EP REVIEW - Medistation - medistation - Featured Image - (700x700)

EP REVIEW | Medistation - Medistation EP

EP REVIEW - Medistation - Medistation - Post image - (300x300)ARTIST: Mediststion 

RELEASE: Medistation EP

RELEASE DATE: April 20th 2018

RECORD COMPANY: Fuzz Club Records 

Eric Strand is no stranger to Stockholm's burgeoning underground psych scene. Having already established himself in The Orange Revival (hands down one of the best neo-psych outfits out there today) Eric has just announced the self-titled debut EP release for one of his other musical projects, the mesmerising 'Medistation'. Hailing from Stockholm, Sweden, 'Medistation' create a visceral sonic palate filled with fizzing, alternative led, noise-pop drenched in swathes of shuddering reverb and swirling feedback. It collectively spotlights that truly epic early 1990's melodic neo-psychedelic sound, a sound that can sometimes get lost within this modern underground scene. The EP is a collaborative effort, with guest vocals from Jake Garcia (The Black Angels), percussion from Cobian Modeste (The Buttertones) and grand piano from Max Groundstroem (Samling/Valp). It gets it's official release on April 20th 2018 via those London-based purveyors of all things meaningful 'Fuzz Club Records' with pre-orders now available on various formats via fuzz club.com

The EP opens up trapped in an air of fizzing atmospherics as that fuzzy guitar progression pulls throbbing bass frequencies, hypnotic stabs of melodic lead and swirling electronics into the mix collectively enveloping an always impressive vocal courtesy of Jake Garcia (The Black Angels). 'Pool Of Blood' is absolutely sublime and is at times reminiscent of Ian Astbury's stint with UK-based 'UNKLE'. A marvellous opening salvo indeed. Up next, 'I Never Knew' undulates into earshot strapped to a slowly moving blues-fed guitar line underpinned with deeply hypnotic acoustic frequencies. Meticulous percussion shimmers just below the mix as humming bass frequencies meander and pulse through melodic vocal lines before we float away on swirling waves of resonating lead & slide guitar allowing the sickly sweet tinge of reverberation to evoke musical reminiscences such as Spiritualized, JAMC and the ever brilliant Lupine Howl.

'The World Is Weeping' explodes into the ether on a screeching feedback laden wave that quickly melds with repetitive guitars and addictive shakers. Lead lines whip and cajole the piece to within an inch of it's life as a throbbing bass line bounces alongside a giddy percussive assault, enveloping a brilliantly executed vocal line and those distinctly addictive neo-psych sounds loop and arc throughout. The EP's penultimate piece entitled 'Anything For You' floats effortlessly on a cloud of repetitive guitars and the soft pulse of bass. Twinkling synth and beautifully entrancing electronics dance and flutter alongside another impressive vocal performance as it's woozy effects disappear in amongst golden hued acoustics and that ever present injection of fuzz. 'Anything For You' is beautiful and a definite highlight for me on this release. 'Medistation' closes out with 'The End'. Steeped in reverb, the hypnotic pull of strings and that repetitive guitar signature melds brilliantly with swirling electronics, melodic synth and the strengthening air of atmosphere. Slide guitar meanders in and out of those pulsing frequencies as this brilliant instrumental builds into a melody strewn finale. A fantastic end to a rather interesting EP.

4/5

LINKS:

fuzzclub.com

facebook.com/MEDISTATION

ABOUT THE AUTHOR:

Del Chaney - (Author Photo)

Del Chaney has spent the last five years dedicating his time to uncovering the best artists in the unsigned or small independent label based shoegaze, ethereal dream pop, post punk & modern psych rock from all over the globe & reviewing them for this blog - The Primal Music Blog. He was also a contributing writer for The Sound Of Confusion (Now On Hiatus). His other arm  - Primal Radio -  has gained considerable respect from bands and promoters alike since its conception in 2013 & has helped him in actively promoting genres of music that he is passionate about. Hailing from Dublin, Ireland, he is a keen Vinyl Collector, Tattoo Fan & all round good guy! He is a self confessed music freak & is never far away from a studio console or a turntable.


ALBUM REVIEW - Alien Lizard - Pure Kafka - Featured Image - (700x700)

ALBUM REVIEW | Alien Lizard - Pure Kafka

ALBUM REVIEW - Alien Lizard - Pure Kafka - Post Image - (300x300)ARTIST: Alien Lizard 

RELEASE: Pure Kafka

RELEASE DATE: 23rd February 2018

RECORD COMPANY: Unsigned

Gdansk-based psychedelic explorers 'Alien Lizard' create no-nonsense psychedelic incantations filled to the brim with squally lysergic tinged reverberations, fizzing electronics and droning instrumentation all teetering brilliantly on top of shaking percussion and deep penetrative bass progressions. Their immense debut album entitled 'Pure Kafka' was officially released back on February 23rd 2018 and is available to buy/download right now via alienlizard.bandcamp.com 

Menacing vocal samples courtesy of the legendary Charles Bukowski underpinned with swirling reverberations announces the arrival of ‘Swan’, the albums opening track. It’s sonic tendrils instantly reach out and pull a bedrock of repetitive percussion, the throb of deep bass frequencies and jangling strums of guitar into the mix allowing them to merge and dance as one huge pulsating organism until we’re greeted by those haunting vocalisations. ‘Alien Lizard’ lead their listeners patiently through deeply addictive verse passages that undulate hypnotically through melodious layers of music before throwing them headlong into those beautifully hellish sonic breaks filled with turbulent instrumentation and mind blowing production. As opening tracks go this is bloody mesmerising. Up next, the eastern tinged neo-psych sounds of ‘Pure Kafka’ waft their way into the musical ether. Twinkling tambourine melds with the rumble of drums as synth swells swirl effortlessly within cascading bass frequencies and those soaring guitar progressions envelope another impressive vocal performance. This track bounces along brilliantly, and it shimmers in amongst the resonating lo-fi hued production and the attractive pull of reverb.

‘A Brave New Ad’ is a repetitious beast with slow moving percussion that crawls across a lysergic tinged sonic wasteland filled with sequenced electronics, glitchy feedback and those ever constant reverberating vocalisations. This track is like an atmospheric dream sequence lifted from some weird 1970’s sci-fi movie soundtrack that’s been overdubbed by Aldous Huxley. A twisted ‘War of the Worlds’ drenched in acid blotched hallucinogenic’s. Mesmerising stuff. Up next, ‘Parallel Parks’ swirls into earshot trapped in a cloud of jangling acoustic vibes propped up by swirling clouds of synth and sporadic percussion. Brilliantly executed vocal lines simmer and float atop layers of reverberation giving off an almost 60’s psych-pop hue as we bob and weave in and out of very modern sounding atmospheric electronics. This track works really well. It’s gloriously stripped back and a welcome refrain from the previous (although brilliant) ‘Art-Psych’ leaning compositions. ‘Heaven Takes The Moon’ delightfully simmers in a heady sonic brew of melodically hypnotic instrumentation, steeped generously in glorious reverberation. Wispy vocalisations meander and move in and out of cascading bass progressions and the repetitive pull of tambourine as subtle swells of synth merge effortlessly with swirling drones and beautifully effervescent sound-waves to create something magical.

‘Forest Hunter’ is steeped in 60’s psychedelia. It’s pounding drum track marches repetitiously in metronomic time as a repetitive bass progression meanders and intertwines with the pull of guitar and that smoky vocal line. Sullen swells of synth bubble up from below the mix leading us into that hallucinogenic break before we’re pulled back out and guided back into the track as it quickly builds into a resonating sonic behemoth and tumbles into it’s finale whilst up next, ‘Welcome To Duat’ rattles on a sequenced breakbeat as it’s soaring feedback laden guitars rage just under the mix and that hypnotic bass line circumnavigates the entire piece like wild animal on the hunt. Again we’re lured into another magical lysergic-tinged break, filled to the brim with sparse percussion and electronic themed 70’s sci-fi soundtrack chic and then it’s on into that brilliant ear shattering, krautrock leaning middle section before expertly finishing up comfortably, somewhere in between neo-psych and eastern esoteric psych. ‘Welcome To Duat’ is a total sonic trip.

The albums penultimate piece buzzes into orbit sounding more like an Australian wind instrument than a vocal sample. ‘Another Camel For Camus’ is steeped in hypnotic neo-psychedelia. It’s meandering bass line is infectious and mixed with rolling percussion and the pull of wah-wah fuelled guitar is deeply spiritual ....... up to a point! It’s then that all hell breaks loose and we’re fired skywards into heady atmospheric prog-leaning fog. The drum track rocks slowly on it’s axis, building in tempo with each repetitive swirl as swells of menacing guitar pulse through layer after layer of reverb and the constant thrum of bass resonates throughout. This track builds momentum and levels of noise every couple of seconds as the addition of synth and distortion is almost to much to bear. And just when you think that it’s time to skip to the next track we’re brought back down to earth with a bang and cushioned in a blanket of shimmering sound-waves. ‘Another Camel For Camus’ is a white knuckle sonic thrill ride of epic proportions and a definite highlight for me on this entire release.

The album closes out with ‘Goodbye to the Holy Mountain’. Cymbals crash and instrumental drones bellow as we undulate hypnotically into slow moving percussion and haunting lines of hushed vocal, interspersed with heady reverberations, subtle swells of synth and luscious bass frequencies. Lead lines of guitar whip and cajole the piece to within an inch of it’s life as we gently sway in time with the percussive swagger of the piece and we’re led into it’s gloriously infectious finale. It’s a mind blowing ending to a thoroughly enjoyable album.

5/5

LINKS:

alienlizard.bandcamp.com

ABOUT THE AUTHOR:

Del Chaney - (Author Photo)

Del Chaney has spent the last five years dedicating his time to uncovering the best artists in the unsigned or small independent label based shoegaze, ethereal dream pop, post punk & modern psych rock from all over the globe & reviewing them for this blog - The Primal Music Blog. He is also a contributing writer for The Sound Of Confusion (Now On Hiatus). His other arm  - Primal Radio -  has gained considerable respect from bands and promoters alike since its conception in 2013 & has helped him in actively promoting genres of music that he is passionate about. Hailing from Dublin, Ireland, he is a keen Vinyl Collector, Tattoo Fan & all round good guy! He is a self confessed music freak & is never far away from a studio console or a turntable.


ALBUM REVIEW - Lunar Grave - The Sunstruck Forest - featured Image - (700x700)

ALBUM REVIEW | Lunar Grave - The Sunstruck Forest

ARTIST: Lunar Grave

RELEASE: The Sunstruck Forest

RELEASE DATE: 5th January 2018

RECORD COMPANY: Cardinal Fuzz Records / Sky Lantern Records

Portland's 'Lunar Grave' have undergone some personnel changes since their inception back in 2010, releasing various outings on home grown cassette tapes, CDr's and digitally in that time building up to this debut seven track vinyl release. Their sound centres around driving krautrock, deliciously infused with free flowing transcendent psych and hypnotic grooves that collectively create something akin to an out of body experience in sonic form. It was officially released back on the 5th January 2018 via the good folks over at Cardinal Fuzz Records and Sky Lantern Records respectively with editions still available on various formats through cardinalfuzz.bigcartel.com and skylanternrecords.bandcamp.com

Bouncing bass signatures accompanied by a huge percussive assault announces the arrival of 'Piper In The Woods', the opening salvo on this impressive collection of tracks. The drum and bass assault continues for a time before 'Piper In The Woods' opens up into a full on assault on the senses. Soaring lead guitar meanders in and out of that solid drum & humming bass line combo leading us on a metronomic dance to the tracks finale. Up next, 'JJ-180' slows proceedings down a tad as a swirling concoction of soothing bass frequencies and luscious reverb stick to slow moving percussion and the lull of immense guitar sounds, continuously moving through a trance like state whilst 'Collapsed Horizon' is an impressive live jam that shudders and shakes through repetitious drum tracks, throbbing bass lines and resonating lead guitar. The sonic tendrils of 'Slow Death' unfurl, reach out and wrap themselves around the inner psyche as repetitious guitars swim and move through hypnotic reverberation buffered by slow moving bass frequencies and the slow march of percussion. 'Slow Death' is infectious. It lures you in with it's soothing sonic repetitions, carefully rocking you back and forth before gracefully implanting you deep in it's inner core. It's a triumphant track and possibly my favourite on the entire release.

'Kykeon' builds from the off as meticulous layering of guitars meander into audible range strapped to an almost motorik percussive swagger and the pull of bass notes, swaying back and forth like a pendulum deftly instilling hypnotically charged psychedelic impressions with every twist and turn. The entire track moves as one singular being, a sonic murmuration of sorts spilling technicolour sound-waves at a whim. 'Kykeon' is sublime and another highlight here. We take a quick sojourn as the fifty seconds of 'The Mold' spills it's guts before we're whooshed into the albums closing piece. Coming in at a whopping eleven minutes plus, '2-3-74' isn't for the faint of heart. Woozy instrumentation hugs a monolithic bass signature as lead guitars wrap themselves around a slow moving drum pattern, looping and arcing in and out of catchy bass progressions, drum fills and yards of stunning reverberation. It's intensely hypnotic, spiritual even as it builds and builds into a raging cacophony of psychedelic noise that floats out into the sonic ether and on into a marvellous finale. It's a fitting ending to a wonderful album.

4/5

LINKS:

lunargrave-slr.bandcamp.com

facebook.com/lunargrave

skylanternrecords.bandcamp.com

cful.bandcamp.com

ABOUT THE AUTHOR:

Del Chaney - (Author Photo)

Del Chaney has spent the last five years dedicating his time to uncovering the best artists in the unsigned or small independent label based shoegaze, ethereal dream pop, post punk & modern psych rock from all over the globe & reviewing them for this blog - The Primal Music Blog. He is also a contributing writer for The Sound Of Confusion (Now On Hiatus). His other arm  - Primal Radio -  has gained considerable respect from bands and promoters alike since its conception in 2013 & has helped him in actively promoting a genre of music that he is passionate about. Hailing from Dublin, Ireland, he is a keen Vinyl Collector, Tattoo Fan & all round good guy! He is a self confessed music freak & is never far away from a studio console or a turntable.


EP REVIEW - Melt Dunes - Flesh EP - Featured Image - (700x700)

EP REVIEW | Melt Dunes - Flesh EP

EP REVIEW - Melt Dunes - Flesh EP - Post Image - (300x300)ARTIST: Melt Dunes

RELEASE: Flesh EP

RELEASE DATE: 16th March 2018

RECORD COMPANY: Strong Island Records 

Portsmouth based psych aficionados 'Melt Dunes' create a heady brew of dark and doom laden, acid blotched psych permeated at times with sullen krautrock tendencies that collectively creep into the inner psyche to completely blow our fucking minds. With only two singles released to date on both Strong Island Recordings and Fuzz Club respectively, the quintet have penned in the release date for their stunning debut EP brilliantly titled ‘Flesh’ for the 16th March 2018 through 'Strong Island Recordings' with pre-orders available right now on various formats via strongislandrecordings.bandcamp.com 

The 'Flesh' EP opens up with 'Whats Your Name?', a burgeoning slab of psychedelic enchantment filled to the brim with swirling electronics, deep penetrating bass lines, rumbling percussion and dizzying guitars. It builds like a steam train, echoing those early psychedelic explorers before unleashing a mind-bending cacophony of sound-waves that swirl around those menacing vocalisations with ease. It's lead guitar lines whip resonating frequencies at will as they fizz and hiss alongside those eerily enticing tambourine shakes and intertwining at times with those absolutely immense bass lines that seem to dance and sway with every single percussive hit. 'Whats Your Name?' is a stunning opening salvo. Up next, 'Flesh' bellows from deep below the mix as squally guitars and a bass heavy drones melds with swirling reverberations before opening up into a modern psych gem. Explosive drum tracks growl, pulling the throb of bass, the stab of synth, hypnotic guitars and those fucking immense vocal lines into audible range. Sullen lead guitar lines buffer for space in amongst the sonic melee as we surge along in metronomic time building monstrously with every twist and turn and tumbling headlong into that huge instrumental break. 'Flesh' is a triumph and a definite highlight for me on this release.

'Epicaricacy', the EP's penultimate track, bounces into the ether on a huge bass progression and strapped to a brooding krautrock swagger. Collectively whipped and cajoled by those reverberating lead guitars, it's sullen vocal lines meander in and out of the instrumentation leading the listener on a merry dance all the way into that darkly atmospheric instrumental break filled to the brim with swirling organ lines, woozy guitars and swaying drum tracks. Hypnotic, enchanting, downright scary and at times sonically reminiscent to those fantastic Athens based psychedelic travellers 'Holy Monitor', 'Epicaricacy' is one of those tracks that you will want to go back to again and again. The EP closes out with 'Grotesque'. Swirling organ lines accompany those immense bass progressions as a slow moving drum pattern rattles deep below the mix allowing the vocal lines to sit comfortably as lines of lead guitar undulate and move at will. Sporadic shakes of percussion join in with the fun was we're led on a merry dance through passages of psych, neo-psych and heavy alternative touches all the way to tracks end. It's a  blistering closing piece to what is a decent EP.

5/5

LINKS:

strongislandrecordings.bandcamp.com

strongislandrecordings.tumblr.com

twitter.com/StrongIslandRec

twitter.com/Meltdunes

facebook.com/MeltDunes

ABOUT THE AUTHOR:

Del Chaney - (Author Photo)

Del Chaney has spent the last five years dedicating his time to uncovering the best artists in the unsigned or small independent label based shoegaze, ethereal dream pop, post punk & modern psych rock from all over the globe & reviewing them for this blog - The Primal Music Blog. He is also a contributing writer for The Sound Of Confusion (Now On Hiatus). His other arm  - Primal Radio -  has gained considerable respect from bands and promoters alike since its conception in 2013 & has helped him in actively promoting a genre of music that he is passionate about. Hailing from Dublin, Ireland, he is a keen Vinyl Collector, Tattoo Fan & all round good guy! He is a self confessed music freak & is never far away from a studio console or a turntable.


Helicon - Helicon - Album Review - Featured Image - (700x700)

ALBUM REVIEW | Helicon - Helicon

ARTIST: Helicon 

RELEASE: Helicon

RELEASE DATE: 8th December 2017

RECORD COMPANY: Fuzz Club Records

Glasgow based experimental psych outfit 'Helicon' have announced their highly anticipated self-titled debut album to the masses. With eight EP's under their belts, 'Helicon' have taken the live scene by storm, touring Europe and sharing the stage with some serious heavy hitters including Wooden Shjips, The Warlocks and Dead Skeletons. Helicon's sound is addictive, engagingly dynamic and at times all consuming or otherworldly with melodic eastern tinged psych, swirling drones, mantra like vocalisations and intricately intense guitar work that collectively merges into one almighty sonic attack. 'Helicon' get's it's full release on December 8th 2017 via the ever reliable 'Fuzz Club Records' with pre-orders available on deluxe edition vinyl (limited to 100 copies) and standard vinyl (limited to 400 copies) over on fuzz club.com and digitally from fuzzclub.bandcamp.com

A pulsating motorik wave of driving sonic abandonment announces the arrival of ‘Devil On Your Tongue’, the opening salvo on this sublime collection of tracks. It’s rhythmic progressions envelope the senses as they swirl menacingly through layers of fizzing synth, throbbing bass and driving guitars created primarily to carry those mantra like vocalisations into and out of crawling cavernous breaks that are filled to the brim with heady clouds of resonating sounds and atmospheric reverberations. ‘Valmiki’ swirls into ether tumbling gracefully through the shimmering sounds of luscious sitar underpinned by a steady drum pattern, the plink of fragile synth and rolling guitars. The pace soon quickens introducing droning instrumentation to the mix, echoing brilliantly as sonic frequencies stack on top of one another, gaining momentum with each tempestuous turn, sucking the listener into a broiling mass of stunning sonic sound waves. ‘Valmiki’ is a masterful track, highly infectious and deeply entrancing. Up next, ‘Seraph’ the albums lead single, drones into life meandering on the sweet sounds of melodic sitar and metronomic percussion. Shimmering guitars accompanied by deep throbbing bass frequencies permeate the mix, adding a heady atmosphere before dragging those stunning vocalisations into audible range whilst undulating brilliantly through layers of sticky reverberation.

‘Drinking Of You’ fizzes into life riding a sequenced synth line accompanied by hum of bass, subtle guitar and rolling percussion. A dark and oppressive atmosphere starts to build, and it seeps into every single fibre of the track, erupting in stages into a heaving mass of angry instrumentation that undulates into periods of calm and at times can slip into deep dark trenches filled with raging frequencies and tinged with a kind of lysergic sonic energy. It’s a bloody impressive track that can both scare and amaze all at once. ‘The Bold Yin’ momentarily drones into life pulling blissed out synths and shaking percussion with it as it tumbles through the ether. Heavenly vocals float atop shimmering sounds topped up with swirling organ swells and resonating acoustic guitar as catchy chord changes drenched in reverb pull searing lines of lead guitar into close orbit allowing them to lick and whip the piece into shape. ‘The Bold Yin’ morphs into a very different animal half way though as ‘Helicon’ move up through the gears and inject an acid tinged hue on proceedings. Driving instrumentation swirls and dances alongside senses pummelling percussion, collectively building into an unstoppable sonic behemoth. Up next, my favourite track on the entire release is let loose to fuck with peoples minds. ’Teenage Murder’ is an immensely addictive, crawling, metronomic beast drenched in dark and oppressive psych induced atmospherics. A processional drum beat holds court here forming a bedrock of sound waves capable enough to carry surging synth swells, bubbling electronics, howling guitars and throbbing bass frequencies, drenched in sullen reverberation and deftly enveloping that absolutely immense vocal performance. Resonating synths intertwine with spine tingling tambourine hits and wrap themselves around huge sprawling chord changes as this track is dragged through walls of stunning effects and intense production with relative ease. ‘Teenage Murder’ is infectious and will have you replaying it for days.

The albums penultimate piece entitled ‘French As Fuck’ unfurls it’s sonic tendrils floating through hazy walls of esoteric psych. Luscious sitar lines loop and arc through pulses of organ and fizzing synth as subtle guitars rumble and move alongside cascading bass frequencies and steady percussion. Melodic vocal lines hover atop repetitive progressions and work through shimmering verse patterns with ease as chorus parts explode into a vivid kaleidoscope of colour. ‘French As Fuck’ is a wonderful blissed out psychedelic excursion into the sonic ether. The album closes out with ‘Ring The Albanian’. It’s opening salvo’s shake and shudder into audible range bellowing violently on a layer of growling guitars, shimmering sitar and senses pummelling percussion. A throbbing bass line meanders underfoot as howling guitars take centre stage building maliciously into a blisteringly explosive cacophony of noise accompanied by soaring synth and huge percussive breaks. It's a marvellous end to an absolutely immense album.

5/5

LINKS:

fuzzclub.com

fuzzclub.bandcamp.com

heliconglasgow.bandcamp.com

facebook.com/HeliconGlasgow

twitter.com/HeliconGlasgow

ABOUT THE AUTHOR:

Del Chaney - (Author Photo)

Del Chaney has spent the last five years dedicating his time to uncovering the best artists in the unsigned or small independent label based shoegaze, ethereal dream pop, post punk & modern psych rock from all over the globe & reviewing them for this blog - The Primal Music Blog. He is also a contributing writer for The Sound Of Confusion (Now On Hiatus). His other arm  - Primal Radio -  has gained considerable respect from bands and promoters alike since its conception in 2013 & has helped him in actively promoting a genre of music that he is passionate about. Hailing from Dublin, Ireland, he is a keen Vinyl Collector, Tattoo Fan & all round good guy! He is a self confessed music freak & is never far away from a studio console or a turntable.


Telescope - Telescope - EP Review - Featured Image - (700x700)

EP REVIEW | Telescope - Telescope EP

ARTIST: Telescope

RELEASE: Telescope

RELEASE DATE: 10th November 2017

RECORD COMPANY: Unsigned

Barcelona based neo-psych duo 'Telescope' unleashed their debut self-titled three track EP to the masses back on November 10th 2017. With a sound reminiscent of The Brian Jonestown Massacre, Dungen and Tame Impala this sweet little release caught our attention instantly. The band are made up of Esteban Garós & Luis Pomés and you can buy/download this impressive release right now via telescopebcn.bandcamp.com

The EP opens up swirling in muggy reverberating haze. Magically melodic sound waves intertwine with a rambling vocal performance as 'With Your Truth' unfurls it's sonic tendrils and explodes into a cacophony of colourful frequencies. Plodding bass lines meander and undulate brilliantly under busy percussion as catchy hook laden chord changes and the pull of fuzz laden guitars lead us into whirring, looping lead lines and sublime passages of neo-psychedelia. Up next, 'Adrift' bounced into the ether on a melodic bass signature as tambourine hits and swirling organ swells announce the arrival of a catchy lead guitar line and reverb laden vocalisations. It's chorus parts are utterly addictive and they show off the songwriting prowess that this duo possess. There's also a fantastic modern psych feel to this track although it does have passages of 60's psych pop attached to it's kaleidoscopic vibrations.

The EP closes out with 'Not Your Game', a tumbling shimmering behemoth that rumbles through a melody strewn landscape filled with addictive bass fills, explosive percussion and brilliantly executed instrumentation. Leads guitars lick and harass impressive vocalisations before that synth line permeates the ether and instantly adds golden atmosphere to proceedings. A masterful ending to brilliantly executed EP.

Recommended!

4/5

LINKS: 

telescopebcn.bandcamp.com

facebook.com/telescopebcn/

ABOUT THE AUTHOR:

Del Chaney - (Author Photo)

Del Chaney has spent the last five years dedicating his time to uncovering the best artists in the unsigned or small independent label based shoegaze, ethereal dream pop, post punk & modern psych rock from all over the globe & reviewing them for this blog - The Primal Music Blog. He is also a contributing writer for The Sound Of Confusion (Now On Hiatus). His other arm  - Primal Radio -  has gained considerable respect from bands and promoters alike since its conception in 2013 & has helped him in actively promoting a genre of music that he is passionate about. Hailing from Dublin, Ireland, he is a keen Vinyl Collector, Tattoo Fan & all round good guy! He is a self confessed music freak & is never far away from a studio console or a turntable.


Cobra Family Picnic - Magnetic Anomaly - Featured Image - (700x700)

ALBUM REVIEW | Cobra Family Picnic - Magnetic Anomaly

Cobra Family Picnic - Magnetic Anomaly - Post Image - (300x300)ARTIST: Cobra Family Picnic 

RELEASE: Magnetic Anomaly 

RELEASE DATE: 22nd May 2017

RECORD COMPANY: Cardinal Fuzz/Sky Lantern Records

Tuscan based psych aficionados 'Cobra Family Picnic' released a stunning album entitled 'Magnetic Anomaly' back on the 22nd May 2017 via Cardinal Fuzz Records (UK) & Sky Lantern Records (USA). The band create a fuzzy, blissed-out haze that skips through lysergic rhythmically focused space-rock, kraut-rock, experimental neo-psych and kosmische with relative ease and have over the last three years shared stages with critically acclaimed bands such as Moon Duo, White Manna, The Myrrors and Mugstar. Members of the band recorded here include names from a host of other local Tucson psych ensembles, such as The Desert Beats, The Night Collectors, and Wight Lhite. 'Magnetic Anomaly' is available to buy on lovely vinyl from Cardinal Fuzz, Sky Lantern Records or via cobrafamilypicnic-slr.bandcamp.com

Sampled vocalisations precariously count down to lift off as ‘Draags’ winds up a twisted drone, skittish feedback laden guitars and the surge of instrumentation like some deranged psych induced jazz recital in the back room of an Albert Hofmann experiment. Off kilter percussion keeps a rhythmic almost processional beat as undulating keyboard thrills tickle and harass the hum of bass frequencies and the whip of angry lead lines whilst swirling vocal samples intertwine brilliantly with seething noise and entrancing production. This is a fascinating jump off point to a deeply experimental collection of minimalistic tracks that literally pierce the listeners inner psyche, taking them on a journey of sonic discovery in the trance-inducing process. ‘IPT 001’ is a sojourn, a side step if you will into the eye of a spinning instrumental drone badgered by fizzing vocal samples and turbulent electronic theatrics while deeply transfixing atmospherics swirl and whirr through layers of mind altering reverberations.

‘Elysium’ shakes into audible range stuck fast to shimmering waves of tambourine and snaking feedback. Tumbling drum patterns envelope a throbbing bass line as the pull of wah-wah pedal melds with spiralling electronics licking and caressing a yearning vocal take. Shamanic instrumentation undulates and pulses psychedelically charged waves out into the ether as the track builds and builds into a raging sonic behemoth making ‘Elysium’ my favourite track on the entire release. Revolving drones intertwined with sporadic but haunting vocalisations announce the arrival of ‘IPT 011’ and we’re thrown headlong into an experimental world of intensely atmospheric synth swells, resonating fret board theatrics and deep lying reverberations melded with dissonant electronics and glistening field noise whilst ‘Frost’ breaks the serenity and streams into earshot on a thunderous drum pattern accompanied by shaking tambourine and a swirling instrumental drone. Tremulous guitars ride the collective sonic surge as the arrival of sublime vocalisations and screaming lead lines twist the mood from one of metronomic incantation into ascending space rock before we fall out the back end into a blistering melting pot of lysergic repose.

Melodiously fuzzy bass frequencies keep steady time as ‘Gilgamesh’ meanders into earshot pulling with it the shimmer of tambourine and those mechanical drums. Mind altering guitar signatures circumnavigate reverberating vocal lines, whipping and harassing each word to within an inch of its life as those sullen organ lines bubble up from below adding delicious atmosphere. ‘IPT 111’ hovers in a haze of atmosphere as sporadic drones fizz and whirr through horrifying vocal samples and swirling instrumental waves. Potent percussive hits meld with dancing electronics that pull the listener into it’s deeply experimental finale whilst the albums penultimate piece groans into existence tumbling within a swirling sonic behemoth. ‘Moody Mountain’ pummels the senses with fuzzy archaic melody and incandescent frequencies that build and build into raging instrumental drone until the arrival of a slow rolling beat and eventually brings some clarity to proceedings, pulling with it an impenetrable bass line, atmospheric vocalisations and a raging wall of guitars. For those of us lucky enough to purchase this album on vinyl there’s an additional bonus track entitled ‘Contact’ to grace your earholes with once you partake in using the digital download code provided. This track is a nine minute white knuckle ride through pulsating kraut like percussion, addictive bass lines, echoed vocal lines and raging guitars that will quite literally blow your mind. A fantastic ending to a marvellous album.

4/5

LINKS:

cobrafamilypicnic-slr.bandcamp.com

cobrafamilypicnic.com

facebook.com/cobrafamilypicnic/

skylanternrecords.bandcamp.com

cful.bandcamp.com

ABOUT THE AUTHOR: 

Del Chaney - (Author Photo)

Del Chaney has spent the last five years dedicating his time to uncovering the best artists in the unsigned or small independent label based shoegaze, ethereal dream pop, post punk & modern psych rock from all over the globe & reviewing them for this blog - The Primal Music Blog. He is also a contributing  writer for The Sound Of Confusion (Now On Hiatus). His other arm  - Primal Radio -  has gained considerable respect from bands and promoters alike since its conception in 2013 & has helped him in actively promoting a genre of music that he is passionate about. Hailing from Dublin, Ireland, he is a keen Vinyl Collector, Tattoo Fan & all round good guy! He is a self confessed music freak & is never far away from a studio console or a turntable.


ALBUM REVIEW | This Other Kingdom - Rêveur (Wrong Way Records)

ARTIST: This Other Kingdom

RELEASE: Rêveur

RELEASE DATE: 21st April 2017

RECORD COMPANY: Wrong Way Records

Dublin based neo-psych/garage powerhouse 'This Other Kingdom' have announced their latest  full length release in the guise of their stunning ten track sophomore opus entitled 'Rêveur' penned in for release on April 21st 2017 via Wrong Way Records'This Other Kingdom' are made up of Del Kerton - vocals/keys, Declan Dunne - guitar/vocals & Git Sweeney - drums and they are no strangers to this modern day psych scene having previously supported some serious international heavy hitters like 'Holy Wave, The Cult of Dom Keller, TAU, Radar Men from the Moon & Yuck'. 'Rêveur' is available to pre-order right now on translucent orange vinyl with purple splatter, CD and download via wrongwayrecords.bandcamp.com

On a wave of steadying percussion wrapped deliciously in throbbing bass lines and the constant strum of angry guitars ‘This Other Kingdom’ unleash the opening salvos of ‘Common Colours, Common Sounds’, track one on their brutish sophomore album. It undulates and heaves through layers of glorious reverb, oscillating brilliantly around that impressive vocal line as it weaves through sonic peaks and troughs with blistering aplomb. This is a stunning opening track. Up next, ‘Eye Do Eye’ shimmers as it enters into audible range held fast in an instantly addictive 60’s psych vibe sonically peppered at times by a harder swirl of driving garage psych. The instantly recognisable vocalisations of Del Kerton holds everything together here and keeps this listener focused as surging guitars & pulsating percussion meld effortlessly with throbbing bass frequencies and driving production.

‘Telescopic State Of Mind’ bounds into earshot tumbling through repetitious drum patterns and hypnotically charged lead lines as the constant hum of bass notes add atmosphere whilst ‘Comatosed’ impresses with it’s driving guitar signature and catchy organ hooks. ‘Chemikle’ shimmies into the ether on a cloud of golden hued eastern esoteric flair as it’s droning instrumentation and lumbering percussive attack lurch and wobble on wave after wave of tremulous reverberation. This track moves and undulates collectively as one huge monolithic chunk of sonic energy acting solely as a conduit for that impressive vocal line. Up next, ‘Rays For Days (When The Sun Did Shine)’ is a repetitious behemoth that leans heavily on the constant twang of mechanical guitar and shimmering (cymbal heavy) drum pattern whilst ‘Hellion’ is a driving sonic triumph and probably my favourite track on this entire release. It pulses menacingly on a stunning drum pattern as billowing instrumentation underscored by a stunning lead guitar line licks and harasses the vocal to within an inch of its life.

‘Réveur’ takes a welcoming mellow turn next as ‘Morning Skies’, it’s penultimate piece, enters the sonic arena slowly revolving in a haze of turbulent reverberation. Creeping percussion holds a steady beat here as Del Kerton’s haunting vocalisations keep a kind of fixed holding pattern in the eye of a billowing sonic storm. Up next, the cinematic ‘नई दिल्ली सात’ pulls some esoteric vibes back into play and melds them brilliantly with impressionistic neo-psychedelia to create a beautifully intense acid blotched instrumental sonic trip. The album closes with the atmospheric ‘Valley Of Nowhere’, a dark slab of modern tinged psych rock that builds and undulates on waves of fuzzed out guitars and explosive drum patterns that jostle and push it’s vocal boundaries until they howl and wail like a primordial animal on the hunt. A fitting ending to a rather interesting album.

4/5

LINKS:

wrongwayrecords.bandcamp.com

facebook.com/thisotherkingdomband

thisotherkingdom.bandcamp.com

soundcloud.com/thisotherkingdom

twitter.com/THISOTHERKINGDO

ABOUT THE AUTHOR:

Del Chaney has spent the last four years dedicating his time to uncovering the best artists in the unsigned or small independent label based shoegaze, ethereal dream pop, post punk, post rock & modern psych rock from all over the globe & reviewing them for this blog - The Primal Music Blog. He is also a contributing writer for The Sound Of Confusion (Now On Hiatus). His other arm - Primal Radio - has gained considerable respect from bands and promoters alike since its conception in 2013 & has helped him in actively promoting a genre of music that he is passionate about. Hailing from Dublin, Ireland, he is a keen Vinyl Collector, Tattoo Fan & all round good guy! He is a self confessed music freak & is never far away from a studio console or a turntable.


NEW VIDEO PREMIERE | This Other Kingdom - COMATOSED (Wrong Way Records)

Dublin based swirling neo-psych/garage psych aficionados 'This Other Kingdom' have unleashed a stunning brand new video to accompany the lead track entitled 'COMATOSED' from their highly anticipated twelve track sophomore opus 'Rêveur' penned in for release on April 21st via the ever brilliant 'Wrong Way Records'. 'This Other Kingdom' are made up of Del Kerton - vocals/keys, Declan Dunne - guitar/vocals & Git Sweeney - drums and they are no strangers to this modern day psych scene having previously supported some serious international heavy hitters like 'Holy Wave, The Cult of Dom Keller, TAU, Radar Men from the Moon & Yuck'.

The full album is to be released on 21st April 2017 on translucent orange vinyl with purple splatter, CD and download via Wrong Way Records. You can pre-order the album right now from wrongwayrecords.bandcamp.com

A launch party in Dublin and Manchester accompanies the release, with a full tour scheduled for May 2017.

Recommended!

LINKS:

wrongwayrecords.bandcamp.com

facebook.com/thisotherkingdomband

thisotherkingdom.bandcamp.com

soundcloud.com/thisotherkingdom

twitter.com/THISOTHERKINGDO


NEW SINGLE PREMIERE | Singapore Sling - Evil Angel (Fuzz Club Records)

Icelandic experimental neo-psych aficionados 'Singapore Sling' have unleashed the first single entitled 'Evil Angel' to be lifted from their forthcoming highly anticipated ninth studio album 'Kill Kill Kill (Songs About Nothing)' due for release in February 2017 via the purveyors of all things psych 'Fuzz Club Records'. Formed back in 2000, 'Singapore Sling' are credited as being one of the originators of this experimental modern day psych scene with their music continuously being mentioned as influential to many of the newer psych bands releasing music within the scene today. As usual, 'Kill Kill Kill (Songs About Nothing) is available to pre-order right now from fuzzclub.com

'Evil Angel' stews menacingly deep within a discomforting psychedelic brew as those seriously off putting horns lounge precariously on top of a fuzzy undulating bass line. The lingering reverberation of the guitars and the turbulent shaking of  a motorik percussive beat adds dark atmosphere as Henrik's impressive echoing vocalisations swirl effortlessly into the ether . 'Evil Angel' is very experimental and fans of 'Singapore Sling' will notice it from the off but don't be fooled, this track is genre defining and that only bodes well for the full album release.

Recommended!

LINKS:

fuzzclub.com