ARTIST: The Altered Hours
RELEASE: On My Tongue
RELEASE DATE: 9th March 2018
RECORD COMPANY: Art for Blind/Penske Recordings
After a year's worth of touring in support of their stunning debut album 'In Heat Not Sorry', Irish-based noise merchants 'The Altered Hours' decamped to Dublin's Bow Lane Studios to record their highly anticipated brand new four track EP entitled 'On My Tongue' . With a sound that typically tumbles through swathes of experimental psych, swirling fuzz and is at times peppered with layers of noisy shoegaze, the band decided to take a slight sojourn on this latest release by swerving into the noisier side of rock & roll thus giving us a little glimpse of what's to come on their forthcoming full length sophomore release. 'On My Tongue' was officially released on March 9th 2018 via Art For The Blind Records/Penske Recordings and is available to buy/download right now on various formats from thealteredhours.bandcamp.com
On My Tongue by The Altered Hours
A fuzzy guitar progression generously harassed by menacing feedback, fret noise and jittering reverberation announces the arrival 'On My Tongue', the EP's opening salvo. It's rumbling percussion arrives from deep below the mix, building meticulously as it pulls a skittish beat and that repetitive bass signature with it into audible range to carefully circumnavigate an impressive opening vocal line. This track explodes into a cacophony of angry noise and it's filled to the brim with a repetitive injection of fuzz, pounding drums, throbbing bass lines and that addictive pulse of feedback laden guitars. Up next, 'Open Wide' shuffles into earshot swirling brilliantly through heady layers of moody atmospherics and sticky reverberation as the slow tempo of drums undulate and move like a well oiled pendulum allowing the hum of that luscious bass progression and the accompanying repetitive guitar line wash over the listener completely. Sporadic lines of lead guitar meander in and out of the mix as another impressive vocal performance hovers in close proximity, shadowed at times by haunting lines of backing vocals and those turbulent swells of resonating instrumentation.
'Over The Void', the EP's penultimate piece, drives a noisy wedge into the sonic ether as a rumbling percussive assault attacks the senses allowing those melodic vocalisations to swirl and meld with angry guitars and the pulse of sullen bass frequencies. This track is triumph, a bloody masterpiece and a definite highlight for me on the entire release. The EP closes out spiralling into the ether stuck fast to a repetitive beat and the glistening sound of tambourine, jangling stabs of guitar and acoustic frequencies. 'Hey No Way' is thoroughly addictive and is interspersed at times with passages of experimental psych, neo-psych and fuzzed out rock and roll. Brilliantly executed vocal lines ride turbulent layers of instrumentation that collectively soar into the ether, increasing in tempo with each cyclonic circumference, before plateauing into a huge sonic behemoth and nose diving into it's sullen finale. It's a huge ending to a marvellous EP.
'The Altered Hours' have twisted and reshaped their normal sonic attack into something altogether new and mesmerising with 'On My Tongue'. It has subtle highlights of post-punk, psych, neo-psych, shoegaze and riotous rock & roll all bundled up into one almighty white knuckle sonic thrill ride.
ABOUT THE AUTHOR:
Del Chaney has spent the last five years dedicating his time to uncovering the best artists in the unsigned or small independent label based shoegaze, ethereal dream pop, post punk & modern psych rock from all over the globe & reviewing them for this blog - The Primal Music Blog. He is also a contributing writer for The Sound Of Confusion (Now On Hiatus). His other arm - Primal Radio - has gained considerable respect from bands and promoters alike since its conception in 2013 & has helped him in actively promoting genres of music that he is passionate about. Hailing from Dublin, Ireland, he is a keen Vinyl Collector, Tattoo Fan & all round good guy! He is a self confessed music freak & is never far away from a studio console or a turntable.
by Primal Music
Irish-based experimental psych aficionados 'The Altered Hours' have unleashed a mesmerising new video to accompany 'Over The Void', the second single to be cherry picked from their forthcoming & highly anticipated brand new four track EP 'On My Tongue', penned in for release on March 9th 2018 via Art For The Blind Records/Penske Recordings respectively. The video for 'Over The Void' was directed by Helio Leon with cinematography by Izabela Szczutkowska & Helio Leon and it was edited by Afghaniscan (Robert Watson). 'On My Tongue' is available to pre-order right now on various formats via thealteredhours.bandcamp.com with a UK and European tour beginning February 2018.
'Over The Void' drives a noisy wedge into the sonic ether as a rumbling percussive assault attacks the senses allowing those melodic vocalisations to swirl and meld with angry guitars and the pulse of sullen bass frequencies. This track signals a change in direction for the band musically as they step away from their usual experimental fair and dive headlong into angrier sonic permutations. 'Over The Void' does not disappoint however and that only bodes well for the full EP.
RELEASE DATE: 14th April 2017
RECORD COMPANY: Penske Recordings
Dublin based three piece 'Percolator' have been creating electronically charged experimental standards drenched in poly-rhythmic kraut rock connotations underscored with subtle flourishes of shoegaze, prog rock & resonating noise since 2012 with the bands core lineup of Ian Chestnutt - guitar/vocal, Eleanor Myler - drums/vocal & John Murphy - bass staying true to the project since its conception. They popped up on our radar back in 2013 with the immense 'Little Demon' EP (which we played tracks from religiously over on our sister radio station Primal Radio) and now they have returned with a staggering collection of eight tracks packaged as 'Sestra', released via Cork based independent record label Penske Recordings. The album is available to pre-order right now both digitally and on lovely vinyl over at percolator.bandcamp.com
Sestra by Percolator
Menacing feedback laden drones announce the opening salvos of 'Spúlmachine' and they swirl & arc into a punishing crescendo of malicious noise as repetitive percussion bounds into earshot underscored by dark malevolent bass frequencies. Pulsing sequenced electronics fizz and hiss as a waves of frequential noise wash over the piece, purposefully whipping the track into a sonic frenzy. 'Spúlmachine' is a mesmerising opening track. Up next, 'Squishy Future' resonates as it pulses into the ether on a turbulent wave of fuzzy electronically charged sonic frequencies. It twists and turns, gyrating through layers of driving percussion, warbling synth swells and throbbing bass progressions that collectively circumnavigate a stunning vocal line. The track builds and builds into raging cacophony of noise before petering out into diminishing fractious sound waves. 'Law & Order' swirls into earshot leaning heavily on experimental kraut rock as its monstrously good instrumentation grinds out a futuristic sonic behemoth filled with explosive drum patterns, angry feedback laden drones, atmospheric fret noise and noisy guitar progressions purposefully created to harbour those subdued dystopian hued vocalisations.
Driving metronomic percussion and swirling synthetic drones drag 'Kimchi' out into the open as melodic guitar progressions swing and arc, pulling menacing synth lines with them as they intertwine with brilliantly executed vocal lines and intermittent fuzzed out production theatrics. 'Kimchi' is absolutely sublime and possibly my favourite track on this entire release. Up next, 'Crab Supernova' shimmers as it breaks the surface and bounces along on a steadying beat and a warbling bass progression. Vivacious feedback laden guitar squall whips and harasses the track as a beautifully serine vocal line swerves in and out of tempestuous production. 'Yellow Fire' howls into the ether on the back of swirling golden reverberation. Shimmering vocal lines dance and skip along a lazy back beat as those tremulous guitar progressions build and sway through layers of hazy effects, sporadic whammy bar theatrics and undulating bass frequencies. 'Usen't we', the albums penultimate piece, crawls into earshot on a swirling synth line coupled with jangling guitars and repetitious drum patterns. It's duel vocal lines are marvellous here as they tip toe through layers of reverb with stunning aplomb. Sporadic tremulous guitar strums add atmosphere as 'Percolator' unleash their melodic shoegaze tendencies for all to hear, and in the process, they build this track step by step until it swerves through a magnificent wall of reverberating sound and on into its soaring finale. The album closes with the brilliant 'Binkle', a swirling tempestuous affair with screaming effects laden guitars and throbbing bass lines permeated by another impressive vocal performance that all collectively rides steadying drum pattern. Solid stuff and a fitting end to a marvellous album. For me, 'Percolator' have created one of the best Irish album's of the year so far in 'Sestra' and I wouldn't be surprised at all if it appears on many of the 2017's best of lists come year end.
Del Chaney has spent the last four years dedicating his time to uncovering the best artists in the unsigned or small independent label based shoegaze, ethereal dream pop, post punk, post rock & modern psych rock from all over the globe & reviewing them for this blog - The Primal Music Blog. He is also a contributing writer for The Sound Of Confusion (Now On Hiatus). His other arm - Primal Radio - has gained considerable respect from bands and promoters alike since its conception in 2013 & has helped him in actively promoting a genre of music that he is passionate about. Hailing from Dublin, Ireland, he is a keen Vinyl Collector, Tattoo Fan & all round good guy! He is a self confessed music freak & is never far away from a studio console or a turntable.