Black Monday / Infinites by Flashes
Cornwall based quartet 'Flashes' inject subtle shoegaze, alt-rock, dreamy melodies and sporadic psychedelic incantations into their collective sound to create instantly addictive soundscapes filled with sonic twists and turns. We reviewed their latest five track EP 'Rzhev' last year and now the band have followed it up with stunning two track single entitled 'Black Monday / Infinites' for our listening pleasure. The single had it's official release back on February 10th 2018 and is available to buy/download right now via flashesband.bandcamp.com
'Black Monday' shimmers as it enters audible range strapped to a beautiful guitar progression, underpinned with synth swells and the repetitive thud of bass drum. Swirling vocalisations arrive, wrapping themselves around deep tumbling bass frequencies as the track builds meticulously, injecting lines of synth, beautiful melody, psychedelic flourishes and catchy hook laden progressions into the mix whilst 'Infinites' is a sonic diamond in the rough. Soft sequenced percussion melds with building synths, lysergic tinged production and a repetitive guitar progression to form a wall of effervescent sound-waves used primarily to envelop that blissed out vocal performance. Cascading bass progressions add intense atmosphere as they swirl through huge layers of tumbling reverberation and resonating refractions, progressively catching the ear as soaring lines of synth scream skywards out into the ether. Absolutely stunning.
by Primal Music
RELEASE DATE: 24th January 2018
RECORD COMPANY: Unsigned
Noisy Spanish based quartet 'Uniforms' create an atmospheric mix of noisy layered shoegaze and alternative rock deftly underpinned with dreamy & melodic vocalisations and connotations of sullen noise-pop. The band are made up of Pan - drums/vocals, Laura - bass /vocals, Spingel - guitar/vocals & Annie - synth/lead vocals. Their debut four track EP entitled 'Equals' was self-released back on January 24th 2018 and is available to buy/download right now via uniformsband.bandcamp.com
EQUALS by UNIFORMS
Swirling instrumental drones bellow and shimmer as the opening salvos of ‘Addicted’ meander into audible range. Angry guitars add beautiful atmosphere as it’s percussive assault pulses through layers of hazy reverberation. Jangling, layered guitar progressions accompany mesmersing vocal lines out of the sonic melee as we move through huge verse patterns and on into monumental chorus changes. The production values on this track are epic. They swirl and intertwine effortlessly with some influential sounds such as shoegaze, dream-pop and noise rock to create a wall of sonic bliss. Up next, the opening bars of 'Pearls' floats and swirls through shimmering clouds of instrumental atmosphere before exploding into a kaleidoscope of sonic colour as it roars skywards in a tumble g ball of collective instrumentation. There are hints of post-punk echoing on that trembling bass line as it's fragile vocals arrive accompanied by occasional strums of guitar and that huge synth line. The chorus progressions on this track are absolutely huge and they envelope layered backing vocals beautifully. 'Pearls' is big, bold and brash and quite possibly my favourite track on the entire release.
'Don't Wake Up', the EP's penultimate piece, leans heavily into shoegaze as it's opening walls of sound reverberate and surge on layers of angry guitar, resonating synth and repetitive percussion. Deep penetrating bass frequencies swirl through the clouds of noise as glorious vocal lines emerge, cutting deep trenches of clarity as they meander through the haze. This track is masterful and another definite highlight on this released for me. 'Equals' closes out with 'Gris'. A repetitive line of electronic sequencing opens proceedings, followed quickly by lines of jangling guitars and subtle swells of synth. A very enticing drum track tweaks this listeners ear as the hum of bass guitar throbs just below the mix and those dreamy vocal lines arrive to wash a kind of ethereal glow over the entire piece. As I've come to realise throughout this whole EP, 'Uniforms' song structures are built to inject massive chorus changes into every track and 'Gris' is no different. It soars into the ether on resonating surges of noisy but melodic guitar, swirling synth and pounding percussion as beautifully intense vocal lines ride the sonic wave skywards. It's a brilliant closing track and another highlight on this release for me. As EP's go, 'Equals' has something very addictive coursing through it's veins. It's thoroughly enjoyable and I'm very eager to hear what comes next from this band.
ABOUT THE AUTHOR:
Del Chaney has spent the last five years dedicating his time to uncovering the best artists in the unsigned or small independent label based shoegaze, ethereal dream pop, post punk & modern psych rock from all over the globe & reviewing them for this blog - The Primal Music Blog. He is also a contributing writer for The Sound Of Confusion (Now On Hiatus). His other arm - Primal Radio - has gained considerable respect from bands and promoters alike since its conception in 2013 & has helped him in actively promoting genres of music that he is passionate about. Hailing from Dublin, Ireland, he is a keen Vinyl Collector, Tattoo Fan & all round good guy! He is a self confessed music freak & is never far away from a studio console or a turntable.
Gdansk-based psychedelic explorers 'Alien Lizard' have announced the latest single and it's accompanying video to be lifted from their forthcoming nine track long player 'Pure Kafka', penned in for release on February 23rd 2018. 'A Brave New Ad' follows quickly on from the stunning 'Heaven Takes The Moon' and it continues on with the bands brand of writing no-nonsense psychedelic incantations filled to the brim with squally lysergic tinged reverberations, fizzing electronics and droning instrumentation all teetering brilliantly on top of shaking percussion and deep penetrative bass progressions. We're really excited for the 'Pure Kafka' release and this latest track is a serious recommendation from us lot here at Primal Music. In the meantime, fall headlong into the swirling psychedelic sounds of 'Alien Lizard'.
'Pure Kafka' gets it's official release on the 23rd of February with pre-orders now available via alienlizard.bandcamp.com
ARTIST: Burning House
RELEASE DATE: 17th February 2018
Southampton based 'Burning House' inject blissed out noisy infusions of sublime melancholy into their sound that is very, very hard to shake off. Streaming through shoegaze, melody driven alternative rock and swirling dream pop, 'Burning House' have evolved somewhat from their heavier and more alternative feedback driven debut single 'If You Won't' adapting and sculpturing a collective sound so serine in it's approach that on first listen it immediately harkened back to those early 90's pioneering shoegaze stalwarts 'MBV, Ride & Swervedriver' with song structures reminiscent of early 'Verve' and the absolute raw power of (dare I say it?) - 'Smashing Pumpkins'. Their four track debut EP entitled 'Tracer' was released back on the 17th February 2018 and is available to buy/download right now via burninghouse.bandcamp.com
Tracer by Burning House
'Ripened' pulls like a racehorse as it drives into the ether on a bedrock of pounding percussion accompanied by the wooziness of reverberating guitars and the throb of fuzzy bass frequencies. It's vocal lines glisten as they ride wave after wave of addictive production theatrics, deftly enveloped by backing vocals and meandering lines of resonating lead guitar. Musically reminiscent of 'MBV', 'Ripened' is a statement of intent and a massive opening salvo. Up next, 'Mercurial' surges into audible range, stacked to the brim with reverberating guitars and driving percussion. A mesmerising bass line bounces through layers of sticky reverb, closely circumnavigating an explosive drum pattern and that addictively harmonious vocal progression. This track teeters on a finely tuned precipice, dragging complex guitar progressions down into poignant melody infused lulls before injecting huge vials of atmospheric melancholy into those catchy chord changes and surging skywards, out into the sonic ether. Possibly my favourite track on the entire release, 'Mercurial' is a bloody triumph and worthy of your ears all day long.
'I Am A Tree', the EP's penultimate piece, leans heavily into alternative rock territory and it's a step back from the previous two tracks. Screaming lead guitars open proceedings before 'Burning House' take fuzz, raw power and subtle psychedelic curiosities and meld them into a charging wall of glistening noise. Vocal lines swirl like ghosts as they wrap themselves around driving instrumentation and dive headlong into a massive pool of reverb before that lead break arrives and overpowers everything in touching distance. The EP closes out with 'Vague', eight minutes plus of swirling sonic mayhem. Raging guitars cling to subtle acoustic frequencies as a slow moving percussive assault and the deep boom of bass frequencies rattle and shake underfoot. A brilliant vocal take takes centre stage here, cutting a deep trough of clarity straight through the sonic melee and instantly allowing this track to breathe and move freely. Catchy chord changes loop and arc skywards catching this listener off guard as they drag me further into the sonic abyss and then this track takes on a life of its own. Majestic in its approach and absolutely mesmerising in it's attack, 'Vague' is a sonic monster of absolutely massive proportions and a masterful closing piece. In my opinion 'Burning House' have nailed it with this debut EP and it'll be very interesting indeed to hear what comes next from them.
ABOUT THE AUTHOR:
Let's Get Found - Single by great black night
Michigan based noise merchants 'Great Black Night' have been hiding as of late, busy deep within the underground firmament pickpocketing sounds from the shoegaze, alt-rock & indie rock categories of music to structure, mould & create what will be their highly anticipated debut album. For now though, the band have just unleashed a stunning double a-sided single entitled 'Let's Get Found/Goodnight Sweet Girl' to whet our sonic appetites. Steeped in glorious sound waves these two beautiful tracks distinctly highlight just what 'Great Black Night' are all about and is in fact a great jump off point for those of you reading this who are new to the bands brand of music. The single had it's official release back on February 14th (for all of you love birds out there) and it's available to buy/download right now via gbnlovesyou.bandcamp.com
ARTIST: Lunar Grave
RELEASE: The Sunstruck Forest
RELEASE DATE: 5th January 2018
RECORD COMPANY: Cardinal Fuzz Records / Sky Lantern Records
Portland's 'Lunar Grave' have undergone some personnel changes since their inception back in 2010, releasing various outings on home grown cassette tapes, CDr's and digitally in that time building up to this debut seven track vinyl release. Their sound centres around driving krautrock, deliciously infused with free flowing transcendent psych and hypnotic grooves that collectively create something akin to an out of body experience in sonic form. It was officially released back on the 5th January 2018 via the good folks over at Cardinal Fuzz Records and Sky Lantern Records respectively with editions still available on various formats through cardinalfuzz.bigcartel.com and skylanternrecords.bandcamp.com
The Sunstruck Forest by Lunar Grave
Bouncing bass signatures accompanied by a huge percussive assault announces the arrival of 'Piper In The Woods', the opening salvo on this impressive collection of tracks. The drum and bass assault continues for a time before 'Piper In The Woods' opens up into a full on assault on the senses. Soaring lead guitar meanders in and out of that solid drum & humming bass line combo leading us on a metronomic dance to the tracks finale. Up next, 'JJ-180' slows proceedings down a tad as a swirling concoction of soothing bass frequencies and luscious reverb stick to slow moving percussion and the lull of immense guitar sounds, continuously moving through a trance like state whilst 'Collapsed Horizon' is an impressive live jam that shudders and shakes through repetitious drum tracks, throbbing bass lines and resonating lead guitar. The sonic tendrils of 'Slow Death' unfurl, reach out and wrap themselves around the inner psyche as repetitious guitars swim and move through hypnotic reverberation buffered by slow moving bass frequencies and the slow march of percussion. 'Slow Death' is infectious. It lures you in with it's soothing sonic repetitions, carefully rocking you back and forth before gracefully implanting you deep in it's inner core. It's a triumphant track and possibly my favourite on the entire release.
'Kykeon' builds from the off as meticulous layering of guitars meander into audible range strapped to an almost motorik percussive swagger and the pull of bass notes, swaying back and forth like a pendulum deftly instilling hypnotically charged psychedelic impressions with every twist and turn. The entire track moves as one singular being, a sonic murmuration of sorts spilling technicolour sound-waves at a whim. 'Kykeon' is sublime and another highlight here. We take a quick sojourn as the fifty seconds of 'The Mold' spills it's guts before we're whooshed into the albums closing piece. Coming in at a whopping eleven minutes plus, '2-3-74' isn't for the faint of heart. Woozy instrumentation hugs a monolithic bass signature as lead guitars wrap themselves around a slow moving drum pattern, looping and arcing in and out of catchy bass progressions, drum fills and yards of stunning reverberation. It's intensely hypnotic, spiritual even as it builds and builds into a raging cacophony of psychedelic noise that floats out into the sonic ether and on into a marvellous finale. It's a fitting ending to a wonderful album.
Del Chaney has spent the last five years dedicating his time to uncovering the best artists in the unsigned or small independent label based shoegaze, ethereal dream pop, post punk & modern psych rock from all over the globe & reviewing them for this blog - The Primal Music Blog. He is also a contributing writer for The Sound Of Confusion (Now On Hiatus). His other arm - Primal Radio - has gained considerable respect from bands and promoters alike since its conception in 2013 & has helped him in actively promoting a genre of music that he is passionate about. Hailing from Dublin, Ireland, he is a keen Vinyl Collector, Tattoo Fan & all round good guy! He is a self confessed music freak & is never far away from a studio console or a turntable.
Irish-based experimental psych aficionados 'The Altered Hours' have unleashed a mesmerising new video to accompany 'Over The Void', the second single to be cherry picked from their forthcoming & highly anticipated brand new four track EP 'On My Tongue', penned in for release on March 9th 2018 via Art For The Blind Records/Penske Recordings respectively. The video for 'Over The Void' was directed by Helio Leon with cinematography by Izabela Szczutkowska & Helio Leon and it was edited by Afghaniscan (Robert Watson). 'On My Tongue' is available to pre-order right now on various formats via thealteredhours.bandcamp.com with a UK and European tour beginning February 2018.
'Over The Void' drives a noisy wedge into the sonic ether as a rumbling percussive assault attacks the senses allowing those melodic vocalisations to swirl and meld with angry guitars and the pulse of sullen bass frequencies. This track signals a change in direction for the band musically as they step away from their usual experimental fair and dive headlong into angrier sonic permutations. 'Over The Void' does not disappoint however and that only bodes well for the full EP.
ARTIST: Melt Dunes
RELEASE: Flesh EP
RELEASE DATE: 16th March 2018
RECORD COMPANY: Strong Island Records
Portsmouth based psych aficionados 'Melt Dunes' create a heady brew of dark and doom laden, acid blotched psych permeated at times with sullen krautrock tendencies that collectively creep into the inner psyche to completely blow our fucking minds. With only two singles released to date on both Strong Island Recordings and Fuzz Club respectively, the quintet have penned in the release date for their stunning debut EP brilliantly titled ‘Flesh’ for the 16th March 2018 through 'Strong Island Recordings' with pre-orders available right now on various formats via strongislandrecordings.bandcamp.com
Flesh EP by Melt Dunes
The 'Flesh' EP opens up with 'Whats Your Name?', a burgeoning slab of psychedelic enchantment filled to the brim with swirling electronics, deep penetrating bass lines, rumbling percussion and dizzying guitars. It builds like a steam train, echoing those early psychedelic explorers before unleashing a mind-bending cacophony of sound-waves that swirl around those menacing vocalisations with ease. It's lead guitar lines whip resonating frequencies at will as they fizz and hiss alongside those eerily enticing tambourine shakes and intertwining at times with those absolutely immense bass lines that seem to dance and sway with every single percussive hit. 'Whats Your Name?' is a stunning opening salvo. Up next, 'Flesh' bellows from deep below the mix as squally guitars and a bass heavy drones melds with swirling reverberations before opening up into a modern psych gem. Explosive drum tracks growl, pulling the throb of bass, the stab of synth, hypnotic guitars and those fucking immense vocal lines into audible range. Sullen lead guitar lines buffer for space in amongst the sonic melee as we surge along in metronomic time building monstrously with every twist and turn and tumbling headlong into that huge instrumental break. 'Flesh' is a triumph and a definite highlight for me on this release.
'Epicaricacy', the EP's penultimate track, bounces into the ether on a huge bass progression and strapped to a brooding krautrock swagger. Collectively whipped and cajoled by those reverberating lead guitars, it's sullen vocal lines meander in and out of the instrumentation leading the listener on a merry dance all the way into that darkly atmospheric instrumental break filled to the brim with swirling organ lines, woozy guitars and swaying drum tracks. Hypnotic, enchanting, downright scary and at times sonically reminiscent to those fantastic Athens based psychedelic travellers 'Holy Monitor', 'Epicaricacy' is one of those tracks that you will want to go back to again and again. The EP closes out with 'Grotesque'. Swirling organ lines accompany those immense bass progressions as a slow moving drum pattern rattles deep below the mix allowing the vocal lines to sit comfortably as lines of lead guitar undulate and move at will. Sporadic shakes of percussion join in with the fun was we're led on a merry dance through passages of psych, neo-psych and heavy alternative touches all the way to tracks end. It's a blistering closing piece to what is a decent EP.
Pure Kafka by Alien Lizard
"Have you ever looked up at the night sky and realized the vast beauty of our universe has been drowned out by the artifice of streetlamps and skyscrapers?"
Noisy Gdansk-based psychedelic explorers 'Alien Lizard' have announced the latest single to be lifted from their forthcoming nine track long player 'Pure Kafka', penned in for release on February 23rd 2018. The track in question is brilliantly titled 'Heaven Takes The Moon' and it delightfully simmers in a heady brew of melodically hypnotic instrumentation steeped generously in glorious reverberation. Wispy vocalisations meander and move in and out of cascading bass progressions and the repetitive pull of tambourine as subtle swells of synth merge effortlessly with swirling drones and beautiful effervescent sound-waves to create something magical. 'Pure Kafka' gets it's official release on the 23rd of February with pre-orders now available via alienlizard.bandcamp.com
RELEASE DATE: 16th February 2018
RECORD COMPANY: Fuzz Club
Taking their name from a live Spacemen 3 album entitled 'Dreamweapon: An Evening of Contemporary Sitar Music' released back in 1990, Porto's 'Dreamweapon' have the sonic know how to back up their collective sound. Like their contemporaries, 'Dreamweapon' use a tightly woven experimental edge as a dominating musical force to carefully create magnificent soundscapes deftly tumbling through electronically themed krautrock, oscillating proto-punk and modern psych with a collective end product that will simply blow your mind. Made up of 10,000 Russos bassist Andre Couto, João Campos Costa and Edgar Moreira, they emerged in 2009 and have since gone on to release one EP, a self-titled debut album and a splattering of singles. Now the band have emerged with their four track sophomore release entitled 'SOL' and have enlisted the brilliant 'Fuzz Club Records' to bring this album to the ears of the world. Officially released on the 16th February 2018, 'SOL' is available to pre-order on various formats right now via fuzz club.com
SOL by Dreamweapon
Swirling menacingly in a darkly atmospheric and all consuming instrumental drone the opening salvos of ‘Mashinne’ instantaneously instil an overriding sense of foreboding as the slow meticulous tempo begins it’s repetitive march into the sonic unknown. Hazy reverberations fizz and move in and out of throbbing bass signatures and the twinkle of electronics as subtle lines of melodic guitar bounce and weave effervescent incantations that meld effortlessly with resonating frequencies to create a wall of hypnotic sound that is both captivating and scary all at once. Shadowy sound-waves float like ghosts in and out of the mix at various times creating light and shade and adding depth to the piece as we’re pulled through cascading synth lines, ghostly vocalisations and the sequenced pulse of surreal production techniques. ‘Mashinne’ is a fascinating opening salvo and a definite highlight on this release.
‘Blauekirshe’ opens up held fast in a kind of eastern esoteric haze as squally guitars scratch and pull through waves of reverb and shamanic shakers hover over droning swells of synth and rolling drum patterns. Bouncing bass lines keep hypnotic time as intense atmosphere undulates throughout injecting distant voices and surging dub like stabs of percussion. This track is lusciously addictive and at times spiritual in it’s approach. It’s reptilian movement demands attention whilst the constant pitter patter of resonating frequencies swirl and ebb effortlessly dipped in an acid blotched haze. Up next, ‘Qram’ enters audible range tumbling through calming waves filled with ringing bells and chiming alarms. At fourteen minutes plus, Qram’s peaceful beginnings are short lived as resonating instrumental drones build from deep below the mix accompanied by the surge of percussion and the rattle of reverberating cymbal noise. Spiralling instrumentation intertwined with sticky reverb pulls the throb of bass and uncompromising production values out into the ether as we tumble headlong into a mesmerising wall of shamanic krautrock. ‘Qram’ is immersive, hypnotically brilliant and another highlight on this release for me.
The album closes out with ‘Monte da Virgem’, a track that has also appeared on Fuzz Club’s latest compilation, the brilliant ‘Reverb Conspiracy Vol.5’. This track is a bass driven sonic monolith that surges through layers of driving percussion, pulsing guitars, surging instrumental drones and the heady pull of sequenced synths. Monte da Virgem’s repetitiveness is what makes it so bloody addictive. At times reminiscent of Throw Down Bones or Föllakzoid in it’s kraut like stylings, Monte da Virgem is a masterful ending to a totally immersive album.