RELEASE DATE: 6th October 2017
RECORD COMPANY: Saint Marie Records
The debut album from 'Miniatures' is a dense and lush affair. Its textures are tightly woven to create velvety soundscapes that envelope and endear. Formed in 2012 and currently based in Melbourne, the trio seem to be a further example of the strength of the Southern hemisphere's creative scene right now – especially when it comes to the dreamier side of the spectrum. The band worked with renowned Melbourne based producer Matthew Hosking to fine tweak the sounds on this album and the finished product is spectacular. 'Jessamines' floats and flickers. It gets it's full release on the 6th October 2017 via the ever reliable Saint Marie Records and you can pre-order it right now on various formats from saintmarierecords.bandcamp.com
The opening track is an immersion in the soft swirls that are found throughout this record. 'Try' is wispy and bright, but a few sharp edges reflect the light. 'Jessamine' – the title track – is a fuzzy force, not quite an iron fist in a velvet glove, but thinking about it. You can hear the Cocteau's influence in 'To The Lake'. The chorus shimmers on top, like a heat haze on the surface of the titular water. 'Form Into Soft And Wild' is beautiful whilst the guitars trill and jangle in 'Dust', setting the scene for single 'Without Saying'. A speeding journey through a large sonic landscape, there's much for students of shoegaze to savour here, from the 80s-tinged guitar sound to the vast chorus.
'Honey' is big and bright. 'What You Want' is a real highlight, driving and a touch dark. The rich vocals ride along on a fuzzy wave so gracefully and dive deep into the chorus. An eerie whirr introduces 'Silent Tide' and the colours change. Slow's spacious opening soon spills over with sounds, layered and layered. The album ends with 'Standstill' which slowly swaggers towards the exit, each step cushioned by clouds of fuzz. It's a grand end to an album with ambition.
ABOUT THE AUTHOR:
In her time, Sarah Cuthbert-Kerr has attended raves and rock clubs. She enjoys pedals, pizza and spy dramas. Sarah also plays guitar in Edinburgh-based noisemakers Wozniak and is co-founder of Morningside Young Team who put on gigs and put out records for discerning audiences who enjoy fuzz and confusion.
by Primal Music
ARTIST: When The Sun Hits
RELEASE: Immersed Within Your Eyes
RELEASE DATE: 22nd September 2017
Nottingham based 'When The Sun Hits' unleash their debut six track EP entitled 'Immersed Within Your Eyes' to the masses on September 2snd 2017 via the good people over at 'Saint Marie Records'. With a great name and a deeply melodic sound that echoes through swathes of luscious reverb and delay, 'When The Sun Hits' write catchy hook laden soundscapes that both mesmerise and amaze all at once. The EP gets it's full release on various formats over the next few weeks with all information available via saintmarierecords.com
A meandering sonic drone ushers in track one ‘The Last Light’ as ethereal fret noise swirls through the ether underscored brilliantly by the repetitive hit of percussion and the surge of swirling reverb hued guitars. Floating vocalisations ride a wave of glistening sound waves that loop and arc throughout, adding another layer of intense frequencies into the already burgeoning mix thus allowing this track to have a melodic way point to focus on deep within the massive wall of noise. Up next, ‘Lie To Me’ ambles into audible range on a wave of tremulous guitars and a melodic hum of cascading bass frequencies. Yearning vocal lines add atmosphere as the track builds and builds into a thunderous chorus break filled with incredible swathes of reverb and skittish percussion.
80’s inspired sequenced synth lines announce the opening salvos of the instrumentally inclined ‘Twilight’. They build in intensity adding reams of ambient melody before buffering into obscurity and allowing a beautiful guitar progression to fill the sound space as my favourite track on the entire release 'Stereopium' unfurls it’s sonic tendrils and envelopes another stunning vocal take. Atmospheric synth swells bubble from far below melding effortlessly with that repetitive guitar progression, the steadying drum pattern and the brilliant production values. The EP’s penultimate piece entitled ‘Lovedead Town’ charges into the ether on explosive percussion and turbulent reverberation. Beautiful vocalisations take centre court here as raging guitars intertwine with the throb of bass and subtle hint of synth to collectively tumble into a maelstrom of beautiful noise and as the chorus break kicks it drags this listener with it into swirling cacophony of blissed out sound. The EP closes out with a slice of swriling instrumental shoegaze. ‘Coopers Secret’ rides a wave of instrumental noise that loops and arcs through swathes of shimmering reverberation. An ambient inspired ending to a rather interesting EP.
Del Chaney has spent the last five years dedicating his time to uncovering the best artists in the unsigned or small independent label based shoegaze, ethereal dream pop, post punk & modern psych rock from all over the globe & reviewing them for this blog - The Primal Music Blog. He is also a contributing writer for The Sound Of Confusion (Now On Hiatus). His other arm - Primal Radio - has gained considerable respect from bands and promoters alike since its conception in 2013 & has helped him in actively promoting a genre of music that he is passionate about. Hailing from Dublin, Ireland, he is a keen Vinyl Collector, Tattoo Fan & all round good guy! He is a self confessed music freak & is never far away from a studio console or a turntable.
ARTIST: Crash City Saints
RELEASE: Are You Free?
RELEASE DATE: 11th August 2017
RECORD COMPANY: Saint Marie Records
From the city of Kalamazoo, Michigan (apparently it’s across from Milwaukee, over Lake Michigan) comes 'Crash City Saints' and the interestingly bold and grand concept album they have created, entitled 'Are You Free?'. Released via the ever interesting 'Saint Marie Records' (whose back catalogue includes the impressive SPC ECO, Bloody Knives and The History of Colour TV), 'Are You Free?' tells the story of a boys attempts to mature and bloom in a small town in the 90’s when shoegaze was dense and on rotation in the mainstream and underground of the American music scene. 'Crash City Saints' have obviously utilized said music from the time and adopted it into a mix of shoegaze and alt-rock to tell a story over the course of twelve tracks that hails the significance of influence while also celebrating the freedom of originality in the context of modern music. 'Are You Free?' was released back on the 11th August 2017 and is available right now to buy/download on various formats via saintmarierecords.bandcamp.com
Are You Free? by Crash City Saints
The album opens with ‘Ice Cream’ a nice little jolt of pop-based alternative rock that highlights the hushed MBV style vocalisations and strumming acoustic guitar. There are several fantastic moments, including the churning-downtrodden shoegaze riffs that are touched upon at around the one minute thirty mark, as well as a tasteful string instrument in the background of the music. ‘Spring Lines’ owes more to a soft kind of neo-grunge rather than shoegaze, but nevertheless showcases the instrumentation and weave in-out aesthetic of the guitars. As it is on much of the album, the drumming is tight and impressive; highlighted sufficiently and smoothly in the mix. ‘Weirdos Need Love To’ fits in well as a kind of interlude between the narrative structure of the main songs whilst 'Use Once Then Dispose’ is an absolute album highlight; the post-punk double tap snare and 90’s inspired guitars meld fanatically together to create a rock-inspired atmosphere; the vocals hum away, touching on lyrically much darker themes than have been explored previously on the album. That’s not to say they are not well written, actually it’s quite the opposite. ‘Spirit Photography’ is a smooth, aesthetically enjoyable take on what sounds like 90’s era Brit-pop, while also (eventually) smothering the track in Shoegaze based guitar freak-outs. A very enjoyable experimental track, ‘Spirit Photography’ sheds the skin of the previous songs pop elements; making way for emotive and warped guitar based-psych passages of song writing. I assume ‘Act 2’ is named as such because it brings forth another stage of story and narrative; either way, as a song it feels one of little narrative importance (lyrics are drowned out in a vocal effects) while the whole song takes an almost lo-fi quality (not complaining).
‘Dawn of A Bright New Nothing’ introduces a fantastic Barrett-esque piano line into the mix, making the song one of the most purely enjoyable on the album. Yes, that’s right, this reviewer has significantly enjoyed a song because it sounds, is mixed and feels nice and relaxed. ‘Annabella’ returns to a much more alternative rock sound, the chord progression of the bass and guitar highlighting a progressive rock influence that played an integral role in the development of shoegaze music back in the 90’s. Its outro, featuring a guitar solo over the vocal chant/hum ‘you don’t know my name’ is particularly satisfying. Another interlude follows before one of the longest tracks of the album ‘The Hour Of The Wolf’ opens with a sequencer based EDM style sound. Although this aforementioned beat grows tiring after a while, this doesn’t cease the track from growing into a heavy, loud and colourful collection of sounds and noise, backed by the thrashing of the drums. The outro guitar picking is especially amazing and very much in-context of the seven minute long song. The following dream-pop based ‘Harbour Lights’ remains a sonic (but almost as equally lengthy) contrast to the previous wild melding’s of ‘The Hour Of The Wolf’. In fact, ‘Harbour Lights’ is an album highlight: the guitar tones and overall atmosphere of the song congregate into a dream pop/shoegaze breath of fresh air after the previous songs noise and drenched soundscapes.
Releasing a concept album of any type is a big and daring leap. Will people be able to detail the story (if the concept is narrative)? Will the story get in the way of the music? What about the other way around? 'Crash City Saints' have previously stated there is a narrative kind of concept behind the album, and at times while listening to 'Are You Free?' I was lost as to what (if anything) was actually going on, but then I realized that its concept lies beyond the realm of just a narrative. Over the course of the album the band swiftly (and at times intellectually subtly) incorporate and throw influence and nods to the American music underground of the nineties. There's grunge, dreampop, alt-rock, dance and electronica, shoegaze and many more… This album is a musical exploration in concept rather than a boring ‘he does this, then she does that’ kind of structure that tends to drag down and drown many ‘concept’ albums. The song writing is strong, although at times relies too heavily on formulas used on previous songs, even if it is a kind of throwback. The mixing and production (done so by Elliott Frazier of Ringo Deathstarr) is of course a brilliant, but also (if you listen to a lot of it) a well-rounded and respectful throwback to the music of the 90’s. Listen for an interesting story (accompianed and helped along by interesting lyrics), great instrumentation and playing, and a reminder of the brilliant and nostalgic music of a few decades ago, achieved through production, mixing and sound.
ABOUT THE AUTHOR:
Cam Phillips is a writer and above all, a music lover, who seeks to gain experience through writing and listening. He is also an avid film viewer and art and literature junkie who enjoys creative writing. His most recent published work was featured on Baeble Music and Culture (USA), Sounds and Colours Magazine (Latin America, London), Easterndaze (Latvia) and the Australian based heavy music blog, I Probably Hate Your Band.
ARTIST: Secret shine
RELEASE: There Is Only Now
RELEASE DATE: 16th March 2017
Bristol based 'Secret Shine' have been flittering between shoegaze, indie-pop and dream-pop since their humble beginnings back in the early 1990's and during their illustrious career have released some mesmerising albums to boot. Now on the back of 2016's reissuing of their seminal album 'Untouched', 'Secret Shine' have unleashed a brand new album entitled 'There Is Only Now' via the elusive Texas based independent record label 'Saint Marie Records'. Filled to the brim with ten shimmering new tracks for you to fall in love with, ten tracks that skip nonchalantly between harmonious hook laden guitar progressions, post-punk inspired keyboard fills, soaring melodious vocal tracks and blissed out hazy passages of sonic serenity, 'There Is Only Now' is a stunning return to form from a band who helped to shape this scene into what we know it as today. It was released back on the 16th march 2016 and it is available to buy/download right now on various formats via saintmarierecords.bandcamp.com
There Is Only Now by Secret Shine
The album opens with ‘Burning Stars’, shimmering vocal lines permeate layers of blissed out reverb as melodious synth swells bubble and move through charging guitar progressions and steadying drum patterns. Catchy hooks and monumental production lift this track skywards as ‘Secret Shine’ unleash a mesmerising chorus progression dragging this listener with it as its streams out into the sonic ether. Up next, ‘All In Your Head’ swirls effortlessly through a turbulent synth drone and tremulous guitars before unleashing a beautiful vocal line accompanied by cascading synth patterns and steadying percussion. This track builds and builds brilliantly throughout before tumbling into a shimmering ball of blissful sonic energy. ‘Dirty Game’ shimmies into earshot on a bedrock of metronomic percussion, throbbing bass frequencies and growling guitars as stunning synth lines weave and meander in and out of fantastic vocalisations and brilliant production whilst ‘Drift Away’ throbs and pulses on waves of melodious bass lines, soaring synth and otherworldly vocalisations. There’s a subtle but brilliant hint of 80’s post-punk emanating through the noisier moments on this track that catch you off guard but for the most part it flows effortlessly through hazy shoegaze passages dipped at times into a dreamy pot of loveliness.
‘To The Well’ bounces into earshot on a marvellous bass signature permeated by the constant plink of synth, the thud of a bass drum and the whoosh of sparse percussion. Floating vocalisations with magnificent duel backing lines ride the collective instrumentation before all hell breaks loose and we’re travelling at break neck speed through a soaring spread of resonating frequencies as ‘Secret Shine’ turn up the heat and pulse wave after wave of stunning sound waves out into the ether. Up next, ‘For You’ growls into existence strapped to a noisy guitar drone before a blinding wall of beautiful noise pummels the senses. Lazy percussion, humming bass lines, reverb laden guitars and sequenced synth swells envelope haunting vocalisations before collectively drenching this listener in a blissed out wave of euphoria. ‘For You’ is absolutely stunning and is my favourite track on the entire album. ‘Snowglobe’ glistens as it loops and arcs through meandering duel vocal lines and sublime instrumentation before ‘Falling Again’ screams into the ether on pounding drums, catchy guitar lines and sublime vocals that instantly transport this listener back to the early 90’s.
The albums penultimate piece pulses into audible range on a pulsating synth progression before unfurling repetitive drum patterns and a soaring wall of reverb laden guitars. ‘Things I Said’ is beautifully produced and it swirls around another stunning vocal take filled with stunning backing lines and shimmering instrumentation. The album closes out with another synth laden masterpiece. ‘Make Me You’ floats into the ether and gently caresses the listener with haunting vocal lines and charging guitars, cascading bass lines and meandering synth swells. A brilliant end to a marvellous return to form.
Del Chaney has spent the last four years dedicating his time to uncovering the best artists in the unsigned or small independent label based shoegaze, ethereal dream pop, post punk & modern psych rock from all over the globe & reviewing them for this blog - The Primal Music Blog. He is also a contributing writer for The Sound Of Confusion (Now On Hiatus). His other arm - Primal Radio - has gained considerable respect from bands and promoters alike since its conception in 2013 & has helped him in actively promoting a genre of music that he is passionate about. Hailing from Dublin, Ireland, he is a keen Vinyl Collector, Tattoo Fan & all round good guy! He is a self confessed music freak & is never far away from a studio console or a turntable.
RELEASE: Sleep To Dream
RELEASE DATE: 24th February 2017
RECORD COMPANY: Saint Marie Records
Indiana based dreamy shoegaze duo 'Whimsical' have returned with a stunning brand new eleven track full length studio album entitled 'Sleep To Dream'. The band are made up of Krissy Vanderwoude - Vocals & Neil Burkdoll - Instrumentation and the new album gets it's official release on February 24th 2017 via the shoegaze/dream pop powerhouse that is 'Saint Marie Records'. You can pre-order it right now on various formats via saintmarierecords.com
Sleep To Dream by Whimsical
'Sleep To Dream' floats into earshot swirling effortlessly in a deep haze of reverberating fret noise and repetitive percussion. It's opening track entitled 'Love Me' explodes into beautiful shards of sonic colour that are held fast in a turbulent whirlwind of cascading guitar lines & impressive instrumentation, deftly circumnavigated by those instantly recognisable vocalisations courtesy of Krissy Vanderwoude. A blistering opening salvo that skips brilliantly through insanely good passages of dream pop underscored with impressive flurries of alt-shoegaze. The delectable 'Lost And Found' fizzes into life rocking pensively on a steady drum pattern, harried by the constant hum of bass frequencies and jangling guitars courtesy of Neil Burkdoll. It's beautifully hypnotic vocal lines create a type of sonic serenity that flows through every single note. It glides along through its entrancing verse progressions with relative ease before busying itself on the chorus parts as subtle hints of post-punk & jangle-pop hide in amongst the layers of reverb & brilliantly executed production. Up next, 'Whimsical' unleash the albums lead track. The pacy 'Surreal' catches this listener off guard as I've been quietly floating on a cloud of dreamy frequencies up until it's arrival. 'Surreal' drives with intent and it meanders through sonic peaks and troughs as it unleashes another incredible vocal attack that rides a punchy drum pattern, a brilliantly executed bass progression, is circumnavigated by swirling effect laden guitars and soars skywards from it's very first note. A mesmerising lead track that is sure to impress both new and old fans alike.
Psychedelic swirls trapped in eddying reverberation announce the arrival of 'Flutter Echo' and they soon blossom into a beautifully ethereal dream-like soundscape filled with cascading lead guitar lines intertwined at times by explosive percussive passages and post-punk inspired bass lines whilst 'Beginning Of The End' languishes atop a tidal wave of reverberation that washes over the entire piece, coursing through Krissy's vocals in the process and exiting noisily through it's impressive instrumental patterns. Up next, 'I Thought Of You' growls into existence on a flurry if noisy guitars, echoing lead lines and busy percussion all spinning vigorously around it's melodious vocal lines. It is simply beautiful and it soars through effortless waves of blissful dream like hues whilst the next track entitled 'Glow' showcases the brilliant guitar work of Neil Burkdoll with its intricate lead lines and mesmerising production. 'Sleep To Dream' evokes Whimsical's influential Slowdive leanings with it's ethereal vocalisations that are allowed to soar into the ether whilst the bedrock of instrumentation is held fast on a slow metronomic drum pattern. Simply wonderful.
The albums penultimate track jangles into existence before increasing it's gears and exploding into what is now a customary wave of shoegaze induced dream pop. 'Anchor' is a blissed out thrill ride through dazzling guitar theatrics, massive chord changes and the ever constant angelic vocalisations of Krissy Vanderwoude. Beautifully intense and massively addictive, 'Anchor' is possibly my favourite track on the entire release. It's just stunning. The album closes out on another big sounding track. 'Part Of Me' is immense! It swerves on an undulating guitar signature and an off tempo drum pattern as it pulses beautifully effected sonic frequencies out into the ether and it is deliciously topped off with what is in my opinion the best vocal performance of the whole album. A fitting end to a magical release.
Del Chaney has spent the last four years dedicating his time to uncovering the best artists in the unsigned or small independent label based shoegaze, ethereal dream pop, post punk, post rock & modern psych rock from all over the globe & reviewing them for this blog - The Primal Music Blog. He is also a contributing writer for The Sound Of Confusion (Now On Hiatus). His other arm - Primal Radio - has gained considerable respect from bands and promoters alike since its conception in 2013 & has helped him in actively promoting a genre of music that he is passionate about. Hailing from Dublin, Ireland, he is a keen Vinyl Collector, Tattoo Fan & all round good guy! He is a self confessed music freak & is never far away from a studio console or a turntable.
RELEASE: Strange Weather
RELEASE DATE: 25th March 2016
RECORD COMPANY: St Marie Records
Experimental, cinematic post-gazers ‘deardarkhead’ formed in Atlantic City, New Jersey, back in 1988. The band have released five recordings on their own label ‘Fertile Crescent Records’ & released the sensational ‘Strange Weather’ , their latest 6 track instrumental, via the wonderful ‘Saint Marie Records’ on March 25th 2016. The band consists of Kevin Harrington on Guitars, Robert Weiss – Drums & bassist Kevin McCauley, who came on board in late 2010 after the departure of longtime singer/bassist Michael Amper! Influenced by Cocteau Twins, The Cure, Echo & The Bunnymen, The Chameleons, Joy Division, The Jesus and Mary Chain, The Church, The Psychedelic Furs & The Beatles, to name but a few, the overall ‘deardarkhead’ sound can be described as a stunning mixture of old school melodic post-punk, intrinsically intertwined with driving moody psychedelic shoegaze & edged with a beautiful euphoric dream pop swirl. Although completely instrumental, ‘Strange Weather’ oozes style & structure. It soars in just the right places & sulks like a scorned love sick teenager when required.
‘Strange Weather’ opens up with the impressive ‘Falling Upward’. A swirling drone precedes a monstrous build as we’re treated to a post-punk masterclass. Immense drums & throbbing bass lines lead the charge as shimmering reverberating guitar progressions loop and arc all over the musical canvass. Up next, a steadying drum beat that ushers in the jangling early 90’s sounding ‘Sunshine Through The Rain’. This track is packed full of stunning melodic guitar lines that swirl & coil around that impressive drum & bass progression with ease. Although instrumental throughout, you can actually hear in your head just where the vocal parts should be & for me this lets my imagination run wild and adds to the overall expectancy. Track three ‘Juxta Mare’ explodes onto the musical ether with stunning effect. Musically reminiscent at times to the heavier soundscapes created by ‘Lush, Bleach’ or ‘For Against’, ‘Juxta Mare’ swerves through heady shoegaze inspired peaked crescendos & no nonsense hard hitting post-punk lows. A thundering drum pattern firmly fixed to the earth but holding firm to layered, soaring guitars heralds the arrival of ‘March Hares’, track four on this impressive release whilst track five ‘Ice Age’ has soaring atmospheric flair & hints of experimental ambient post-rock coursing through its inner core. The albums closer ‘Thinking Back’ harkens back to the early 1990’s with its sweet, shimmering guitar lines & cymbal heavy drum progressions. Again you can hear the ‘apparitional vocal line’ quite clearly through the intense but insanely beautiful production.
‘deardarkhead’ collectively create beautiful, hazy, experimental soundscapes. The band have previously mentioned on various social media sites their desire to employ a vocalist again at some stage in the future. Im not too sure they need to? For me, I just loved imagining the vocal melody as the music looped and soared through every single chord progression & I personally think that instrumentally they have something really special going on.
‘Strange Weather’ was officially released on 25th March 2016 & is available right now from ‘Saint Marie Records’ – www.saintmarierecords.bandcamp.com
Del Chaney has spent the last four years not only fronting popular experimental Irish based electronic duo Analogue Wave but also dedicating his time to uncovering the best artists in the unsigned or small independent label based shoegaze, ethereal dream pop, post punk, post rock & modern psych rock from all over the globe & reviewing them for this blog - The Primal Music Blog. He is also a contributing writer for The Sound Of Confusion. His other arm - Primal Radio - has gained considerable respect from bands and promoters alike since its conception in 2013 & has helped him in actively promoting a genre of music that he is passionate about. Hailing from Dublin, Ireland, he is a keen Vinyl Collector, Tattoo Fan & all round good guy! He is a self confessed music freak & is never far away from a studio console or a turntable.
ARTIST: SPC ECO
RELEASE: Favourite Colour EP
RELEASE DATE: 12/08/16
SPC ECO just dropped a brand new album 'Anomalies' on August 12th, then on the same day, they also released this excellent new EP. There is no song overlap, but the songs do seem like they’re part of an ongoing theme or series. Dean Garcia and his daughter Rose Berlin are surfing some gorgeous dark wave here, filigreed with gossamer vocal strands and icy cold synths. Ominous bass bubbles up from a deep well and Rose’s light, airy vocals float to the surface.
Favourite Colour EP by SPC ECO
This is especially true of the opening track, 'Out Of Your Control'. And wow, the second track 'Favourite Colour' is even more stunning, with its slow burn and ultra trippy vocal layers. It is a complete mind gasm, spinning its web and ensnaring the listener, holding tight and never letting go! It is one of the best tracks I’ve heard in this genre this year, and one I hope the band continues to explore. 'In Doubt' is a moody miniature soundtrack for a noirish spy flick or murder mystery, red fingers of blood spreading from a dead body, a moment stopped in time even as civilization rushes by at breakneck speed. My head is bobbing and weaving as I type up this review, and this EP continues to be a great listen as I work my way through it. 'Trouble' is dark and mesmerizing, a mesh of dreamy trip hop and glacial beats that drags you along in its wake.
'Whisper' is a witch’s cauldron overflowing with noxious sounds, edgy and hallucinogenic while it builds slowly in intensity, unfurling like a deadly nightbloom until it lulls you into submission. Truly, I do like hearing the band explore its darker side with this smoldering short collection of mostly extended jams. Highly recommended for all fans who enjoy their dark wave with a lot of dense layers and glimmers of light threaded throughout a sonic tapestry.
Pick up a copy of this EP over at spceco.bandcamp.com And check out the band’s many other releases while you’re at it.
Music has always been a driving force for Elizabeth Klisiewicz, which she days "continues to define my existence". During and after her college years, she ran a weekly radio show at WMUA FM Radio and also at a community station in Springfield, MA, in addition to writing music and concert reviews for the college newspaper. At present, she writes for The Big Takeover Magazine and The Active Listener Blog, and recently began producing a semi-regular Mixcloud-based show called The Kitchen Sink. In the real world, when not writing technical manuals, she gets her thrills from reading mysteries, birdwatching, and can always be found with a camera and a maxed-out storage card full of music.
RELEASE DATE: 19/08/16
Wow, another release from the prolific SPC ECO, the father-daughter duo consisting of Dean Garcia (Curve) and his daughter Rose Berlin. Let’s get one thing out of the way, OK? The band can’t help but remind listeners of Curve; it’s in Dean’s bones, he’s never really escaped from his musical past. And that’s cool, because 'Curve' was an amalgamation of shoegaze with psychedelic-drenched dance beats, and nobody else did it better. So now we have the current project, and it contains less of the hard edges you’d expect from this team, and more of the softly blurred dream pop that they do so well. And thankfully, not a voice synthesizer in sight. I have to mention that, because they erred in messing with Rose’s beautiful voice on last year’s Dark Matter.
Anomalies by SPC ECO
So what do we have here? Another solid, darkly inflected release of dreamy trip hop. “Out of My System” is an obvious single, with its catchy melodies and spacey sonic backdrop. It’s the most like their earlier material, which means total ear candy, but it’s not a big step forward. Whereas “Incomplete” is richly layered melodic architecture, slow and sultry as Rose’s breathy vocals roll over the musical waves. It’s quiet and slightly sinister, and ever so beautiful. “Bare To Lie” is bleak dark wave, yet at its core it’s a stunning piece of work. I could totally see this used as a film score, it has that noirish feel I love so well. “Your Own Way” is gorgeous, gauzy dream pop, another killer tune that you need to hear immediately. This is yet another example of how perfectly suited this pair would be for film scoring. “Silent Maybe” reminds me of vintage Curve, and please know that is the highest compliment from me. It’s all about the heavenly vocals and the nearly symphonic landscape that Dean paints around Rose’s voice.
“Think Twice” is icy, slow burning and could be the soundtrack for your favorite spy flick. The lyrics are empty and sad, and leave you wondering what it’s all about. “Revived” is alive with bubbling synths and an upbeat feel, despite the feeling that it’s about the aftermath of a break-up. “All In Time” is heavier synth pop under a starry sky, bits of light sprinkled against velvety darkness. “Lost In a Crowd” closes out this set of songs, and it’s much quieter than the other songs, a great showcase for Rose’s lovely vocals. It’s all rather solemn and almost like a chant. So, what you can expect is another really good album from this duo with a variety of tones, beats, and moods.
'Anomalies' will be available to buy/download on the 19th August 2016 via: saintmarierecords.bandcamp.com
Release Date: 24/02/15
Record Company: Saint Marie Records
Echodrone are something of a fascination to me. I seriously assumed it was all over for the band after the release of 2012's brilliant album 'Bon Voyage'? So, when I heard that they were on the verge of releasing a brand new album, I got really excited. I'm a big fan of this band. 2015's epic brand new 10 track release entitled 'Five' not only see's the band introducing new members to their ranks but also reflects just how far they have come musically, as a collective unit. With a new impetus surrounding the construction & structure of their songwriting plus the added bonus of having a heavyweight independent record company ( Texas based - Saint Marie Records) behind them, Echodrone have crafted a stunning atmospheric soundscape full of shoegaze, dream-pop, post-rock & psychedelic promise. Hailing from San Francisco, California, Echodrone's history spans a full 8 years on musical landscape littered with failed gazers. From their early 2007 self titled 4 track release 'Echodrone', through to their epic 2010 opus 'The Sun Rose In A Different Place' and on into my personal favourite album of theirs, 2012's brilliant 'Bon Voyage', Echodrone bring a added bonus to the psychedelic shoegaze & dreampop table. Traditionally they have always had immense production on every one of their releases - 'Five' is no different. This is a stunningly emotive & truly awe inspiring album. It swoops & soars through sonic walls of psychedelic guitars with ease. The vocals are beautifully produced & are allowed to grow as the album plays through each track. There's a new electronic element to the band that enhance's the overall listening experience. This album takes you in & opens the door to another world. Its breathtakingly beautiful. We've picked a few of our favourite tracks from this epic release & you can read about them below.
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'Falling From Planes', the second track on this immense release is burst of impressive shoegaze with dream-pop flair. Building like a steam train, only to explode on the musical canvas, spewing forth sonic waves of goodness infused with swirling walls of guitar, solid bass & drum tracks, synths to die for & a brilliantly produced vocal, this track epitomises what Echodrone are about, for me! Expressive & emotive musical stories depicted in the art of gazing. It is simply Immense!
Just let our second pick from the latest release from 'Echodrone' entitled - 'Five', wash over you from it's opening notes! 'Glacial Place' soothes your soul with its atmospheric tones from the off. It's addictive guitar lines lure you into the safety of it's impressive walls of sonic goodness. With effected duel vocals swirling around a brilliantly executed bass line, coupled with a steady drum beat, this track yet again brings this listener to another level all-together. Instantly one of my favourite track's so far of 2015, a year which promises to be one of the best yet for album releases, 'Glacial Place' is beautiful.
Swells of sonic delight announce the arrival of a musical behemoth. 'When The Two End Meet' is an absolutely immense track. A swirling maelstrom of synth lines, bass, drums & walls of effected guitar fight it out for the spaces between the vocal parts. This track is a musical battle of wills with the only winner ultimately being the listener! A truly monumental track of epic proportions. One to savour with headphones on.
You can listen to any track on this album and truly get sucked into a world of atmospheric shoegaze infused, dream-pop & psychedelic landscapes. The production work going on under the main instruments draws you in & keeps you focused on what needs to be heard. 'Echodrone' have found that happy medium between old school Gaze & modern day explosive Nu-Gaze! This is a truly epic release on all fronts. If, come year end, this album doesn't make it as one of the best albums of 2015 - I'll eat my hat! I think this band will only go from strength to strength going forward & I for one will be supporting them when they do - Bravo Echodrone!
We Rate This A Stomping - 10/10
You can find out more information about 'Echodrone' by following their various social media outlets:
Echodrone's latest release 'Five' is also available on various formats from the Saint Marie Records Bandcamp page:
Del Chaney - The Primal Music Blog - March 2015 - Dublin. Ireland.
Del Chaney has spent the last two years not only fronting popular Irish Electronic duo 'Analogue Wave', but also dedicating his time to uncovering the best artists in the Unsigned or Small Independent Label based Shoegaze, Dream Pop, Noise-Rock & Post-Rock genre’s of music from all over the globe & reviewing them for this blog - The Primal Music Blog. His other arm, 'The Primal Radio Show', has gained considerable respect from band’s and promoter’s alike since it’s conception in 2013 & has helped him in actively promoting a genre of music that he's passionate about. He also currently write's for Canadian based online music webzine www.ReplicantEars.com. Hailing from Dublin, Ireland, he is a keen Vinyl Collector, Tattoo Fan & all round good guy! He is a self confessed music freak & is never far away from a studio console or a turntable.