RELEASE DATE: May 6th 2016
RECORD COMPANY: Sunrise Ocean Bender Records
The brilliant independent record label ‘Sunrise Ocean Bender’ presents a stunning collection of seven tracks by Sicily-based psychedelic explorer ‘JuJu’ (Lay Llamas, Herself) released back on the May 6th 2016. With a stunning sound thats more akin to a pulsating, living organism ‘JuJu’ transcends this modern day psych rock plain bringing with it swathes of rhythmic, almost ritualistic golden frequencies to the ears of its waiting listenership. The album is available on various formats via juju-spell.bandcamp.com
JuJu by JuJu
Driving bass frequencies, riding a wave of panned percussive hits usher in track one, the hypnotically atmospheric ‘Samael’. It’s sequenced drum patterns swirl within the magical maelstrom as it builds into a whirlwind of reverb induced vocal lines coupled with pounding drums and intertwined with suppressive droning guitars. It surges through its chord progressions with apparent ease as wave after wave of sonic frequencies batter the senses and block out any outside influence careering you off its chosen musical path. A stunning entry point into a dynamic world of sonic delight. Track two thunders into the musical arena on a titanic wave of shimmering reverb. ‘We Spit On Yer Grave’ is completely addictive as those plodding synth progressions, cushioning that immense vocal attack, rides a juggernaut of explosive drums, throbbing bass lines and tremulous golden hued guitars.
The metronomic opening bars of ‘Stars And Sea’, my favourite track on this entire release, swerves and moves within a translucent world of shimmering suspended animation as those stunning vocals add an air of atmosphere to proceedings. There’s a subtle but brilliant country chic feel to this track as it meanders its way through peaks and troughs of psychedelic delight. The added eastern sounding percussive hits inject weight and balance but soon make way for an absolutely blistering finale as the track takes off into a stunning cacophony of swirling vocals, swerving synth swells and dark driving guitars. Beautiful atmospheric piano hits circumnavigated by dark oppressive samples announce the arrival of ‘Dance With The Fish’ as immense psychedelically charged synth swells sonically mimic an apparent underwater scene. It’s a beautiful two minute sonic aperitif to what comes next!
A repetitious guitar progression carefully balances a whispering but effective vocal pattern on its axis as ‘Sunrise Ocean’ builds momentum into a charging musical monolith! The tidal wave of sound expands as those droning guitars arrive and plough through the tracks fuzzy interior with aplomb. Add into the mix those driving, addictive bass frequencies and what we have collectively is an absolutely stunning piece of music. The albums penultimate track entitled ‘Lost’ begins with stunning melody courtesy of a repetitive piano sequence. There’s an air of tranquility as the synth swells and drums arrive, adding subtle but firm movement to the track and allowing the vocal samples to loop and arc throughout the reverberating atmosphere. The mood then changes as we shift sonic gears. The drums increase in tempo, coupled with the arrival of a repetitious guitar progression and shakers the entire piece swirls within a beautiful sonic whirlwind!
The albums closing piece is simply magical! Swirling bongos, sequenced samples and droning golden frequencies begin the hypnotic rhythmic mantra as those amazing repetitive vocals shuffle into earshot. ‘Bring ‘Em War’ builds and builds, developing form and shape before unleashing something akin to absolute sonic abandonment! It weaves and bobs throughout and drives a deeply melodic psychedelic furrow right through the centre of the musical landscape! A truly wonderful closing track to a blistering album.
ABOUT THE AUTHOR:
Del Chaney has spent the last four years not only fronting popular experimental Irish based electronic duo Analogue Wave but also dedicating his time to uncovering the best artists in the unsigned or small independent label based shoegaze, ethereal dream pop, post punk, post rock & modern psych rock from all over the globe & reviewing them for this blog - The Primal Music Blog. He is also a contributing writer for The Sound Of Confusion. His other arm - Primal Radio - has gained considerable respect from bands and promoters alike since its conception in 2013 & has helped him in actively promoting a genre of music that he is passionate about. Hailing from Dublin, Ireland, he is a keen Vinyl Collector, Tattoo Fan & all round good guy! He is a self confessed music freak & is never far away from a studio console or a turntable.
by Primal Music
RELEASE DATE: November 18th 2016
RECORD COMPANY: Goodbye Better Records
'Solilians' are a Merrick, NY space rock ensemble that mix Hebrew vocals, ambient dub, and even shoegaze. They sound unlike anything I’ve heard in recent years, sounding as out there as some of A Sunny Day in Glasgow’s material. That only scratches the surface, because they throw in klezmer and horns too. To quote the press kit: ‘Solilians space drone dreams are the interstellar journeys of mystic seekers, mantra minimalism for the next generation. Benjamin Malkin's slow motion ambient dub prisms of klezmer melody refract Sharon Malkin's Mediterranean Hebrew beauty; while Gabriel Walsh's psychedelic sci-fi edge dances with Neptune Sweet's otherworldly cosmic majesty, all coming together on Shin, the four-piece's debut full-length (Think Stereolab slowed down to Stars Of The Lid).
Shin by Solilians
The band got their start via the 7-inch soundtrack of The Binah Comics, a super-powers tale without violence that describes a woman sick of all the insanity and nuclear posturing surrounding her homeland. A collaboration between Benjamin's writing and the great illustrator Ian Densford, The Binah Comics proved successful and Malkin put together his dream team of some of today’s best space rock minds to create ambient reflections of the comics. Starting off, there is 'Hine Ma Tov (Merc Yes Mix)' with horns, slow jam beats, and a droning aspect to it that invites and keeps the listener engaged. 'Hatikvah The Next Generation' retains the same mysterious elements, and it’s all about the emotion elicited, so the lyrics matter less than the music, at least for me. Its center is a drone and numerous voices move in and through the mix, leaving the listener feeling a bit unsettled. 'Lamedvavniks' exceeds eight minutes and is an interstellar journey into the heart of space. Vocals emanate from the creepy fringes of an event horizon, and immerse your ears in cosmic dream pop. This is music to be enjoyed over a great set of headphones and infinite time to let your mind expand and take it all in.
'Rev’s Gold' is much shorter and offers listeners a trippy sonic tapestry mingled with subdued vocals. It is music that takes you out of yourself, drawing you into a daydream. 'Hine Ma Tov' makes another appearance in the form of the Space Drone Dream Mix and this time it’s 13 minutes long! Prepare to float away into the ether. 'I Have Been, And Always Shall Be, Your Friend' takes its title from a Spock quote, and many hued layers of sound propel you straight in and you wish it would never end. Pulsating synths burgeon and grow in volume before it all comes to a dead stop. 'Planet Binah' may well be the centerpiece of this album, named as it is for The Binah Comics. It is another 13 plus minute journey, demanding that you stay present and experience its pulsating presence. The singer’s voice is submerged with synthesizers taking center stage. It all comes to a close with 'Post-Rev’s Reprise', a somewhat disquieting drone that winds down quickly. In short, this is album unlike anything you’ve heard this year, or any year for that matter. It is a fascinating and demanding work, but one that will reward you with repeated listens. Well worth seeking out for fans of international space rock laced with ambient dream pop.
ABOUT THE AUTHOR:
Music has always been a driving force for Elizabeth Klisiewicz, which she days "continues to define my existence". At present, she writes for The Big Takeover Magazine and The Active Listener Blog, and when not writing technical manuals, she gets her thrills from reading mysteries, birdwatching, and can always be found with a camera and a maxed-out storage card full of music.
RELEASE DATE: November 25th 2016
RECORD COMPANY: These Are Not Records
Connecticut based experimental shoegaze/lo-fi four piece 'Landing' are no strangers to the underground music scene having no less than nine previous releases under their belts. The latest addition to that stunning collection is 'Complekt', their 10th release to date and a continuation to their no-nonsense, genre-defining attitude of creating blissful sonic soundscapes that are filled with hazy shoegaze highs and jaw dropping ethereal vocalisations coupled with experimental twists and lashings of glorious reverberation. The band are made up of three longtime members; Adrienne Snow - vocals, Aaron Snow - guitar/synth/bass/drums/vocals, Daron Gardner - bass & John Miller - drums/guitar/synth and you can pre-order the full album on various formats right now from: landing.bandcamp.com
Complekt by Landing
In a beautifully translucent instrumental drone ‘Complekt’ unfurls its effortless sonic tendrils to announce the arrival of it’s opening salvo - 'Light'. It pulses into earshot on a wave of quivering guitars and deliciously ambient swirls before it’s blissfully ethereal vocalisations sweep past you, held fast in swathes of immense reverberation. Up next, ‘Complekt’ swirls repetitiously before exploding into a driving cacophony of thunderous percussion, throbbing bass frequencies and a maelstrom of layered reverberating guitars. The vocal lines cut an ethereal wedge through proceedings, bringing a sort of serine clarity whilst all around them wage a sonic war of attrition. A stunning track that you must listen to via headphones to experience its full sonic onslaught.
‘Weft’ jangles into ear shot on an undulating bed of instrumental promise, sequenced synth theatrics and a shaking percussive pattern as it’s brilliantly executed guitar lines languish deep within swathes of luscious reverb, whilst the monumental ‘Shifts’ menacingly emerges from beneath an angry instrumental drone accompanied by hypnotic shakers and massive walls of ethereal noise. ‘Shifts’ undulates as its beautiful vocals swerve through cascading synth lines that float effortlessly through the sonic ether, looping and arcing with blissful aplomb. Up next, ‘Thither’ soars on a glorious synth swell before building into a throbbing sonic beast. This track pulses and swirls on a cloud of hazy electronics and sequenced atmospherics before we’re treated to a metronomic drum pattern, melodious bass frequencies and another beautiful vocal performance, constantly circumnavigated by reverberating guitars and cushioning synth swells. ‘Thither’ is immense and possibly my favourite track on this entire release.
‘Grow’ bleeps and swirls into existence on a bedrock of sequenced electronics and stunning guitar swells. It shimmers blissfully as it works through it’s sonic gears with aplomb, effortlessly floating unaided through layers of reverb and droning experimental instrumentation. Coming in at ten minutes plus ‘Grow’ is by far the longest track on the entire album and it doesn’t disappoint. It moves effortlessly through soaring guitars, pulsing synths and hypnotic percussion whilst pushing wave after wave of golden hued frequencies out into the sonic ether without breaking a sweat. The vocal lines weave a spell as they majestically intertwine with the entrancing sound waves. ‘Grow’ is a sonic triumph of immense proportions. The albums penultimate track entitled ‘Clouds II’ moves on a lazy percussive swagger albeit coupled with swirling guitars and the constant hum of a throbbing bass line. It’s vocal sits gracefully in the mix, gently leading this listener through a meandering pre-designated verse pattern and on into it’s soaring chorus parts. The albums closing piece however, shimmers on acoustic frequencies and soaring synth swells. ‘World’ switches from female to male lead vocals brilliantly as it builds into a trembling maelstrom of glorious reverberation and tremulous noise. A fitting ending to a marvellous album.
RELEASE: Nothing Stays The Same
RELEASE DATE: November 1st 2016
RECORD COMPANY: Unsigned
Melbourne based experimental/psych/alt rockers 'BREVE' have self-released a stunning collection of tracks in the form of their debut album, brilliantly titled 'Nothing Stays The Same'. Having wowed us back in July with their then lead single we were eagerly waiting to get our mucky paws on the full ensemble and it did not disappoint. Their impressive take on the modern psych genre is absolutely breathtaking, so much so that I've given the album a rating of 5/5 and thats a rare occurrence for me. The band are made up of Dougal Shaw, Toby Fitzgerald & Billy Dowle and 'Nothing Stays The Same' is available to buy/download right now from: breveband.bandcamp.com
Nothing Stays The Same by BREVE
‘Nothing Stays The Same’ opens up with ‘Konecrane’, a turbulent droning monster that wears its experimental heart on its sleeve. This track builds menacingly from its very first swirling tone until the addictively repetitive lead guitar lines crawl and intertwine effortlessly with steady percussion and throbbing bass frequencies, eventually leading us into an immense sampled filled break and on into its glorious finale! Up next, ‘Introverse’ woozily enters earshot on dark synth swells and sequenced percussion before opening up into an electronically charged psych behemoth. The vocal lines ride a heady mix of explosive reverberating instrumentation deliciously underscored by the the constant hum and throb of the unmissable bass line. ‘Cold Sweat On A Sunday’ enters the fray and immediately entices this listener whilst ‘Nothing Stays’ bursts into a cacophony of noise as its explosive drum patterns and the brilliantly executed guitar lines circumnavigate those immense vocal's, echoing ‘Queens Of The Stone Age’ with its instrumental intensity.
Sequenced percussion and sampled atmospheric’s announce the arrival of ‘Nothing Is Permanent’ as those repetitious guitars and the brilliantly executed (but highly infectious) vocal line permeates effortlessly through layers of reverb. ‘Nothing Is Permanent’ surges half way through into an angry sonic beast, unleashing a torrent of swirling noise until eventually fading out into obscurity. ‘Movement’ crawls into earshot on a menacing drone and a darkly ambient repetitious sample as its fragile vocal lines add atmosphere. The guitars swirl and glide in and out of a hi-hat heavy breakbeat before dragging the angry vocals back into the mix and on into a tremulous finale. There’s an air of movie soundcheck chic on the opening salvo’s of ‘Human’ as its haunting samples float underneath swirling feedback and jangling guitars before ‘Breve’ unleash a driving experimental onslaught onto their listeners. Wailing vocals and intricate bass lines meld effortlessly with explosive drum patterns and screaming wah-wah heavy guitar progressions to give us a progressive/psych rock behemoth. Up next, ‘Connected’ bounces on a bed of sequenced percussion, swirling synth drone and attention grabbing shakers. The vocals arrive as the instrumentation bubbles angrily beneath the surface and those lead guitar lines undulate effortlessly, constantly keeping time with the ever hypnotic shakers. There’s a subliminal message pulsing through every single note of ‘Connected’ that gives two fingers to the social media world of today and we all should pay very close attention to it’s infectious mantra.
The albums penultimate track entitled ‘Feel’ has loose ambient stylings swirling deep within its opening progressions. A beautifully translucent vocal pierces the ether and adds a subtle psychedelic edge to proceedings as swirling drones and malicious atmospherics move and swerve before the track explodes into a glorious cacophony of bass heavy noise and rumbling drum patterns. The albums closing piece staggers on a repetitious percussive sample as we journey through a world of psychedelic enchantment tipped with prog rock finery. ‘Elevate’ has an absolutely immense swagger about it as the metronomic thud of the percussion drags it’s vocal lines and melodious bass frequencies through layers of reverberation constantly assaulted by a swirling instrumental drone and screaming guitar squall. This is a stunning finale to a magnificent debut album.
Hailing from Southern Ireland, 'The Grey Merchant' have just announced their stunning debut single entitled 'Spotless (The Protecting Veil)' , penned in for release on November 8th 2016 via Demeanour Records. 'The Grey Merchant' is the collaborative recording project of Cork based Enda O'Flaherty (Neon Atlas) and a collection of friends and fellow musicians. Their sound gravitates towards a mixture of stoner rock & modern day experimental psych & kraut rock with a moody undertone that is steeped in glorious reverberation. With the promise of further singles and an EP to follow in 2017, 'The Grey Merchant' are most definitely the ones to watch.
'Spotless (The Protecting Veil)' rumbles around a sampled vocal line (courtesy of Charlie Chaplin's speech from 'The Great Dictator') as the track deftly unfurls its edgy side and unleashes a repetitive percussive assault on the senses. Throbbing bass lines and squally droning guitars circumnavigate the entire soundscape as we lurch forward in a distinctly motorik krautrock fashion all the while pulsing stunning frequencies into the atmosphere.
ARTIST: Rise Of The Echo Drone
RELEASE: Chemically Altered
RELEASE DATE: September 28th 2016
Glasgow based experimental psych outfit ‘Rise Of The Echo Drone’ is a collaborative musical project created by Laura O’Brien and Helicon’s own Gary Hughes that features hypnotically charged psychedelic soundscapes gloriously filled with swathes of sequenced electronics, dub laden bass frequencies, motorik percussive patterns and intensely addictive instrumentation that effortlessly swirl through the sonic ether with reckless abandon. Their latest full length nine track album entitled ‘Chemically Altered’ was released back on September 28th 2016 and is available to buy/download right now from: riseoftheechodrone.bandcamp.com
Chemically Altered by Rise of the Echo Drone
‘Getting Higher’ menacingly ambles into earshot on rumbling bass frequencies and a repetitious percussive pattern coupled with sampled vocalisations and underlying synth swells. It’s mantra like vocal lines are enticing and they meld effortlessly with the swirling bleeps and whirls of the instrumentation. Up next, ‘Skull Grinder’ crawls and shudders as it makes landfall, building in intensity as the drum patterns rumble and shake, all the while circumnavigated by droning frequential noise, snaking lead guitar lines and haunting sampled vocals. The eastern esoteric vibes of ‘Chemically Possessed’ float into the ether on a blissful wave of tabla drums and electronic theatrics whilst ‘Drone And E’ does exactly as it says on the tin.
‘Walks Without Sound’ hovers as it unleashes sparse percussion and a plethora of impressive sampled vocals that collectively swirl through swathes of reverberation while ‘Chemically Altered’ rattles as it’s burgeoning synth swells sit atop a repetitious breakbeat, building in intensity as it works through a collection of woozy sequenced patterns. Up next, ‘Dying Escape Death’ is steeped in atmospherics as its dark synth lines and pounding drums usher in it’s unsettling repetitious vocal mantra. The albums penultimate track is a modern day psych monster. ‘Is He Sleeping’ undulates and builds in intensity as it enters into audible range. It’s driving bass frequencies lead the charge as the almost hallucinogenic vocal line rides a wave of impressive reverb and is brilliantly intertwined with searing guitar squall and enchanting lead licks.
The albums closing piece entitled ‘Insane People With Insane Minds’ swirls around a sampled speech by the infamous Mr.John Lennon. Subtly building as it meanders through layers of deranged synth swells, cascading piano progressions and droning instrumentation, ‘Insane People With Insane Minds’ is a fitting end to a brilliantly experimental slice of modern day electronic psych.
Del Chaney has spent the last four years not only fronting popular experimental Irish Electronic duo Analogue Wave but also dedicating his time to uncovering the best artists in the unsigned or small independent label based shoegaze, ethereal dream pop, post punk, post rock & modern psych rock from all over the globe & reviewing them for this blog - The Primal Music Blog. He is also a contributing writer for The Sound Of Confusion. His other arm - Primal Radio - has gained considerable respect from bands and promoters alike since its conception in 2013 & has hepled him in actively promoting a genre of music that he is passionate about. Hailing from Dublin, Ireland, he is a keen Vinyl Collector, Tattoo Fan & all round good guy! He is a self confessed music freak & is never far away from a studio console or a turntable.
I Will Break U EP by tape deck mountain
'I Will Break You Up' is the second immense single to be lifted from prolific Tennessee based experimental shoegaze trio Tape Deck Mountain's latest EP release of the same name and it follows on from the it's immense lead single 'Loopers of Bushwick'. The four track 'I Will Break You Up' was released on cassette back on the 8th of October with only two tracks available digitally via bandcamp and the remaining ensemble available on the physical cassette release. You can get your hands on it right now on various formats by heading over to tapedeckmountain.bandcamp.com
Check it out!
Continuing on with their highly successful collection of split single releases see's the brilliant Fuzz Club Records return with their latest two track sonic assault on the cranium. Their forthcoming 'Split Single No.9' is officially released on November 24th and features 14 minutes plus of immense psychedelic explorations courtesy of brilliant London based 'The Oscillation' & Portugal's own experimental psych aficionados '10,000 Russos'.
Side A on this impressive release belongs to 'The Oscillation' who offer up a swirling sonic behemoth in the form of 'Almost See', a throbbing atmospheric bass driven beast that swerves menacingly between dark industrial percussive hallucinations, brackish tripped out noise and almost inaudible vocalisations whilst being continuously massaged by fuzzed out guitars, theatrical piano thrills and those senses pummelling synth swells. Side B see's the magnificent '10,000 Russos' bring a highly charged psych incantation to bare as the repetitious motorik percussive pattern of 'Ashkenasi' drives headlong into the musical ether, dragging with it a raging maelstrom of reverberating frequencies, throbbing bass lines, electronic frequential noise and raging cyclonic guitars to collectively create a sonic whirlwind that seems to envelope that addictively ritualistic vocal mantra courtesy of João Pimenta!
'Split Single No.9' is officially released on November 24th and is available to pre-order right now on
transparent blue vinyl from fuzzclub.com
Austin based psych-beat producer Al Lover is no stranger to the modern day American underground psych scene having honed his musical craft by melding past and present psych-rock/garage bands into heaving motorik monoliths filled with spaced out repetitious beats, distorted synths, chopped up/glitchy samples and swirling psych induced instrumentation to collectively create a new, previously untapped, form of modern day psychedelia. Now, ahead of an upcoming EU tour, he has teamed up with the purveyors of all things fuzz, the London based Fuzz Club Records to realease a dystopian sonic homage to two of the most influential bands in underground music - krautrock pioneers Neu! and NY proto-punks Suicide.
'NEUicide!' consists of two tracks that swirl menacingly around two repetitive droning 'SUICIDE' notes as the incessantly rhythmic percussive 'NEU' beat drives headlong into a turbulent world of boundless electronica, kraut rock & hypnotic modern day psychedelia. Its sprawling synth swells are addictive, rising and falling like a small wooden boat fighting a huge storm laden sea swell and coupled with those broken samples, cascading synth lines & swirling reverberating drones makes for an epic modern day sonic adventure.
NEUicide! is officially released November 12th on 10" vinyl and will be available to to pre-order from fuzzclub.com
Highly recommended .... We dig this release!
Danish based experimental lo-fi aficionado Jacob Faurholt aka 'Crystal Shipsss' has been releasing lo-fi home recordings, 90's inspired indie rock and ambient drone metal under both his own name and his alias 'Crystal Shipsss' for almost 10 years. His latest album, under the 'Crystal Shipsss' moniker, entitled 'Holly' was released back in May 2016 and features bubblegum pop intertwined with dreamy lo-fi progressions, heavy psych and noisy instrumental outbursts. 'World' is the latest single & accompanying video to be lifted from the aforementioned album.
'World' ambles into the ether on a repetitious percussive pattern underscored by soaring layered synth swells, throbbing bass frequencies and Jacob Faurholt's dulcet tones. The message held within this track is perfectly clear; we're all doomed and 'Crystal Shipss' have been gifted with the mantle of chief naysayer - It's A Burning World!
crystalshipsss.bandcamp.com (vinyls & cassettes)