NEW VIDEO - JuJu - In A Getto - Featured Image - (700x468)

NEW VIDEO | JuJu - In A Ghetto feat. Capra Informis

Sicilian based multi-instrumentalist Gioele Valenti aka 'JuJu' has unleashed a mesmerising new video to accompany the latest track to be lifted from his totally immersive sophomore long player 'Our Mother Was A Plant', officially released back in September 2017. The track in question is called 'In A Ghetto' and it features a mind-bending hypnotic percussive assault courtesy of guest percussionist 'Capra Informis', the djembe player of Swedish psych-rock aficionados 'Goat'. For those of you new to the psychedelic sounds of 'JuJu', he melds together a heady cocktail of experimental psych and kraut-rock with afro-beat and luscious funk thus creating an altogether immersive sonic experience. 'Our Mother Was A Plant' ended up on our 'best of 2017'  list with the album being classified as a game changer within the underground psych scene. It was released back in September 2017 and is available to buy/download on various formats via the London based purveyors of all things psych - Fuzz Club Records.



Yagow - s/t (700x700) Featured image

ALBUM REVIEW | Yagow - s/t

Yagou - s/t (300x300) Post Image



RELEASE DATE: 16th June 2017


'Yagow' is a psychedelic space rock trio based out of Saarbrücken, Germany. Their collective sound echoes through mesmerising passages of psychedelically charged motorik kraut rock underscored at times with subtle shoegaze tendencies that are deftly permeated with layers of incantational space rock & hazy effervescent stoner rock. Their immense self titled six track album gets its full release on June 16th 2017 via the Berlin based independent record label 'CRAZYSANE Records' and is available to pre-order right now on various formats from

In a dense instrumental drone the heavy opening salvos of ‘Horsehead Nebula’ unfurl their fuzzy tendrils and wrap themselves around enticingly slow lead guitar lines and swathes of reverberation. Bouncing bass frequencies pull stunning percussive patterns into audible range melding effortlessly with the hypnotic surge of guitars, used collectively to ferry haunting psychedelically charged vocalisations out into the ether. Up next, ‘Snake Charmer’, the albums lead single, resonates and pulses through layers of hazy psychedelia that is peppered with subtle touches of eastern esoteric flair. Meandering vocal lines whip and whirr through spiralling guitar progressions as fuzzy sonic reflections sparkle through swirling clouds of addictive sitar and rolling drum patterns. This track explodes into a raging wall of undulating drones, throbbing bass lines and growling guitars, jointly harassed by explosive drum patterns and acid drenched lead lines before tumbling gracefully into a cyclonic sonic whirlwind before fizzing out into obscurity.

‘Moss & Mint’ slows proceedings down as we’re dragged into a muggy metronomic trance like state, glued to the swing of those addictive drum patterns, soaring lead lines the and hazy swirl of dreamy, spaced out vocalisations. ‘Moss & Mint’ works through its instrumental gears with stunning aplomb, at times injecting organ swells, massive waves of imposing reverb and is reminiscent at times to Perth based sonic explorers ‘Mt. Mountain’ with the way they construct intricate song structures, add intense atmosphere and inject undulating passages of heavy psych into their music. ‘Time To Get Rid Of It’ swerves into earshot on a warbling guitar progression, bouncing bass frequencies and skittish percussion. Shamanic reverb drenched vocalisations intertwine with growling lead lines before punishing instrumental drones take over, pulling you with them as you surge through wave after wave of intense psychedelia. Absolutely magnificent!

The albums penultimate piece entitled ‘Non-Contractual’ opens with a menacing instrumental drone before pounding drums, shakers and incantational guitars drag haunting vocalisations out into the open. The subtle plucks of sitar ride punishing instrumentation as we meander through deep sonic troughs, shimmering spaced out verse passages and out into the final throws of a turbulent sonic behemoth. The album closes out with ‘Nude On the Moon Dance’. A tremulous guitar progression rides metronomic percussive pattern that builds and undulates through soaring atmospherically charged prog like lead lines and the constant throb of bass frequencies. Chittering drones sweep aside the opening bars as this track peels back it’s outer layers and morphs into a resonating sonic whirlwind that carefully envelopes another mesmerising vocal. A brilliant ending to rather interesting album.




Del Chaney has spent the last four years dedicating his time to uncovering the best artists in the unsigned or small independent label based shoegaze, ethereal dream pop, post punk & modern psych rock from all over the globe & reviewing them for this blog - The Primal Music Blog. He is also a contributing  writer for The Sound Of Confusion (Now On Hiatus). His other arm  - Primal Radio -  has gained considerable respect from bands and promoters alike since its conception in 2013 & has helped him in actively promoting a genre of music that he is passionate about. Hailing from Dublin, Ireland, he is a keen Vinyl Collector, Tattoo Fan & all round good guy! He is a self confessed music freak & is never far away from a studio console or a turntable.

NEW SINGLE PREMIERE | Jellyskin - Eater

Immense Leeds based trio 'Jellyskin' have channelled their inner krautrock on their latest single entitled 'Eater'. Formed in 2016, 'Jellyskin' are made up of Will, Zia & Olly and they exploded onto the underground psych/gaze scene last year with a splattering of singles including the impressive singles ‘Grey Glass Hat’ & the fantastic 'Milk Of Magnesia' which collectively brought them to the attention of the underground psych/gaze faithful. 'Jellyskin' create stunning musical soundscapes that gracefully meander through shoegaze, dream pop, psych rock and it's many sub genres. 

'Eater' pulses into the ether on a swirling vortex of kraut like repetition as its metronomic percussion, driving psychedelically charged guitars, throbbing bass frequencies and resonating synth lines deftly circumnavigate that stunning trademark vocal line. This track fizzes as it tumbles through layers of sequenced electronics and hazy reverberation. Absolutely stunning and definitely their best track to date, we can't wait for what comes next!