Glass Horses - Stepping Stones

NEW SINGLE PREMIERE | Glass Horses - Stepping Stones

We're very, very late to the party on this one and for that we apologise but we simply can't let this single go by without mentioning it. London based alt/shoegaze quartet 'Glass Horses' have unleashed a stunning brand new single entitled 'Stepping Stones' via their bandcamp page and it follows briskly on from their recently released self-titled debut EP. The band are made up of Noga Shatz - vocals, Terry Hale - guitar/keyboards, Pat Paxton - bass, James Walker - drums and 'Stepping Stones' is available to buy/download right now from glasshorsesband.bandcamp.com with the 'Glass Horses' EP is available to listen to in full over on the bands Soundcloud page.

'Stepping Stones' shimmies into the ether in a torrent of atmospheric reverberation as mesmerising guitar progressions meld with its snaking lead lines and another impressive vocal performance courtesy of Noga Shatz. Sparse percussion and cascading bass frequencies add weight to the piece as the collectively blissful chorus progressions arc and swoon leading us into a sublime closing segment that builds and builds and builds. Their collective sound skips through passages of mesmerising psych, shimmering shoegaze and blissed out dreamy alt-rock with relative ease making Glass Horses one of the most exciting bands on the underground scene right now.

Recommended. 

LINKS:

soundcloud.com/glasshorsesband

twitter.com/glasshorsesband

facebook.com/glasshorsesband/

glasshorsesband.bandcamp.com


Sonic Jesus - Grace (Fuzz Club Records)

ALBUM REVIEW | Sonic Jesus - Grace (Fuzz Club Records)

Sonic Jesus - Grace (Fuzz Club Records)ARTIST: Sonic Jesus

RELEASE: Grace

RELEASE DATE: 10th March 2017

RECORD COMPANY: Fuzz Club Records 

From the critically acclaimed underground label Fuzz Club Records comes a slab of truly atmospheric, beautiful and moving music; Grace by Sonic Jesus. Deep and gravel-filled baritone vocals sing over the top of layers of soundscaped synth and unique, refreshing kinds of revivalist post-punk. At its core, holding everything together, is the careful and strategic structural elements of well written and performed alternative rock that balances itself with what seems to be the central theme of Grace; the essence and presentation of mood. From the dark corners of contemplation all the way up through to what sounds like narrative storytelling, Sonic Jesus’s use of mood, both musically and lyrically, is what makes Grace a wholly more interesting listen than any other sort of post-punk, synth laden music that seems to pour out easily for many worldwide bands and artists. 'Grace' is out right now with various formats available to buy via the ever brilliant fuzzclub.com 

‘I’m in Grace’ opens the album with layers upon layers of atmospheric synth soundscapes which are punctured by the deep but inventive baritone of the vocals. Eventually, the drums and guitars enter, playing a recognisable brand of post-punk; made special by the fantastic musical texturing and layering by the band. The song turns from sounding somewhat downtrodden to epic and larger within a few quiet moments; an album highlight. ‘I Hope’ utilizes the previous songs formalities but turns it into a more dream pop/indie tune, where the guitar tone sounds much lighter and colourful than on ‘I’m in Grace’. Again, the small tweaks and touches of a snare rattle here, a clap or other percussive sound make the song all the more enjoyable in a greater and more ‘fuller’ context. Perhaps the greatest element of the song is the chord progression within the chorus; where the vocals slide back down at the same time as the guitar; mixing emotions to create a kind of contrast that highlights all things good about the music. ‘Modern Model’ takes the synth elements explored on other songs to the foreground, creating a pysch-rock like feel. And while its an interesting track, it does not admit the same kind of radiance as either ‘I’m in Grace’ or ‘I Hope’, although the use of keyboards should be strongly highlighted and praised. ‘September Ninth’ turns things around again, sounding quite akin to a formal stylistic sound reminiscent of art rock or punk but still shows significant influence from post-punk and even subtle flashes of cold-wave . The brilliantly darker songwriting skills of the band make the song one of Grace’s best tracks, especially in the section just past the two minute point, where the lyrics and music bounce off each other and feed into a synthetic sounding chorus of epic proportions.

‘No Way’ is by far the most omniscient sounding song on the entire release; the thick disco like bass strums over a dance inspired drum track and scratchy, wild sounding guitar riff. The chorus seeps into itself similar to the previous track, sounding large and more wild than the verse that preceded it. Altogether, the track sounds quite New Wave; synthetic in an appealing sense, and layered and deep enough to appear beautifully fulfilling in its full pictorial qualities. One of Grace’s other highlights is the swaying reverie of ‘Space Heels’ which is perhaps the most melodically beautiful track on the entire release. The song embodies a slower tempo and more ‘gentle’ use of the synthesiser, tied together by a majestic and engaging vocal performance, sprouting and crooning majestic and engaging lyrics in the same.  ‘Outdoor Party’ is another brilliantly new wave laced track; equipped with a more dream pop sounding guitar line and a melody that sounds somewhat more upbeat than on previous tracks. ‘Stars’ maintains this quality, heavy and pounding in its percussive elements; it utilizes the airy and hollow ambiance of previous tracks as a background for more alternative soundscaping. The second section of this song, what you could call the outro, plays out texturally rich, with a sequenced sound bouncing around in the background of the alt-rock inspired tune. ‘Fading Lights’ seems to act more like an un-intentional retrospective of the album; collecting up all the elements that the band has explored across Grace.

To keep an album with ten songs on it interesting enough to listen to from cover to cover, a band has to keep one unifying thematic quality to each song and to each transition from one song to another. For Sonic Jesus, that quality is the nifty tonal quality of mood. On Grace, every song either establishes or contorts mood to place emphasis on the atmospheric quality of the songs spread out within. Whether it be large scale, synth laden new wave sounding passages, or the sharp and linear qualities of post-punk revival music, Sonic Jesus manage to keep mood at the centrepiece of this album, to keep it interesting and thought provoking the whole way through. Its easy to see where many other bands stumble with this kind of music in an album context, but to be completely honest, Grace stands out so strongly from the crowd in a fashion that highlights their originality that you don’t even think about how the record could have ended up down the toilet. The performances are tight, showcasing well written songs and music, but it is the production and mixing that pushes the album further in its creativity, appeal and interest. Sonic Jesus have thus created an album that avoids all the clichés, emphasising talent, performance and sound.

4/5

LINKS:

fuzzclub.bandcamp.com

fuzzclub.com

facebook.com/sonicjesus

twitter.com/SonicJesusBand

ABOUT THE AUTHOR: 

Cam Phillips is a writer and above all, a music lover, who seeks to gain experience through writing and listening. He is also an avid film viewer and art and literature junkie who enjoys creative writing. His most recent published work was featured on Baeble Music and Culture (USA), Sounds and Colours Magazine (Latin America, London), Easterndaze (Latvia) and the Australian based heavy music blog, I Probably Hate Your Band.


Sunset Images - Obscure Daze (Gravy Records)

ALBUM REVIEW | Sunset Images - Obscure Daze (Gravy Records)

ARTIST: Sunset Images

RELEASE: Obscure Daze

RELEASE DATE: 7th April 2017

RECORD COMPANY: Gravy Records / Cintas

Mexico based experimental psych-gaze duo ‘Sunset Images’ released their brand new six track sophomore entitled ‘Obscure Daze’ to the masses back on the 7th April 2017 via Gravy Records/Cintas Records. The band are made up of Samuel Osorio - guitar/bass/vocals & Alejandro Zúñiga - drums and their collective sound on this latest release swims in a dark sea of intense experimentation with layers of frequential noise, fuzz, pounding percussion and massive swathes of reverberation carefully buffering effected vocalisations (appearing here for the first time as the band take a brilliantly executed step away from their usual ‘instrumental only’ sonic compositions). ‘Obscure Days’ follows on from their very impressive five track EP 'Hajime', released back in 2015 and is available on very limited edition transparent vinyl from Gravy Records, on cassette via Cintas Records & digitally from sunsetimages.bandcamp.com

An atmospherically dark, swirling repetitious drone drenched in rumbling bass frequencies and crackling guitar squall undulates into audible range as the opening track ‘Obscure Days’ works through all one minute thirty nine seconds of it’s sonic permutations graced in a wonderfully cinematic hue. It’s closely followed by a reverberating sonic behemoth in the form of the charging ‘1969’. This psych induced monster drives into the ether on a thunderous percussive pattern, is absolutely peppered with oppressive bass frequencies and squealing lead lines whilst carefully directing a wavering vocal line to its final destination. It erupts into a fuzzy wall of explosive noise before fading out into feedback laden obscurity.

Metronomic percussion underscored by a growling bass progression enters the arena as ‘No Hay Lugar’ shuffles into ear shot on a wave of scrawling fret noise before dragging soaring lead guitar lines out into the open to ride this tumbling repetitious beast. Sporadic haunting vocal lines join in with the maelstrom of resonating frequencies, building rapidly in intensity as layer after layer of reverb is added to the already bulging wall of noise that eventually morphs into the immense ‘Basilica’, a pounding one minute forty nine seconds of senses pummelling noise filled with explosive drum patterns, grumbling bass lines and angrily distorted guitars. All in all a thoroughly enjoyable six minutes of music.

The albums penultimate piece is a repetitious slab of resonating noise with swathes of modern psych intent underscored at times with a slight nod to garage psych. ‘Death’ shakes and rolls violently on a fuzzy cascading bass line as it’s accompanying percussive swagger rises and falls in and out of a deep dark sonic trench intertwined with subtle atmospheric passages of squealing lo-fi majesty. Glutinous raging howls add intense darkness as this track pulses and tumbles into a magnificent ending making it my favourite track on the entire release. The album closes out with ‘Roads’. Swathes of reverberation coupled with carefully placed production trickery announces it’s arrival as ‘Sunset Images’ pulse post-punk connotations into the mix. It’s rolling drum pattern holds throbbing bass frequencies and reverberating guitar lines in it’s wake, building with each impressive progressive cycle before breaking into a magnificently peaceful final break filled with huge swathes of reverb drenched instrumentation. A fitting ending to a marvellous album.

4/5

LINKS:

sunsetimages.bandcamp.com

facebook.com/sunsetimagesband

twitter.com/sunsetimages

ABOUT THE AUTHOR:

Del Chaney has spent the last four years dedicating his time to uncovering the best artists in the unsigned or small independent label based shoegaze, ethereal dream pop, post punk, post rock & modern psych rock from all over the globe & reviewing them for this blog - The Primal Music Blog. He is also a contributing  writer for The Sound Of Confusion (Now On Hiatus). His other arm  - Primal Radio -  has gained considerable respect from bands and promoters alike since its conception in 2013 & has helped him in actively promoting a genre of music that he is passionate about. Hailing from Dublin, Ireland, he is a keen Vinyl Collector, Tattoo Fan & all round good guy! He is a self confessed music freak & is never far away from a studio console or a turntable.


ALBUM REVIEW | Mt. Mountain - Dust (Cardinal Fuzz Records)

ARTIST: Mt. Mountain 

RELEASE: Dust

RELEASE DATE: 24th April 2017

RECORD COMPANY: CARDINAL FUZZ

Perth based droning & experimental psych aficionados 'Mt. Mountain' have announced the follow up to last years monumental six track release 'Cosmos Terros' in the form of 'Dust', a four track sonic thrill ride released on the 24th April via the ever reliable UK based 'Cardinal Fuzz Records'. 'Mt. Mountain' first came to our attention back in 2014 after the release of their brilliant sophomore self-titled EP and we subsequently played it to death over on our online sister station 'Primal Radio'. 'Mt. Mountain' are already lauded and revered in Australia where they have built a reputation as one of the most compelling live bands, a distinction that has seen them share stages with myriad Australian and international heavyweights including Sleep, King Gizzard and the Lizard Wizard, Thee Oh Sees, Endless Boogie, Tortoise, Bardo Pond and Boris. 'Dust' is available to buy right now on limited edition of 200 - Copper/Black Swirl 12" Vinyl Records with UK/EU purchases available via Cardinal Fuzz.

In a whirling instrumental drone steeped in acutely atmospheric tape hiss and trembling sound waves the opening salutations of ‘Dust’ manoeuvres itself into audible range. It builds ever so slowly, drenched in a menacing experimental air as a subtle percussive pulse sets a persuasive tempo, slow enough to accommodate those haunting guitar lines and the brilliant addition of a ghostly flute progression whilst being whipped by an ever present & deeply incessant high pitched drone. Coming in at a mere sixteen minutes plus, ‘Dust’ isn’t for the faint hearted as half way through it explodes into a maelstrom of reverberating noise steeped in flurries of modern & experimental psych and peppered with passages of plodding bass frequencies, throbbing synth, addictive lead lines and simmering vocalisations to collectively enthral and captivate it’s listeners all at once. A marvellous opening track indeed. Up next, ‘Floating Eyes’ staggers into earshot on a rickety guitar progression that rides a wave of tumbling bongo hits, the repetitive twinkle of tambourine and a surging synthetic drone. The addition of warbling lead lines add weight to proceedings as ‘Mt. Mountain’ unleash a swirling psychedelic behemoth steeped brilliantly in eastern esoteric flair. Addictive vocal lines float into the mix bubbling on those cascading bass progressions, doffing a well worn cap to those early experimental psych pioneers as we float away on wave after wave of captivating golden hued frequencies that eventually leads us into the tracks final throws.

Swirling organ swells echoed by translucent guitar and subtle instrumental drones announce ‘Kokoti’, the albums penultimate piece, and we drift off into a entrancing psychedelic haze filled with jangling progressions, glorious flute lines and hypnotically charged percussive reverberations. Ghostly vocalisations fill the remaining quiet spaces as sonic reflections rise and fall in and out of throbbing bass frequencies and wah wah heavy lead lines before the track takes on a completely different form and rises high up into the firmament on wings of trance like psychedelic joy. ‘Kokoti’ is a sonic journey of discovery, it’s probably my favourite track on this entire release and I firmly recommend that you listen to it via headphones to experience every ounce of it’s sonic mastery. The album closes out with a three minute peaceful ‘Outro’. A beautifully intoxicating guitar progression pulses into the ether dragging with it a repetitive percussive pattern filled with haunting vocal lines and massive swathes of reverberation. ‘Outro’ is a fitting closing piece and it deftly book ends this impressive collection of tracks.

4/5

LINKS:

mtmountain.bandcamp.com

ABOUT THE AUTHOR:
Del Chaney has spent the last four years dedicating his time to uncovering the best artists in the unsigned or small independent label based shoegaze, ethereal dream pop, post punk, post rock & modern psych rock from all over the globe & reviewing them for this blog - The Primal Music Blog. He is also a contributing  writer for The Sound Of Confusion (Now On Hiatus). His other arm  - Primal Radio -  has gained considerable respect from bands and promoters alike since its conception in 2013 & has helped him in actively promoting a genre of music that he is passionate about. Hailing from Dublin, Ireland, he is a keen Vinyl Collector, Tattoo Fan & all round good guy! He is a self confessed music freak & is never far away from a studio console or a turntable.
 

NEW SINGLE PREMIERE | Jellyskin - Eater

Immense Leeds based trio 'Jellyskin' have channelled their inner krautrock on their latest single entitled 'Eater'. Formed in 2016, 'Jellyskin' are made up of Will, Zia & Olly and they exploded onto the underground psych/gaze scene last year with a splattering of singles including the impressive singles ‘Grey Glass Hat’ & the fantastic 'Milk Of Magnesia' which collectively brought them to the attention of the underground psych/gaze faithful. 'Jellyskin' create stunning musical soundscapes that gracefully meander through shoegaze, dream pop, psych rock and it's many sub genres. 

'Eater' pulses into the ether on a swirling vortex of kraut like repetition as its metronomic percussion, driving psychedelically charged guitars, throbbing bass frequencies and resonating synth lines deftly circumnavigate that stunning trademark vocal line. This track fizzes as it tumbles through layers of sequenced electronics and hazy reverberation. Absolutely stunning and definitely their best track to date, we can't wait for what comes next!

Recommended! 

LINKS:

soundcloud.com/jellyskin

facebook.com/jellyskinband/


NEW VIDEO PREMIERE | Laedj - Carpal Tunnel

One of our favourite bands right now, the brilliant Melbourne based 'Laedj' have unleashed a riotous new video to accompany their latest single 'Carpal Tunnel', the follow up to their recently released debut single 'Pacific', both of which are taken from their forthcoming debut EP penned in for release over the coming months. The band include members of Melbourne based outfits such as 'Inventions, Yachtburner, Breve, Singing For Humans' & 'Hotel on Mayfair' and their sound is distinctly fuzzy with shimmering shoegaze connotations underscored at times by soaring slivers of psych & noise. 'Carpal Tunnel' is available to buy/download right now from laedj.bandcamp.com

'Carpal Tunnel' drives into the ether lashed tightly to a busy percussive attack and straddled by throbbing bass lines & hazy production. Its guitar progressions swirl and arc throughout the piece, whipping up a sonic frenzy, sending out layer after layer of delicious reverb that collectively circumnavigates those impressive vocalisations.

The video was produced, edited and directed by Liam Jemmeson.

Recommended!

LINKS:

laedj.bandcamp.com

facebook.com/laedjband

twitter.com/laedjband


ALBUM REVIEW | Percolator - Sestra (Penske Recordings)

ARTIST: Percolator 

RELEASE: Sestra

RELEASE DATE: 14th April 2017

RECORD COMPANY: Penske Recordings

Dublin based three piece 'Percolator' have been creating electronically charged experimental standards drenched in poly-rhythmic kraut rock connotations underscored with subtle flourishes of shoegaze, prog rock & resonating noise since 2012 with the bands core lineup of Ian Chestnutt - guitar/vocal, Eleanor Myler - drums/vocal & John Murphy - bass staying true to the project since its conception. They popped up on our radar back in 2013 with the immense 'Little Demon' EP (which we played tracks from religiously over on our sister radio station Primal Radio) and now they have returned with a staggering collection of eight tracks packaged as 'Sestra', released via Cork based independent record label Penske Recordings. The album is available to pre-order right now both digitally and on lovely vinyl over at percolator.bandcamp.com

Menacing feedback laden drones announce the opening salvos of 'Spúlmachine' and they swirl & arc into a punishing crescendo of malicious noise as repetitive percussion bounds into earshot underscored by dark malevolent bass frequencies. Pulsing sequenced electronics fizz and hiss as a waves of frequential noise wash over the piece, purposefully whipping the track into a sonic frenzy. 'Spúlmachine' is a mesmerising opening track. Up next, 'Squishy Future' resonates as it pulses into the ether on a turbulent wave of fuzzy electronically charged sonic frequencies. It twists and turns, gyrating through layers of driving percussion, warbling synth swells and throbbing bass progressions that collectively circumnavigate a stunning vocal line. The track builds and builds into raging cacophony of noise before petering out into diminishing fractious sound waves. 'Law & Order' swirls into earshot leaning heavily on experimental kraut rock as its monstrously good instrumentation grinds out a futuristic sonic behemoth filled with explosive drum patterns, angry feedback laden drones, atmospheric fret noise and noisy guitar progressions purposefully created to harbour those subdued dystopian hued vocalisations.

Driving metronomic percussion and swirling synthetic drones drag 'Kimchi' out into the open as melodic guitar progressions swing and arc, pulling menacing synth lines with them as they intertwine with brilliantly executed vocal lines and intermittent fuzzed out production theatrics. 'Kimchi' is absolutely sublime and possibly my favourite track on this entire release. Up next, 'Crab Supernova' shimmers as it breaks the surface and bounces along on a steadying beat and a warbling bass progression. Vivacious feedback laden guitar squall whips and harasses the track as a beautifully serine vocal line swerves in and out of tempestuous production. 'Yellow Fire' howls into the ether on the back of swirling golden reverberation. Shimmering vocal lines dance and skip along a lazy back beat as those tremulous guitar progressions build and sway through layers of hazy effects, sporadic whammy bar theatrics and undulating bass frequencies. 'Usen't we', the albums penultimate piece, crawls into earshot on a swirling synth line coupled with jangling guitars and repetitious drum patterns. It's duel vocal lines are marvellous here as they tip toe through layers of reverb with stunning aplomb. Sporadic tremulous guitar strums add atmosphere as 'Percolator' unleash their melodic shoegaze tendencies for all to hear, and in the process, they build this track step by step until it swerves through a magnificent wall of reverberating sound and on into its soaring finale. The album closes with the brilliant 'Binkle', a swirling tempestuous affair with screaming effects laden guitars and throbbing bass lines permeated by another impressive vocal performance that all collectively rides steadying drum pattern. Solid stuff and a fitting end to a marvellous album.

For me, 'Percolator' have created one of the best Irish album's of the year so far in 'Sestra' and I wouldn't be surprised at all if it appears on many of the 2017's best of lists come year end.

Highly Recommended! 

5/5

LINKS:

percolator.bandcamp.com

facebook.com/percolator.music

twitter.com/Percolatormusic

ABOUT THE AUTHOR:

Del Chaney has spent the last four years dedicating his time to uncovering the best artists in the unsigned or small independent label based shoegaze, ethereal dream pop, post punk, post rock & modern psych rock from all over the globe & reviewing them for this blog - The Primal Music Blog. He is also a contributing writer for The Sound Of Confusion (Now On Hiatus). His other arm - Primal Radio - has gained considerable respect from bands and promoters alike since its conception in 2013 & has helped him in actively promoting a genre of music that he is passionate about. Hailing from Dublin, Ireland, he is a keen Vinyl Collector, Tattoo Fan & all round good guy! He is a self confessed music freak & is never far away from a studio console or a turntable.


ALBUM REVIEW | 10 000 Russos - Distress Distress (Fuzz Club Records)

ARTIST: 10 000 Russos

RELEASE: Distress Distress

RELEASE DATE: 7th April 2017

RECORD COMPANY: Fuzz Club Records

Porto based '10 000 Russos' create a twisted, droning, psychedelically charged & industrially dark vision of social dystopia through their music that is very hard to shake off. Their collective sound envelopes and encroaches the inner psyche, it never panders to it's contemporaries and it leaves an enduring mark on every single listener that it touches making them one of the most exciting bands to have ever graced this modern day psych scene. The trio have just announced a brand new six track release entitled 'Distress Distress' penned in for release on April 7th via the ever reliable London based 'Fuzz Club Records'. The album is available to pre-order right now on various formats from fuzzclub.com

Swirling into audible range comes a progressive motorik behemoth in the form of ‘Germinal’, track one on this impressive release. Tumbling repetitive percussion hover menacingly in the ether, held fast in a kind of sonic gravitational field as those rumbling bass frequencies and growling guitar progressions deftly circumnavigate it’s instantly addictive vocalisations. This track heaves and lurches brilliantly through layer after layer of reverberating instrumentation dragging the listener along as it meanders through sonic peaks and troughs with relative ease. It’s a bloody masterful opening salvo indeed. Up next, ‘Tutilitarian’ stomps into earshot on a metronomic beat that’s violently harassed by droning guitars and haunting vocal progressions. Throbbing bass lines undulate wildly, hypnotising this listener with it’s snake like charms as a raging sonic war is waged through the medium of screaming guitars, disturbing production, noisy drones and psychedelically induced electronic theatrics.

‘Europa Kaput’ enters the sonic arena strapped to a shuddering sequenced beat and a stomping bass line. 10,ooo Russos noisy futuristic tendencies are evident here and they lean heavily towards the experimental, casually dancing through a dystopian sonic landscape, laying waste to what has come before and creating a whole new dimension to the genre that is modern psych rock. Next, ‘ISM’ has humble beginnings as it’s fizzing electronics exquisitely lick a repetitive bass progression while haunting atmospherically effected fret noise pulls frequencies apart at will and turns them into subtle instrumental drones that are free to burn out whilst screaming into the ether. This track builds like a dark progressive techno track, gyrating menacingly around spoken word vocalisations and a driving percussive attack before culminating in a raging cacophony of turbulent reverb and noise.

The albums penultimate onslaught comes in the form of ‘Radio 1’, a tactile pulsing sonic palpitation that vibrates & oscillates around a quivering kraut like sequenced synth progression, brilliantly chained to the sharp metronomic striking of a repetitive percussive beat. It’s subtle vocalisations emerge in stages through a haze of reverb and overdriven guitar squall building with dark menace at every instrumental circumference and merging effortlessly with the tracks collective resonating sound waves. ‘Radio 1’ is my favourite track on this entire release and I urge you to pop on some headphones just to experience the entire immersive sonic journey in full splendour. The album closes out with the rather infectious ‘Distress’. Motorik percussion and growling bass frequencies ride a wave of ticking drum hits as atmospheric machine gun sonics build vivaciously into waves of resonating fret noise. Futuristically styled vocal lines add to the melee of delicious noise, pulsing with expectancy and urging the track on into it’s grand finale. A fitting end to what has to be one of the best releases of 2017 so far.

5/5

LINKS:

fuzzclub.com

facebook.com/10000Russos

twitter.com/10000russos

ABOUT THE AUTHOR:

Del Chaney has spent the last four years dedicating his time to uncovering the best artists in the unsigned or small independent label based shoegaze, ethereal dream pop, post punk, post rock & modern psych rock from all over the globe & reviewing them for this blog - The Primal Music Blog. He is also a contributing writer for The Sound Of Confusion (Now On Hiatus). His other arm - Primal Radio - has gained considerable respect from bands and promoters alike since its conception in 2013 & has helped him in actively promoting a genre of music that he is passionate about. Hailing from Dublin, Ireland, he is a keen Vinyl Collector, Tattoo Fan & all round good guy! He is a self confessed music freak & is never far away from a studio console or a turntable.


NEW SINGLE PREMIERE | Mirror Mirror - Fever Dreams

Washington based psych/no-wave outfit 'Mirror Mirror' have released a brand new track entitled 'Fever Dreams' via the bands bandcamp page. Jason Campbell's distinctive brand of swirling psych infused soundscapes are peppered with swirls of no-wave simplicity underscored by driving post punk flourishes that collectively meld into a brilliantly melodic ball of dark sonic energy. 'Fever Dreams' was released on the 5th March 2017 and you can buy/download it right now from mirrormirror.bandcamp.com

Recommended! 

LINKS:

mirrormirror.bandcamp.com

facebook.com/Mirror-Mirror-142076015858267


EP REVIEW | Rancho Relaxo - Polarized (Wrong Way Records)

ARTIST: Rancho Relaxo

RELEASE: Polarized

RELEASE DATE: 10th May 2017

RECORD COMPANY: Wrong Way Records

One of our favourite bands here at Primal Music, Norwegian based 'Rancho Relaxo' have announced a brand new five track EP entitled 'Polarized', penned in for release on May 10th 2017 via the ever reliable 'Wrong Way Records'. 'Polarized' is the bands eight release & it again epitomises their unique talent of sonic experimentation by creating whirlwinds of intense electronically charged psych intertwined at times with subtle spaced out kraut rock tones. The album has the pleasure of being touched by the bands brand new 60's rhythm ace drum machine which completely turns their overall sound on it's head thus creating a sublime collection of tracks that are worthy of your ears. It is being exclusively released as part of 'Wrong Way Records' Blacklist 100 Series and is available to pre-order right now on lovely 12' hand numbered black vinyl via wrongwayrecords.bandcamp.com

‘Spooky Satisfaction At A Distance’ arrives into the ether held fast in a repetitious percussive swagger as its soaring synth swells echo and drone meticulously as if held in a continuous sonic stasis. Angry guitars growl and belch out distorted atmospherics whilst its haunting vocalisations swirl through swathes of gratifying reverberation. It is a sublime opening track filled with intensely hypnotic instrumentation that streams effortlessly through layers of blissed out electronically charged modern psychedelia. ‘Augen Zu’ drones and swirls into audible range strapped to sequenced electronic percussion and a deeply repetitive guitar progression. This track builds through each chord change brilliantly as underlying synth swells buffer and harass those hypnotically charged vocal lines with stunning aplomb. The arrival shimmering tambourine hits and undulating shakers add instant atmosphere as those cascading synth lines loop and arc through clouds of reverb like some sort of sonic hallucinogen. ‘Augen Zu’ is sublimely addictive and is probably my favourite track on this entire release.

Up next, ‘Life & Death’ billows effortlessly through infectious guitar progressions, gyrating organ lines and distant vocalisations that collectively ripple and surge through spiralling production and woozy denouements whilst swirling frequency laden sonic tendrils reach out to wrap themselves around sequenced electronic drum patterns as ‘Tell Me Something’ enters earshot draped in a hazy veil of droning instrumentation that melds effortlessly with atmospheric swells of synth & guitar. The arrival of distant reverb drenched vocalisations add depth to the track as it’s snaking percussive thrills dance and skip on a bedrock of iridescent bass frequencies and vibrating mechanical sound waves. The EP’s closing piece growls and fizzes into earshot on a wave of punishing feedback driven guitar squall. ‘My Girl (Spoken)’ shudders precariously on a kind of metronomic percussive precipice as throbbing bass frequencies hold court underlined by electronic beeps and whirrs that accompany an up front vocal line. Noisy guitars circumnavigate the entire piece emitting a menacing atmospheric hue to proceedings as the track rises and falls hypnotically through stunning vocal samples and swirling clouds of reverberation. A fitting end to a bloody marvellous EP.

4/5

LINKS:

wrongwayrecords.bandcamp.com

ranchorelaxo.bandcamp.com

facebook.com/Rancho-Relaxo-119261814770886/

ABOUT THE AUTHOR:

Del Chaney has spent the last four years dedicating his time to uncovering the best artists in the unsigned or small independent label based shoegaze, ethereal dream pop, post punk, post rock & modern psych rock from all over the globe & reviewing them for this blog - The Primal Music Blog. He is also a contributing writer for The Sound Of Confusion (Now On Hiatus). His other arm - Primal Radio - has gained considerable respect from bands and promoters alike since its conception in 2013 & has helped him in actively promoting a genre of music that he is passionate about. Hailing from Dublin, Ireland, he is a keen Vinyl Collector, Tattoo Fan & all round good guy! He is a self confessed music freak & is never far away from a studio console or a turntable.