RELEASE DATE: 16th February 2018
RECORD COMPANY: Fuzz Club
Taking their name from a live Spacemen 3 album entitled 'Dreamweapon: An Evening of Contemporary Sitar Music' released back in 1990, Porto's 'Dreamweapon' have the sonic know how to back up their collective sound. Like their contemporaries, 'Dreamweapon' use a tightly woven experimental edge as a dominating musical force to carefully create magnificent soundscapes deftly tumbling through electronically themed krautrock, oscillating proto-punk and modern psych with a collective end product that will simply blow your mind. Made up of 10,000 Russos bassist Andre Couto, João Campos Costa and Edgar Moreira, they emerged in 2009 and have since gone on to release one EP, a self-titled debut album and a splattering of singles. Now the band have emerged with their four track sophomore release entitled 'SOL' and have enlisted the brilliant 'Fuzz Club Records' to bring this album to the ears of the world. Officially released on the 16th February 2018, 'SOL' is available to pre-order on various formats right now via fuzz club.com
SOL by Dreamweapon
Swirling menacingly in a darkly atmospheric and all consuming instrumental drone the opening salvos of ‘Mashinne’ instantaneously instil an overriding sense of foreboding as the slow meticulous tempo begins it’s repetitive march into the sonic unknown. Hazy reverberations fizz and move in and out of throbbing bass signatures and the twinkle of electronics as subtle lines of melodic guitar bounce and weave effervescent incantations that meld effortlessly with resonating frequencies to create a wall of hypnotic sound that is both captivating and scary all at once. Shadowy sound-waves float like ghosts in and out of the mix at various times creating light and shade and adding depth to the piece as we’re pulled through cascading synth lines, ghostly vocalisations and the sequenced pulse of surreal production techniques. ‘Mashinne’ is a fascinating opening salvo and a definite highlight on this release.
‘Blauekirshe’ opens up held fast in a kind of eastern esoteric haze as squally guitars scratch and pull through waves of reverb and shamanic shakers hover over droning swells of synth and rolling drum patterns. Bouncing bass lines keep hypnotic time as intense atmosphere undulates throughout injecting distant voices and surging dub like stabs of percussion. This track is lusciously addictive and at times spiritual in it’s approach. It’s reptilian movement demands attention whilst the constant pitter patter of resonating frequencies swirl and ebb effortlessly dipped in an acid blotched haze. Up next, ‘Qram’ enters audible range tumbling through calming waves filled with ringing bells and chiming alarms. At fourteen minutes plus, Qram’s peaceful beginnings are short lived as resonating instrumental drones build from deep below the mix accompanied by the surge of percussion and the rattle of reverberating cymbal noise. Spiralling instrumentation intertwined with sticky reverb pulls the throb of bass and uncompromising production values out into the ether as we tumble headlong into a mesmerising wall of shamanic krautrock. ‘Qram’ is immersive, hypnotically brilliant and another highlight on this release for me.
The album closes out with ‘Monte da Virgem’, a track that has also appeared on Fuzz Club’s latest compilation, the brilliant ‘Reverb Conspiracy Vol.5’. This track is a bass driven sonic monolith that surges through layers of driving percussion, pulsing guitars, surging instrumental drones and the heady pull of sequenced synths. Monte da Virgem’s repetitiveness is what makes it so bloody addictive. At times reminiscent of Throw Down Bones or Föllakzoid in it’s kraut like stylings, Monte da Virgem is a masterful ending to a totally immersive album.
ABOUT THE AUTHOR:
Del Chaney has spent the last five years dedicating his time to uncovering the best artists in the unsigned or small independent label based shoegaze, ethereal dream pop, post punk & modern psych rock from all over the globe & reviewing them for this blog - The Primal Music Blog. He is also a contributing writer for The Sound Of Confusion (Now On Hiatus). His other arm - Primal Radio - has gained considerable respect from bands and promoters alike since its conception in 2013 & has helped him in actively promoting a genre of music that he is passionate about. Hailing from Dublin, Ireland, he is a keen Vinyl Collector, Tattoo Fan & all round good guy! He is a self confessed music freak & is never far away from a studio console or a turntable.
by Primal Music
ARTIST: 10 000 Russos
RELEASE: Distress Distress
RELEASE DATE: 7th April 2017
RECORD COMPANY: Fuzz Club Records
Porto based '10 000 Russos' create a twisted, droning, psychedelically charged & industrially dark vision of social dystopia through their music that is very hard to shake off. Their collective sound envelopes and encroaches the inner psyche, it never panders to it's contemporaries and it leaves an enduring mark on every single listener that it touches making them one of the most exciting bands to have ever graced this modern day psych scene. The trio have just announced a brand new six track release entitled 'Distress Distress' penned in for release on April 7th via the ever reliable London based 'Fuzz Club Records'. The album is available to pre-order right now on various formats from fuzzclub.com
Swirling into audible range comes a progressive motorik behemoth in the form of ‘Germinal’, track one on this impressive release. Tumbling repetitive percussion hover menacingly in the ether, held fast in a kind of sonic gravitational field as those rumbling bass frequencies and growling guitar progressions deftly circumnavigate it’s instantly addictive vocalisations. This track heaves and lurches brilliantly through layer after layer of reverberating instrumentation dragging the listener along as it meanders through sonic peaks and troughs with relative ease. It’s a bloody masterful opening salvo indeed. Up next, ‘Tutilitarian’ stomps into earshot on a metronomic beat that’s violently harassed by droning guitars and haunting vocal progressions. Throbbing bass lines undulate wildly, hypnotising this listener with it’s snake like charms as a raging sonic war is waged through the medium of screaming guitars, disturbing production, noisy drones and psychedelically induced electronic theatrics.
‘Europa Kaput’ enters the sonic arena strapped to a shuddering sequenced beat and a stomping bass line. 10,ooo Russos noisy futuristic tendencies are evident here and they lean heavily towards the experimental, casually dancing through a dystopian sonic landscape, laying waste to what has come before and creating a whole new dimension to the genre that is modern psych rock. Next, ‘ISM’ has humble beginnings as it’s fizzing electronics exquisitely lick a repetitive bass progression while haunting atmospherically effected fret noise pulls frequencies apart at will and turns them into subtle instrumental drones that are free to burn out whilst screaming into the ether. This track builds like a dark progressive techno track, gyrating menacingly around spoken word vocalisations and a driving percussive attack before culminating in a raging cacophony of turbulent reverb and noise.
The albums penultimate onslaught comes in the form of ‘Radio 1’, a tactile pulsing sonic palpitation that vibrates & oscillates around a quivering kraut like sequenced synth progression, brilliantly chained to the sharp metronomic striking of a repetitive percussive beat. It’s subtle vocalisations emerge in stages through a haze of reverb and overdriven guitar squall building with dark menace at every instrumental circumference and merging effortlessly with the tracks collective resonating sound waves. ‘Radio 1’ is my favourite track on this entire release and I urge you to pop on some headphones just to experience the entire immersive sonic journey in full splendour. The album closes out with the rather infectious ‘Distress’. Motorik percussion and growling bass frequencies ride a wave of ticking drum hits as atmospheric machine gun sonics build vivaciously into waves of resonating fret noise. Futuristically styled vocal lines add to the melee of delicious noise, pulsing with expectancy and urging the track on into it’s grand finale. A fitting end to what has to be one of the best releases of 2017 so far.
Del Chaney has spent the last four years dedicating his time to uncovering the best artists in the unsigned or small independent label based shoegaze, ethereal dream pop, post punk, post rock & modern psych rock from all over the globe & reviewing them for this blog - The Primal Music Blog. He is also a contributing writer for The Sound Of Confusion (Now On Hiatus). His other arm - Primal Radio - has gained considerable respect from bands and promoters alike since its conception in 2013 & has helped him in actively promoting a genre of music that he is passionate about. Hailing from Dublin, Ireland, he is a keen Vinyl Collector, Tattoo Fan & all round good guy! He is a self confessed music freak & is never far away from a studio console or a turntable.