ARTIST: The Citradels
RELEASE: God Bless
RELEASE DATE: 8th January 2018
RECORD COMPANY: Self-Released
Australian based experimental sound manipulators 'The Citradels' independently released their eight studio album brilliantly titled 'God Bless' back at the beginning of January 2018. Formed back in 2010 'The Citradels' traditionally created engagingly dynamic soundscapes filled with repetitive drones, fuzz and intense melody deftly underpinned with a subtle undercurrent of shoegaze but on this latest album the five piece have channelled the sonic mindset of both Brian Wilson and The Byrds with an added touch of west coast coolness for good measure whilst exploring themes of influence, religion and morality through characters from a small town gradually falling out of touch with its surrounds. 'God Bless' is a stunning listen and it directly showcases the metamorphosis of a band who are not afraid to experiment with music genres or atypical sounds. The album was officially released back on January 8th 2018 and is available to buy/download right now on various formats via thecitradels.bandcamp.com
God Bless by The Citradels
Exploding with a kaleidoscope of sound, the opening bars of 'Hill Out Of Town' are filled with blissed out psychedelic sounds as we take a sonic thrill ride through swirling guitars, bouncing percussion, throbbing bass frequencies and the twinkling whirl of hypnotic keys all lovingly enveloping brilliant layers of vocal. It's a blistering opening salvo indeed and it leads us into the heavenly sounds of track two, 'Holy Ghost', a deeply spiritual affair that floats atop of quivering church organ and repetitive tap dancing keyboard skills that deliciously circumnavigate those ethereally layered eerie vocalisations. It's a short lived piece ideally destined for the stage and imprinted with semi-gothic gregorian flair. Up next, 'God Bless' swims in summery vibes as driving percussion and repetitive organ lines hold court and spoken word is the order of the day whilst 'Believe And Receive' meanders gloriously through golden tinged sound waves and woozy production. Immense vocal lines meander in and out of catchy hook laden guitars, subtle synth swells and off beat drums and float effortlessly through the sonic ether and out into the cosmos.'Believe And Receive' is a triumphant track and definitely a highlight on the album for me.
'Roman Holiday' rattles skittishly as it spirals through incantational instrumentation. Rumbling percussion keeps an almost metronomic time as cascading bass lines undulate beneath swirling lines of organ and the pull of acoustic guitar. There's a slight prog-rock feel to those vocal tracks as they merge and arc into a singular sonic murmuration leading us to the tracks finale and on into 'GRC', a pulsing sonic behemoth tumbling through catchy hook laden guitar progressions, jangling percussion and the repetitive synth rumbling beneath the mix like a sugar rush. The opening salvo's of 'Post-war preschool' scream experimental krautrock with it's repetitive drum patterns, throbbing bass lines and a highly addictive synth line that swirls just under the mix allowing stabs of guitar and sequenced swells of instrumentation to wash over the listener. Off kilter percussive hits drag this track to another dimension though, as we lurch forward all of a sudden and dive headlong into a pool of cascading sonic delight filled with catchy hook laden progressions and colourful instrumentation all wrapped around that immense vocal performance. 'Post-war preschool' is THAT track! The one that appears on every great album, catching you off guard before dragging you with it on a journey of sonic discovery. It's a masterstroke and one that I will come back to again and again.
The mighty 'St.David' injects one minute plus of highly melodic, fast paced instrumentation into the psyche. Charging drums strapped to the meandering jangle of guitar and driving bass catapults those airy 'Byrds' like vocal tones into audible range as a delicious brass section tweaks this listeners attention followed by the rush of acoustic vibrations whilst 'Pictures Of Uncle Arthur' rattles and creaks on a jittering percussive bedrock as it's luscious layers of acoustic frequencies and the twang of resonating lead guitar swirl & float atop hovering bass lines and cascading organ swells. This track gets progressively hypnotic the further you get into it and I must admit, you do get carried away with it's incantational sounds. Ohh, and watch out for the brass section towards the end. It'll seriously blow your mind. 'Holy Water' takes a brief sojourn through agitating vocal harmonies and deep resonating gregorian chants as the ghost of 'Beach Boys' past and present arrives to float ethereally above layers of reverberation whilst the wavy opening bars of 'Milk And Honey' tickle the senses with it's swirling lines of synth and catchy guitar progressions. Meandering bass lines dip in and out of those steady drum patterns as another impressive vocal performance circulates through layers of shimmering reverb.
The albums penultimate piece entitled 'Sunday Best' appears with an addictive 60's psych swagger attached. It's synth lines skip and dance along with those pounding drums and bounce of bass frequencies as the whirl of wurlitzing sound-waves stick to those glorious vocal harmonies like glue. The occasional twang of heavy guitars add weight and atmosphere as we're swept along in a magical sonic haze before the albums closing piece unfurls and washes us all in it's wonderfully translucent light. 'Dawn Chorus' shimmers and floats atop a swirling cacophony of golden tinged sound waves, filled to the brim with stunning five part vocal harmonies, jangling guitar progressions and subtle percussion. Cascading bass lines hum and dance alongside melodic orchestral arrangements adding instant warmth to the ethereal ambience. It's a fantastic ending to a mammoth album, filled to the brim with sounds for everybody to enjoy.
ABOUT THE AUTHOR:
Del Chaney has spent the last five years dedicating his time to uncovering the best artists in the unsigned or small independent label based shoegaze, ethereal dream pop, post punk & modern psych rock from all over the globe & reviewing them for this blog - The Primal Music Blog. He is also a contributing writer for The Sound Of Confusion (Now On Hiatus). His other arm - Primal Radio - has gained considerable respect from bands and promoters alike since its conception in 2013 & has helped him in actively promoting a genre of music that he is passionate about. Hailing from Dublin, Ireland, he is a keen Vinyl Collector, Tattoo Fan & all round good guy! He is a self confessed music freak & is never far away from a studio console or a turntable.
by Primal Music
ARTIST: syrup, go on
RELEASE: Joyful Hesitation
RELEASE DATE: January 1st 2018
A spoonful of sugar helps the shoegaze go down - that's the recipe for the success of syrup, go on's latest treat. 'Joyful Hesitation' is the Australian band's newest release. The four track EP has lots of sweet notes, that's for sure. There's some crunch too and plenty of fizzy energy so it's pretty satisfying all round. At the time of recording (2017) the band consisted of Kris Briese, Tom Briese, Liz Dick & Ken Kimura. 'Joyful Hesitation' was released back on January 1st 2018 and is available to buy/download right now via syrupgoon.bandcamp.com and the band have a couple of live dates coming up this weekend around the Gold Coast. Go check them out if you get the chance.
Joyful Hesitation EP by syrup, go on
'Mantaray' bounces open with bass, and barrels along brilliantly. The textures of phased guitars add just a hint of haze, intensifying the track's rolling melodies. Titular track 'Joyful Hesitation' packs a powerful chorus on the scale of, say, Mitski's Your Best American Girl. The verses are sad and spacious, but it's the howling guitars that almost make your heart burst.
There's a change of vocalist on 'Adore' which feels like it's on a trampoline. It's so spirited, shambly and superfun - a really strong song. Closing the EP is 'Waco', a cover of the Violent Soho song, which 'syrup, go on' have succesfully shoegazeified, bringing all their textures to the table. The effect on the chorus is especially impressive. 'Joyful Hesitation' is out right now via the bands Bandcamp page - syrupgoon.bandcamp.com
ABOUT THE AUTHOR:
In her time, Sarah Cuthbert-Kerr has attended raves and rock clubs. She enjoys pedals, pizza and spy dramas. Sarah also plays guitar in Edinburgh-based noisemakers Wozniak and is co-founder of Morningside Young Team who put on gigs and put out records for discerning audiences who enjoy fuzz and confusion.
Gut Splinter by Nova Flares
Kentuckian Jason Wagers aka 'Nova Flares' creates blissed out sonic soundscapes filled with shoegaze, jangling pop and surf rock all deliciously layered with a swirling underbelly of psychedelic incantations that he has dutifully named 'Surf-Gaze'. It's a whole new music genre to us and without injecting like for like band names here (as some have done) it sounds very interesting indeed. His debut single 'Gut Splinter' has it's official launch on March 9th 2018 and it is available to buy/download right now via novaflares.bandcamp.com with a full compendium of tracks penned in for release sometime throughout the year.
'Gut Splinter' bounces into audible range on a huge percussive track that pulls deep resonating bass frequencies with it into the ether deftly accompanied by shimmering guitar and the soft twinkle of sequenced synth. Swirling reverberations wash over the entire track as we're led into that absolutely immense break at the half-way mark before exploding skywards clinging effortlessly to the surge of angry guitars. Deliciously dreamy and totally hypnotic, 'Nova Flares' are most definitely on our sonic radar.
ARTIST: Aural Air
RELEASE: The Torpor of Minds
RELEASE DATE: December 8th 2017
RECORD COMPANY: Little L Records
Dublin based 'Aural Air' is the moniker of dreamy lo-fi singer-songwriter Laura Rai. With a sound that conjures up far too many comparisons to mention, 'Aural Air' glides and glistens effortlessly on layers of woozy reverberations that ride sparse percussive hits used primarily to direct the listener onto those blissfully ethereal vocalisations and their accompanying wide scoped production. Laura's debut three track release entitled 'The Torpor of Minds' was unleashed back on December 8th 2017 via 'Little L Records' and features two previously released bonus tracks. You can get your hands on it right now to buy/download via auralair.bandcamp.com
The Torpor of Minds by Aural Air
The EP opens up rumbling magnificently on the thump of bass drum, the deep twang of bass notes and jangling hook heavy guitars. Oodles of reverberation swirl and eddy as addictive chord progressions envelope the entire piece and those swooning vocals meander into audible range. 'Serpents Speak' moves up a gear half way through, slowing at first before injecting some forceful tempo changes as the surge of heady production catches this listener off guard and we soar skywards, pinned fast to brilliantly executed vocal lines courtesy of Laura Rai and the hypnotic jangle of blissed out guitars. It's a brilliant opening salvo that leads us into track two - 'The Vanishing Dove', a lo-fi affair layered with immense guitars, cascading bass lines and probably the best vocal take on the entire EP. 'The Vanishing Dove' is one of those tracks that surprises you with every twist and turn. It rises and falls through pools of reverb, exploding at times into a kaleidoscope of sonic colour before fading out on waves of lead guitar progressions and the fading hiss of production.
The EP's next track is gloriously melodic. 'Medina's Wolves' unfurls it's fuzzy sonic tendrils and floats into the ether on subtle instrumental stabs and the hazy pull of reverb. It's hypnotic back beat rolls and moves brilliantly, dragging another impressive vocal take with it as the humming of bass frequencies melds with jangling guitars and fizzing lo-fi theatrics. Sonically sublime, 'Medina's Wolves' is stacked to the brim with an up front melodic confidence that is rarely heard in today's scene. As previously mentioned, 'The Torpor of Minds' closes out with two previously released tracks. 'The Heir of Indignation' showcases sublime vocals as a repetitive drum track holds a steady beat beneath quivering lines of guitar and deep booming bass notes. This track builds ever so slowly allowing the vocals time to breathe and meander in and out of the collective instrumentation whilst 'Edinburgh', the EP's closing track, shimmers dreamily on waves of reverb hued guitars, deep melancholic strings and sparse percussion all entered around that truly magnificent vocal track. It's a wonderful end point to a marvellously dreamy EP from a fellow Dubliner ... Bravo!
RELEASE DATE: 18th January 2018
RECORD COMPANY: Austin Town Hall Records
It's been a year or so since we last heard from Austin based dream-gaze quartet 'Blushing'. The band are made up of two husband and wife pairs, Christina Carmona - vocals/bass, Michelle Soto - guitar/vocals, Noe Carmona - guitar/keyboard/vocals & Jake Soto - drums and their dreamy ethereal tones first came to the fore back in January 2017 on their four track self-released debut EP 'Tether' and since then the band have gone from strength to strength by signing to 'Austin Town Hall Records' and now returning with their highly anticipated sophomore release. 'Weak' is a massive step forward in their overall development as a band. It's five luscious tracks are filled with dreamy shimmering soundscapes, precise layered musicianship and well crafted songs that are all enveloped by absolutely sublime vocalisations. The EP gets it's official release via Austin Town Hall Records on January 18th 2018 and is available to pre-order right now from both athrecords.bandcamp.com and weareblushing.bandcamp.com respectfully.
Weak by Blushing
'Weak' opens up with it's title track and we're soon swooning to it's beautifully intense opening vocals tethered to textured guitars drenched in swirling reverb. Subtle synth swells bubble up below the mix before the track explodes into a kaleidoscope of sonic colours as 'Blushing' unleash a blissed out sonic concoction of catchy guitars, humming bass and steadying percussion. Hook laden chorus progressions soar and glide effortlessly before we're pulled into a beautiful instrumental break that builds ever so slowly, gaining momentum with each progression until eventually exploding into a huge shoegaze tinged masterpiece. This is absolutely immense, a huge step forwards in sound and production and a fantastic opening salvo indeed. Up next, 'Hidden Places' unfurls it's sonic tendrils and instantly catches the ear with it's panned guitars and punchy drum pattern. Throbbing bass frequencies meld effortlessly with the strum of guitar as swirling reverberations intertwine with throughly addictive vocal lines. 'Hidden Places' is a glorious affair that surges into catchy chorus breaks filled with shimmering frequencies and glistening production values.
'Bliss' jangles into audible range quivering on a jangling guitar strum, drenched in delayed reverb. Synth lines sway and move angelically, alongside the deep penetrating hum of bass and a full sounding drum kit. Again, I'm mesmerised by those melodically beautiful vocal tones and the way they float and eddy atop of the collective instrumentation and those immense chord changes that seem catch this listeners breath and instantly pull you into every single note. 'Bliss' is a mesmerising track and definitely one of highlights on the entire release. Up next, 'Blushing' unleash the heaviest track on the album and probably their most 'shoegaze' orientated one too. 'Bound', the albums penultimate track, explodes into a melee of sonic waves as it moves a massive wave of sound before it, caused at first by the deep boom of bass accompanied by explosive percussion and driving guitars and quickly nullified by another impressive vocal performance that seems to calm proceedings down by ushering in some dreamier vibes. It moves slowly, carried throughout by jangling guitars and swooning percussion as cascading bass frequencies wash over everything. It's verse parts are sublime but it's the chorus progressions where things get very, very interesting. 'Bound' is a clear sign for me that 'Blushing' as a band have at last honed the skill of songwriting and are now on top of their game.
The album closes out hovering blissfully on the throb of heady bass frequencies and the swoosh of reverb tinged guitars. 'Love You Twice' is a luscious slice of melodic dream-pop dipped in exquisite reverberation and layered at times with sticky shoegaze finery. It's immensely addictive and filled to the brim with swirling instrumentation that will leave you floored. 'Love You Twice' is a fitting book-end to what is a marvellous sophomore release. Bravo 'Blushing'.
ARTIST: Dead Vibrations
RELEASE: Dead Vibrations
RELEASE DATE: January 26th 2018
RECORD COMPANY: Fuzz Club Records
Swedish noise manipulators 'Dead Vibrations' create a delicious mix of psychedelically tinged shoegaze and dark atmospherics layered brilliantly with swathes of gloomy reverberation, screaming feedback, angry vocalisations all topped off with brooding fuzzed-out guitars. Carefully honing their sound over the past few years through touring and appearing at some of Europe's best psych fests, 'Dead Vibrations' have made considerable sonic strides. Since exploding onto Stockholm's underground psych scene back in 2015 the band have released their debut 12” EP ‘Reflections’ and this year's 7” single ‘Swirl/Sleeping In Silver Garden'. The band are made up of Christian Jansson - guitar/vocals, Elmer Hallsby - bass, Josefin Ahlqvist Lyzwiski - drums & Olov Sjogren - guitar and they have joined forces with London based independent record label 'Fuzz Club Records' to unleash their immense self-titled debut album with the release date penned in for January 26th 2018. The album is available to buy via www.fuzzclub.com on lovely deluxe vinyl (limited to 100 copies on 180g coloured vinyl, hand numbered and gatefold sleeve) and on standard vinyl (limited to 400 copies on 180 vinyl).
Angry instrumental drones swirl and loop through clouds of dark and oppressive reverberations as 'On A Sunday Morning' unwraps it's fuzzy sonic tendrils and pulls repetitive percussion and the throb of deep bass frequencies out into the ether. Melodious guitar progressions envelope soaring vocalisations, strapped to noise laden passages of screaming feedback that pummel the senses as the track builds brilliantly and lurches to a turbulent finale. It's a blistering opening salvo indeed. Up next, 'Chemical Hug' belches out subtle feedback, sporadic notes and sullen fret noise as it winds itself up and steadily sways into audible range. Somber vocal lines ride a huge surge of instrumental fury permeated by layers of dark swirling atmospherics that loop and arc atop of a steady drum pattern. Catchy chorus changes carve out a deafening pause before we lurch back into a raging cacophony of fizzing noise as 'Chemical Hug' presents it's grungy final throws to the masses.
Whirring drones blend with overdriven guitars drenched in swathes of reverb with the arrival of 'Dive With You'. It's addictive lead lines quiver and sway as ghostly vocal lines pulse a surreal kind of melody through the collective sonic fog. Rolling drum patterns hold court here as throbbing bass frequencies hover in close proximity, building ever so slowly as repetition creeps into proceedings and continue right up until tracks end. Up next, 'Marbles' explodes into a magnificent array of sonic colour with pounding almost motorik like percussion keeping a steady backbeat and used primarily as a vehicle to collectively ferry those immense vocals, rumbling bass lines and huge layers of atmospheric guitar on into that magnificent instrumental break and then on into that angry finale. 'Marbles' is a triumph, worthy of your ears and quite possibly my favourite track on the entire release. Up next, the open salvos of 'Void' are angry and atmospheric with swirling reverberations and deep dark sonic trenches filled with alluring instrumentals and a pounding percussive assault but permeating that cacophony of wonderful noise are melody strewn vocalisations that surf on top of the melee and at times carry this track skywards. It's masterful in it's approach and another highlight for me.
The albums penultimate piece entitled 'In Habits' materialises from Void's dissipating death throws. Dark and malevolent, this track has a definite shoegaze personality with ghostly vocalisations riding hypnotic beats, soaring lead lines and the deep penetrating rumble of sullen bass frequencies. Mesmerising instrumental breaks pull the listener in before exploding into a blistering melting pot of sounds lead primarily by luscious guitar and growling production. 'In Habits' ends in a sonic haze before the incantational sounds of 'Bitter Better Way' creep into audible range and wash this listener with a heady concoction of swaying percussion, quivering guitars and cascading bass frequencies. Immense vocals meld effortlessly with dark swirling sounds, breathing life into proceedings as they cut through the noise thus allowing this track to erupt into a massive sonic behemoth. It's a brilliant ending to a mesmerising debut album.
ARTIST: Your Friends Polymers
RELEASE: v chuzhoi strane
RELEASE DATE: December 12th 2017
RECORD COMPANY: Unsigned
The clear choir-like vocals on the latest release from 'Your Friends Polymers' seem to evoke the most quintessential illusions of English village life. In fact, the four piece are from Samara, Russia, which is altogether more intriguing. Following on from the shimmering 'Chudesa EP' from December 2015, the 6 track 'V Chuzhoi Strane' was released last month and is constructed from lustrous summery sound. The EP is available to buy/download right now via yourfriendspolymers.bandcamp.com
v chuzhoi strane by your friends polymers
Opening track 'Bees' flows between a swell of swooping guitar, before the pace slows and the vocals soar, inducing a very pleasing wooziness. The 90s jangle of 'No Dice' has the Sweetness and Light of Lush and pops along dreamily. Delicate delayed guitar coaxes 'Little Box' into life, contrasting with the insistent drums which push along. The chorus has a melody that is fit for a cathedral. Title track 'V Chuzhoi Strane' is a collection of icy shards catching the light with angular beauty.
The frosty electronic taps of 'At The Depths Of The Gulf Stream' soon melt into a melodious concoction topped with a sweet refrain. The bass sets the groove of the instrumental '48' which ends this EP with a breezy air - appropriate as it has brought some much needed light and air to this dark January.
RELEASE: Starwheel EP
RELEASE DATE: December 16th 2017
Derby based quartet 'Starwheel' embrace and meld sounds and genres effortlessly. From subtle shoegaze to jangling psych pop, indie to alternative rock this band instil a surreal calmness to their their overall collective sound that is highly addictive and deeply hypnotic. The band released their debut double A-side single 'Drip Feed/Broken Glass' to the masses back in April 2016 and followed it up in 2017 with their stunning second single 'Sit Down/Through My window (Parts 1 & 2)'. Now the band have returned with their stunning self-titled debut four track EP and they do not disappoint. The EP was released back on the 16th December 2017 and it is available to buy/download right now via starwheel.bandcamp.com
Starwheel EP by Starwheel
Swirling organ sounds announce the arrival of track one 'Replica' and it's accompanied by bounding percussion, jangling guitar and the rambling of bass frequencies. Stunning vocals meander in and out of accomplished instrumentation permeated at times with subtle flourishes of catchy lead guitar, luscious reverberations and lines of slight backing vocals. Up next, the instrumental 'Radio Love' slows things down a tad as shimmering slide guitar draped in oodles of reverb and laid back guitar progressions wash over this listener. Slow methodical percussion dances underneath ferrying deep melodic bass lines with ease and allowing jangling lead lines to intertwine with fantastically hypnotic psychedelic frequencies.
The EP's penultimate piece entitled 'Veins' is filled to the brim with intense melody. The swirl of organ melds effortlessly with cascading bass lines and the gentle jangling strum of guitar. Steady percussion rattles below as the vocal track weaves a magical spell as it dances and moves in ands out of the collective instrumentation. It has catchy hook laden breaks that catch you off guard allowing you to soar skywards, if only for a short time, before you get pulled back into the mesmerising mix of dazzling sonic frequencies. 'Veins' is a triumph and quite possibly my favourite track on the entire EP. 'Safari' closes proceedings with a sweet little psych-pop gem. Boundless bass lines rush beneath sporadic percussive hits and rambling lead guitars run and meander in and out of breathless vocalisations. It's a wonderful little track and a brilliant ending to a marvellous EP.
Del Chaney has spent the last five years dedicating his time to uncovering the best artists in the unsigned or small independent label based shoegaze, ethereal dream pop, post punk & modern psych rock from all over the globe & reviewing them for this blog - The Primal Music Blog. He is also a contributing writer for The Sound Of Confusion (Now On Hiatus). His other arm - Primal Radio - has gained considerable respect from bands and promoters alike since its conception in 2013 & has helped him in actively promoting genres of music that he is passionate about. Hailing from Dublin, Ireland, he is a keen Vinyl Collector, Tattoo Fan & all round good guy! He is a self confessed music freak & is never far away from a studio console or a turntable.
RELEASE: Spectroscope EP
RELEASE DATE: June 1st 2017
Barcelona based 'Vymaanika' is a drone-heavy experimental prog & space rock collective with a sound thats underpinned by motorik krautrock and swirling psych. Consisting of Benjamin Mahoney - guitar/vocals/synths, Carles Esteban guitar/vocals/synths, Jose Jünemann - drums/synths & Andrés Paniagua - bass this magnificent quartet come from different parts of the globe with varying degrees of experience from playing in bands such as sansoma, juneorjuly, jinkovilova & palaciomalson. They released their debut two-track EP entitled 'Spectroscope' back in June 2017 and it's available to buy/download right now via vymaanika.bandcamp.com
Spectroscope EP by VYMAANIKA
The EP's title track 'Spectroscope' swirls menacingly on a repetitive guitar line that pulses through layers of deep reverberation. Explosive progressive percussion builds from beneath the mix pulling cavernous synth swells, swirling instrumental drones, pulsing electronics and a magnificent vocal line with it as it melds brilliantly with turbulent guitars and the throb of luscious bass frequencies. Heady atmospherics accompany the instrumentation as they collectively dive headlong into a cyclonic sonic behemoth filled with motorik percussion. Coming in at ten minutes plus, 'Spectroscope' is a white knuckle thrill ride into a heady world of wide eyed sonic abandonment and a serious recommendation from us. Dive in!
The EP's closing piece offers a somewhat calm introduction. 'Golden Void' unfurls it's sonic tendrils and attaches itself to the strum of tremulous guitar and the swoosh of percussion. Slow moving at first, it builds momentum with each bar pulling different instrumentation with it as it slowly spirals skywards and out into the sonic ether. Hypnotically charged vocal lines ebb and flow through offbeat drum hits and layered reverb underpinned by repetitive progressions and mantra like qualities. But it's the immense instrumental break at five minutes in that catches this listener out as ''Vymaanika' inject a kind of lysergic energy into the mix pulling space rock, neo-psych and rolling waves of heady vibration into play, moulding the entire sonic concoction into one singular pulsating entity right up until it's turbulent finale. It's a really good ending to an immense EP. Hopefully we will hear more from these guys going forward. Recommended!
Ultra Sound by Citrus Clouds
Immense Pheonix based desert-gaze trio 'Citrus Clouds' have returned with the second single to be taken from their stunning recently released seven track EP 'Ultra Sound'. The aforementioned EP was officially unleashed back on the 22nd September 2017 via Custom Made Music with it's second single entitled 'You Loved Me First' available to buy/download right now via citrusclouds.bandcamp.com
'You Loved Me First' fizzes into life held fast in an addictive shoegaze orientated cloud. Beautifully melodic duel vocal tracks meander through warbling guitar stabs and humming bass lines as that steady percussive swagger holds perfect time. Catchy chord structures and hook laden instrumental sequences mark this track out as a favourite of mine and let's not forget that impressive lead break and its soaring reverberations.