RELEASE: Surfacing To Breathe
RELEASE DATE: 19th May 2017
RECORD COMPANY: Seahorse Recordings
Italian based sonic aficionados 'Clustersun' are what I would define as one of the four main cornerstones of todays underground 'Italogaze' scene. Their collective sound effortlessly swims within a heady mix of shoegaze, electronica & post-punk with a subtle undercurrent of alt-rock that bubbles and fizzes through layers of sublime production to create a wall of blissful noise with layers of soaring reverberation. Now, three full years after the debut long player 'Out Of Your Ego' graced the ears of the underground faithful, the 4-piece band from Catania have announced a brand new eight track album in the guise of 'Surfacing To Breathe' via the brilliant Italian based independent record label 'Seahorse Recordings'. 'Clustersun' have matured dramatically since those tentative debut years, so much so that this time around they have added a new element to the their sonic arsenal by dipping their collective toes into the modern psych gaze scene; and the overall results of this experimentation are magnificent. The band are made up of Marco Chisari - vocals /bass, Mario Lo Faro - guitars, Piergiorgio Campione - synthesizers/keyboards/backing vocals) & Andrea Conti - drums and 'Surfacing To Breathe' gets it's full release on the 19th May 2017 via 'Seahorse Recordings'. The album is available to pre-order right now on various formats including lovely limited edition black vinyl via clustersun.bandcamp.com
Surfacing To Breathe by CLUSTERSUN
The album opens up with it's lead single 'Raw Nerve' and it sits on a very precarious experimental curve with the band stepping out of their comfort zone to inject elements of modern day psych into their usual watered down electro-gaze firmament. It has a kraut like percussive swagger that lends itself brilliantly to that post-punk styled throbbing bass progression and it's angry guitar lines bob and weave menacingly through layers of senses pummelling reverberation. The heavily effected vocal lines dangerously lean (sort of like an over weight scales) atop of the instrumentation with an air of expectation that they might just fall off the sonic precipice at any moment; but that only adds to the overall atmosphere of the track. Up next, 'Antagonise Me' explodes into the ether on sharp instrumental stabs before unloading a dark & delicious slab of driving post-punk intertwined with psych rock tendencies and reams of resonating frequencies. Throbbing bass lines & soaring synth swells bounce and weave along a steadying percussive pattern as noisy guitars slash and chop at those mesmerising vocalisations before collectively soaring into a sublime chorus pattern filled with wailing lead lines and brim;antsy constructed production. Absolutely marvellous!
'Lonely Moon' swerves into modern dream-gaze territory as wave after wave of shimmering synth and soaring reverb drenched guitars loop & arc around a brilliantly executed drum pattern that carefully surrounds and protects that stunning vocal performance by Marco Chisari. Up next, 'Clustersun' dive into massive swathes of undulating atmosphere as 'The Whirling Dervish' unfurls it's resonating tendrils. Piercing lead lines follow cascading bass patterns as the vocals float on a hovering wave of reverb, accompanied at times by refreshing plinking piano lines. This track builds brilliantly as it progresses, adding layer after layer of instrumentation before exploding into a massive wave of post-punk hued psych-gaze. 'Don't Let The Weight Of Your Soul Drag You Down' instrumentally swirls into the ether on an ambient themed synth pattern before glorious guitars enter the mix followed by sparse percussion and the hum of sullen bass frequencies. Another atmospheric monster, this track builds and formulates into a huge wall of blissful unwavering noise before unleashing it's inner behemoth thus dragging this listener with it through every single twist and turn on the road to it's blistering finale.
The albums self-titled track is a full on modern day psych-gaze bruiser. 'Surfacing To Breathe' begins life held fast in a swirling synth drone before a magnificent guitar progression takes hold and instantly peak this listeners attention. Metronomic percussion holds court here as it drags plodding bass patterns and soaring synth lines with it into the mix thus turning this track into a well organised, uniformed, steady and rhythmic sonic drill through layers of reverberation and dark atmosphere. Again, both Marco Chisari & Mario Lo Faro need to celebrated here (on vocal and guitar duties respectfully) as they carry this engrossing track through to the end. The albums penultimate piece teeters precariously on a more experimental edge as 'Emotional Painkiller' enters audible range. This is the only track on the entire album that harkens back to their more electronically charged debut release 'Out Of Your Ego'. For me they try to fit the sonic aesthetic of that debut album into this newer sound with varying results. That not to say that it isn't aesthetically pleasing, it just seems to me that it works only in parts and to some extent suffers greatly at times. It's very difficult to fit square pegs into round holes and the band should be careful of this going forward. For me their new psych-gaze leanings work brilliantly when left alone to be exactly that .... psych-gaze!
The album closes out with a magnificent final track. 'Event Horizon' bounces along on an absolutely immense bass signature that acts as sonic glue thus holding this entire track together. Soaring synth swells carry beautifully intense guitar progressions up into the ether as it's ground dwelling drum patterns pound and echo into the sonic firmament with relative ease. Instrumentally sublime, this track carefully envelopes it's vocal lines like a mother caring for a new born baby, buffering it from punishing sound waves and relentless resonating frequencies with aplomb. A very impressive finale to a masterful sophomore release thus showing that the dreaded second album needn't be so scary.
Bravo Clustersun .... now lets go for album number three!
ABOUT THE AUTHOR:
Del Chaney has spent the last four years dedicating his time to uncovering the best artists in the unsigned or small independent label based shoegaze, ethereal dream pop, post punk, post rock & modern psych rock from all over the globe & reviewing them for this blog - The Primal Music Blog. He is also a contributing writer for The Sound Of Confusion (Now On Hiatus). His other arm - Primal Radio - has gained considerable respect from bands and promoters alike since its conception in 2013 & has helped him in actively promoting a genre of music that he is passionate about. Hailing from Dublin, Ireland, he is a keen Vinyl Collector, Tattoo Fan & all round good guy! He is a self confessed music freak & is never far away from a studio console or a turntable.
by Primal Music
Catania based four piece 'Clustersun' are no strangers to this underground shoegaze scene having previously wowed the underground faithful with their debut album 'Out Of your Ego' back in April 2014. Since then Italogaze has seen it's stock rise considerably with numerous musical outfits & collectives emerging from its darker corners to try and emulate the previous successes that 'Clustersun' had notched up both here in Europe and over in the good old U.S of A with some very good results and some shockingly unmentionable attempts. The band have announced (that much maligned & very very scary) sophomore album and it is penned in for release on May 19th 2017 via the ever reliable Italian based Seahorse Recordings with a lead single entitled 'Raw Nerve' dropping on April 14th 2017. They've named the aforementioned album 'Surfacing To Breathe' and it is now available to pre-order on various formats via clustersun.bandcamp.com
'Raw Nerve' sits on a very precarious experimental curve with the band stepping out of their comfort zone to inject elements of modern day psych into their usual watered down electro-gaze firmament. It has a kraut like percussive swagger that lends itself brilliantly to that post-punk styled throbbing bass progression and it's angry guitar lines bob and weave menacingly through layers of senses pummelling reverberation. The heavily effected vocal lines dangerously lean (sort of like an over weight scales) atop of the instrumentation with an air of expectation that they might just fall off the sonic precipice at any moment; but that only adds to the overall atmosphere of this track. 'Raw Nerve' is a welcome & surprisingly experimental return from a band who have been out of the scene for far too long and this in turn only bodes well for the full album release.
Torino based alt-rock trio 'Someday' have released a brand new video to accompany the latest track entitled 'Last Lesson' to be lifted from their debut ten track full length 'This Doesn't Exist'. The album is penned in for release digitally today (February 10th 2017) via 'Seahorse Recordings' followed by CD distribution in late February via Audioglobe. The band are made up of Daniele Bianco, Michele Fierro & Fabio Digitali, with a sound that skips nonchalantly through impressive passages of alternative rock peppered at times with melodiously dark guitar progressions, atmospheric post-rock reverberations and interesting vocalisations. The full album is available to buy/download right now from: someday.bandcamp.com
RELEASE: Out Of Your Ego
RELEASE DATE: 28/04/14
RECORD COMPANY: Seahorse Recordings
Italian dreamgazers Clustersun have flitted at the periphery of my consciousness for awhile now, but after reading a positive review of their work in Big Takeover Magazine and hearing them on the now defunct Flyweight show on college station WZBC, I knew I had to check them out. They also appeared on a compilation I reviewed recently called “Revolution - The Shoegaze Revival”, where they trotted out their trippy band of post punk on a song that also opens this album called “Hipgnosis”.
[bandcamp width=100% height=120 album=2070568991 size=large bgcol=333333 linkcol=e32c14 tracklist=false artwork=small]
The opening bars of "Hipgnosis" wouldn’t be out of place on an early Pink Floyd album, though the vocals are uniquely Clustersun’s. “Meteors” starts off with an almost trademark ominous bass line (which I dig), but that cold wave feeling is quickly nixed by Marco Chisari’s upbeat vocals. “Be Vegetal” is a fine piece of post punk that could have been released anytime in the past 30 years, betrayed only by modern production methods. “Planar I” (is anyone sensing a space theme here?) is a long, spacey song punctuated by trippy electronics and swirling psychedelia. By the 5:30 mark, it transforms into something else altogether, a veritable sonic feast with many layers. The excellent “Nebula” sounds a lot like the great English band, Sad Lovers and Giants, at least vocally. Maybe it’s a question of mood too, as the band brandishes melancholia freely. “Floating” is also in this vein, with some very nice atmospheric guitar work. Then we have “Planar II”, which also has that English post punk vibe, guitar work sliding into Chameleons territory. The song is short but dense, and sweet in the way that good music always is. The band closes the album with the self-titled “Clustersun”, a simmering space rock instrumental. I could actually see them opening a show with this!
In any case, this album has been out for a year and the band sings solely in English and they go well beyond the sometimes limited realms of shoegaze. It’s a really cool record from a promising young band who just finished up their US tour. Let’s hope they come see us again!
ABOUT THE AUTHOR:
Music has always been a driving force for Elizabeth Klisiewicz, which she days "continues to define my existence". During and after her college years, she ran a weekly radio show at WMUA FM Radio and also at a community station in Springfield, MA, in addition to writing music and concert reviews for the college newspaper. At present, she writes for The Big Takeover Magazine and The Active Listener Blog, and recently began producing a semi-regular Mixcloud-based show called The Kitchen Sink. In the real world, when not writing technical manuals, she gets her thrills from reading mysteries, birdwatching, and can always be found with a camera and a maxed-out storage card full of music.