RELEASE DATE: 28th April 2017
RECORD COMPANY: Grimoire Records
From Baltimore in the USA comes the deep humming roar of Alter, whose core sound consists of the delicate layering of everything cold and aesthetically pleasing: alt-rock, post-rock, ambient music, shoegaze and even some sort of wild and loud dream pop thrown in there for good measure. Pendulum consists of six dense and spacious tracks laced with reverberating echo and drowned out vocals; offering the sound of envelopment to listeners in the form of some kind of snow drenched village off in the middle of nowhere. For some it will be a sluggish slog through the at times thick and murky waters of alternatively loud guitar music that Alter push forth from their instruments; for others the flood of noise and the hushed echoes of the vocals will provide some kind of beauty through the snowstorm of sound; for your sakes I hope it’s the latter. 'Pendulum' was released via the Baltimore based independent record label 'Grimoire Records' back on the 28th April 2017 and it is available to buy/download right now from grimoirerecords.bandcamp.com
Pendulum by Alter
'Pendulum' opens with ‘False Mirror’ a brilliantly heavy track with subtle hints of post-punk in there for good measure. The beginning of the song makes one immediately think of the quiet, slight post-rock music that they’re about to hear; that is until the churning, loud guitars and cymbal heavy drums arrive into the mix. From there the most intriguing element of the song comes in; the vocals… sporting the aforementioned touch of post-punk. The vocals remain deeply layered under the walls of noise, but unlike the much rehashed shoegaze production technique that many of us are already familiar with, Alter’s vocals sit in a higher register; offering up an almost contrast to the music and the sound on the song. ‘False Mirror’ pans out into a cymbal lead breakdown before turning full circle back within itself. ‘Momentary’ offers up a similar slow beat that concluded ‘False Mirror’ except with a more obvious touch of post-rock evident in both the song writing and the mixing. The dynamics alter awkwardly throughout ‘Momentary’, especially the galloping drums on the second half of the track, but it seems to be the most 'by the book' that the band play it; although it still holds the same beauty as the other tracks around it.
Following on, the band turn in one of the EP’s best and most moving songs; its title track. The slow, drum and guitar combination roll slowly in the background of a fantastically harmonious vocal performances; even when the song moves back into borderline noise-gaze anthemic guitar, the catchy and dark alt-rock stlye chord progression stays along; forming the song into a complete package of heavy and emotive beauty. Special love and interest should be given to the songs second half, after the slight silent break, where the bands and instrumentation becomes even more extensive than before. ‘Inner Eclipse’, while at the start sounding like the heaviest the band will go, turns out actually to be a brilliantly weird, almost math rock based charge of cymbals and thick reverbed guitars. Bouncing back and forth between walls of sound lead by the bass and guitar, and the more groove orientated riffs that lead into the songs heavier sections, the vocals hold everything together again… Except this time they are much clearer. All these elements mix together to create a fantastic blend of post-rock/shoegaze amplification.
‘The Storm’ is also a definite EP highlight; its downtrodden and icy sound connects the sounds and styles of the title track with the previous and more formless ‘Inner Eclipse’ to create a piece more melodic and drawn out. Of all the heavy, weighty tracks on the EP, ‘Lost Instinct’ offers up the substantial size of feedback laden reverb and soundscapes for the listener to hear. It begins with borderline droning guitars and drums, backed up by the soundscaped noises of guitar feedback and, eventually, the wavering and floating vocals that have played such a pivotal role on other tracks throughout the EP. The wild, open feedback ridden landscapes of Pendulum make it difficult to say whether everybody would be a fan. But for those who appreciate the kind of melodic heaviness that can only really fit comfortably with post-rock and ambient texturings; then the EP is for you. Alter shine greatly when they display their strengths wisely; those being their attitude toward filling up the entire canvas with noise, the dynamics of sound in context with the instrumentation, the smart mixing and production, and perhaps most importantly; the vocals. Thankfully for almost the entire EP, the band do in fact display their strengths wisely offering a sonic piece of noise meditation, created through production, performance and sound.
ABOUT THE AUTHOR:
Cam Phillips is a writer and above all, a music lover, who seeks to gain experience through writing and listening. He is also an avid film viewer and art and literature junkie who enjoys creative writing. His most recent published work was featured on Baeble Music and Culture (USA), Sounds and Colours Magazine (Latin America, London), Easterndaze (Latvia) and the Australian based heavy music blog I Probably Hate Your Band.
by Primal Music
RELEASE DATE: 16th June 2017
RECORD COMPANY: CRAZYSANE Records
'Yagow' is a psychedelic space rock trio based out of Saarbrücken, Germany. Their collective sound echoes through mesmerising passages of psychedelically charged motorik kraut rock underscored at times with subtle shoegaze tendencies that are deftly permeated with layers of incantational space rock & hazy effervescent stoner rock. Their immense self titled six track album gets its full release on June 16th 2017 via the Berlin based independent record label 'CRAZYSANE Records' and is available to pre-order right now on various formats from crazysanerecords.bandcamp.com
s/t by YAGOW
In a dense instrumental drone the heavy opening salvos of ‘Horsehead Nebula’ unfurl their fuzzy tendrils and wrap themselves around enticingly slow lead guitar lines and swathes of reverberation. Bouncing bass frequencies pull stunning percussive patterns into audible range melding effortlessly with the hypnotic surge of guitars, used collectively to ferry haunting psychedelically charged vocalisations out into the ether. Up next, ‘Snake Charmer’, the albums lead single, resonates and pulses through layers of hazy psychedelia that is peppered with subtle touches of eastern esoteric flair. Meandering vocal lines whip and whirr through spiralling guitar progressions as fuzzy sonic reflections sparkle through swirling clouds of addictive sitar and rolling drum patterns. This track explodes into a raging wall of undulating drones, throbbing bass lines and growling guitars, jointly harassed by explosive drum patterns and acid drenched lead lines before tumbling gracefully into a cyclonic sonic whirlwind before fizzing out into obscurity.
‘Moss & Mint’ slows proceedings down as we’re dragged into a muggy metronomic trance like state, glued to the swing of those addictive drum patterns, soaring lead lines the and hazy swirl of dreamy, spaced out vocalisations. ‘Moss & Mint’ works through its instrumental gears with stunning aplomb, at times injecting organ swells, massive waves of imposing reverb and is reminiscent at times to Perth based sonic explorers ‘Mt. Mountain’ with the way they construct intricate song structures, add intense atmosphere and inject undulating passages of heavy psych into their music. ‘Time To Get Rid Of It’ swerves into earshot on a warbling guitar progression, bouncing bass frequencies and skittish percussion. Shamanic reverb drenched vocalisations intertwine with growling lead lines before punishing instrumental drones take over, pulling you with them as you surge through wave after wave of intense psychedelia. Absolutely magnificent!
The albums penultimate piece entitled ‘Non-Contractual’ opens with a menacing instrumental drone before pounding drums, shakers and incantational guitars drag haunting vocalisations out into the open. The subtle plucks of sitar ride punishing instrumentation as we meander through deep sonic troughs, shimmering spaced out verse passages and out into the final throws of a turbulent sonic behemoth. The album closes out with ‘Nude On the Moon Dance’. A tremulous guitar progression rides metronomic percussive pattern that builds and undulates through soaring atmospherically charged prog like lead lines and the constant throb of bass frequencies. Chittering drones sweep aside the opening bars as this track peels back it’s outer layers and morphs into a resonating sonic whirlwind that carefully envelopes another mesmerising vocal. A brilliant ending to rather interesting album.
Del Chaney has spent the last four years dedicating his time to uncovering the best artists in the unsigned or small independent label based shoegaze, ethereal dream pop, post punk & modern psych rock from all over the globe & reviewing them for this blog - The Primal Music Blog. He is also a contributing writer for The Sound Of Confusion (Now On Hiatus). His other arm - Primal Radio - has gained considerable respect from bands and promoters alike since its conception in 2013 & has helped him in actively promoting a genre of music that he is passionate about. Hailing from Dublin, Ireland, he is a keen Vinyl Collector, Tattoo Fan & all round good guy! He is a self confessed music freak & is never far away from a studio console or a turntable.
Shimmering Leeds based psych-gazers 'Jellyskin' have unleashed their immense fifth track entitled 'Only Rain (Flows To Beach)' and it's accompanying video to the masses. Formed in 2016, 'Jellyskin' are made up of Will, Zia & Olly and they exploded onto the underground psych/gaze scene last year with a splattering of singles including the impressive ‘Grey Glass Hat’, the fantastic 'Milk Of Magnesia', 'She Sung Oceans' & the blistering 'Eater' which collectively brought them to the attention of the underground psych/gaze faithful. They have embarked on a mini-tour until mid-June playing: Unfest at The Forum (Tunbridge Wells), Headrow House (Leeds), Night and Day Café (Manchester), The Washington (Sheffield) and Temple of Boom (Leeds). They will also have copies of their debut EP, their first physical release at all of the aforementioned live shows. Get out and see them live if you can!
'Only Rain (Flows To Beach)' floats effortlessly on glorious waves of simmering synth coupled with tumbling tremulous guitar progressions as metronomic sequenced percussion pulses on effervescent frequencies carefully enveloping that fragile vocal track. At predesignated points along its meandering course it morphs and twists brilliantly into a noisy & turbulent psych induced behemoth before snaking back into a beautifully entrancing piece of music.
'Dazy Crown' are a Norwich based lo-fi/garage band who create stunning soundscapes full of melodic brilliance. They wowed us way back in July 2016 with their impressive single 'Move' and now this immense quartet have returned with another citric slice of summer in the guise of 'Multi Vitamin', their latest entrancing groove laden offering.
'Multi Vitamin' tumbles through swathes of woozy and highly infectious guitar progressions that ride an insanely laid back percussive pattern. Those simmering vocalisations wobble and arc through hazy layers of bubbling bass frequencies and resonating production as the leaping chorus break snaps you out of a hypnotising trance and tip toes you into a cyclonic world filled with instrumental drones and fuzzy sonic reflections. Stacked to the brim with summery summer vibes, 'Dazy Crown' have hit the proverbial sonic nail on its head with this latest track.
ARTIST: Is Bliss
RELEASE: The Honeycomb Explosion
RELEASE DATE: 19th May 2017
RECORD COMPANY: Club AC-30 Records
Revered, incantational, hypnotic - Three words that aptly describe what I felt after listening to the absolutely stunning 2016 debut EP entitled 'Velvet Dreams' from Portsmouth based psych aficionados 'Is Bliss'. Signed to celebrated Independent record label 'Club AC-30', 'Is Bliss' are causing quiet a stir right now both on the live scene and within the underground fraternity with their no nonsense, full on, psych induced reverberations! They are made up of Jimmy Stuart - vox/guitar, Dean Edwards - bass & Sam Speakman - drums and they have just released a monumental follow up to their untouchable debut EP 'Velvet Dreams' entitled 'The Honeycomb Explosion'. This sophomore release is a statement of intent by a band who collectively create stunning soundscapes filled with blissed out shoegaze & swirling shamanic psych deftly underscored with passages of dreamy spaced-out grooves and hypnotically charged reverberations. 'The Honeycomb Explosion' was released back on the 19th May 2017 and was initially available to purchase on lovely transparent yellow w/red & orange splatted 12' vinyl via store.clubac30.com
In a haze of cyclonic vocalisations that swirl repetitively through swathes of luscious reverb, the opening salvos of track one ‘Someone’ builds with a menacing hue, dragging hypnotic deep bass frequencies, tremulous drones and angry guitar signatures out into the ether whilst injecting tons of impressive sonic atmospherics as it carefully unfurls it’s far reaching sonic tendrils. Beautifully intense from the off and harking back to to those early 90’s shoegaze sounds ‘Someone’ unleashes a blissful, meandering vocal track that’s whipped and cajoled at times by soaring lead guitar lines and underscored by continuously alluring bass progressions. Up next, ‘Alive (Baby Come On)’ enters the sonic arena swirling dreamily through turbulent organ drones and sparse percussion. Bass lines hum and growl brilliantly as we witness some of the best vocal performances on this whole EP. The track builds builds and builds again until it unleashes a torrent of glorious noise, dragging this listener with it into the eye of a raging sonic firestorm. ‘Alive (Baby Come On)’ has a plethora of influences and I can hear the waviness of Spacemen 3, the punishing guitars of seminal shoegazers Loop & the melodious qualities of Ride streaming through its inner core. Absolutely stunning and definitely my favourite track on the entire release.
‘Is Bliss’ pulse some eastern esoteric flair into proceedings next as sumptuous sitar intertwines with 60’s psych connotations, shimmering tambourine and punchy drum patterns. ‘Into A Dream’ does exactly as it says on the tin. You tumble through layer after layer of droning instrumentation, cascading dream like bass frequencies and that twinkling guitar signatures, guided at every turn by that impressive vocal track and just as you think you are settling in for a session in the shamanic sonic immersion tank you get catapulted out the back end of this track at g-force speeds glued to to a fast moving pulse of intense instrumental chaos before being gently placed back on terra firma with a very big smile on your face (yes it is that good). Up next, ‘Tomorrow’ shimmers hypnotically around an incantational instrumental drone and the jaunty rumble of busy tablas as the dissonant sounds of dreamy sitar bounces and envelopes a stunning vocal performance. Again ‘Is Bliss’ work through their sonic gears with blistering aplomb until eventually they unleash a torrent of explosive frequencies punctuated by screaming guitars, throbbing bass lines and pounding drum patterns that collectively coagulate into one hell of a track finale. The EP then closes out with ‘Inner Soul’, a fantastic sonic trip through layers of blissful reverberations, melodious bass progressions, passages of droning guitars and slow moving percussion that drifts and moves effortlessly, acting as a conduit for those stunning vocal lines. Reminiscent at times to ‘A Storm In Heaven’ era ‘Verve’, ‘Inner Soul’ is an absolutely sublime closing piece to a monumental sophomore EP.
RELEASE: From Void ToMatter Volume 1
RELEASE DATE: 26th May 2017
RECORD COMPANY: VÅRØ Records
Back in March 2016 whilst writing for 'The Sound Of Confusion' I was tasked with reviewing a fantastic fourteen track album entitled 'Hymnals & Bombs' by Swedish based (Borgholm/Gothenburg) cousins Calle Thoor and Oskar Erlandsson AKA Bolywool. Having never heard of the band before I instantly fell face first into their shimmering & experimental sonic landscapes and I was literally blown away by their musical interpretations on life and the way in which they told melancholic stories through the medium of sound. Now the duo have released the first of a planned trilogy of EP's entitled 'From Void To Matter Volume 1'. This stunning two track EP was released back on the 26th of May 2017 via VÅRØ Records and it is available to buy/download right now via varorecords.bandcamp.com
From Void To Matter Volume 1 by Bolywool
Pounding, rhythmically charged percussion announces the opening salvos of ‘Hafmeyjan’ and with its arrival it pulls droning synth swells and the constant twang of guitar with it to collectively conjure up mesmerising incantational atmospherics. Beautifully intense passages of serine vocalisations swirl into the ether riding the turbulent instrumental wave before rippling skywards on undulating pulses of reverb and delay. ‘Hafmeyjan’ stirs the imagination and instills heavy swathes of melancholic abandonment as it meanders through layers of brilliantly executed production used effortlessly to whisper tales of salt lashed islands and far flung windswept beaches. This is a stunning opening track and it reminded me of just how good Bolywool are at telling stories through the medium of sound.
Up next the duo unleash ‘Meø Lögum Skal Land Byggja’ and it opens up tumbling erratically into a shimmering ball of sequenced electronics, swirling samples and the constant accompaniment of a synth heavy drone. Lazy, but brilliantly produced drum patterns rattle and shake, underscored at times by throbbing bass frequencies and tantalising good instrumental atmospherics that glide and shimmer on wave after wave of stunning reverberation. It’s synth lines glisten as they rise and fall giving off the impression of waves crashing on a storm ravaged beach-head and the constant rolling of different sonic frequencies add swathes of light and shade, reminiscent at times to the sun breaking through dark storm clouds. A magnificent ending to what is the opening volume of Bolywool’s planned trilogy of EP’s.
Del Chaney has spent the last four years dedicating his time to uncovering the best artists in the unsigned or small independent label based shoegaze, ethereal dream pop, post punk, post rock & modern psych rock from all over the globe & reviewing them for this blog - The Primal Music Blog. He is also a contributing writer for The Sound Of Confusion (Now On Hiatus). His other arm - Primal Radio - has gained considerable respect from bands and promoters alike since its conception in 2013 & has helped him in actively promoting a genre of music that he is passionate about. Hailing from Dublin, Ireland, he is a keen Vinyl Collector, Tattoo Fan & all round good guy! He is a self confessed music freak & is never far away from a studio console or a turntable.
ARTIST: Secret shine
RELEASE: There Is Only Now
RELEASE DATE: 16th March 2017
RECORD COMPANY: Saint Marie Records
Bristol based 'Secret Shine' have been flittering between shoegaze, indie-pop and dream-pop since their humble beginnings back in the early 1990's and during their illustrious career have released some mesmerising albums to boot. Now on the back of 2016's reissuing of their seminal album 'Untouched', 'Secret Shine' have unleashed a brand new album entitled 'There Is Only Now' via the elusive Texas based independent record label 'Saint Marie Records'. Filled to the brim with ten shimmering new tracks for you to fall in love with, ten tracks that skip nonchalantly between harmonious hook laden guitar progressions, post-punk inspired keyboard fills, soaring melodious vocal tracks and blissed out hazy passages of sonic serenity, 'There Is Only Now' is a stunning return to form from a band who helped to shape this scene into what we know it as today. It was released back on the 16th march 2016 and it is available to buy/download right now on various formats via saintmarierecords.bandcamp.com
There Is Only Now by Secret Shine
The album opens with ‘Burning Stars’, shimmering vocal lines permeate layers of blissed out reverb as melodious synth swells bubble and move through charging guitar progressions and steadying drum patterns. Catchy hooks and monumental production lift this track skywards as ‘Secret Shine’ unleash a mesmerising chorus progression dragging this listener with it as its streams out into the sonic ether. Up next, ‘All In Your Head’ swirls effortlessly through a turbulent synth drone and tremulous guitars before unleashing a beautiful vocal line accompanied by cascading synth patterns and steadying percussion. This track builds and builds brilliantly throughout before tumbling into a shimmering ball of blissful sonic energy. ‘Dirty Game’ shimmies into earshot on a bedrock of metronomic percussion, throbbing bass frequencies and growling guitars as stunning synth lines weave and meander in and out of fantastic vocalisations and brilliant production whilst ‘Drift Away’ throbs and pulses on waves of melodious bass lines, soaring synth and otherworldly vocalisations. There’s a subtle but brilliant hint of 80’s post-punk emanating through the noisier moments on this track that catch you off guard but for the most part it flows effortlessly through hazy shoegaze passages dipped at times into a dreamy pot of loveliness.
‘To The Well’ bounces into earshot on a marvellous bass signature permeated by the constant plink of synth, the thud of a bass drum and the whoosh of sparse percussion. Floating vocalisations with magnificent duel backing lines ride the collective instrumentation before all hell breaks loose and we’re travelling at break neck speed through a soaring spread of resonating frequencies as ‘Secret Shine’ turn up the heat and pulse wave after wave of stunning sound waves out into the ether. Up next, ‘For You’ growls into existence strapped to a noisy guitar drone before a blinding wall of beautiful noise pummels the senses. Lazy percussion, humming bass lines, reverb laden guitars and sequenced synth swells envelope haunting vocalisations before collectively drenching this listener in a blissed out wave of euphoria. ‘For You’ is absolutely stunning and is my favourite track on the entire album. ‘Snowglobe’ glistens as it loops and arcs through meandering duel vocal lines and sublime instrumentation before ‘Falling Again’ screams into the ether on pounding drums, catchy guitar lines and sublime vocals that instantly transport this listener back to the early 90’s.
The albums penultimate piece pulses into audible range on a pulsating synth progression before unfurling repetitive drum patterns and a soaring wall of reverb laden guitars. ‘Things I Said’ is beautifully produced and it swirls around another stunning vocal take filled with stunning backing lines and shimmering instrumentation. The album closes out with another synth laden masterpiece. ‘Make Me You’ floats into the ether and gently caresses the listener with haunting vocal lines and charging guitars, cascading bass lines and meandering synth swells. A brilliant end to a marvellous return to form.
ABOUT THE AUTHOR:
Convenience by The Grey Merchant
Cork based sonic experimentalists 'The Grey Merchant' have twisted their sound completely on it's head with their rather strange new single entitled 'Convenience', released on the 31st May 2017 and lifted off their forthcoming album 'Avenue De Rennes' due for release in late July. Gone are the reverberating tones of experimental psych/stoner/motorik kraut rock & fuzzy shoegaze that were the cornerstone of their previous two singles to be replaced by driving grunge themed instrumentalism with punk undertones and sullen alt-rock vocalisations on this latest release. This band definitely don't like being pigeon holed into any one particular genre. For those of you new to the sound of 'The Grey Merchant', it is the collaborative recording project of Enda O'Flaherty (Neon Atlas) and a collection of friends and fellow musicians.
You can head over to thegreymerchant.bandcamp.com to check out their back catalogue and to get your hands on this latest single.
ARTIST: Mt. Mountain
RELEASE DATE: 24th April 2017
RECORD COMPANY: CARDINAL FUZZ
Perth based droning & experimental psych aficionados 'Mt. Mountain' have announced the follow up to last years monumental six track release 'Cosmos Terros' in the form of 'Dust', a four track sonic thrill ride penned in for release on the 24th April via the ever reliable UK based 'Cardinal Fuzz Records'. 'Mt. Mountain' first came to our attention back in 2014 after the release of their brilliant sophomore self titled EP and we subsequently played it to death over on our online sister station 'Primal Radio'. 'Mt. Mountain' are already lauded and revered in Australia where they have built a reputation as one of the most compelling live bands, a distinction that has seen them share stages with myriad Australian and international heavyweights including Sleep, King Gizzard and the Lizard Wizard, Thee Oh Sees, Endless Boogie, Tortoise, Bardo Pond and Boris. 'Dust' is available to pre-order right now on limited edition of 200 - Copper/Black Swirl 12" Vinyl Records with UK/EU purchases available via Cardinal Fuzz.
Dust by Mt. Mountain
In a whirling instrumental drone steeped in acutely atmospheric tape hiss and trembling sound waves the opening salutations of ‘Dust’ manoeuvres itself into audible range. It builds ever so slowly, drenched in a menacing experimental air as a subtle percussive pulse sets a persuasive tempo, slow enough to accommodate those haunting guitar lines and the brilliant addition of a ghostly flute progression whilst being whipped by an ever present & deeply incessant high pitched drone. Coming in at a mere sixteen minutes plus, ‘Dust’ isn’t for the faint hearted as half way through it explodes into a maelstrom of reverberating noise steeped in flurries of modern & experimental psych and peppered with passages of plodding bass frequencies, throbbing synth, addictive lead lines and simmering vocalisations to collectively enthral and captivate it’s listeners all at once. A marvellous opening track indeed. Up next, ‘Floating Eyes’ staggers into earshot on a rickety guitar progression that rides a wave of tumbling bongo hits, the repetitive twinkle of tambourine and a surging synthetic drone. The addition of warbling lead lines add weight to proceedings as ‘Mt. Mountain’ unleash a swirling psychedelic behemoth steeped brilliantly in eastern esoteric flair. Addictive vocal lines float into the mix bubbling on those cascading bass progressions, doffing a well worn cap to those early experimental psych pioneers as we float away on wave after wave of captivating golden hued frequencies that eventually leads us into the tracks final throws.
Swirling organ swells echoed by translucent guitar and subtle instrumental drones announce ‘Kokoti’, the albums penultimate piece, and we drift off into a entrancing psychedelic haze filled with jangling progressions, glorious flute lines and hypnotically charged percussive reverberations. Ghostly vocalisations fill the remaining quiet spaces as sonic reflections rise and fall in and out of throbbing bass frequencies and wah wah heavy lead lines before the track takes on a completely different form and rises high up into the firmament on wings of trance like psychedelic joy. ‘Kokoti’ is a sonic journey of discovery, it’s probably my favourite track on this entire release and I firmly recommend that you listen to it via headphones to experience every ounce of it’s sonic mastery. The album closes out with a three minute peaceful ‘Outro’. A beautifully intoxicating guitar progression pulses into the ether dragging with it a repetitive percussive pattern filled with haunting vocal lines and massive swathes of reverberation. ‘Outro’ is a fitting closing piece and it deftly book ends this impressive collection of tracks.
RELEASE: Swim EP
RECORD COMPANY: Across The Floor Records
Aarhus based noisy duo 'ZRN' have released their latest five track behemoth entitled 'Swim' to the masses back at the end of April 2017. 'ZRN' are a side project of monstrous Danish psych rockers 'Tales Of Murder And Dust' and their sound has gone from meandering, atmospheric almost slowcore/shoegaze leanings on their 2015 full-length release 'Animous' into a more of a menacing experimental/noise rock orientation on these new tracks. The EP was officially released back on the 28th April 2017 via and it is available to buy/download right now from zrnband.bandcamp.com
Swim EP by ZRN
In a spiralling drone and accompanied by sequenced production theatrics the opening salvos of 'Across' sweep into earshot dragged by the fizz of undulating synth and the hypnotic call of dark malevolent atmosphere. Chalking in at a full twelve minutes long this track circumnavigates a stunning array of sound waves as it's gravitational pull buffers and pivots sequenced bleeps and whirrs with stunning effect. It groans and creeks in parts as it's soaring synth lines cut deep sonic throughs through delayed reverberations, rippling magnificent swathes of ambient & lo-fi permutations out into the ether. 'Across' is an absolutely magnificent opening track. Up next, the EP's lead single staggers into audible range. 'Deep End' is immensely infectious! It undulates and snakes on layers of dark, noisy bass frequencies supplemented with repetitive lead lines, shimmering tambourine shakes and a heavy sense of sonic foreboding. It's vocal lines glide and snake in and out of the instrumentation, under constant bombardment from whirring lead guitar lines and addictively atmospheric production.
'Diving Off' stalks metronomically into the ether pulling with it those deep dark plods of menacing piano that seem to echo and billow as they fall. Haunting vocalisations accompanied by swirling synth swells swim in dark reverberation as growling guitar & undulating fret noise envelope the entire track in ink black atmosphere. Absolutely immense, 'Diving Off' is probably my favourite track on the entire release. Up next the album deftly unfurls it's penultimate piece. The shuddering twang of overdriven guitar held fast in a regimental flight path builds and shudders through layers of resonating frequencies. 'Slow Affection' has mantra like qualities that whip and curl brilliantly around the inner psyche. It's vocal lines are distant, almost demon like as they ride turbulent instrumentation mixed with intermittent sequenced theatrics to blistering effect. The EP closes out with a dark slab of experimental noise. 'Dry' is an intoxicating affair filled with infectious vocalisations, sequenced electronics and dark, jittering synth swells that are collectively drenched in massive swathes of reverb. It pulses wave after wave of dark atmospherics as it traverses three minutes plus of immense production. A brilliant ending to a very interesting EP.