Continuing on with their highly successful collection of split single releases see's the brilliant Fuzz Club Records return with their latest two track sonic assault on the cranium. Their forthcoming 'Split Single No.9' is officially released on November 24th and features 14 minutes plus of immense psychedelic explorations courtesy of brilliant London based 'The Oscillation' & Portugal's own experimental psych aficionados '10,000 Russos'.
Side A on this impressive release belongs to 'The Oscillation' who offer up a swirling sonic behemoth in the form of 'Almost See', a throbbing atmospheric bass driven beast that swerves menacingly between dark industrial percussive hallucinations, brackish tripped out noise and almost inaudible vocalisations whilst being continuously massaged by fuzzed out guitars, theatrical piano thrills and those senses pummelling synth swells. Side B see's the magnificent '10,000 Russos' bring a highly charged psych incantation to bare as the repetitious motorik percussive pattern of 'Ashkenasi' drives headlong into the musical ether, dragging with it a raging maelstrom of reverberating frequencies, throbbing bass lines, electronic frequential noise and raging cyclonic guitars to collectively create a sonic whirlwind that seems to envelope that addictively ritualistic vocal mantra courtesy of João Pimenta!
'Split Single No.9' is officially released on November 24th and is available to pre-order right now on
transparent blue vinyl from fuzzclub.com
by Primal Music
ARTIST: The Valkarys
RELEASE: Since I Was Fifteen
RELEASE DATE: 28th October 2016
RECORD COMPANY: Wrong Way Records
Edinburgh based garage/psych five piece 'The Valkarys' have announced the release date for their forthcoming five track EP entitled 'Since I Was Fifteen'. It's penned in for release on October 28th 2016 via Wrong Way Records with both a digital pre-order and a very limited 10' orange vinyl pressing available via wrongwayrecords.bandcamp.com . Collectively, 'The Valkarys' have a very unique sound that skips nonchalantly through a beautifully melodic & endearing sixties psych vibe thats deliciously underscored by a distinctly modern approach.
Since I Was Fifteen by The Valkarys
The EP opens up with 'Grandma', a brilliantly executed slice of tremolo induced melancholy. 'Grandma' swirls blissfuly through cascading guitar lines that seem to perfectly filter out to envelope those incredible duel vocal lines courtesy of Scott William Dunlop and Sarah Ross. Up next, 'This Time's Today' floats into earshot on subtle acoustic vibrations coupled with the hum of bass frequencies, steadying drums and a jangling lead lick that snakes in and out of Scott William Dunlop's distinct vocal takes with aplomb. 'This Time'sToday' is wonderfully melodic and takes the listener with it on a beautiful journey of sonic discovery. The EP's title track ambles into earshot next. 'Since I Was Fifteen' begins with an acoustic guitar progression and a whirling drone before exploding into a cacophony of reverberating colour as the drums, bass and slide guitar soar into the ether. Vocally sublime, 'Since I Was Fifteen' is possibly my favourite track on the entire release. Simply beautiful.
The EP's penultimate piece, 'I Cheated Time', is a foot tapping 60's garage juggernaut. It rattles into the ether on a hi-hat heavy percussive pattern coupled with driving guitars and shaking tambourines, ploughing a heavy furrow as it deftly meanders on its predesignated course. A monumental track that will have you humming along to its hypnotic instrumentation. The EP closes out on a jangling acoustic strum and subtle synth swells. 'Crazy Shoes' introduces slide guitar to proceedings as Scott William Dunlop preaches the good word to the baying masses. Reminiscent at times to mid 90's Verve, The La's & Echo And The Bunnymen, 'Crazy Shoes' shakes and rattles into a glorious finale. A fitting end to a very satisfying EP.
ABOUT THE AUTHOR:
Del Chaney has spent the last four years not only fronting popular experimental Irish Electronic duo Analogue Wave but also dedicating his time to uncovering the best artists in the unsigned or small independent label based shoegaze, ethereal dream pop, post punk, post rock & modern psych rock from all over the globe & reviewing them for this blog - The Primal Music Blog. He is also a contributing writer for The Sound Of Confusion. His other arm - Primal Radio - has gained considerable respect from bands and promoters alike since its conception in 2013 & has hepled him in actively promoting a genre of music that he is passionate about. Hailing from Dublin, Ireland, he is a keen Vinyl Collector, Tattoo Fan & all round good guy! He is a self confessed music freak & is never far away from a studio console or a turntable.
Danish based experimental lo-fi aficionado Jacob Faurholt aka 'Crystal Shipsss' has been releasing lo-fi home recordings, 90's inspired indie rock and ambient drone metal under both his own name and his alias 'Crystal Shipsss' for almost 10 years. His latest album, under the 'Crystal Shipsss' moniker, entitled 'Holly' was released back in May 2016 and features bubblegum pop intertwined with dreamy lo-fi progressions, heavy psych and noisy instrumental outbursts. 'World' is the latest single & accompanying video to be lifted from the aforementioned album.
'World' ambles into the ether on a repetitious percussive pattern underscored by soaring layered synth swells, throbbing bass frequencies and Jacob Faurholt's dulcet tones. The message held within this track is perfectly clear; we're all doomed and 'Crystal Shipss' have been gifted with the mantle of chief naysayer - It's A Burning World!
crystalshipsss.bandcamp.com (vinyls & cassettes)
Elasticity by The Orange Kyte
Continuing on with their impressive musical manifesto of releasing one new track per month in varying sonic shapes & sizes are Canadian based psychedelic explorers 'The Orange Kyte' with their latest triumphant single 'Elasticity'. The band are made up of 'Vancouver based but Dublin born', Stevie Moonboots & a revolving door of likeminded musicians with players on this latest track listed as: guitars, bass and vocals by Stevie Moonboots, drums by Dave Mulvaney & organ and synth by Mat Durie.
'Elasticity' growls into the ether on a magical instrumental drone before exploding into a cacophony of golden frequencies, swirling in close proximity to that impressive vocal performance courtesy of Stevie Moonboots. The track soars through its chorus progressions with ease, pulsing out 60's sounding psychedelic vibes as it meanders into that stunning break filled with tambourine shakes, snaking lead licks and glorious synth swells.
'Elasticity' is available to buy/download right now from theorangekyte.bandcamp.com
mad honey by shalloboi
Chicago based psych/drone aficionados Shalloboi have self-released a new single entitled 'Mad Honey' via bandcamp. The single also includes b-sides ‘Quietly Smoldering’ and the title track for their forthcoming album ‘Self Perpetuating Machine Of Loss And Hopeless Yearning'. The aforementioned album will be released digitally in mid-December and physically as a double cassette in March of 2017. Shalloboi are no strangers to the underground scene with a plethora of releases already under their belts. Their sound skips gracefully through swathes of ambient & shoegaze stylings permeated with droning psych rock swirls and blissful ethereal vocal progressions.
'Mad Honey' is available to buy/download or name your price right now via shalloboi.bandcamp.com
ARTIST: Travelling Wave
RELEASE DATE: 28th August 2016
RECORD COMPANY: Unsigned
Following on from their blistering 2013 full length release 'T-Wave' and their impressive collection of singles since that debut release including Adidas Shoestrings (April. 2014), Tradition and Evolution (May.2014) and A Cloud of Madness (Nov.2014), comes the latest immense assault on the senses from stunning Brazil based psych/gaze outfit Travelling Wave. The Simoom EP is a sonically sublime collection of four tracks that swirl gracefully within a hazy reverberating cloud of layered frequencies, soaring instrumentation and gloriously addictive vocal progressions. For those of you who are unfamiliar with Travelling Wave, the band are made up of Carol Alleoni - vocal/synth, Thiago Altafini - guitar/backvocal, Nathalia Oliveira - drums & Vitor Galvão -bass/synth and this latest EP is available to buy/download right now from travellingwave.bandcamp.com
Simoom by Travelling WaveSimoom opens up, squeezed within a swirling drone before Travelling Wave unleash their full instrumental might in the form of a massive wall of reverberating noise, coupled with pounding drums & soaring synth swells that impressively envelopes that addictive vocal will ease. 'In A Dream' undulates as it loops and arc's high into the ether, eventually soaring into its chorus progressions, blissfully spraying beautifully iridescent layered frequencies like sonic raindrops onto their listeners ears. A stunning opening salvo! Up next, 'Lotus' shimmies into earshot on glorious synth swells and throbbing bass frequencies before its metronomic percussive attack takes hold and the track sways into action with the addition of a melodious dark bass line. The guitars wail and intertwine with the instrumentation as the creeping vocal arrives, held fast within a pulsating sonic pulse. 'Lotus' meanders maliciously as it works through its gears, building tempestuously into a whirlwind of intense noise that crashes to finality like storm driven waves breaking on a perilous beach.
Dark swirling organ swells coupled with throbbing bass frequencies announce the arrival of 'Wind May', the EP's penultimate track, before we're swept up and dragged into the abyss by pounding drums and the arrival of droning guitars and reverb induced vocal progressions. Travelling Wave can instil stunningly dark atmosphere at will, dragging their listeners with them on a reverb filled thrill ride that breaks through layers of tremulous frequencies and soars into the ether. Vocaly sublime, 'Wind May' is a delicious slice of modern psych/gaze and my favourite track on this entire release. The EP's closing piece is a thing of beauty. 'The Unseen' launches into a maelstrom of instrumentation, with its pounding drums, cascading sweeps of monumental organ and synth swells, driving bass lines & droning guitars. Its explodes into its chorus progressions, ramping up the overdrive and pulsing immense reverberating instrumentation into the sonic ether. A blissful ending to a magnificent EP.
Simoom is available to buy/download right now from travellingwave.bandcamp.com
ARTIST: Stupid Cosmonaut
RELEASE: Astral Transmissions
RELEASE DATE: 30 September 2016
Hot on the heels of May's staggering debut release, the blistering 'Abstract Concepts' by UK based experimental psych outfit 'Stupid Cosmonaut', comes another impressive trip into the sonic unknown. 'Astral Transmissions' is a dark thrill ride into the sonic subconscious of a band who have no off switch when it comes to experimenting with frequency bending and sound manipulation to collectively create astonishing soundscapes that will both test your psyche and immerse you head long into a sonic world where you will experience something very few artists in this genre can do. The band are made up of Sam Read, Steven McNamara, Andy Hunt and Matthew Hattersley who collectively experiment with electronic, ambient and psychedelic sounds to stunning effect. 'Astral Transmissions' is available to buy/download digitally right now from stupidcosmonaut.bandcamp.com with pre-orders available for the limited edition cassette version, penned in for release on the 30th September available too.
Astral Transmissions by Stupid Cosmonaut
With an air of trepidation we push off into the unknown and float on a dark sea of swirling fuzzy drones and sequenced electronics coupled with hazy sampled vocalisations & pulsing tones as 'AT1: Fermium' builds momentum and unleashes a monolithic assault on the senses. It builds in intensity as layer after layer of repetitious instrumentation is added to the sonic whirlwind, each corner turned on this massive track introducing the listener to some new glitch, whirr or bleep, and all the while accompanied by that immense vocal sample that seems to hang in sonic suspension just out of earshot. 'AT1: Fermium' is ten minutes plus of musical schooling by one of the most interesting bands on the underground scene today. Up next, 'AT2: Ununtrium' drags itself into the open with a whirling drone and another vocal sample, barely audible under the pulsating drone and its accompanying fuzz. Without doing very much 'Stupid Cosmonaut' instrumentally instil intensity into the piece before unleashing a screaming sonic blast reminiscent to the soundtracks of some of the best science fiction movies of my youth. 'AT2: Ununtrium' is deeply cinematic and incredibly experimental as it deftly brings its listeners on a mind expanding sonic exercise.
'AT3: Hassium' is a testing beast. Coming in at sixteen minutes plus, this is possibly my favourite track on the entire release. It pulses and ripples astonishing sounds into the reverberating ether as it builds in intensity and drags you with it on a fast paced cloud of analogue instrumentation, sparse percussion and experimental abandonment. A triumph of monumental proportions and a recommendation from me. You simply must listen to this track via headphones to experience the whole sonic spectrum for yourselves. The albums penultimate track 'AT4: Curium' conjures up images of the magnificent space race between the US and USSR. The sampled countdown runs cautiously as the track builds and those impressive synth swells force magnificent atmosphere into the piece before we're once again treated to a beautifully constructed slice of ambient psychedelia. The shortest track on the album coming in at four minutes plus, 'AT4: Curium' is a welcome reprise with its serine instrumentation, whirring bleeps and calming atmospheric effects.
The albums closing piece, the brilliantly atmospheric 'AT5: Dubnium', crawls into earshot on a droning dub synth line thats drenched in glorious reverb. Sampled vocalisations again accompany the piece and cascading piano lines add to the intensity before the sequenced percussion enters the fray (which I have to say 've missed immensely on the previous tracks) and the pace quickens. 'Stupid Cosmonaut' unleash their psych/dub leanings as swirling drones & break beat percussion take over and gently massage the senses before we're lured into a false disease of serine security. 'AT5: Dubnium' has a wonderful sting in its tail as the instrumentation merges into one big swirling sonic maelstrom, leading us into its tremulous finale. A wonderful ending to a magnificent album.
ARTIST: The Intelligence Service
RELEASE: Maladies EP
RELEASE DATE: 02/01/16
RECORD COMPANY: Wiener Records
Hailing from Vancouver, Canada ‘The Intelligence Service’ collectively creates stunning psych induced garage rock, peppered with droning guitars & melodic organ swells that are tinged with subtle shoegazing flourishes. The band are made up of Alex. P - Vocals & Guitars, Heather Campbell - Vocals, Organ & Analog Synth, Sam Daoust - Bass & Backing Vocals & Dror Zur - Drums and their latest four track EP entitled ‘Maladies’ is getting the cassette treatment via independent label ‘Weiner Records (A Burger Records Subsidiary)’.
Maladies EP by The Intelligence Service
The EP opens up with the monolithic ‘Distraction (Here Comes Dror)’ & with a running time of fourteen minutes plus its recommended that you strap yourselves in and make yourselves comfortable. This track is insatiable! Opening with a swirling droning synth that reverberates on its own sonic axis before being joined by shuffling percussion, melodic organ swells, throbbing bass lines & a warm fuzzy guitar progression. It builds & builds into a cacophony of stunning noise that swirls around some impressive spoken word as it meanders through musical peaks and troughs increasing in intensity around it’s raging sonic maelstrom. An absolutely stunning fourteen minutes of sublime sonic sounds. Up next, ‘Driving To My Sun’ does exactly as it says on the tin! Hypnotic organ swells compliment the driving guitars and that steadying drum pattern as duel vocal lines help lift the chorus changes out of a monotonous vocal trench that had been ploughed during the verses. Another solid track from as band who are starting to grow on me.
Track three is explosive! ‘School Me’ pulses on it’s foundation of throbbing melodic bass frequencies, addictive drum hits and driving fuzzed up repetitive guitars. The duel boy/girl vocal attack adds impressive atmosphere. The closing track ‘Can’t Believe’ leans more into garage rock territory than the previous three tracks whilst keeping a tentative finger firmly within a psych rock mould by subtly layering melodic organ swells underneath that pounding instrumentation.
'You Own Your Bones' is the first track to be lifted from the forthcoming album by Ontario based experimental heavy psych/drone aficionados 'WTCHS'. The album entitled, 'She Walks, She Creeps', is penned in for release on October 28th 2016 via Sonic Unyon Records. The album is available to pre-order from sonicunyon.com
'You Own Your Bones' is a repetitious beast that swirls brilliantly within a dark & oppressive haze. It lays itself out for all to hear as it deftly meanders through mantra like vocals, circumnavigated by thunderous drums, throbbing bass frequencies screeching guitar squall and droning reverberations before the magnificent introduction of soaring brass section builds into a maelstrom of immense noise. But thats not all, the track gives way to a glorious spell of droning instrumental serenity as it swirls into the ether and on into the tracks finale. Utterly addictive and recommended by us lot here at Primal Music.
... acceptance, acceptance of yourself and others amongst the chaos of the universe.
you answer to no one but yourself ...
ARTIST: E Gone
RELEASE: Advice To Hill Walkers
RELEASE DATE: September 30th 2016
RECORD COMPANY: Sunrise Ocean Bender/Deep Water Acres
'Advice to Hill Walkers' is the second immense full-length album by Swedish based experimental psych aficionado 'E Gone' aka Daniel Westerlund. 'E Gone' melds together various musical stylings including electronica, psych, post rock, oriental, dub, raga, ambient and folk to create a stunning cacophony of mesmerising soundscapes. 'Advice To Hill Walkers' appeared briefly on cassette back in 2015 via the brilliant Zeon Lights label but its instrumental soundscapes sent ripples throughout the sonic ether, instantly captivating & permeating deeply into the psyche of the few listeners who had the pleasure of hearing it. Now the album gets a fitting rebirth and an expanded CD reissue on September 30th via the brilliant Virginia based 'Sunrise Ocean Bender' & 'Deep Water Acres' respectively.
The albums opening track, ’Mark The Spot Where You Leave The Injured’ fizzes into existence on a giddying droning swirl and a captivating intricate chord progression. A sparse percussive whirl adds atmosphere as the track builds into a menacing droning monolith, weaving stunning hallucinogenic visions draped in swathes of beautifully golden resonating frequencies. The eastern flavoured ‘Your Goal Is To Know Everything And Say Nothing’ arrives and instantly tickles the senses as its hypnotic instrumentation snakes and whirls through the sonic ether with relative ease, all the while captivating this listener with its tempestuous musical peaks and troughs. Up next, ‘Follow Moonmilk Rivers’ explodes into ear shot on a wave of glorious instrumentation, filling the mind with wondrous throbbing bass frequencies, tribal percussive attacks, swirling sitar progressions and entrancing musical patterns that collectively hypnotise as they pulse a chittering cloud of reverberation out into the burgeoning sound sphere. ‘Follow Moonmilk Rivers’ is a beautifully constructed piece of music that completely mesmerises as it meanders through its pre-designated course with stunning aplomb.
Menacing synth swells coupled with a hypnotic guitar line announces the arrival of ‘Build Your Camp Out Of Alpine Moss’. A thunderous drum pattern & a dark organ progression enters the fray as the atmosphere swirls and steadily builds, adding an air of film soundtrack experimentation to proceedings. This for me, is spaghetti western style experimental psychedelia, brilliantly thought out and expertly constructed for our modern age, presented to us to digest and try to make sense of. In lay-mans terms: This is music!
Up next, ‘Dwell In Tents By Day, Hike At Random By Night’ offers up an off kilter guitar progression coupled with sequenced bleeps and a cacophony of cascading musical tones. There’s a subtle psych/dub/raga feel to this track that will have you hooked so fast that you will eventually totally succumb to its addictive swagger and find yourself swaying to its immensely hypnotic metronomic swing. The album swerves into a more polished dub/electronica feel as ‘Fast Before Stalker Season’ cranks up and shutters into existence on a bedrock of sequenced percussive hits and programmed synth lines before ‘You Don’t Know It Yet But We Are Losing You’ rustles up more esoteric flair and injects some brilliant eastern edged vibes into proceedings.
The sampled pitter patter of falling rain and a rumbling of thunder graces the ears before ‘Find New Methods For Compass Use’ introduces a swirling ambient drone that completely cuts through the soundscape, gathering momentum as it builds in intensity, all the while helping to focus the mind and calm the senses. Menacing percussive swells and shaking tambourines usher in ‘Bring Ice Axe And Rope’ before dark & oppressive synth swells bubble up from the outer reaches, purposefully deployed to scare and enthral all at once. The track shuffles and dances, loops and arcs through layers of immense instrumentation that includes banjo, guitars, synths and sequenced progressions of varying degrees that build and swirl to stunning effect making ‘Bring Ice Axe And Rope’ my favourite track on this entire release. Swirling banjo progressions coupled with glorious sitar and hauntingly good synth lines brings the albums lead single, the brilliantly named ‘Record The Humming Of Melodious Caves’ into earshot before skittish ‘tabla’ hits and the rumbling ‘dugga’ bass drum noises swirl into action. This is another addictive piece of music guaranteed to have you swaying with its snaking & motorik percussive movements.
The albums penultimate track entitled ‘Continue Ascent While Blindfolded’ reverberates on a jangling guitar strum before organ stabs, light clavichord progressions underscored with sampled whirls & bleeps reminiscent to that of a dastardly ‘horror film’ merry-go-round scarily crawls into play! My recommendation is to listen to this track via headphones to experience what I mean ..... thoroughly dark & enjoyable! The albums closing piece is a ten minute plus thrill ride through electronica, oriental, folk, ambient, tribal and eastern musical themes that swirl and pulse swathes of beautifully hypnotic frequencies into the sonic atmosphere. ‘Reach The Summit, Egg’ is a mesmerising finale to another wonderful collection of tracks created from the mind of Daniel Westerlund, a man who has mastered a plethora of musical stylings to produce something not only quite eclectic & different but immensely compelling too. Bravo!
'Advice To Hill Walkers' gets its full release on September 30th and is available to pre-order right now via Sunrise Ocean Bender & Deep Water Acres.