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ALBUM REVIEW | Helicon - Helicon

ARTIST: Helicon 

RELEASE: Helicon

RELEASE DATE: 8th December 2017

RECORD COMPANY: Fuzz Club Records

Glasgow based experimental psych outfit 'Helicon' have announced their highly anticipated self-titled debut album to the masses. With eight EP's under their belts, 'Helicon' have taken the live scene by storm, touring Europe and sharing the stage with some serious heavy hitters including Wooden Shjips, The Warlocks and Dead Skeletons. Helicon's sound is addictive, engagingly dynamic and at times all consuming or otherworldly with melodic eastern tinged psych, swirling drones, mantra like vocalisations and intricately intense guitar work that collectively merges into one almighty sonic attack. 'Helicon' get's it's full release on December 8th 2017 via the ever reliable 'Fuzz Club Records' with pre-orders available on deluxe edition vinyl (limited to 100 copies) and standard vinyl (limited to 400 copies) over on fuzz club.com and digitally from fuzzclub.bandcamp.com

A pulsating motorik wave of driving sonic abandonment announces the arrival of ‘Devil On Your Tongue’, the opening salvo on this sublime collection of tracks. It’s rhythmic progressions envelope the senses as they swirl menacingly through layers of fizzing synth, throbbing bass and driving guitars created primarily to carry those mantra like vocalisations into and out of crawling cavernous breaks that are filled to the brim with heady clouds of resonating sounds and atmospheric reverberations. ‘Valmiki’ swirls into ether tumbling gracefully through the shimmering sounds of luscious sitar underpinned by a steady drum pattern, the plink of fragile synth and rolling guitars. The pace soon quickens introducing droning instrumentation to the mix, echoing brilliantly as sonic frequencies stack on top of one another, gaining momentum with each tempestuous turn, sucking the listener into a broiling mass of stunning sonic sound waves. ‘Valmiki’ is a masterful track, highly infectious and deeply entrancing. Up next, ‘Seraph’ the albums lead single, drones into life meandering on the sweet sounds of melodic sitar and metronomic percussion. Shimmering guitars accompanied by deep throbbing bass frequencies permeate the mix, adding a heady atmosphere before dragging those stunning vocalisations into audible range whilst undulating brilliantly through layers of sticky reverberation.

‘Drinking Of You’ fizzes into life riding a sequenced synth line accompanied by hum of bass, subtle guitar and rolling percussion. A dark and oppressive atmosphere starts to build, and it seeps into every single fibre of the track, erupting in stages into a heaving mass of angry instrumentation that undulates into periods of calm and at times can slip into deep dark trenches filled with raging frequencies and tinged with a kind of lysergic sonic energy. It’s a bloody impressive track that can both scare and amaze all at once. ‘The Bold Yin’ momentarily drones into life pulling blissed out synths and shaking percussion with it as it tumbles through the ether. Heavenly vocals float atop shimmering sounds topped up with swirling organ swells and resonating acoustic guitar as catchy chord changes drenched in reverb pull searing lines of lead guitar into close orbit allowing them to lick and whip the piece into shape. ‘The Bold Yin’ morphs into a very different animal half way though as ‘Helicon’ move up through the gears and inject an acid tinged hue on proceedings. Driving instrumentation swirls and dances alongside senses pummelling percussion, collectively building into an unstoppable sonic behemoth. Up next, my favourite track on the entire release is let loose to fuck with peoples minds. ’Teenage Murder’ is an immensely addictive, crawling, metronomic beast drenched in dark and oppressive psych induced atmospherics. A processional drum beat holds court here forming a bedrock of sound waves capable enough to carry surging synth swells, bubbling electronics, howling guitars and throbbing bass frequencies, drenched in sullen reverberation and deftly enveloping that absolutely immense vocal performance. Resonating synths intertwine with spine tingling tambourine hits and wrap themselves around huge sprawling chord changes as this track is dragged through walls of stunning effects and intense production with relative ease. ‘Teenage Murder’ is infectious and will have you replaying it for days.

The albums penultimate piece entitled ‘French As Fuck’ unfurls it’s sonic tendrils floating through hazy walls of esoteric psych. Luscious sitar lines loop and arc through pulses of organ and fizzing synth as subtle guitars rumble and move alongside cascading bass frequencies and steady percussion. Melodic vocal lines hover atop repetitive progressions and work through shimmering verse patterns with ease as chorus parts explode into a vivid kaleidoscope of colour. ‘French As Fuck’ is a wonderful blissed out psychedelic excursion into the sonic ether. The album closes out with ‘Ring The Albanian’. It’s opening salvo’s shake and shudder into audible range bellowing violently on a layer of growling guitars, shimmering sitar and senses pummelling percussion. A throbbing bass line meanders underfoot as howling guitars take centre stage building maliciously into a blisteringly explosive cacophony of noise accompanied by soaring synth and huge percussive breaks. It's a marvellous end to an absolutely immense album.

5/5

LINKS:

fuzzclub.com

fuzzclub.bandcamp.com

heliconglasgow.bandcamp.com

facebook.com/HeliconGlasgow

twitter.com/HeliconGlasgow

ABOUT THE AUTHOR:

Del Chaney - (Author Photo)

Del Chaney has spent the last five years dedicating his time to uncovering the best artists in the unsigned or small independent label based shoegaze, ethereal dream pop, post punk & modern psych rock from all over the globe & reviewing them for this blog - The Primal Music Blog. He is also a contributing writer for The Sound Of Confusion (Now On Hiatus). His other arm  - Primal Radio -  has gained considerable respect from bands and promoters alike since its conception in 2013 & has helped him in actively promoting a genre of music that he is passionate about. Hailing from Dublin, Ireland, he is a keen Vinyl Collector, Tattoo Fan & all round good guy! He is a self confessed music freak & is never far away from a studio console or a turntable.


ALBUM REVIEW | No Mightier Creatures - No Mightier Creatures

ARTIST: No Mightier Creatures

RELEASE: No Mightier Creatures

RELEASE DATE: 10th February 2017

RECORD COMPANY: Unsigned

'No Mightier Creatures' is the debut seven track self-titled release from Peru based  alt-psych/garage aficionado's 'No Mightier Creatures'. The band consists of Renato - vocals/guitars/words, Dolmo - guitars, Felix - bass & Arturo - drums and what they collectively create is a mesmerising politically charged cacophony of swirling psych rock thats underscored with hints of alt-blues indentations melded with surging swathes of driving garage psych. 'No Mightier Creatures' is available to download as 'Pay As You Like' over on bandcamp but I recommend that you pay these guys a few dollars to help them get this album out on vinyl nomightiercreatures.bandcamp.com

The album open up with an angry melodious growl as 'Yet We Divide' enters earshot and sets off a repetitious sonic chain reaction as guitars swirl and sway held fast to a metronomic percussive beat. Vocals arrive and ride the turbulent beast to finality. Highly infectious and surprisingly addictive 'Yet We Divide' is a brilliant opening salvo. Up next, 'Multiply' jangles through waves of reverberation as 'No Mightier Creatures' unleash some sullen rockabilly psych on us, swerving through pulsating drum patterns and hypnotically charged lead lines that gyrate around those impressive vocal lines. 'Springfield' heaves around a central spine of driving instrumentation, throbbing bass progressions, repetitive drum patterns and sporadic noisy guitars thats collectively led by those politically charged spoken word vocalisations. We shatter the repetitiveness of the previous tracks with tumbling bass frequencies and chugging guitars as my favourite piece on the entire release enters the sonic arena. 'No Light' is an anti-establishment call to arms nestled in the welcoming arms of driving instrumentation and pulsating production.

Musically, 'Corporate Dream' acts as a sort of sonic conduit for the spoken word of the bands lead vocalist Renato who spits relevant rhetoric for today's self appreciating society whilst the albums penultimate track growls and wails as it swerves into the ether. 'To Cross' meanders deftly through dark menacing bass patterns and an explosive percussive attack. Its raging guitars wage a sonic war of attrition, whipping up a frenzy of pulsating sound waves in the process that lick and harass another impressive vocal performance. 'To Cross' pushes wave after wave of psych induced passionate spoken word out into the world accompanied by a raging torrent of frequential noise. Thoroughly enjoyable and another highlight on this brilliant release. The albums closing piece opens in a beautiful haze of tremulous guitars and cascading bass lines. 'Take It Easy' is accompanied by sparse percussion and haunting vocalisations. It builds and builds nonchalantly into a brilliantly melancholic tidal wave that crashes multiple sound waves onto an empty windswept beach. A fitting ending to a marvellous album.

4/5

LINKS: 

nomightiercreatures.bandcamp.com

facebook.com/nomightiercreatures

ABOUT THE AUTHOR:

Del Chaney has spent the last four years dedicating his time to uncovering the best artists in the unsigned or small independent label based shoegaze, ethereal dream pop, post punk, post rock & modern psych rock from all over the globe & reviewing them for this blog - The Primal Music Blog. He is also a contributing writer for The Sound Of Confusion (Now On Hiatus). His other arm - Primal Radio - has gained considerable respect from bands and promoters alike since its conception in 2013 & has helped him in actively promoting a genre of music that he is passionate about. Hailing from Dublin, Ireland, he is a keen Vinyl Collector, Tattoo Fan & all round good guy! He is a self confessed music freak & is never far away from a studio console or a turntable.