ARTIST: Has A Shadow
RELEASE: Sorrow Tomorrow
RELEASE DATE: 18th January 2017
RECORD COMPANY: Fuzz Club Records
Mexico natives 'Has A Shadow' release their sophomore album (their first via Fuzz Club Records) entitled 'Sorrow Tomorrow' on January 18th 2017. The band create a brand of dark and ritualistic modern day psych gaze that heaves and undulates through swathes of unabashed reverberation and driving instrumentation tinged with menacing gothic tones. This new album follows a run of EU dates that included an appearance at Liverpool Psych Fest and shows with LSD & The Search for God, TAU and The Jabberwocky Band. You can pre-order 'Sorrow Tomorrow' ahead of it's January release, on various formats over at www.fuzzclub.com
In a hail of fragmented frequencies and the sampled barking of dogs the opening salvo’s of ‘Sorrow’ squeal into audible range riding rough shot on shuddering synth swells and the metronomic sway of percussion. Tormented vocalisations swirl repetitiously as the track builds and surges into a raging sonic tornado allowing it’s wailing guitar progressions to pulse wave after wave of intense reverberation out into the ether. Up next, ‘Lord Of Flies’ saunters into the musical arena with a distinctly edgy swagger. It’s creeping drum pattern swings hypnotically dragging with it those dark organ progressions, snaking guitars and the menacing throb of bass frequencies. Vocally ‘Lord Of The Flies’ is steeped in gothic flair and unrepentant reverberation as we exquisitely meander through waves of intense dark frequential matter and swirling atmospherics making this a brilliantly executed track. Track three, 'The Flesh' pulsates and swirls on undulating waves of dark instrumentation that includes throbbing bass lines, reverb laced organ swells, repetitive percussion, fuzz -laden guitars and hauntingly good vocalisations.
‘Attack Of The Junkie’ effortlessly drones into earshot, building repetitiously as the drag of the organ swell brings with it those thunderous drums and echoing vocalisations. This track is a driving psych induced behemoth that takes no prisoners as it’s tremulous guitars & throbbing bass progressions wage a war of sonic attrition, bending unsuspecting frequencies at will until eventually turning them into a colossal wall of magnificent noise. ‘Attack Of The Junkie’ is a triumphant track, possibly my favourite on the entire album. It is inherently filled with hard hitting sonic aggression and worthy of your ears. ‘Cul De Sac’ pulses on a sequenced synth line as ‘Has A Shadow’ unleash a noisy post-punk sheen on proceedings. The melodious bass line weaves a jittering sonic web as it works through it’s predesignated course, all the while being harassed by swirling reverberation, intense vocalisations and dark menacing instrumentation. Guitars explode into a cacophony of noise as those hypnotically charged organ lines takes hold, dragging the listener with them on an undulating white knuckle thrill ride.
Up next, the albums latest single jangles into earshot steeped heavily in an air of atmospheric trepidation. ‘Vampire Kiss’ has brash and scuzzy guitars that swirl deep within a dark haze of reverb. You really have to check yourself as those throbbing bass frequencies & thunderous drums dance and swing a hypnotically charged jig, effortlessly circumnavigated by those hauntingly good organ lines and the foreboding vocal tones of Daniel Garcino. ‘Horror Will Grow’ swirls into the ether on a another repetitious drone as it’s menacing organ lines snake and move held fast within a turbulent cloud of dark reverberation accompanied by brilliantly executed guitar lines and shuffling percussive hits. This slow burning psychedelic beast stalks the outer limits of the subconscious as those swirling vocalisations of Garcino slowly pick their way through the many layers of the human psyche and burrow themselves where they can be instantly recognisable for future reference.
The albums penultimate track explodes in a torrent of thunderous drums and driving guitars. ‘Not Even Human’ shatters the slow burgeoning drag of the previous track by spewing forth a cacophony of fuzzy atmospheric instrumentation & jittering repetitious noise. Somewhere deep within the sonic maelstrom, however, Daniel Garcino vocals meticulously hold court and strenuously keep everything together magnificently. The albums final onslaught comes in the form of ‘World Sensation’, a swirling salacious beast riding a growling guitar progression and a sparse wave of percussion. The organ arrives on cue as the track explodes into a colourful array of reverberating frequencies orbiting another impressive vocal display, before we’re all swallowed up by glorious surf/psych sounds until the tracks finale! A belter of a track to finish off one hell of a sonic thrill ride.
ABOUT THE AUTHOR:
Del Chaney has spent the last four years not only fronting popular experimental Irish based electronic duo Analogue Wave but also dedicating his time to uncovering the best artists in the unsigned or small independent label based shoegaze, ethereal dream pop, post punk, post rock & modern psych rock from all over the globe & reviewing them for this blog - The Primal Music Blog. He is also a contributing writer for The Sound Of Confusion. His other arm - Primal Radio - has gained considerable respect from bands and promoters alike since its conception in 2013 & has helped him in actively promoting a genre of music that he is passionate about. Hailing from Dublin, Ireland, he is a keen Vinyl Collector, Tattoo Fan & all round good guy! He is a self confessed music freak & is never far away from a studio console or a turntable.
by Primal Music
ARTIST: Telstar Sound Drone
RELEASE: Magical Solutions To Everyday Struggles
RELEASE DATE: 18th March 2016
RECORD COMPANY: Bad Afro Records
Copenhagen-based droning psych-gazers Telstar Sound Drone are not here to create pop songs. They have no interest in writing chorus progressions or intermittent 'Love Me Do' soundscapes either. What they collectively create is a swirling maelstrom of golden psychedelic sound that wraps itself around your senses and takes you with it as it loops and arcs through sonic peaks and troughs with relative ease. They released their sophomore album 'Magical Solutions to Everyday Struggles' back on the 18th March 2016 via Bad Afro Records.
Magical Solutions To Everyday Struggles by Telstar Sound Drone
The album opens up with the pulsating 'Drugs Help' and we're treated to a droning swirl of controlled mayhem. Hypnotic vocal progressions weave their way through the wall of sound as that shuffling drum pattern embeds itself deep within your psyche. This is the jump-off point as we dive into the world of Telstar Sound Drone. Track two, 'Something I Can't Place', shatters the sound barriers and crawls into a dark, uncomfortable space, funnelling itself into into a continuous swirling drone that leads us into track three, the aptly-named 'Dark Kashmir'. 'Your Fingers Stir The Liquid Moon' uses its electronically-charged drum sequence to mechanically distribute that swirling reverb-drenched vocal that's swathed in those impressive synth swells, whilst track five, 'Closer Again', swims in some kind of psych-induced industrial soup, as we're treated to another stunningly hypnotic vocal track held within a sonic ball of intensely vivid sound waves. Up next, 'Strange Apples' explodes onto the sonic ether, spewing forth with it that charging drum pattern and a swirling vocal track. The droning, layered guitars add a brilliant punch to proceedings. 'Mad Seeds' is reminiscent of California-based The Warlocks with its noisy, reverberating guitar lines and its impressive call to arms-like lyrical content, whilst the immensely hypnotic opening salvos of 'Deep Spaces' unleash a monolithic track that fills the entire sonic spectrum with aplomb.
The album's closer, 'Lean Down On White', is simply stunning with its massive open spaces and reverb-induced sustained droning. The haunting vocal swims in delays and reverbs as it circumnavigates the the addictive guitar line. A brilliant ending to a brilliant album.
Fuzz Club Records mainstays and Berlin via Manchester based dark psych/post-punk outfit The Underground Youth have unleashed the first single entitled 'Alice' and it's gritty accompanying video from their highly anticipated eight studio album brilliantly titled 'What Kind Of Dystopian Hellhole Is This?'. The album is penned in for a February 15th launch date with various formats officially going up for pre-order this week via www.fuzzclub.com They have also announced a European tour to celebrate it's release starting in January and you can check out their full tour schedule by heading over to facebook.com/TheUndergroundYouth.
'Alice' surges with dark sullen energy as it's melodious fuzzy bass frequencies weave & bob in and out of those highly infectious lead guitar lines. Subdued metronomic percussion and hauntingly good synth swells add tons of atmosphere as Craig Dyer's vocalisations hold court, keeping you transfixed on his impressive gothic tone.
It's that time of the year again when us music bloggers dip into the heap of music submissions we've received just to try and compile some sort of 'Best Of' list. This year has been especially hard as there have been so many immense releases by some seriously good worldwide artists who are either self-releasing out of a bedroom or signed to small independent record labels, that I didn't want to leave any of them out. It's a tough decision trying to whittle them down to a list of just 5 or 10 so I went all out and decided to settle on 20 releases. These various albums & ep's by underground artists based all around the globe have been sent into the Primal Music blog and thus we have gone on to review them, so unfortunately there's nobody out side of our submissions inbox on the list this year I'm afraid. I've also decided not to ask the other writers or Dj's to give me their favourites as it took way too long so the following 20 releases are my choices alone. I've reviewed most of them, took them apart, fantasised about them, listened to them repeatedly and even today they still blow me away.
As I've already alluded to, we've been snowed under with submissions this year and as a result we've had to get very selective with our reviewing process and our best of 2016 year end list will reflect that fact. We don't review reformed bands or artists signed to major labels so you wont read about them here. This is all about the underground psych, shoegaze, ethereal dream-pop and post-punk scene's. As usual, I'd like to thank every one of you readers, writers, commentators, labels, artists and PR companies who have sent us music, liked & shared our reviews and generally supported us 110%. Without you guys & gals I would have given up months ago. I have some big plans for 2017 with some new developments happening right now behind the scenes. I'm very excited to bring them to you as 2017 progresses.
Del Chaney - Primal Music - December 2016
PRIMAL MUSIC's TOP 20 RELEASES OF 2016:
(in no particular order)
JuJu - JuJu (Sunrise Ocean Bender Records) - http://primalmusicblog.com/album-review/album-review-juju-juju-sunrise-ocean-bender-records/
My Invisible Friend - S/T (Fuzz Club Records) - http://primalmusicblog.com/music/ep-review-my-invisible-friend-st/
Stella Diana - Nitocris (Vipchoyo Sound Factory Records) - http://primalmusicblog.com/album-review/album-review-stella-diana-nitocris/
RevRevRev - Des Fleurs Magiques Bourdonnaient (Northern Light Records/Custom Made Records/Kinotone Records) - http://primalmusicblog.com/album-review/album-review-revrevrev-des-fleurs-magiques-bourdonnaient/
Muertos - EP 1 (Wrong Way Records) - http://primalmusicblog.com/ep-review/ep-review-muertos-ep-1-wrong-way-records/
Magic Shoppe - Interstellar Car Crash (Optical Sounds) - http://primalmusicblog.com/album-review/ep-review-magic-shoppe-interstellar-car-crash/
Dead Rabbits - Everything Is A Lie (Fuzz Club Records) - http://primalmusicblog.com/music/album-review-dead-rabbits-everything-is-a-lie-fuzz-club-records/
Is Bliss- Velvet Dreams (Club AC30) - http://primalmusicblog.com/ep-review/ep-review-bliss-velvet-dreams/
In Violet - Amber (Bottle Imp Productions) - http://primalmusicblog.com/album-review/album-review-violet-amber/
Ghost Box Orchestra - High Plaine (Evil Hoodoo Records) - http://primalmusicblog.com/album-review/album-review-ghost-box-orchestra-high-plaine/
Rancho Relaxo - White Light Fever (Wrong Way Records) - http://primalmusicblog.com/album-review/album-review-rancho-relaxo-white-line-fever/
LSD And The Search For God - Heaven Is A Place (Deep Space Recordings) - http://primalmusicblog.com/album-review/album-review-lsd-search-god-heaven-place/
Follow The Sea - Blue Joy (Häxrummet Records) - http://primalmusicblog.com/album-review/album-review-follow-sea-blue-joy/
Ulrika Spacek - The Album Paranoia (Tough Love/ LEFSE Records) - http://primalmusicblog.com/album-review/album-review-ulrika-spacek-album-paranoia/
LEAF - Nothing Seems Real (Unsigned) - http://primalmusicblog.com/ep-review/ep-review-leaf-nothing-seems-real/
Travelling Wave - Simoom (Unsigned) - http://primalmusicblog.com/ep-review/ep-review-travelling-wave-simoom/
Mumrunner - Gentle Slopes (Wolves And Vibrancy Records/Soliti Records) - http://primalmusicblog.com/album-review/ep-review-mumrunner-gentle-slopes/
Living Hour - Living Hour (LEFSE Records) - http://primalmusicblog.com/album-review/album-review-living-hour-living-hour/
The Cult Of Dom Keller - Goodbye To The Light (Fuzz Club Records) - http://primalmusicblog.com/album-review/album-review-cult-dom-keller-goodbye-light-fuzz-club-records/
Bolywool - Hymnals And Bombs (Novoton Records) - http://primalmusicblog.com/album-review/album-review-bolywool-hymnals-bombs/
ARTIST: Ulrika Spacek
RELEASE: The Album Paranoia
RELEASE DATE: 5th February 2016
RECORD COMPANY: Tough Love / Lefse Records
Formed in Berlin but now residing in London, Rhys Edwards and Rhys Williams aka ‘Ulrika Spacek’ began their tentative first steps in what would be a two year journey to finish their debut album entitled ‘The Album Paranoia’ back in 2014. Employing the help of three skilled musicians & friends they embarked on sonic journey that would reap them immense rewards. With a sound that swerves between alt-rock & krautrock whilst taking a trip through downright fuzzed up lo-fi brilliance, ‘Ulrika Spacek’ create hazy impressive soundscapes that are sonically worthy of your ears. ‘The Album Paranoia’ was officially released via ‘Tough Love Records (EU) & LEFSE Records (USA) back on the 5th February 2016.
The Album Paranoia by Ulrika Spacek
The album opens up with ‘I Don’t Know’, a fuzzy swirling triumphant track that loops & arcs through addictive reverberating guitars intertwined with glorious psych tinged effects and a steadying drum progression that holds that stunning vocal aloft like a king sitting atop a mountain of golden sound. Track two, ‘Porcelain’ oozes alt-rock splendour with whirling repetitive guitars and another impressive vocal performance. ‘Circa 1954’ lives in a beautiful shimmering experimental ambient world while ‘Strawberry Glue’ jangles & struts like a sonic peacock before opening up into a glorious fuzzy alternative masterpiece. Track five, ‘Beta Male’ stands up there with some of the great modern day psych tracks. Reminiscent at times of ‘Fuzz Club Records’ own ‘Throw Down Bones’ with its hypnotic swirling maelstrom of sound that builds into a fuzzy multifaceted sonic whirlwind. ‘Beta Male’ is probably my favourite track on this entire release. Very cool! Up next,‘NK’ is a slow but sludgy psych tinged monster with a lazy ‘Sub Pop’ styled effected vocal line and a very impressive break that builds & builds forever.
We’re back on a subtle alt-rock vibe with ‘Ultra-Vivid’. This track is full of melodic melancholy with beautifully intricate guitar lines, gorgeous synth swells and an effortlessly striped back vocal take. ‘She’s A Cult’ screams ‘Radiohead’ from its very first distorted chord structure while ‘There’s A Little Passing Cloud In You’ shakes the sonic ether with is psychedelic flavourings dripping with repetitive guitars, throbbing bass line & a brilliant drum progression that collectively leads us into a false sense of security before opening up & exploding into a massive cacophony of sound.
The albums closer ‘Airportism’ is reminiscent of latter day ‘Radiohead’ with its beautifully delicate vocal lines accompanied by that addictively melodic guitar progression and a lazy drum pattern. A perfect finale to an overall impressive debut album. Recommended listening for fans of MBV, Television, Pavement, Sonic Youth, Radiohead & Deerhunter.
ARTIST: Tales Of Murder And Dust
RELEASE: The Flow In Between
RELEASE DATE: 23rd March 2016
Formed in 2007, Danish psych-gazing five piece ‘Tales Of Murder And Dust’ create stunning soundscapes of immense proportions that continuously push the boundaries of our psychedelic awareness. Vocally sublime, they meld together a subtle brand of dark shoegaze with psych rock to create an impressive cacophony of sound that includes pounding drums, waves of droning and noisy guitars, violins, sitars and impressive organ swells. Their latest album ‘The Flow In Between’ got it's official release on the 23rd March 2016 via the brilliant London based Fuzz Club Records and is available right now on various from www.fuzzclub.com
The Flow In Between by Tales Of Murder And Dust
The opening track on this impressive release is ‘Tidal Waves’. Creeping, maleficent percussion and dark guitar swells entice the hauntingly brilliant violin to loop and arc throughout the sonic atmosphere as the introduction of intermittent drum hits adds intensity. When the vocal arrives it does so on a wave of beautiful noise thats reminiscent of some religious choir holed up in a cavernous church hall with its layers of impressive vocals dripping wet with stunning reverb. A deliciously sublime whirling drone, riding a hypnotically tempestuous shuffling drum pattern, heralds the arrival of track two ‘Black Reflections’ and with it comes that undeniably addictive floating vocal line, hauntingly swirling within a dark melodic sonic stew. ‘Black Reflections’ hits you right between the eyes, awakening something rather special. Track three ‘The Devil Is A Poet’ drags itself into the sonic ether on a wave of impressive guitars, soaring organ swells, sparse percussion and hypnotic tambourine hits. Reminiscent at times to ‘Spacemen 3’ or Sean Cook’s (Ex-Spiritualized) ‘Lupine Howl’ with its opiate induced vocal production, ‘The Devil Is A Poet’ is a shuffling slab of sonic darkness personified.
Up next, ‘Mirror’ sweeps into view and brings with it a certain feeling of unease as a dark, brooding cacophony of droning guitars, haunting vocal lines and steading drums collectively gives off a processional feeling. This is another impressive track, full of widescreen cinematic qualities and intense musical atmospherics. A throbbing bass line, hiding a subtle droning guitar leads us into track four, the explosive ‘Sisters’. As a swirling vocal progression intertwined within a melodic ball of noise greets the listener, this track unfolds into something magical with its melodic violins, pounding drums and delightful sonic peaks and troughs. Track five, ‘Distored Ways’ is nine minutes plus of mind inducing psychedelic brilliance. This track is a vivid maelstrom of droning guitars, haunting sitars & violins, hypnotic explosive drum patterns and that circumnavigate that impressive swirling vocal progression. A masterpiece of epic proportions and possibly my favourite track on this entire release.
Squalling feedback announces the arrival of the albums closing track ‘Endless Repetition’ as that dark hypnotic vocal progression grabs you, pulling you into a swirling whirlwind of golden orchestral instrumentation and beautifully constructed musical progressions. That swirling drone works its magic, stirring the entire sonic composition with aplomb, adding atmosphere and bringing up new psychedelic visions with each reverberating pass.
This entire collection of tracks is an edge of your seat, no holds barred, sonic journey of psychedelic discovery.
ARTIST: Twin Haus
RELEASE: Nothing Lavish
RELEASE DATE: 22nd March 2016
RECORD COMPANY: Bedlam Records (BDM010)
Brisbane based noisy, ambient psych rockers ‘Twin Haus’ have just released their sophomore EP entitled ‘Nothing Lavish’ (22 March 2016) via Bedlam Records. This release follows on from their successful debut EP, the sonically sublime 7 track ‘Waxen Myriad’ (2014) and see’s the band continue on with their sonic manifesto of not pigeon holing themselves into any one particular musical genre. With a sound that expertly skips through noisy, psych tinged highs but also has subtle atmospheric post-rock strands that are infused with stunning atmospheric ambient low points, ‘Twin Haus’ successfully produce wonderful sonic soundscapes that deserve to be listened to over and over again. ‘Nothing Lavish’ is available to buy/download right now from: twinhaus.bandcamp.com
Nothing Lavish by Twin Haus
The EP opens up with an addictively melodic guitar build, carefully cushioning that impressive vocal performance before collectively streaming into a gorgeous chorus break. Yes, I am hearing Radiohead here from the beginning but ‘Synthetic Egg’ morphs into something completely new sounding as we’re treated to a thrilling musical break that is full of golden hued sonic swirls and that brilliant saxophone line that both thrills and interest all at once. The track builds into a maelstrom of atmospheric instrumentation as it deftly works through its sonic gears with aplomb. Is it really strange that I’m hearing hints of Jeff Buckley swirling within those addictive vocal lines? Absolutely stunning. Coming in at nine minutes plus ‘Synthetic Egg’ is by far my favourite track on this entire release.
Track two ‘Self-Love’ is an extension of sorts to the opening track but it has its roots firmly stuck deep within a cacophony of swirling, droning guitar swells and explosive instrumentation. It drives a sonic trench through proceedings and expertly bookends that opening track. Wild but atmospheric percussive hits announce the arrival of track three ‘I Used To Think’ before that soaring vocal line becomes the focal point as reverberating guitar structures circumnavigate the entire track giving off a brilliantly vivid ambient hue as they swirl within the sonic whirlwind. Both the guitar and vocal tracks systematically loop and arc side by side, right across the sonic ether as the track meanders and dances expertly like some imaginary ballroom dancing couple. A brilliantly executed track.
The EP’s closing piece entitled ‘The Revue’ leans more towards noise rock as its driving opening patterns take shape before the veil falls away and we’re treated to a beautiful cacophony of addictive guitars, stunning vocal production, sparse percussion and intense atmosphere. ‘The Revue’ is a sonic journey all in itself as it’s eleven minutes plus of shimmering psychedelic brilliance envelopes the listener, lifts you up and carefully pulls you with it into its inner swirling cyclone. This is sonic heaven of immense proportions and it’s recommended that you listen to it via headphones just to experience its sheer sonic abandonment that it holds. It explodes from the break into a stalking sonic cheetah chasing down its prey. A stunning finale to an utterly brilliant EP.
ARTIST: Sons Of The Void
RELEASE: Sons Of The Void
RELEASE DATE: 4th March 2016
RECORD COMPANY: Sunrise Ocean Bender
Finding a true impressionistic collection of psychedelic tracks that are written in a traditionalist way, without computerised trickery or over hyphenated gadgets to control the music’s every move, in todays modern psych scene is a difficult thing to do. With so many different sub-genres attaching itself to the scene it sometimes becomes muggy, uninteresting and frankly bloody boring. So imagine my surprise when I opened up the debut self-titled album from Swiss based psych duo David Max and Nick Nobody aka ‘Sons Of The Void’ and was instantly blown away by its stunningly un-compromised collection of melodically sensible psychedelic treats that are stuck firmly within an experimental 60’s lo-fi swirl. Released via the incredibly trustworthy independent record label ‘Sunrise Ocean Bender’ on March 4th 2016 this stunning debut release will tip toe into your life, scoop you up and effectively bring you on an acid drenched rollercoaster ride of intense proportions.
Sons of the Void by Sons of the Void
The album opens up with the insanely experimental ‘Leichenblume’. The jittering opening sample track makes way for beautifully hypnotic guitar progressions that swirl like some invisible vortex around that melodic vocal line for what seems like an eternity until we’re led into the opening chord progressions of track two, ‘Don’t Forget To Pray’. It in turn, uses its soothing vocals coupled with those beautifully arranged guitar progressions to rock back and forth acting like some metaphorical sonic security blanket thats used to buffer against those tremulous and reverberating sonic frequencies that seem to loop and arc all over the musical ether. The vivid opening bars of ‘Kolliderscope’ swirl within that impressive spoken word vocal sample as it meanders on an explosive percussive pattern that leads us all into it’s soaring chorus progression and on into oblivion whilst the almost country tinged psychedelic sounds of ‘Absorption’ relaxes the senses and eases away the ill’s of a weary day by inviting you into its inner sanctum for a slice of sonic sustenance.
‘Hope I Don’t Miss’ swirls within a melodic late 60’s west coast vibe through its opening bars before crunching into sixth gear and deftly shifting up into a warm, fuzzy, hair standing on end wall of noise thats musically reminiscent of early ‘Spacemen 3’ as its vocal tracks just hang in suspended animation waiting to be explored. Golden edged sonic waves usher in the brilliant psych-pop tones of ‘The Things We Wish’ whilst ‘A Kick Like That’ has dub connotations mingling in amongst it’s swirling psych induced vocal takes and those expansive jangling guitar lines. ‘A Kick Like That’ is thoroughly enjoyable and possibly my favourite track on this entire release. The album closes with ‘Little Children’, an infectious track stuffed to the brim with impressively melodic vocal lines streaked with beautiful guitar flourishes that are collectively embossed deep within 60’s psychedelia.
There is a beautiful calmness surrounding every track on this release that’s intensely melancholic, brilliantly overpowering and deeply infectious. ‘Sons Of The Void’ expertly push the experimental sonic envelope but somehow manage to stay within the realms of the psych purist. If you have to listen to one album today, it should be this!
ARTIST: Jack Reid & The Black Whip
RELEASE DATE: 7th May 2016
RECORD COMPANY: Unsigned
Manchester based alternative psych-gazers ‘Jack Reid & The Black Whip’ released their latest three track EP entitled ‘Attica!’ back on the 7th May 2016. With a sound that traverses the very outer fringes of post-punk and gives a nod to wholesome ambient induced soundings whilst swerving through krautrock, electronica, rock n’ roll and driving alternative psych-gaze ‘Jack Reid & The Black Whip’ bring something interestingly different to the modern day musical table. ‘Attica!’ follows on from 2014’s ‘Congress Vampires’ and is available to buy/download right now from: www.jackreidandtheblackwhip.bandcamp.com
Attica! by Jack Reid & The Black Whip
The opening salvo’s of this three track EP swirl within a melee of screeching guitar squall, deep regressive reverb and that impressive repetitive guitar line. The vocal production on ‘Do You Love Life, Sweetheart?’ is fantastic and it add’s serious bloody weight to proceedings and I cant help but hear some subtly brilliant ‘Echo And The Bunnymen’ styled connotations streaming through their inner core (We’re big fans of ‘The Bunnymen’ here at Primal Music!). The track loops and arc’s throughout the sonic spectrum as a maelstrom of layered & fuzzy reverberating joy pummels this listeners audible senses all the way to the tracks finality! An absolutely stunning opening track. Bravo! The title track is an stunning psychedelic journey through swathes of golden hued synth swells and beautiful atmospheric piano stabs that seem to hang in suspended animation as a massive cyclonic whirlwind of huge reverb laden drones plough a sonic furrow through the musical ether. ‘Attica’ is blissful track and definitely worthy of a listen through headphones!
The EP’s closing piece entitled ‘Down By My Wings’ floats into earshot on a reverberating melodic guitar line that circumnavigates another impressive vocal performance. Glitchy fret noise glides throughout, as the track begins to build thus announcing its heavy percussive hits and a change of melody as it bursts into a charging chorus progression with aplomb. Coming in at fifteen minutes plus ‘Down By My Wings’ demands your attention as it meanders through its sonic gears and on into its immense explosive frequency bending finale! A fitting end to a rather interesting three track EP.
Manchester based psych aficionados 'W.H Lung' have unleashed a seriously infectious track in the guise of their debut single 'Inspiration', a blistering motorik slice of experimental modern day psych. The band released the track back on November 25th via their own label 'Hed Glo Inc'. The track is available via Apple Music, etc etc and as free download via the bands soundcloud page, although it is limited to the first 100 people!
'Inspiration' enters into earshot on a repetitious instrumental drone before the bass frequencies build and the motorik rhythms take hold. The percussion swirls as hypnotically undulating synth swells usher in those hard hitting vocals underscored by tremulous guitar squall and swathes of reverb to collectively meander through sonic peaks and troughs and on into the musical ether. This is a triumphant debut single from a band who we will definitely be watching going forward into 2017.