London based purveyors of all things psych 'Fuzz Club Records' have announced another addition to their already immense roster of artists. Hailing from Mexico City, 'Has A Shadow' create a brand of dark and ritualistic modern day psych gaze that heaves and undulates through swathes of unabashed reverberation and driving instrumentation tinged with menacing gothic tones. The band have just announced announced a brand new single to coincide with them signing to Fuzz Club entitled 'The Flesh' with the full album extravaganza penned in for release in January 2017. This new single follows a run of EU dates that included an appearance at Liverpool Psych Fest and shows with LSD & The Search for God, TAU and The Jabberwocky Band.
'The Flesh' pulsates and swirls on undulating waves of dark instrumentation that includes throbbing bass lines, reverb laced organ swells, repetitive percussion, fuzz -laden guitars and those hauntingly good vocalisations courtesy of Daniel Garciano.
As usual the full album will be available to pre-order very soon via fuzzclub.com
by Primal Music
Continuing on with their highly successful collection of split single releases see's the brilliant Fuzz Club Records return with their latest two track sonic assault on the cranium. Their forthcoming 'Split Single No.9' is officially released on November 24th and features 14 minutes plus of immense psychedelic explorations courtesy of brilliant London based 'The Oscillation' & Portugal's own experimental psych aficionados '10,000 Russos'.
Side A on this impressive release belongs to 'The Oscillation' who offer up a swirling sonic behemoth in the form of 'Almost See', a throbbing atmospheric bass driven beast that swerves menacingly between dark industrial percussive hallucinations, brackish tripped out noise and almost inaudible vocalisations whilst being continuously massaged by fuzzed out guitars, theatrical piano thrills and those senses pummelling synth swells. Side B see's the magnificent '10,000 Russos' bring a highly charged psych incantation to bare as the repetitious motorik percussive pattern of 'Ashkenasi' drives headlong into the musical ether, dragging with it a raging maelstrom of reverberating frequencies, throbbing bass lines, electronic frequential noise and raging cyclonic guitars to collectively create a sonic whirlwind that seems to envelope that addictively ritualistic vocal mantra courtesy of João Pimenta!
'Split Single No.9' is officially released on November 24th and is available to pre-order right now on
transparent blue vinyl from fuzzclub.com
Austin based psych-beat producer Al Lover is no stranger to the modern day American underground psych scene having honed his musical craft by melding past and present psych-rock/garage bands into heaving motorik monoliths filled with spaced out repetitious beats, distorted synths, chopped up/glitchy samples and swirling psych induced instrumentation to collectively create a new, previously untapped, form of modern day psychedelia. Now, ahead of an upcoming EU tour, he has teamed up with the purveyors of all things fuzz, the London based Fuzz Club Records to realease a dystopian sonic homage to two of the most influential bands in underground music - krautrock pioneers Neu! and NY proto-punks Suicide.
'NEUicide!' consists of two tracks that swirl menacingly around two repetitive droning 'SUICIDE' notes as the incessantly rhythmic percussive 'NEU' beat drives headlong into a turbulent world of boundless electronica, kraut rock & hypnotic modern day psychedelia. Its sprawling synth swells are addictive, rising and falling like a small wooden boat fighting a huge storm laden sea swell and coupled with those broken samples, cascading synth lines & swirling reverberating drones makes for an epic modern day sonic adventure.
NEUicide! is officially released November 12th on 10" vinyl and will be available to to pre-order from fuzzclub.com
Highly recommended .... We dig this release!
ARTIST: The Wands
RELEASE: Faces EP
RELEASE DATE: 5th September 2016
RECORD COMPANY: Fuzz Club
Copnhagen natives The Wands' newest release is a trip. The six track EP that follows up 2014's The Dawn is a love letter to 60s pyschedelia. The band revel in the sounds and structures of the first wave of one of modern music's weirder forms, full of rich analogue sounds.
Faces by The Wands
Scene-setter Living the Dream swirls in like smog, that partially clears to reveal Faces, a loose and languid cocktail of 60s and eastern influences. Cosmic Sinners metallic glint comes from jagged guitar tones and gongs that transition ito a thrumming sway for Out of Fever. Between Heavens feels like a partner to Faces in some way, the pure 60s influences (and maybe even a hint if Merseybeat) so strong. And in a swell of sci-fi sounds The Wands are gone again, not faraway, but defintely somewhere far-out.
Faces is out now on various formats via Fuzz Club Records.
ABOUT THE AUTHOR:
In her time, Sarah Cuthbert-Kerr has attended raves and rock clubs. She enjoys pedals, pizza and spy dramas. Sarah also plays guitar in Edinburgh-based noisemakers Wozniak and is co-founder of Morningside Young Team who put on gigs and put out records for discerning audiences who enjoy fuzz and confusion.
ARTIST: Dead Rabbits
RELEASE: Everything Is A Lie.
RELEASE DATE: 05/09/16
RECORD COMPANY: Fuzz Club Records
Southampton's ‘Dead Rabbits’ have been wowing us ever since the release of their stunning debut album (The Ticket That Exploded) back in 2013, followed closely by their eponymous follow up (Time Is Your Only Memory) back in 2014. Their meticulous brand of infectious neo-psychedelia, blended perfectly with expressive shoegaze and driving post-punk has permeated down through the many layers of this modern day new school psych/gaze scene, influencing each new emerging band with their heady sonic brew. Now they have returned with brand new musical behemoth in tow. Fantastically titled ‘Everything Is A Lie’, this latest full length album gets its official release on the 5th September 2016 via one of the ‘Go To’ labels in this modern day fuzzy psych/gaze scene, the brilliant London based ‘Fuzz Club Records’.
Everything Is A Lie by Dead Rabbits
The album opens up with the stunning ‘Everything Is A Lie’. This is a gargantuan warbling beast who’s percussive assault shudders and pulses on a reverberating wave of sonic delight. Its bass lines are addictive, underscored with soaring synth swells and melodic vocalisations that are all held fast within the whirlwind by shimmering layered guitar progressions. ‘Honestly’ arrives like a sullen child. It’s bass lines are incredible and full of post-punk promise whilst vocally this track is sublime and reminiscent (dare I say it?) of late 1980’s Shaun Ryder (Happy Mondays). It’s a masterclass in song creation and probably my favourite track on this entire release. Up next is the albums lead single! ‘Get Me Over There’ rumbles and growls on a bed of fuzzy jangling guitars, swirling pulsating bass frequencies and skittish percussion as the howling vocals ride a raging sonic twister into the ether. It’s one of the best tracks this year by far and definitely recommended listening.
The album takes a subtle swerve into experimental territory on ‘All Your Little Lies’. Pounding drums and screaming surf-psych guitars take centre stage as those brilliantly executed vocal progressions meander in and out of the hazy instrumentation. ‘Someday’ jangles into earshot on stabs of reverb induced guitars as melodious snaking bass frequencies creep between the drum hits like some huge stalking animal. Vocals wail as synths soar throughout the chorus parts, building in momentum as they rise, leading us into a surging sonic finale. The metronomic swing of ‘I Don’t Want To Die Today’ hypnotises us as it works through its musical gears, deftly building and adding to each sonic layer as it climbs. Vocally sublime and explosive at times ‘I Don’t Want To Die Today’ surges and culminates into an incredible maelstrom of sound.
The albums penultimate track is ‘That Was Then But This Is Now’. Melodically repetitive guitar lines meld with dark pulsating bass frequencies before another impressive vocal performance cuts through proceedings, dragging the steadying drum track with it. Swathes of reverb induced guitars attack the chorus as swirling, droning synth patches lurk menacingly beneath. ‘That Was Then But This Is Now’ thunders through the sonic landscape cutting massive swathes through layer after layer of expertly constructed reverberation. Screaming guitar squall and blistering feedback heralds the arrival of the albums closing track before we’re treated to pounding drums, melodic bass lines, soaring golden synth swells and a glorious vocal track. ‘You Already Know’ is a tremulous beast that takes no prisoners as it beats down on the senses and hypnotises you into submission. A stunning finale to an absolutely immense album.
Bravo ‘Dead Rabbits’......
'Everything Is A Lie' gets its official release on the 5th September 2016 and is available to pre-order right now from Fuzz Club Records.
ABOUT THE AUTHOR:
Del Chaney has spent the last four years not only fronting popular Irish Electronic duo Analogue Wave but also dedicating his time to uncovering the best artists in the Unsigned or Small Independent Label based Shoegaze, DreamPop, PostPunk, PostRock & PsychRock genre’s of music from all over the globe & reviewing them for this blog - The Primal Music Blog. He is also a contributing writer for The Sound Of Confusion. His other arm - Primal Radio - has gained considerable respect from bands and promoters alike since its conception in 2013 & has hepled him in actively promoting a genre of music that he is passionate about. Hailing from Dublin, Ireland, he is a keen Vinyl Collector, Tattoo Fan & all round good guy! He is a self confessed music freak & is never far away from a studio console or a turntable.
ARTIST: My Invisible Friend
RELEASE DATE: 19/09/16
RECORD COMPANY: Fuzz Club Records.
I don’t throw the grand rating of 5/5 around so easy. The album/EP has to be of top quality; has to be of a level of thought provocation and originality that goes that one step further than other bands and artists in that particular genre. It has to be a piece of music that one can revisit with as much reinvested interest as before… A piece of music smart enough to set itself apart from mediocrity or blandness. And this band, the Italian fuzz/noise/shoegaze masters 'My Invisible Friend' have done all of this on their three track self-titled EP; which somehow excels further, with more interesting and brilliant aspects as many full length albums have. What is this EP? It’s a noise-riddled adventure, a passionate and tasteful throwback drowned in originality that defies genre and musical blandness to echo in your ears with an EP sound worthy of a 5/5 rating… What else is there to say?
'My Invisible Friend' are an Italian noise-gaze band who practice in the art of shoegaze/noise rock and pop/darkened Krautrock and even a tad of drone music thrown in there for good measure. Throughout the EP the band blast away with noise-orientated feedback over catchy and diverse shoegaze riffs and a powerful and echoed sound that is contrasted with barely audible vocals, evoking some sort of dream pop element into the mix. The self-titled EP begins with the hazy, over six minute fuzz/crunch of ‘Eyes’ which starts like a garage-rock song, rattling the listeners ears heavily, before introducing the airy and tiny vocals. Eventually, at around the one minute mark, the listener is introduced to a fantastic, Kraut-ish riff that suits the drum machine-sounding drums. The song builds and builds, occasionally sinking into mesmerisingly beautiful patches of dream-inspired shoegaze murmurings before perhaps the greatest riff on the whole EP fills the listeners ears. After this, the true mixture of shoegaze and noise rock begins to show, creating an absolutely brilliant track.
The following track ‘Endless’ creates a thicker and much heavier atmosphere than its predecessor with a much more layered and eerie track, this time exceeding nine minutes, making it a mini-epic of a track. ‘Endless’ is filled with Whirr influenced instrumental ear piercing by the guitar and is helped subtly by the rat-tat-tat of a slow, drone style drum machine in the background. The vocals that inhabit the track seem softer than on ‘Eyes’ and the opening half of the song has it pitched as almost a dream pop tune, until it transforms into a much more thorough version of itself. This seems like the sort of song that would project a wall of sound-style presentation at live shows… A spectacle of true and utter genius. Around the four minute mark the track becomes an atmospheric monster, with all matter of layering, reverb, echo and noise drowning out the breathy and alluring vocals. After each listen ‘Endless’ becomes more accomplished and dreamy than the riff-centred ‘Eyes’, which seems minuscule after each listen when compared to the wild beast that is ‘Endless’. In essence, ‘Eyes’ is the beautiful, mesmerizing and shimmering shallow end of the pool, while the much deeper and heavier ‘Endless’ presides in the deep end, where beauty is evident, but there is so much more water.
The EP’s final track is one that will no doubt circulate most predominantly in discussion about this EP. It will probably receive the most airplay and critical and commercial narration out of any track, and will easily be the most listened to song on the entire EP… Maybe even more so than the entire EP itself. As any listener may think, I believed that ‘Endless’ would be the most large-scale track on this whole EP… Taking into consideration its size and layering… But then the band threw in ‘Sleepless’ at the very end. ‘Sleepless’ is an almost 18 minute epic, layered in the bands token sound they have expressed on the former two tracks. Its towering and heavy characteristics make it difficult to feature in words, and thus, in this very review. The few things I will say about ‘Sleepless’ is that its editing/mixing and layering are of an exceptional quality, as it maintains its vast and echoed momentum for the entire song. The very writing skill required to write such a song is also immensely evident, as the band express feelings and evoke images through nothing but pure sound. The dream-pad sound that is eventually drowned out by droning noise sees the band at their most shoegaze passage of music… It is an absolute must listen.
This EP is a 5/5 for a number of reasons ! One of them though is that I was not bored at any point during the EP, meaning that 'My Invisible Friend' jumped the preverbal shark that so many other shoegazers tend to wade in the same pool as. Another is that it surmounts genre in the sense that it blends noise with reverb, dream with drone and low strung vocals with feedback laden guitars. There are many more reasons… But I urge you to make your own by listening to one of the most interesting, original and brilliant Shoegaze releases in the past while… Ultimately, it exceeds many albums by so called professionals, collaborations or supergroups, by sticking to its own, injecting some influence and beautifully crafting its sound.
'My Invisible Friend' will release this latest self titled three track EP on the 19th September 2016 via the indomitable purveyors of all things fuzz, the London based 'Fuzz Club Records'. Head over to www.fuzzclub.com for pre-order details.
Cam Phillips is a writer and above all, a music lover, who seeks to gain experience through writing and listening. He is also an avid film viewer and art and literature junkie who enjoys creative writing. His most recent published work was featured on the Australian heavy music blog, I Probably Hate Your Band.
by Primal Music Blog
Brilliant Parma based noise manipulators 'My Invisible Friend' have unleashed a musical behemoth in the form of their new single entitled 'Sleepless', lifted off their forthcoming three track self titled EP. The band have just signed to the magnificent London based 'Fuzz Club Records' and have penned in this release for September 19th 2016. For pre-order info head over to www.fuzzclub.com
'Sleepless' is eighteen minutes of driving psychedelic exploration that loops and arcs through layers of fuzzy experimental guitars, throbbing bass frequencies, those glorious synth licks and an intensely dark, rhythmic percussive repetition that collectively circumnavigates a hauntingly delicious hazy vocal line. Truly a work of art and bound to enthral your inner psych demon!
Primal Fav's - 'Dead Rabbits' have unleashed the stunning first single entitled 'Get Me Over There' from their highly anticipated forthcoming full length album 'Everything Is A Lie' penned in for release via the fantastic London based purveyors of all things sonically wonderful 'Fuzz Club Records' on September 5th 2016. These Southampton based neo-psych shoegazers have been wowing their fans with their musical talent having previously released two albums, 2013's awesome debut 'The Ticket That Exploded' and the brilliant 'Time Is Your Only Memory' back in 2014.
'Dead Rabbits' formed in 2011 and since then have been busy playing countless gigs and tours throughout the UK and Europe - appearing at Eindhoven Psych Lab, Common People, Cosmosis Festival and sharing the stage with the likes of Band of Skulls, Yuck, Night Beats, Crystal Stilts and The Telescopes. Later this year the band will be heading out on a huge EU tour with The Warlocks.
'Get Me Over There' rumbles and growls on a bed of fuzzy jangling guitars, swirling pulsating bass frequencies and skittish percussion as the howling vocals ride a raging sonic twister into the ether. One of the best tracks this year by far and most definitely recommended listening!
Head over to www.fuzzclub.com for pre-order details.