Evil In The Tree by The Oscillation
Sublime London based experimental psych aficionados 'The Oscillation' have returned with a mesmerising new 7' single entitled 'Evil In The Tree' released back on the 11th August 2017 via the ever reliable UK based independent label 'Wrong Way Records'. This two track 7' single is available right now both digitally and on lovely vinyl (limited to 300) via wrongwayrecords.bandcamp.com
'Evil In The Tree' pulses into existence on a magnificent sonic wave filled with metronomic percussion, mind numbing bass frequencies, chittering electronics and droning swirls of synth. Snarling vocalisations swirl menacingly in a dark turbulent haze as screaming lead guitar and haunting organ swells hold court allowing Demian Castellanos to imprint his addictive brand of audio chaos on the baying public. Track two; 'Paranormal Non-Activity' is a slightly calmer affair that dips in and out of dark, ambient hued reverberations whilst swirling through turbulent instrumental drones and tumbling swathes of angry electronics until eventually building into a monstrous incantational soundscape.
by Primal Music
ARTIST: The Cult Of Dom Keller
RELEASE: Paradiso Is On fire
RELEASE DATE: 22nd May 2016
RECORD COMPANY: Cardinal Fuzz / Sky Lantern Records
Hailing from the East Midlands, 'The Cult Of Dom Keller' have been laying down influential sonic road maps for the modern underground psych scene to follow for the past decade by creating mind expanding soundscapes drenched in acid laced alchemy. Their heady brand of hypnotically charged psychedelia has influenced many of the newer arrivals to this burgeoning scene and their DIY ethos has insured that you can never predict exactly what they will do next. Now, at last, the band have been captured in a setting that they absolutely thrive in. Witnessing 'The Cult Of Dom Keller' live is a white knuckle sonic thrill ride filled with raw unabashed power and mirrored in a multicoloured spectrum of sound. Captured live as they toured their latest LP – 'Goodbye To The Light' (Fuzz Club) at the at Het Bos, Antwerp 17/11/16 and Paradiso, Amsterdam 19/11/16 the band have stretched out ten live tracks, taken from all 3 of their long player albums, and played them to within an inch of their lives. 'Paradiso is On Fire' is presented over four sides of lovely vinyl and was released back on the 22nd May 2017 via Cardinal Fuzz (UK) & Sky Lantern Records (USA) respectively. You can get your hands on the gatefold vinyl right now from cful.bandcamp.com
Paradiso Is On Fire by The Cult of Dom Keller
Howling incantational vocalisations enveloped within a swirling vortex of tremulous guitars and crashing cymbals add instant atmosphere as 'The Cult Of Dom Keller' whip up a turbulent surging wave of incandescent noise that washes over the entire audience. Throbbing bass frequencies enter the ether, pulling in unison with chugging guitars, raging lead lines and the swing of metronomic percussion thus instilling a hypnotic edge to proceedings. 'Beyond All Evil Is A Black Hole' builds into a surging monolithic wall of resonating noise used primarily to repetitively profess a vocalised statement of intent ... 'You Are Not My God' .... a mantra to live by! The live crowd howl as the droning opening salvo's of 'The Broken Arm Of God' whirr and bounce through waves of punishing reverberation. Growling bass frequencies coupled with angry guitars, pounding drums and dark fizzing synth swells announce those haunting post-punk inspired vocalisations that glisten brilliantly in a dark & menacing hue. Track three doesn't let up either; 'Nowhere To Land' explodes into a tumbling ball of fuzzy noise, filled with explosive drums, wailing synth swells and deep driving bass frequencies. Noisy guitars lick and whip at those impressive vocals as cascading organ lines loop and arc in and out of driving instrumentation leading the crowd into a frenzied response upon it's finale.
'Dead Seas' gyrates on an agitated guitar drone as crashing cymbals ride the turbulent sonic wave. The atmosphere is intense as the track builds and builds through repetitious guitar theatrics permeated by raging waves of resonating sonic frequencies. Giddy patches of sparse percussion bubble up announcing a menacing vocal before a swirling organ line tip toes through a flourish of haunting notes. The track lurches forward twisting and turning through passages of 60's tinged psych at will and bouncing through incandescent progressions with a fervent ease. Up next, the punishing opening barrage of 'Shambala Is On Fire' burns with intent. Dark oppressive instrumentation rides a wave of tempestuous percussion laying down a sonic walkway for another brilliant live vocal performance whilst the raging 'Eyes' screams into earshot on explosive drum patterns and swirling drones as the bark of angry bass and wailing lead guitar envelopes lamenting vocalisations. 'Nothing Left To Stay For' tumbles through an opening repetitive vocal mantra accompanied by sequenced synth and haunting post-punk hued vocal lines. It's surging guitars enter the sonic battle field on a whim, underpinned by humming bass frequencies and a subtle percussive swagger as the tracks different parts are meticulously worked out live before the band unwrap the incantational 'Astrum Arenteum' and wash the crowd clean with it's hypnotic neo-psychedelic reflections.
The albums penultimate live treat comes in the form of 'Swap Heron', lifted off the band debut self-titled album released back in 2013. Live, this track is a different animal altogether. Squally guitars work through a warped chord structure before the track winds itself up into menacing sonic maelstrom filled with tumbling drum patterns, humming bass frequencies and haunting vocalisations constantly harassed by the cyclonic whip of lead guitar. Undulating synth lines emerge from the turbulent whirlwind urging the track into it's explosive finale. The crowd erupt into a rapturous applause before we're introduced to the final soundscape on this impressive live compendium. Possibly my favourite track by 'The Cult Of Dom Keller', 'Worlds' is a driving statement of intent. Pounding drums, angry guitar stabs and shaking tambourine build the intensity nicely before the track explodes into a multitude of resonating frequencies. It's shamanic like vocals float into existence through a muggy haze of reverb, jostling for space with soaring lead guitar lines and crashing cymbals and winning the sonic tug of war with glowing results. A masterful ending to what is one of the better live albums out there today.
ABOUT THE AUTHOR:
Del Chaney has spent the last five years dedicating his time to uncovering the best artists in the unsigned or small independent label based shoegaze, ethereal dream pop, post punk & modern psych rock from all over the globe & reviewing them for this blog - The Primal Music Blog. He is also a contributing writer for The Sound Of Confusion (Now On Hiatus). His other arm - Primal Radio - has gained considerable respect from bands and promoters alike since its conception in 2013 & has helped him in actively promoting a genre of music that he is passionate about. Hailing from Dublin, Ireland, he is a keen Vinyl Collector, Tattoo Fan & all round good guy! He is a self confessed music freak & is never far away from a studio console or a turntable.
ARTIST: Magic Shoppe
RELEASE: High Goodbye
RELEASE DATE: 16th June 2017
RECORD COMPANY: Little Cloud Records
Sublime Boston based dissonant psych aficionados 'Magic Shoppe' have just unleashed a brand new EP to the masses entitled 'High Goodbye', a bruising four track fuzz fest that will literally blow your socks off. From their very first release, the impressive ‘Reverb EP’ (2010) ,'Magic Shoppe' have been firmly on our radar and have also been a recommendation of ours for quite some time. Their immense brand of fuzzy, reverb induced psychedelic mayhem rattles through its gears with blistering aplomb and takes the listener on melodic journeys of sonic discovery. This latest EP had it's official release back on June 16th 2017 via the brilliantly independent 'Little Cloud Records' with various formats available including lovely limited edition 12' translucent red vinyl from magicshoppe.bandcamp.com
High Goodbye by Magic Shoppe
The EP opens up, tumbling menacingly through an unwavering wall of growling melodious guitars as ‘High Goodbye’ resonates into the subconscious. Shaking tambourines ride a wave of sticky bass frequencies and gravitate in close proximity to a tempestuous percussive swagger. It’s vocal lines croon and undulate in and out of snaking lead lines as the hypnotic swing of instrumentation captures this listeners attention. ‘High Goodbye’ is a stunning opening salvo steeped in swirling reverberations and whirring drones that captures a snapshot of what this modern day psych-gaze scene is all about. Up next, ‘Lost In Space’ shimmers in a dark resonating haze as the twang of lead guitar drags metronomic shakers into the mix underscored by soaring drones and a definitive 60’s neo-psych hue. The heady sonic fog clears to allow addictive vocal lines to lick, whip & penetrate just enough to guide the way as we shake and move through hypnotically charged shamanic vibrations filled with raging lead guitars and punishing production.
The EP’s penultimate piece entitled ‘Her Ritual’ stirs the senses as menacing sonic reflections bounce, drone and jitter effortlessly into the ether with blistering aplomb. The mechanical thump of percussion drags angry guitars and another mesmerising vocal into perspective, drenched in reverb and hovering on a bedrock of throbbing bass frequencies and the incessant whoosh of droning instrumentation and in turn answering to nothing but the pull and swing of a deeply hypnotic tempo. ‘Her Ritual’ sucks you in slowly and spits you out at break neck speeds before dropping you off into a swirling acid drenched haze. The EP closes out with what is possibly the most alternative track on the entire release and although they side step away from the sonic themes of the previous three tracks, ‘My Minds Eye’ is actually bloody immense. It begins with waves of screaming feedback as the band collectively usher in driving drum patterns, undulating bass lines, addictive tambourines and howling vocalisations before lightening the touch paper and exploding into a catchy, hook laden chorus progression. They repeat the process, turning up the noise as they go, injecting swirling drones and surging feedback into the mix before calling a halt to proceedings, trapped in a cyclonic whirlwind of noise. An absolutely stunning finale to another bloody masterful EP.
ABOUT THE AUTHOR:
ARTIST: Tombstones In Their Eyes
RELEASE DATE: 4th August 2017
RECORD COMPANY: Send Me Your Head Records
Stoner rock, neo-psych, subtle flavours of shoegaze and rolling slowcore melded with fluttering dark frequencies, intense melody and those totally addictive vocalisations of John Treanor make up the collective sonic melting pot of musically astute L.A based quartet 'Tombstones In their Eyes'. Back in May 2016 they literally blew me away with their 'Bad Clouds' EP, so much so that I have been waiting with baited breath to see what these guys could come up with next. The band are made up of John Treanor – Vocals/Guitar/Keyboards, Josh Drew – Bass/Backing Vocals, Stephen Striegel – Drums/Percussion & Samuel Sherwood – Percussion and they have just announced their third EP entitled 'Fear' penned in for release on August 4th 2017 via 'Send Me Your Head Records' with pre-order options now available via tombstonesintheireyes.bandcamp.com
Fear by Tombstones In Their Eyes
The EP unfurls its sticky sonic tendrils with ‘I Want To Fly’. An explosive opening breathes life into an effortless vocal track that sits gracefully atop growling guitars, shuddering percussion and throbbing bass frequencies as ‘Tombstones In Their Eyes’ dip into their inner psych, melding it with subtle shoegazing tendencies and angry alt-rock to create a magically intense piece of music. Up next, my favourite track on the entire release enters audible range. ‘Separate’ tumbles into the ether strapped tightly to a downward spiralling tremulous drone before hazy vocalisations snake and undulate through warbling guitars, fizzing synth and cascading bass lines. It builds in intensity as it works through it’s sonic gears, moving menacingly through swathes of impressive reverb before culminating into a swirling mass of blissful noise. It’s a triumph of a track and it’s filled with everything that is needed to stir the senses completely.
‘Always There’, the EP’s lead single, sounds more like a mash up of french band AIR, R.E.M and some other nondescript alternative outfit from the mid 90’s. It doesn’t do it for me at all I’m afraid and I find it hard to understand what it is exactly that the band where trying to achieve here. I’ll probably be hung for saying that but for me it’s a very confusing track. Up next, ‘Another Day’ fizzes into life tumbling effortlessly through waves of hazy reverberation as melodious guitars are cajoled and whipped by swirling drones, the plink of synth and driving percussion before we’re dragged headlong into a marvellous chorus progression that simply soars. Brilliantly executed and filled with excellent production ‘Another Day’ mesmerises. The EP close out with another triumphant piece of music. ‘Fear’ swirls through a hazy psych filled world with blistering aplomb. Metronomic percussion coupled with shimmering tambourine adds intense atmosphere as a growling wall of noise pulls hypnotic vocalisations out into the ether, trembling on waves of throbbing bass and undulating synth swells. Soaring lead guitar gloriously punishes this entire piece to within an inch of it’s life, intertwining at times with those shamanic like vocal lines before we’re dropped off the back end, holding on desperately to it’s fading instrumental drones. A blistering end to a rather good EP.
Del Chaney has spent the last four years dedicating his time to uncovering the best artists in the unsigned or small independent label based shoegaze, ethereal dream pop, post punk & modern psych rock from all over the globe & reviewing them for this blog - The Primal Music Blog. He is also a contributing writer for The Sound Of Confusion (Now On Hiatus). His other arm - Primal Radio - has gained considerable respect from bands and promoters alike since its conception in 2013 & has helped him in actively promoting a genre of music that he is passionate about. Hailing from Dublin, Ireland, he is a keen Vinyl Collector, Tattoo Fan & all round good guy! He is a self confessed music freak & is never far away from a studio console or a turntable.
ARTIST: Singapore Sling
RELEASE: Kill Kill Kill (Songs About Nothing)
RELEASE DATE: 2nd February 2017
RECORD COMPANY: Fuzz Club Records
Icelandic based experimental neo-psych aficionados 'Singapore Sling' have announced their highly anticipated ninth studio album 'Kill Kill Kill (Songs About Nothing)' penned in for release on February 2017 via the purveyors of all things psych 'Fuzz Club Records'. Formed back in 2000, 'Singapore Sling' are credited as being one of the originators of this experimental modern day psych scene with their music continuously being mentioned as influential to many of the newer psych bands releasing music within the scene today. You can pre-order 'Kill Kill Kill (Songs About Nothing) right now from fuzzclub.com
A menacing guitar drone ushers in repetitive drum patterns and a driving bass line as 'Shake Shake Shake', the opening track on 'Kill Kill Kill (Songs About Nothing)' explodes into a reactive wall of deliriously erie cascading piano lines and mesmerising vocalisations that seem to be collectively held in some sort of static gravitational reverberation. Guitars wail and arc brilliantly behind surging bass heavy instrumentation as the track meanders through it's sonic peaks and troughs with blistering aplomb. Up next, 'Scum Scum Scum' pulls itself out of it's fuzzy swirling melting pot as mantra like vocals pulse through waves of reverb, constantly berated by unsettling piano lines and cymbal heavy percussion. We're led a merry dance until that glorious chorus progression allows in some dull light and lifts the track ever so slightly out of the darkness only to collapse like some forlorn war weary beast of burden destined to sink back into the mix. A masterful track from start to finish.
'Fuck Everything' lurches into earshot on a brilliantly executed metronomic percussive shuffle as a swirling fuzzy instrumental drone circumnavigates the reverb heavy vocal line and that desert laden tremulous guitar line whilst 'Bop Bop Boo' swings into action held fast within a pulsating unwavering instrumental behemoth as we're told to 'Forget About God & Forget About Hope'. Happy days indeed! Up next comes the album's lead single. 'Evil Angel' stews menacingly, deep within a discomforting psychedelic brew as those seriously off putting horns lounge precariously on top of a fuzzy undulating bass line. The lingering reverberation of the guitars and the turbulent shaking of a motorik percussive beat adds dark atmosphere as Henrik's impressive echoing vocalisations swirl effortlessly into the ether . 'Evil Angel' is deeply experimental and fans of 'Singapore Sling' will notice it from the off but don't be fooled, this track is genre defining.
'Sonic Haus' blasts into audible range on an angry surge of latent driving psych rock as those echoing vocalisations instil a sense of fear and trepidation. Throbbing bass frequencies hug rumbling percussion as it's wailing guitars circumnavigate the entire piece washing it clean with fuzz and reverb before exploding into a mesmerising cacophony of noise. Thoroughly enjoyable and probably my favourite track on this entire release 'Sonic Haus' is definitely worthy of your ears. Up next, 'Surrounded By Cunts' marches into the ether on a repetitive beat as droning instrumentation swerves menacingly behind meandering vocals, driving guitar squall, undulating bass frequencies and those ever consistent malicious piano stabs whilst 'Riffermania (Kill Kill Kill)' ventures into motorcycle b-movie soundtrack territory and wouldn't sound out of place echoing vehemently in films such as 'Motorpsycho, Angels Die Hard, The Hellcats or The Jesus Trip'.
The albums penultimate piece jangles and plinks into existence on a surge of quivering acoustics and swirling reverberation. 'Nothing And Nowhere' meanders deftly through expressive psychedelically charged verse progressions coupled with brilliantly executed vocalisations and on into droning chorus parts, peppered at times with fuzzy & wailing guitar squall and those militant piano stabs. The album closes out however with the majestic 'Nuthing's Theme', an atmospheric eastern tinged slice of experimental neo-psych opening up with sampled swells of brash brass sections and deviously good cascading piano lines that are all precariously positioned on top of a marching percussive assault. 'Nothing's Theme' lurches forward through it's designated sonic parts with aplomb as we're brought willingly on a dark and twisted journey of psychedelic discovery. A triumphant ending to a marvellous album.
Del Chaney has spent the last four years dedicating his time to uncovering the best artists in the unsigned or small independent label based shoegaze, ethereal dream pop, post punk, post rock & modern psych rock from all over the globe & reviewing them for this blog - The Primal Music Blog. He is also a contributing writer for The Sound Of Confusion. His other arm - Primal Radio - has gained considerable respect from bands and promoters alike since its conception in 2013 & has helped him in actively promoting a genre of music that he is passionate about. Hailing from Dublin, Ireland, he is a keen Vinyl Collector, Tattoo Fan & all round good guy! He is a self confessed music freak & is never far away from a studio console or a turntable.