal Music Blog. He is also a contributing writer for The Sound Of Confusion (Now On Hiatus). His other arm - Primal Radio - has gained considerable respect from bands and promoters alike since its conception in 2013 & has helped him in actively promoting genres of music that he is passionate about. Hailing from Dublin, Ireland, he is a keen Vinyl Collector, Tattoo Fan & all round good guy! He is a self confessed music freak & is never far away from a studio console or a turntable.
Ecuadorian dream-gazers 'Sexores' have released the first single entitled 'Bluish Lovers' from their highly anticipated third album 'East/West'. The album gets its full release on Vinyl & CD via the Latin American based independent record label 'Buh Records' on March 15th 2018 with digital distribution being handled through 'Recoop', a brand new Ecuadorian based record label and production company. This time around 'Sexores' have experimented with different sounds to meld their traditional shoegaze/dream-pop values with a more modern twist by injecting synths and electronic futurism into eight dreamy tracks to create something sonically fantastic.
'Bluish Lovers' swirls and bounces on layers of bright shimmering synth as sequenced percussion pulses underfoot championing dark humming bass lines and captivating vocalisations that wrap themselves effortlessly around cascading electronics drenched in swathes of luscious reverberation. Majestic in its flow, highly infectious and mesmerising in its entirety, 'Bluish Lovers' is a triumph and this in turn only bodes well for the entire album.
by Primal Music
RELEASE: Red Rooms
RELEASE DATE: 17/07/16
RECORD COMPANY: Coypu Records.
Following on from their stunning full length album release entitled ‘Historias de Frió’ back in 2104, the brilliant Barcelona based darkwave outfit ‘Sexores’ have returned with a blissful six track release entitled ‘Red Rooms’. With an intriguing sound thats full of noisy ambient swirls, ethereal vocalisations and dark repetitive percussive arrangements all gloriously intertwined with soaring walls of layered reverberating guitars, ‘Sexores’ have the ability paint stunning sonic pictures with their music. The band are made up of Emilia Bahamonde - vocals/guitar/programming & David Yépez - drums/programming with various touring members and guest musicians (including Alexander Kretov of UMMAGMA fame) appearing on the album. ‘Red Rooms’ was released back on the 17th July 2016 via Coypu Records and is available to buy/download on various formats right now from: sexores.bandcamp.com
READ ON -
Red Rooms by Sexores
Ethereal vocals coupled with a wall hazily layered guitars announces the arrival of track one ‘Sasebo’ and we’re instantly pulled into a beautiful world of sneaking drum patterns, underlying synth swells and hypnotically cascading piano progressions. The vocals are simply mesmerising as they cut through the swirling instrumentation and instil a gentle calmness over proceedings. Up next, ‘Sea Of Trees’ is a classic slice of beautifully arranged dream pop thats centred around a cascading synth line, a repetitive drum pattern and another blissful vocal performance courtesy of Emilia Bahamonde. ‘Me And The Void’ saunters into earshot riding an explosive drum pattern, dark throbbing bass frequencies and synth swells to die for. Emilia’s vocals shine as they pulse wave after wave of golden hued frequencies through the controlled reverberation and on into the maelstrom of fuzzy tempestuous guitar lines.
‘U.S.S.R Girls’ leans more into the realm of dark electronica with its sequenced synth progressions and repetitive drum patterns whilst the albums penultimate track, the impressive ‘Daywalkers’ instantly flatters with its floating boy/girl vocal attack, courtesy of Emilia & Alex Kretov (Ummagma), coupled with those beautifully arranged synth lines & its glorious instrumentation breaks. The album closes out with the highly atmospheric instrumental piece - ‘Loner’. A dark & foreboding reverberating drone opens proceedings before we’re treated to a slow, repetitive drum pattern and stuttering piano stabs. ‘Loner’ sounds like it belongs on a late 70’s sci-fi soundtrack as it deftly meanders through ambient sonic peaks and throughs, never losing its edge and all the while building slowly into a stunning cacophony of blissful atmospheric noise.
A fitting end to an absolutely stunning album!
ABOUT THE AUTHOR:
Del Chaney has spent the last four years not only fronting popular Irish Electronic duo Analogue Wave but also dedicating his time to uncovering the best artists in the Unsigned or Small Independent Label based Shoegaze, DreamPop, PostPunk, PostRock & PsychRock genre’s of music from all over the globe & reviewing them for this blog - The Primal Music Blog. He is also a contributing writer for The Sound Of Confusion. His other arm - Primal Radio - has gained considerable respect from bands and promoters alike since its conception in 2013 & has hepled him in actively promoting a genre of music that he is passionate about. Hailing from Dublin, Ireland, he is a keen Vinyl Collector, Tattoo Fan & all round good guy! He is a self confessed music freak & is never far away from a studio console or a turntable.