Pure Kafka by Alien Lizard
"Have you ever looked up at the night sky and realized the vast beauty of our universe has been drowned out by the artifice of streetlamps and skyscrapers?"
Noisy Gdansk-based psychedelic explorers 'Alien Lizard' have announced the latest single to be lifted from their forthcoming nine track long player 'Pure Kafka', penned in for release on February 23rd 2018. The track in question is brilliantly titled 'Heaven Takes The Moon' and it delightfully simmers in a heady brew of melodically hypnotic instrumentation steeped generously in glorious reverberation. Wispy vocalisations meander and move in and out of cascading bass progressions and the repetitive pull of tambourine as subtle swells of synth merge effortlessly with swirling drones and beautiful effervescent sound-waves to create something magical. 'Pure Kafka' gets it's official release on the 23rd of February with pre-orders now available via alienlizard.bandcamp.com
by Primal Music
Hailing from the north-east of England, experimental art-rock outfit 'Dose' have just unleashed a stunning debut single in the guise of 'Furniture', a hypnotically addictive slice of noise-rock underpinned with subtle flourishes of melodic shoegaze, slowcore and mesmerising passages of cinematic ambiance. Having decamped to Suburban Home Studio's and under the tutelage of MJ from the awesome 'Hookworms', this Newcastle based five piece have released something rather special indeed. The band are made up of Sean Turland, Ewan Barr, Matthew Collerton, Sam Campbell & Joe Donkin and they've shared the stage with some fantastic live acts such as Sunflower Bean, Menace Beach, Ulrika Spacek & Soviet Soviet.
Opening up with a steady almost metronomic percussive assault 'Furniture' soon pulls repetitive guitar lines and soothing reverb into the mix as addictive lead lines meander in and out of spoken word and shimmering layered vocalisations. The combination of wide-scoped production and cinematic pauses add sublime atmosphere here, allowing this track to breathe before 'Dose' unleash a cacophony of swirling noise filled to the brim with melodic feedback, layered walls of intense reverberations and the dense pull of ebow. There's also a sense of foreboding or loss hiding beneath this tracks outer shell that keeps things rather interesting, instilling a warmth or a mellowness to the entire piece that I especially love. 'Furniture' is a seriously good track making 'Dose' ones to watch in 2018 and I'm looking forward to what comes next.
ARTIST: Curelight Wounds
RELEASE: Constant Mind
RELEASE DATE: 20th November 2017
RECORD COMPANY: Unsigned
Brooklyn based noise makers 'Curelight Wounds' have returned with their highly anticipated follow up to their impressive 2016 four track EP release 'Wearing The Strings'. This new EP is the bands seventh release to date and is aptly titled 'Constant Mind'. It's as melodically fuzzy as it's predecessors and pulls with it many influencial genres of music from noisy shoegaze to post-punk, noise-rock to lo-fi. 'Constant Mind' gets it's full release on the 20th November 2017 and will be available to buy/download via curelightwounds.bandcamp.com from that date.
In a broiling undercurrent of senses pummelling instrumentation ‘Curelight Wounds’ unleash a sonic call to arms in the guise of ‘Sew It Back’, the opening salvo on this impressive collection of tracks and the EP’s lead single. Bass lines throb deliciously with post-punk abandon as they stick fast to a busy tambourine led percussive pattern and dodge the searing whip of those ever present lead guitars. It’s accompanying vocal lines quiver menacingly as they pulse through layers of reverb, brandishing an addictive 90’s alternative edginess that is very difficult to ignore. Up next, ‘Hot House’ is a swirling sonic behemoth that starts slow with those woozy whammy bar guitar theatrics before building progressively into a throbbing, bass heavy beast steeped in repetitiveness, screaming guitars and monotone vocalisations. It’s a sublime track and highlights what seems to me to be ‘Curelight Wounds’ perfecting the marvellous art of the ‘no nonsense’ two minute track that hits the nail on it's proverbial head.
The EP’s penultimate piece entitled ‘Distant Song’ shivers on a melody infused bass signature used primarily to instil a calmness as all around it explodes into a cacophony of noise. Guitar lines envelope nearly everything as a steady drum beat keeps meticulous time allowing the vocal lines to ride the tempo sitting comfortably in amongst the sonic melee. The ‘Constant Mind’ EP closes out with ‘Hard Sand’, a pulsating monster musically reminiscent of early ‘Pavement’ or even ‘The Fall’ with it’s driving bass signature, skittish percussion and those wailing guitars. It's a brilliant piece of music that ticks every sonic box as far as I'm concerned - fuzz, noise, throbbing melodic bass and tons of reverb. An absolutely brilliant end to thoroughly enjoyable EP.
ABOUT THE AUTHOR:
Del Chaney has spent the last five years dedicating his time to uncovering the best artists in the unsigned or small independent label based shoegaze, ethereal dream pop, post punk & modern psych rock from all over the globe & reviewing them for this blog - The Primal Music Blog. He is also a contributing writer for The Sound Of Confusion (Now On Hiatus). His other arm - Primal Radio - has gained considerable respect from bands and promoters alike since its conception in 2013 & has helped him in actively promoting a genre of music that he is passionate about. Hailing from Dublin, Ireland, he is a keen Vinyl Collector, Tattoo Fan & all round good guy! He is a self confessed music freak & is never far away from a studio console or a turntable.
RELEASE: Courage Reels
RELEASE DATE: 21st April 2017
RECORD COMPANY: Morningside Young Team Records
Following on from a handful of well-executed, tight and impressively written EP’s and singles that explored a wide array of genres including traditional shoegaze and much louder feedback ridden noise rock, is the debut full length album 'Courage Reels' from Edinburgh based four piece Wozniak. It’s a heavy, noisy and progressive listen, and one on which the band decides to take full advantage of their instruments, creating several lengthy songs with two or three lines of vocals in it amid riff after riff of sonic noise and what sounds at times to be well-captured jam sessions. Many songs take on this structure; and through it 'Courage Reels' at times sounds anywhere from stoner/sludge metal, progressive rock, shoegaze, dream pop, alt-rock, then throw in a bit of alt-metal and a weird kind of krautrock for good measure and tie them all together in layers of noisy feedback and what you get are tall sprawling arrangements that make Wozniak sound like a ten piece. 'Courage Reels' gets it's full release on April 21st 2017 via 'Morningside Young Team Records' and it is available to pre-order right now in various formats from wozniak.bandcamp.com
Courage Reels by Wozniak
'Courage Reels' opens with the instrumental ‘Shader’ that morphs itself around a heavy stoner metal riff and the gentle tapping of the drums in the background. However, after this introductory riff, the band launch into what sounds more like a traditional shoegaze due to the tone of their guitars and the musical melding between the guitar and the drums. ‘Shader’ takes this form for almost the entire song; jumping from a stoner metal riff into more airy shoegaze passages, all the while masking a background of feedback that compliments the music immensely. Much slower and distant is the shoegaze track ‘Ghosting’ whose form takes the shape of ‘Shader’ in that it jumps from heavy fuzzing back to its mellow origins; coming off as less heavy than ‘Shader’ but more intricate. The slowed, winding parts of the song are soothingly beautiful, masking mood and sound over a distinct form of song writing. ‘Ghosting’ also happens to contain vocals; all five lines of them, so drowned out you can hardly hear them, which actually fits in well with the context of the song. ‘Super Panther’ ties both previous songs together and revisits the more shoegaze sides of the bands sound, implementing fuzz bass and a fantastic drum track over the top of the winding and shimmering guitars that play a demented kind of indie rock. This song also sounds strongly influenced by alt-rock, with its more linear structure and ‘traditional’ riff centred form of song writing on display.
Back in March 2017 the band released the first single from 'Courage Reels', and that single was ‘Perihelion’ which crops up as one of the best tracks on the entire release. It’s a beautiful, trance inducing mix of down-trodden guitar strumming that harkens back strongly to the classic shoegaze sound with swirls of a darker kind of dream pop. The vocal performance here is also fantastic and an album highlight, as well as the instrumentation and backing noise to which the song takes it cues and creations from. Although the song goes for several minutes, the band condense the vocal, quieter and more accessible section of the song to its beginning and then launch into a wild and commendable instrumental section that winds out the second half of the song strongly and passionately. In a similar way is ‘Scottish Dancer’ which blows past the eight minute mark in its form, which is distinctly reminiscent of cold shoegaze, to again show the bands strength in song writing. Scottish Dancer’s beginning, featuring another well produced vocal section, sounds better than ‘Perihelion’ in terms of every aspect of the song fitting swiftly together. Another amazing instrumental outro leads the songs second half, in which background feedback is used as a soundscape style to greatly enhance the songs sound. ‘Natsuko’ returns to a more conventional length and sounds more akin to post-punk than anything else the band touch on 'Courage Reels'. Although its beautiful and holds some impressive moments, I did wonder what its significance in context of the album was, and upon a second listen parts of it tended to sound more like an album filler than anything else.
‘Erebus’ is another true album highlight, perhaps due to fantastic contextual balancing by Wozniak in terms of the track listing on the album. After a few lengthy, heavy and layered songs, the band turns things back to the simple and the minimal, placing the listener’s perceptions upon simple guitar based strumming that goes further to highlight a mesmerizing undercurrent of dream pop-like guitar tones and textures in the mix. ‘Crush’ features the best drumming performance on the album, but unlike the few previous tracks avoids stronger shoegaze elements instead focusing upon a kind of alt-rock type sound, driven by a distant but interesting vocal performance. ‘Death Suit’ turns things back up to the lengthy heights of ‘Scottish Dancer’ and ‘Perihelion’ but with much less conviction. It starts strong, with a neat little guitar intro, but seeps into uneven sections of music that seem to be so far removed from the other that it becomes more of a slog than a listen. However, the six to eight minute section is absolutely masterful and deserves praise for being one of the greatest passages of music on the release.
I must fully admit that I’m a fan of Wozniak, whose style and experimentations in guitar-orientated music have shone through in a fantastic and interesting way through past releases. I especially love the song ‘El Maresme’ which is quite an old song from their fantastic EP Pikes Peak. I say all of this simply because 80% of the music on 'Courage Reels' is less like the bands previous studio EPs and singles; the engaging single 'Harker' remains firmly an alternative shoegaze/dream pop song, so does 'Auster' and its more guitar driven sound. For 'Courage Reels' to feature lengthy, heavy, more straight forward rock arrangements that you could almost always classify as alternative-rock, rather than the hazy dream pop or shoegaze-based musings of their previous efforts is somewhat of a challenge for the listener. I don’t necessarily mean that in a bad way, and we must all congratulate and encourage bands to transform, progress stylistically and traverse new terrain over song writing and performance, but I wonder if 'Courage Reels' is in fact the right kind of progression. It is a fantastic album (as noted by the rating) but ultimately it sounds like a band who are carrying only fragments of their previous skin after shredding it. Personally, as a fan and a listener, I would have loved to have heard more vocals on this instrumentally generous album. Also for some out there, a cover to cover listen would be just too much; the songs are lengthy affairs, the transitions within the songs are at times slightly awkward and the piling of lengthy songs after lengthy songs makes the album feel longer than it is. All of this probably sounds like mad criticism, but that could not be further from the truth. In fact, for all of the criticisms of the music I have, there is equal acclaim and admiration for 'Courage Reels'. It is exquisitely well produced and mixed, and the band shines through on every track to display a commitment and a wild sincerity to the well written songs featured on it. These elements amount to a well rounded and impressive album, bundled up fluently in commitment and sound.
Cam Phillips is a writer and above all, a music lover, who seeks to gain experience through writing and listening. He is also an avid film viewer and art and literature junkie who enjoys creative writing. His most recent published work was featured on Baeble Music and Culture (USA), Sounds and Colours Magazine (Latin America, London), Easterndaze (Latvia) and the Australian based heavy music blog, I Probably Hate Your Band.
Edinburgh based noise manipulators 'Wozniak' have unleashed yet another super sonic cut entitled 'Shader' lifted off their forthcoming & highly anticipated debut album 'Courage Reels', penned in for release on the 21st April 2017 both digitally and on a limited edition CD via Morningside Young Team Records. The band are made up Simon Cuthbert-Kerr - guitar, Sarah Cuthbert-Kerr - guitar/vocals, John Sinclair - drums & James Urquhart - bass and their collective sound swirls deftly in a heavy sonic stew filled with hazy shoegaze, atmospheric post-rock and fuzzed out noise rock.
'Shader' is an angry sonic behemoth that tumbles menacingly in a dark and fuzzy universe filled with repetitious frequencies and layered reverberations that swirl and undulate precariously on top of a trembling bass line and another impressive percussive assault. Highly addictive, the instrumentally brilliant 'Shader' spins through its verse progressions with intense atmospheric rage before using its powerful chorus parts to soar into the ether on utterly sublime shoegaze inspired highs. Thoroughly enjoyable, this track is a stunning prelude to the forthcoming full length release.
Something Like Eternity by The History Of Colour TV
Berlin based experimental/alt-shoegaze outfit 'The History of Colour TV' have unleashed a moody, introspective second single entitled 'As Grey As Park Can Be' lifted off their forthcoming (March 17th) third full length album 'Something Like Eternity'. The band was founded in 2010 and is made up of Jaike Stambach, Markus Mocydlarz & Janek Sprachta. Collectively they have skipped through a plethora of different musical styles over the course of their previous releases from their electronic leanings on their debut full length 'Emerald Cures Chic Ills' through to the brilliant sometimes heavy, sometimes stripped back/ambient stylings of 'Shapes of Spilt Blood Spelt Love' and on into this new album and it's emotive sweeping soundscapes.
'The History Of Colour TV' are no strangers to the underground scene having previously released music via some heavy hitting underground record labels such as Bruit Blanc, Saint Marie Records, the bands own label 'Weird Books'and now through the French based indie label 'Cranes Records'. This new track follows the first single 'Wreck' from this album which is available to pre-order right now on various formats from thehistoryofcolourtv.bandcamp.com
Edinburgh based noise merchants 'Wozniak' have announced an immense new single entitled 'Perihelion' lifted off their forthcoming & highly anticipated debut album penned in for release on the 21st April 2017 via Morningside Young Team Records. The band are made up Simon Cuthbert-Kerr - guitar, Sarah Cuthbert-Kerr - guitar/vocals, John Sinclair - drums & James Urquhart - bass and their collective sound swirls deftly in a heavy sonic stew filled with hazy shoegaze, atmospheric post-rock and fuzzed out noise rock. 'Perihelion' gets its full official release on the 3rd March 2017. A limited edition CD includes extra exclusive tracks 'Ground Echo' and 'Portents' and you can pre-order it right now via wozniak.bandcamp.com
'Perihelion' squeals into earshot on a repetitious instrumental drone as jangling guitar progressions spin in close orbit peppering the senses with waves of pulsing reverberation. Ethereal vocalisations hang precariously on the edge of a tightly coiled metronomic beat as the constant hum of bass frequencies hover and cajole the entire piece, looping and arcing menacingly into a turbulent tidal wave of shimmering noise. 'Perihelion' is darkly atmospheric, filled with raging torrents of latent noise and intense production. This is a stunning return to form from a band who can do no wrong! We can't wait for the full album.
Danish based noisy alt-psych duo 'ZRN' have released a crawling sonic behemoth in the form of their latest single 'Deep End', lifted from their forthcoming EP entitled 'Swim' penned in for release sometime in April 2017. 'ZRN' are a side project of monstrous Danish psych rockers 'Tales Of Murder And Dust' and their sound has gone from meandering, atmospheric almost slowcore/shoegaze leanings on their 2015 full-length release 'Animous' into a more of a menacing noise rock orientation on these new tracks. In the bands own words 'Deep End' is "a feminist battle hymn" and it was recorded with the backdrop of the US elections hanging over all of our heads. It deals with some very real & dangerous subject matter, focusing on the bleak outlook of a polarized society, where the basic respect for a woman's body and rights is under attack.
'Deep End' is immensely infectious! It undulates and snakes on layers of dark, noisy bass frequencies supplemented with repetitive lead lines, shimmering tambourine shakes and a heavy sense of sonic foreboding. It's vocal lines glide and snake in and out of the instrumentation, under constant bombardment from whirring lead guitar lines and atmospheric production theatrics. There are sublet hints of 'Sonic Youth, Lydia Lunch' and seminal UK noise gazers 'Cranes' pulsing through Deep End's inner core that are incredibly addictive. Roll on the full EP!
It's All Gone by The Age of Colored Lizards
Norwegian based psychedelic dream gazers 'The Age Of Coloured Lizards' have released brand new track entitled 'It's All Gone' via their bandcamp page. With a sound that permeates a multiple of different layers in the music genre spectrum, taking in dreamy shoegaze, psych, noise rock & fuzzy alt-rock 'The Age Of Coloured Lizards' do not disappoint. 'It's All Gone' is available to buy/download right now from: theageofcoloredlizards.bandcamp.com
'It's All Gone' explodes into audible range swirling menacingly in a maelstrom of noisy fuzz & reverberation. The vocals arrive bringing with them an aura of peaceful solitude, cutting through the cacophony of tremulous frequential noise to deliver a stunning track filled with immense psych-gaze promise.
Glasgow's noise-rockers 'St Deluxe' release their first new material since 2013's double A side single 'Plastic Eyeballs/On The Moon' and it's a summery slice of scuzz! 'Highly Strung' is available to download as a 'Name Your Price' right now via www.stdeluxe.bandcamp.com/track/highly-strung & its a recommendation from us lot. Go check it out!
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