RELEASE: Existence Is Futile
RELEASE DATE: 16th June 2016
RECORD COMPANY: Unsigned
Nestled deep within the Irish Republic’s rugged northwestern periphery and held fast in a belief that sonic experimentation across many different musical genre’s is the only formula needed to express artistic freedom in todays overly diluted and increasingly crass home grown independent music scene, resides one of the best modern day experimental psych-gazing collectives to ever have graced this fair isle, led by the charismatic & multi-lingual Robert Mulhern and a rag tag bunch of instrumental geniuses. ‘Tuath’ mesmerised the musically saturated underground back in March 2015 with their intensely addictive & deeply experimental debut EP ‘An Taobh Tuath(Ail)’ closely followed by their immense spaced out single ‘Amhairc Thart Ort Fein’ in September of the same year. Now the band have returned with a blistering four track EP entitled ‘Existence Is Futile’, penned in for digital release on the 16th June 2016 and is absolutely jam packed full of experimental dreamscapes that skip from serine psych-rock to blissfully dreamy shoegaze and on into expressive jazz fusion coupled with swirling hypnotic progressive rhythms.
Existence is futile by Tuath
Tuath’s broad musical foundations are brought to fore on the EP’s self-titled opening track and we’re soon introduced to a swirling trip hop inspired percussive swagger thats inherently intertwined with massive swathes of reverb, purposefully unleashed to hold a protective sheen around those hazy vocal lines before the brilliantly hypnotic guitar progression takes hold and carries the entire track into its shimmering finality. A stunning opener! We’ve no time to take stock however as the glorious opening salvos of track two, ‘Who Do you Want Me To Be’ enters into audible range and introduces us to a swirling maelstrom of melodic guitars, brilliantly executed flurries of cascading Saxophone, steadying drum patterns and Mulhern’s instantly recognisable vocal. Possibly my favourite track on this entire release ‘Who Do You Want Me To Be’ is mesmerisingly good and worthy of a single release going forward! ‘Take Refuge’, the EP’s penultimate track screams into the sonic ether and unleashes reams of golden psychedelic ripples that pulsate into the musical atmosphere, all held fast to shimmering guitar progressions, pounding drums and another magnificent vocal display. Tuath’s creative wall of sound is exacerbated by flourishes of expressive saxophone swirls that seem to mimic the guitar progressions – like for like, building layer after layer of melodic sound waves until we’re left with one big immovable sonic force. Deliciously addictive, if you ask me, and a track that sends out a big bold statement of intent to the entire Irish psych-gazing fraternity!
Dark, creeping guitar squall coupled with a throbbing melodic bass line ushers in the EP’s closing piece, the menacingly good ‘Poll’. This track undulates like a venomous snake on the hunt, winding its way along a sandy psych induced wasteland as those tempestuous guitars build exponentially through its verse progressions and explode into the chorus parts thus unleashing a cacophony of smooth sax progressions, pounding drums and swirling reverb drenched guitars! There are subtle hints of 70’s progressive krautrock, late 80’s trash metal, space-rock and 90’s alt-rock circumnavigating the overriding psychedelic maelstrom as ‘Poll’ moves through its sonic gears with mesmerising aplomb. ‘Poll’ is sublime and a stunning bookend to a blistering EP from a band who continue to amaze!
Recommended Listening …….
ABOUT THE AUTHOR:
Del Chaney has spent the last four years not only fronting popular experimental Irish based electronic duo Analogue Wave but also dedicating his time to uncovering the best artists in the unsigned or small independent label based shoegaze, ethereal dream pop, post punk, post rock & modern psych rock from all over the globe & reviewing them for this blog - The Primal Music Blog. He is also a contributing writer for The Sound Of Confusion. His other arm - Primal Radio - has gained considerable respect from bands and promoters alike since its conception in 2013 & has helped him in actively promoting a genre of music that he is passionate about. Hailing from Dublin, Ireland, he is a keen Vinyl Collector, Tattoo Fan & all round good guy! He is a self confessed music freak & is never far away from a studio console or a turntable.
by Primal Music
Our good friends 'Tuath' have joined forces with 'Nartystation Films' to unleash a veritable feast for the eyes in the guise of their latest accompaniment to their absolutely immense single 'Who Do You Want Me To Be'. Lifted from the bands latest EP entitled 'Existence Is Futile', 'Who Do You Want Me To Be' takes us on a mind bending visual journey reminiscent to those over the top, but highly infectious, 'Primus' videos of old (albeit with a considerably better sonic accompaniment).
‘Tuath’ mesmerised the musically saturated underground back in March 2015 with their intensely addictive & deeply experimental debut EP ‘An Taobh Tuath(Ail)’ closely followed by their immense spaced out single ‘Amhairc Thart Ort Fein’ in September of the same year. This year the band returned with a blistering four track EP entitled ‘Existence Is Futile' and have again cemented their status as one of the best experimental psych/prog outfits around today.
'Existence Is Futile' is available to buy/download from tuath.bandcamp.com and you can also check out some fantastic outtakes from the track 'Who Do You Want Me To Be' right now via the band's soundcloud page: soundcloud.com/tuath
RELEASE: Nothing Stays The Same
RELEASE DATE: November 1st 2016
Melbourne based experimental/psych/alt rockers 'BREVE' have self-released a stunning collection of tracks in the form of their debut album, brilliantly titled 'Nothing Stays The Same'. Having wowed us back in July with their then lead single we were eagerly waiting to get our mucky paws on the full ensemble and it did not disappoint. Their impressive take on the modern psych genre is absolutely breathtaking, so much so that I've given the album a rating of 5/5 and thats a rare occurrence for me. The band are made up of Dougal Shaw, Toby Fitzgerald & Billy Dowle and 'Nothing Stays The Same' is available to buy/download right now from: breveband.bandcamp.com
Nothing Stays The Same by BREVE
‘Nothing Stays The Same’ opens up with ‘Konecrane’, a turbulent droning monster that wears its experimental heart on its sleeve. This track builds menacingly from its very first swirling tone until the addictively repetitive lead guitar lines crawl and intertwine effortlessly with steady percussion and throbbing bass frequencies, eventually leading us into an immense sampled filled break and on into its glorious finale! Up next, ‘Introverse’ woozily enters earshot on dark synth swells and sequenced percussion before opening up into an electronically charged psych behemoth. The vocal lines ride a heady mix of explosive reverberating instrumentation deliciously underscored by the the constant hum and throb of the unmissable bass line. ‘Cold Sweat On A Sunday’ enters the fray and immediately entices this listener whilst ‘Nothing Stays’ bursts into a cacophony of noise as its explosive drum patterns and the brilliantly executed guitar lines circumnavigate those immense vocal's, echoing ‘Queens Of The Stone Age’ with its instrumental intensity.
Sequenced percussion and sampled atmospheric’s announce the arrival of ‘Nothing Is Permanent’ as those repetitious guitars and the brilliantly executed (but highly infectious) vocal line permeates effortlessly through layers of reverb. ‘Nothing Is Permanent’ surges half way through into an angry sonic beast, unleashing a torrent of swirling noise until eventually fading out into obscurity. ‘Movement’ crawls into earshot on a menacing drone and a darkly ambient repetitious sample as its fragile vocal lines add atmosphere. The guitars swirl and glide in and out of a hi-hat heavy breakbeat before dragging the angry vocals back into the mix and on into a tremulous finale. There’s an air of movie soundcheck chic on the opening salvo’s of ‘Human’ as its haunting samples float underneath swirling feedback and jangling guitars before ‘Breve’ unleash a driving experimental onslaught onto their listeners. Wailing vocals and intricate bass lines meld effortlessly with explosive drum patterns and screaming wah-wah heavy guitar progressions to give us a progressive/psych rock behemoth. Up next, ‘Connected’ bounces on a bed of sequenced percussion, swirling synth drone and attention grabbing shakers. The vocals arrive as the instrumentation bubbles angrily beneath the surface and those lead guitar lines undulate effortlessly, constantly keeping time with the ever hypnotic shakers. There’s a subliminal message pulsing through every single note of ‘Connected’ that gives two fingers to the social media world of today and we all should pay very close attention to it’s infectious mantra.
The albums penultimate track entitled ‘Feel’ has loose ambient stylings swirling deep within its opening progressions. A beautifully translucent vocal pierces the ether and adds a subtle psychedelic edge to proceedings as swirling drones and malicious atmospherics move and swerve before the track explodes into a glorious cacophony of bass heavy noise and rumbling drum patterns. The albums closing piece staggers on a repetitious percussive sample as we journey through a world of psychedelic enchantment tipped with prog rock finery. ‘Elevate’ has an absolutely immense swagger about it as the metronomic thud of the percussion drags it’s vocal lines and melodious bass frequencies through layers of reverberation constantly assaulted by a swirling instrumental drone and screaming guitar squall. This is a stunning finale to a magnificent debut album.
ARTIST: Magic Shoppe
RELEASE DATE: October 26th 2016
RECORD COMPANY: Little Cloud Records
Hailing from Boston, Massachusetts, the fantastic ‘Magic Shoppe’ tweaked my attention back in February with their absolutely stunning four track EP interestingly titled ‘Interstellar Car Crash’. Now the band have returned with a glorious full length album via ‘Little Cloud Records’ aptly titled ‘Wonderland’ and filled with the same tantalising sonic soundscapes that had initially caught my ear earlier in the year. 'Magic Shoppe' collectively create a swirling cacophony of modern day psychedelia intriguingly peppered with sonic atmospherics, fuzz and droning instrumentation. 'Wonderland' had its official release on the 26th October 2016 and is available to buy/download right now on various formats including a luscious limited edition opaque red vinyl option from: magicshoppe.bandcamp.com
Wonderland by Magic Shoppe
‘Wonderland’ unfurls its warm & fuzzy tendrils from deep within the grip of a raging sonic maelstrom. ‘Stars Explode’ unleashes a blistering sonic assault on the senses as its swirling guitars ride a thunderous wave of throbbing bass frequencies and pounding drums and the stunning vocal lines instil a futuristic kind of atmosphere as they creep nonchalantly in and out of the turbulent whirlwind. Up next, ‘Head On The Floor’ staggers on a woozy but melodious bass line as its repetitious drum pattern holds a steady beat allowing those snaking lead lines to harry and tease the vocal progressions with ease. ‘Kill’ screeches into earshot on droning guitar feedback before the throb of the bass line takes hold and the entrancingly hypnotic beat meanders into the fray coupled with shakers and impressive reverberation. The sublime fuzzy vocals cut through the entire piece like a hot knife through butter before the chorus progressions soar into the ether dragging this listener with it as it deftly loops and arcs into the blood red skyline. ‘Kill’ is definitely my favourite track by far on the entire release and a recommendation from me!
‘Hearing Voices’ creeps into audible range on a tremulous drone underscored by a hi-hat heavy drum pattern and the constant hum of bass frequencies. The swirling guitars and impressive vocals sit effortlessly in the mix, knee deep in reverb and highly addictive. The delectable ‘Blowup’ arrives and undulates gracefully through swathes of 60’s sounding psych before the atmospheric ‘Sister Burden’ swerves into earshot courtesy of a barely audible vocal sample, driving bass line, pounding drums and dissonant white noise. The albums penultimate track entitled ‘Find Yourself Some Love’ shakes and shimmies through reverb induced backward drones, iridescent instrumentation and hazy vocal lines before the hypnotic lead guitar weaves a sonic web of fantastically hallucinogenic golden streaks throughout the track. The albums closing piece entitled ‘Wonderland’ slows proceedings down a tad as it jangles on a four chord fuzzy guitar structure and a splash of tambourine. The vocals arrive accompanied by sporadic percussive hits and swirling instrumental drones before the track fades into the ether. A stellar return to form and a fitting ending to a marvellous album.... Bravo Magic Shoppe!
Del Chaney has spent the last four years not only fronting popular experimental Irish Electronic duo Analogue Wave but also dedicating his time to uncovering the best artists in the unsigned or small independent label based shoegaze, ethereal dream pop, post punk, post rock & modern psych rock from all over the globe & reviewing them for this blog - The Primal Music Blog. He is also a contributing writer for The Sound Of Confusion. His other arm - Primal Radio - has gained considerable respect from bands and promoters alike since its conception in 2013 & has hepled him in actively promoting a genre of music that he is passionate about. Hailing from Dublin, Ireland, he is a keen Vinyl Collector, Tattoo Fan & all round good guy! He is a self confessed music freak & is never far away from a studio console or a turntable.
ARTIST: Rise Of The Echo Drone
RELEASE: Chemically Altered
RELEASE DATE: September 28th 2016
Glasgow based experimental psych outfit ‘Rise Of The Echo Drone’ is a collaborative musical project created by Laura O’Brien and Helicon’s own Gary Hughes that features hypnotically charged psychedelic soundscapes gloriously filled with swathes of sequenced electronics, dub laden bass frequencies, motorik percussive patterns and intensely addictive instrumentation that effortlessly swirl through the sonic ether with reckless abandon. Their latest full length nine track album entitled ‘Chemically Altered’ was released back on September 28th 2016 and is available to buy/download right now from: riseoftheechodrone.bandcamp.com
Chemically Altered by Rise of the Echo Drone
‘Getting Higher’ menacingly ambles into earshot on rumbling bass frequencies and a repetitious percussive pattern coupled with sampled vocalisations and underlying synth swells. It’s mantra like vocal lines are enticing and they meld effortlessly with the swirling bleeps and whirls of the instrumentation. Up next, ‘Skull Grinder’ crawls and shudders as it makes landfall, building in intensity as the drum patterns rumble and shake, all the while circumnavigated by droning frequential noise, snaking lead guitar lines and haunting sampled vocals. The eastern esoteric vibes of ‘Chemically Possessed’ float into the ether on a blissful wave of tabla drums and electronic theatrics whilst ‘Drone And E’ does exactly as it says on the tin.
‘Walks Without Sound’ hovers as it unleashes sparse percussion and a plethora of impressive sampled vocals that collectively swirl through swathes of reverberation while ‘Chemically Altered’ rattles as it’s burgeoning synth swells sit atop a repetitious breakbeat, building in intensity as it works through a collection of woozy sequenced patterns. Up next, ‘Dying Escape Death’ is steeped in atmospherics as its dark synth lines and pounding drums usher in it’s unsettling repetitious vocal mantra. The albums penultimate track is a modern day psych monster. ‘Is He Sleeping’ undulates and builds in intensity as it enters into audible range. It’s driving bass frequencies lead the charge as the almost hallucinogenic vocal line rides a wave of impressive reverb and is brilliantly intertwined with searing guitar squall and enchanting lead licks.
The albums closing piece entitled ‘Insane People With Insane Minds’ swirls around a sampled speech by the infamous Mr.John Lennon. Subtly building as it meanders through layers of deranged synth swells, cascading piano progressions and droning instrumentation, ‘Insane People With Insane Minds’ is a fitting end to a brilliantly experimental slice of modern day electronic psych.
Continuing on with their highly successful collection of split single releases see's the brilliant Fuzz Club Records return with their latest two track sonic assault on the cranium. Their forthcoming 'Split Single No.9' is officially released on November 24th and features 14 minutes plus of immense psychedelic explorations courtesy of brilliant London based 'The Oscillation' & Portugal's own experimental psych aficionados '10,000 Russos'.
Side A on this impressive release belongs to 'The Oscillation' who offer up a swirling sonic behemoth in the form of 'Almost See', a throbbing atmospheric bass driven beast that swerves menacingly between dark industrial percussive hallucinations, brackish tripped out noise and almost inaudible vocalisations whilst being continuously massaged by fuzzed out guitars, theatrical piano thrills and those senses pummelling synth swells. Side B see's the magnificent '10,000 Russos' bring a highly charged psych incantation to bare as the repetitious motorik percussive pattern of 'Ashkenasi' drives headlong into the musical ether, dragging with it a raging maelstrom of reverberating frequencies, throbbing bass lines, electronic frequential noise and raging cyclonic guitars to collectively create a sonic whirlwind that seems to envelope that addictively ritualistic vocal mantra courtesy of João Pimenta!
'Split Single No.9' is officially released on November 24th and is available to pre-order right now on
transparent blue vinyl from fuzzclub.com
ARTIST: The Valkarys
RELEASE: Since I Was Fifteen
RELEASE DATE: 28th October 2016
RECORD COMPANY: Wrong Way Records
Edinburgh based garage/psych five piece 'The Valkarys' have announced the release date for their forthcoming five track EP entitled 'Since I Was Fifteen'. It's penned in for release on October 28th 2016 via Wrong Way Records with both a digital pre-order and a very limited 10' orange vinyl pressing available via wrongwayrecords.bandcamp.com . Collectively, 'The Valkarys' have a very unique sound that skips nonchalantly through a beautifully melodic & endearing sixties psych vibe thats deliciously underscored by a distinctly modern approach.
Since I Was Fifteen by The Valkarys
The EP opens up with 'Grandma', a brilliantly executed slice of tremolo induced melancholy. 'Grandma' swirls blissfuly through cascading guitar lines that seem to perfectly filter out to envelope those incredible duel vocal lines courtesy of Scott William Dunlop and Sarah Ross. Up next, 'This Time's Today' floats into earshot on subtle acoustic vibrations coupled with the hum of bass frequencies, steadying drums and a jangling lead lick that snakes in and out of Scott William Dunlop's distinct vocal takes with aplomb. 'This Time'sToday' is wonderfully melodic and takes the listener with it on a beautiful journey of sonic discovery. The EP's title track ambles into earshot next. 'Since I Was Fifteen' begins with an acoustic guitar progression and a whirling drone before exploding into a cacophony of reverberating colour as the drums, bass and slide guitar soar into the ether. Vocally sublime, 'Since I Was Fifteen' is possibly my favourite track on the entire release. Simply beautiful.
The EP's penultimate piece, 'I Cheated Time', is a foot tapping 60's garage juggernaut. It rattles into the ether on a hi-hat heavy percussive pattern coupled with driving guitars and shaking tambourines, ploughing a heavy furrow as it deftly meanders on its predesignated course. A monumental track that will have you humming along to its hypnotic instrumentation. The EP closes out on a jangling acoustic strum and subtle synth swells. 'Crazy Shoes' introduces slide guitar to proceedings as Scott William Dunlop preaches the good word to the baying masses. Reminiscent at times to mid 90's Verve, The La's & Echo And The Bunnymen, 'Crazy Shoes' shakes and rattles into a glorious finale. A fitting end to a very satisfying EP.
Danish based experimental lo-fi aficionado Jacob Faurholt aka 'Crystal Shipsss' has been releasing lo-fi home recordings, 90's inspired indie rock and ambient drone metal under both his own name and his alias 'Crystal Shipsss' for almost 10 years. His latest album, under the 'Crystal Shipsss' moniker, entitled 'Holly' was released back in May 2016 and features bubblegum pop intertwined with dreamy lo-fi progressions, heavy psych and noisy instrumental outbursts. 'World' is the latest single & accompanying video to be lifted from the aforementioned album.
'World' ambles into the ether on a repetitious percussive pattern underscored by soaring layered synth swells, throbbing bass frequencies and Jacob Faurholt's dulcet tones. The message held within this track is perfectly clear; we're all doomed and 'Crystal Shipss' have been gifted with the mantle of chief naysayer - It's A Burning World!
crystalshipsss.bandcamp.com (vinyls & cassettes)
Elasticity by The Orange Kyte
Continuing on with their impressive musical manifesto of releasing one new track per month in varying sonic shapes & sizes are Canadian based psychedelic explorers 'The Orange Kyte' with their latest triumphant single 'Elasticity'. The band are made up of 'Vancouver based but Dublin born', Stevie Moonboots & a revolving door of likeminded musicians with players on this latest track listed as: guitars, bass and vocals by Stevie Moonboots, drums by Dave Mulvaney & organ and synth by Mat Durie.
'Elasticity' growls into the ether on a magical instrumental drone before exploding into a cacophony of golden frequencies, swirling in close proximity to that impressive vocal performance courtesy of Stevie Moonboots. The track soars through its chorus progressions with ease, pulsing out 60's sounding psychedelic vibes as it meanders into that stunning break filled with tambourine shakes, snaking lead licks and glorious synth swells.
'Elasticity' is available to buy/download right now from theorangekyte.bandcamp.com
mad honey by shalloboi
Chicago based psych/drone aficionados Shalloboi have self-released a new single entitled 'Mad Honey' via bandcamp. The single also includes b-sides ‘Quietly Smoldering’ and the title track for their forthcoming album ‘Self Perpetuating Machine Of Loss And Hopeless Yearning'. The aforementioned album will be released digitally in mid-December and physically as a double cassette in March of 2017. Shalloboi are no strangers to the underground scene with a plethora of releases already under their belts. Their sound skips gracefully through swathes of ambient & shoegaze stylings permeated with droning psych rock swirls and blissful ethereal vocal progressions.
'Mad Honey' is available to buy/download or name your price right now via shalloboi.bandcamp.com