Danish based experimental lo-fi aficionado Jacob Faurholt aka 'Crystal Shipsss' has been releasing lo-fi home recordings, 90's inspired indie rock and ambient drone metal under both his own name and his alias 'Crystal Shipsss' for almost 10 years. His latest album, under the 'Crystal Shipsss' moniker, entitled 'Holly' was released back in May 2016 and features bubblegum pop intertwined with dreamy lo-fi progressions, heavy psych and noisy instrumental outbursts. 'World' is the latest single & accompanying video to be lifted from the aforementioned album.
'World' ambles into the ether on a repetitious percussive pattern underscored by soaring layered synth swells, throbbing bass frequencies and Jacob Faurholt's dulcet tones. The message held within this track is perfectly clear; we're all doomed and 'Crystal Shipss' have been gifted with the mantle of chief naysayer - It's A Burning World!
crystalshipsss.bandcamp.com (vinyls & cassettes)
by Primal Music
Elasticity by The Orange Kyte
Continuing on with their impressive musical manifesto of releasing one new track per month in varying sonic shapes & sizes are Canadian based psychedelic explorers 'The Orange Kyte' with their latest triumphant single 'Elasticity'. The band are made up of 'Vancouver based but Dublin born', Stevie Moonboots & a revolving door of likeminded musicians with players on this latest track listed as: guitars, bass and vocals by Stevie Moonboots, drums by Dave Mulvaney & organ and synth by Mat Durie.
'Elasticity' growls into the ether on a magical instrumental drone before exploding into a cacophony of golden frequencies, swirling in close proximity to that impressive vocal performance courtesy of Stevie Moonboots. The track soars through its chorus progressions with ease, pulsing out 60's sounding psychedelic vibes as it meanders into that stunning break filled with tambourine shakes, snaking lead licks and glorious synth swells.
'Elasticity' is available to buy/download right now from theorangekyte.bandcamp.com
ARTIST: Stupid Cosmonaut
RELEASE: Astral Transmissions
RELEASE DATE: 30 September 2016
RECORD COMPANY: Unsigned
Hot on the heels of May's staggering debut release, the blistering 'Abstract Concepts' by UK based experimental psych outfit 'Stupid Cosmonaut', comes another impressive trip into the sonic unknown. 'Astral Transmissions' is a dark thrill ride into the sonic subconscious of a band who have no off switch when it comes to experimenting with frequency bending and sound manipulation to collectively create astonishing soundscapes that will both test your psyche and immerse you head long into a sonic world where you will experience something very few artists in this genre can do. The band are made up of Sam Read, Steven McNamara, Andy Hunt and Matthew Hattersley who collectively experiment with electronic, ambient and psychedelic sounds to stunning effect. 'Astral Transmissions' is available to buy/download digitally right now from stupidcosmonaut.bandcamp.com with pre-orders available for the limited edition cassette version, penned in for release on the 30th September available too.
Astral Transmissions by Stupid Cosmonaut
With an air of trepidation we push off into the unknown and float on a dark sea of swirling fuzzy drones and sequenced electronics coupled with hazy sampled vocalisations & pulsing tones as 'AT1: Fermium' builds momentum and unleashes a monolithic assault on the senses. It builds in intensity as layer after layer of repetitious instrumentation is added to the sonic whirlwind, each corner turned on this massive track introducing the listener to some new glitch, whirr or bleep, and all the while accompanied by that immense vocal sample that seems to hang in sonic suspension just out of earshot. 'AT1: Fermium' is ten minutes plus of musical schooling by one of the most interesting bands on the underground scene today. Up next, 'AT2: Ununtrium' drags itself into the open with a whirling drone and another vocal sample, barely audible under the pulsating drone and its accompanying fuzz. Without doing very much 'Stupid Cosmonaut' instrumentally instil intensity into the piece before unleashing a screaming sonic blast reminiscent to the soundtracks of some of the best science fiction movies of my youth. 'AT2: Ununtrium' is deeply cinematic and incredibly experimental as it deftly brings its listeners on a mind expanding sonic exercise.
'AT3: Hassium' is a testing beast. Coming in at sixteen minutes plus, this is possibly my favourite track on the entire release. It pulses and ripples astonishing sounds into the reverberating ether as it builds in intensity and drags you with it on a fast paced cloud of analogue instrumentation, sparse percussion and experimental abandonment. A triumph of monumental proportions and a recommendation from me. You simply must listen to this track via headphones to experience the whole sonic spectrum for yourselves. The albums penultimate track 'AT4: Curium' conjures up images of the magnificent space race between the US and USSR. The sampled countdown runs cautiously as the track builds and those impressive synth swells force magnificent atmosphere into the piece before we're once again treated to a beautifully constructed slice of ambient psychedelia. The shortest track on the album coming in at four minutes plus, 'AT4: Curium' is a welcome reprise with its serine instrumentation, whirring bleeps and calming atmospheric effects.
The albums closing piece, the brilliantly atmospheric 'AT5: Dubnium', crawls into earshot on a droning dub synth line thats drenched in glorious reverb. Sampled vocalisations again accompany the piece and cascading piano lines add to the intensity before the sequenced percussion enters the fray (which I have to say 've missed immensely on the previous tracks) and the pace quickens. 'Stupid Cosmonaut' unleash their psych/dub leanings as swirling drones & break beat percussion take over and gently massage the senses before we're lured into a false disease of serine security. 'AT5: Dubnium' has a wonderful sting in its tail as the instrumentation merges into one big swirling sonic maelstrom, leading us into its tremulous finale. A wonderful ending to a magnificent album.
ABOUT THE AUTHOR:
Del Chaney has spent the last four years not only fronting popular experimental Irish Electronic duo Analogue Wave but also dedicating his time to uncovering the best artists in the unsigned or small independent label based shoegaze, ethereal dream pop, post punk, post rock & modern psych rock from all over the globe & reviewing them for this blog - The Primal Music Blog. He is also a contributing writer for The Sound Of Confusion. His other arm - Primal Radio - has gained considerable respect from bands and promoters alike since its conception in 2013 & has hepled him in actively promoting a genre of music that he is passionate about. Hailing from Dublin, Ireland, he is a keen Vinyl Collector, Tattoo Fan & all round good guy! He is a self confessed music freak & is never far away from a studio console or a turntable.
'You Own Your Bones' is the first track to be lifted from the forthcoming album by Ontario based experimental heavy psych/drone aficionados 'WTCHS'. The album entitled, 'She Walks, She Creeps', is penned in for release on October 28th 2016 via Sonic Unyon Records. The album is available to pre-order from sonicunyon.com
'You Own Your Bones' is a repetitious beast that swirls brilliantly within a dark & oppressive haze. It lays itself out for all to hear as it deftly meanders through mantra like vocals, circumnavigated by thunderous drums, throbbing bass frequencies screeching guitar squall and droning reverberations before the magnificent introduction of soaring brass section builds into a maelstrom of immense noise. But thats not all, the track gives way to a glorious spell of droning instrumental serenity as it swirls into the ether and on into the tracks finale. Utterly addictive and recommended by us lot here at Primal Music.
... acceptance, acceptance of yourself and others amongst the chaos of the universe.
you answer to no one but yourself ...
ARTIST: E Gone
RELEASE: Advice To Hill Walkers
RELEASE DATE: September 30th 2016
RECORD COMPANY: Sunrise Ocean Bender/Deep Water Acres
'Advice to Hill Walkers' is the second immense full-length album by Swedish based experimental psych aficionado 'E Gone' aka Daniel Westerlund. 'E Gone' melds together various musical stylings including electronica, psych, post rock, oriental, dub, raga, ambient and folk to create a stunning cacophony of mesmerising soundscapes. 'Advice To Hill Walkers' appeared briefly on cassette back in 2015 via the brilliant Zeon Lights label but its instrumental soundscapes sent ripples throughout the sonic ether, instantly captivating & permeating deeply into the psyche of the few listeners who had the pleasure of hearing it. Now the album gets a fitting rebirth and an expanded CD reissue on September 30th via the brilliant Virginia based 'Sunrise Ocean Bender' & 'Deep Water Acres' respectively.
The albums opening track, ’Mark The Spot Where You Leave The Injured’ fizzes into existence on a giddying droning swirl and a captivating intricate chord progression. A sparse percussive whirl adds atmosphere as the track builds into a menacing droning monolith, weaving stunning hallucinogenic visions draped in swathes of beautifully golden resonating frequencies. The eastern flavoured ‘Your Goal Is To Know Everything And Say Nothing’ arrives and instantly tickles the senses as its hypnotic instrumentation snakes and whirls through the sonic ether with relative ease, all the while captivating this listener with its tempestuous musical peaks and troughs. Up next, ‘Follow Moonmilk Rivers’ explodes into ear shot on a wave of glorious instrumentation, filling the mind with wondrous throbbing bass frequencies, tribal percussive attacks, swirling sitar progressions and entrancing musical patterns that collectively hypnotise as they pulse a chittering cloud of reverberation out into the burgeoning sound sphere. ‘Follow Moonmilk Rivers’ is a beautifully constructed piece of music that completely mesmerises as it meanders through its pre-designated course with stunning aplomb.
Menacing synth swells coupled with a hypnotic guitar line announces the arrival of ‘Build Your Camp Out Of Alpine Moss’. A thunderous drum pattern & a dark organ progression enters the fray as the atmosphere swirls and steadily builds, adding an air of film soundtrack experimentation to proceedings. This for me, is spaghetti western style experimental psychedelia, brilliantly thought out and expertly constructed for our modern age, presented to us to digest and try to make sense of. In lay-mans terms: This is music!
Up next, ‘Dwell In Tents By Day, Hike At Random By Night’ offers up an off kilter guitar progression coupled with sequenced bleeps and a cacophony of cascading musical tones. There’s a subtle psych/dub/raga feel to this track that will have you hooked so fast that you will eventually totally succumb to its addictive swagger and find yourself swaying to its immensely hypnotic metronomic swing. The album swerves into a more polished dub/electronica feel as ‘Fast Before Stalker Season’ cranks up and shutters into existence on a bedrock of sequenced percussive hits and programmed synth lines before ‘You Don’t Know It Yet But We Are Losing You’ rustles up more esoteric flair and injects some brilliant eastern edged vibes into proceedings.
The sampled pitter patter of falling rain and a rumbling of thunder graces the ears before ‘Find New Methods For Compass Use’ introduces a swirling ambient drone that completely cuts through the soundscape, gathering momentum as it builds in intensity, all the while helping to focus the mind and calm the senses. Menacing percussive swells and shaking tambourines usher in ‘Bring Ice Axe And Rope’ before dark & oppressive synth swells bubble up from the outer reaches, purposefully deployed to scare and enthral all at once. The track shuffles and dances, loops and arcs through layers of immense instrumentation that includes banjo, guitars, synths and sequenced progressions of varying degrees that build and swirl to stunning effect making ‘Bring Ice Axe And Rope’ my favourite track on this entire release. Swirling banjo progressions coupled with glorious sitar and hauntingly good synth lines brings the albums lead single, the brilliantly named ‘Record The Humming Of Melodious Caves’ into earshot before skittish ‘tabla’ hits and the rumbling ‘dugga’ bass drum noises swirl into action. This is another addictive piece of music guaranteed to have you swaying with its snaking & motorik percussive movements.
The albums penultimate track entitled ‘Continue Ascent While Blindfolded’ reverberates on a jangling guitar strum before organ stabs, light clavichord progressions underscored with sampled whirls & bleeps reminiscent to that of a dastardly ‘horror film’ merry-go-round scarily crawls into play! My recommendation is to listen to this track via headphones to experience what I mean ..... thoroughly dark & enjoyable! The albums closing piece is a ten minute plus thrill ride through electronica, oriental, folk, ambient, tribal and eastern musical themes that swirl and pulse swathes of beautifully hypnotic frequencies into the sonic atmosphere. ‘Reach The Summit, Egg’ is a mesmerising finale to another wonderful collection of tracks created from the mind of Daniel Westerlund, a man who has mastered a plethora of musical stylings to produce something not only quite eclectic & different but immensely compelling too. Bravo!
'Advice To Hill Walkers' gets its full release on September 30th and is available to pre-order right now via Sunrise Ocean Bender & Deep Water Acres.
Tasmania based experimental psych/space rock aficionado 'The Planets Collide' aka Stephen Dunham has released a follow up single entitled 'Circles' to May 2016's stunning release 'Wake Me Up When Its Over'. With a sound that deftly traverses the outer reaches of psych rock, melded brilliantly with subtle hypnotically charged rhythmic percussion whilst all the while swirling hazily through motorik driven experimental space rock 'The Planets Collide' offer up something completely different and fresh to this modern day experimental/psych/space rock scene. 'Circles' is a available to buy/download right now from theplanetscollide.bandcamp.com
Circles by The Planets Collide
'Circles' explodes into a cacophony of swirling reverberating frequencies from the off, attacking the senses and dragging you the listener with it as its utterly addictive vocal lines and thunderous sequenced percussive attack jostles within the hazy musical maelstrom. A thoroughly enjoyable sonic thrill ride through layers of growling guitars and brilliantly executed synth lines. Recommended!
ARTIST: Dead Sea Apes
RELEASE: SOY DIOS
RELEASE DATE: 5th September 2016
RECORD COMPANY: SKY LANTERN RECORDS / CARDINAL FUZZ
Manchester based underground psych experimentalists 'Dead Sea Apes' have had their stunning debut single 'SOY DIOS' repackaged and re-released on vinyl via Cardinal Fuzz (Sky Lantern Records in the US). It contains a reworking of the original track, released back in 2010 on a then run of 100 CDR's. 'Dead Sea Apes' create massive sonic soundscapes and have the ability to switch from wonderfully picturesque sun-scorched psychedelia to dust laden desert rock and on into hypnotically charged & motorik driven drone rock improvisation with marvellous aplomb! The album is available to buy/download on various formats from cful.bandcamp.com & skylanternrecords.bandcamp.com. You can also purchase the vinyl right now from cardinalfuzz.bigcartel.com
Soy Dios by Dead Sea Apes
The opening salvo's of 'Soy Dios I' are hauntingly good. Aggravated fret noise and spacious atmospherics open proceedings as 'Dead Sea Apes' bring their post-rock credentials to the fore. Melodious guitar progressions add tension as sparse percussive hits enter the fray and we push off on a magical journey of sonic experimentation, stepping into a world of expansive musical understanding and distorted sonic hallucinations. Its not long before a swell of explosive instrumentation takes over and the metronomic swing of the drum pattern brings on a giddying state of hypnotic abandonment. Guitar lines meander menacingly throughout the piece, every so often allowed to soar into the ether as if chasing some unknown prey, before arriving back to terra firma and slotting into its assigned progression to continue on with its pre-designed course. Truly magical in its entirety!
If 'Soy Dios I' was the doorway into the world of 'Dead Sea Apes' then Part II is the hallway .... a wide expansive room filled with oppressive atmosphere, droning swells and spiralling guitar squall. 'Soy Dios II' is a pleasure craft bobbing up and down in a dark tremulous ink like sea, constantly being hit by a wave after wave of shuddering reverberation. The percussion builds as throbbing bass lines hold court before the track lurches forward and explodes into a cacophony of wonderful noise and warbling repetitious progressions.
'Soy Dios III' achingly drones into existence, its burgeoning weight swirling & snarling as it enters earshot, shattering the perilous ideology of the previous soundscape as it circumnavigates its own self. It builds in momentum allowing it to plough a deep furrow into the sonic template, eagerly trying to gain enough updraft to lift itself into the ether. Intermittent fret noise doused in reverb adds atmosphere to the piece as the arrival of much welcomed guitar squall builds intensity .... and we're up and soaring into the ether on waves of golden frequencies inlayed with swathes of reverberation. 'Soy Dios III' is a true masterpiece of modern day psychedelic exploration.
The closing piece on the momentous release brushes aside the previous three tracks from the off. 'Soy Dios IV' is the stunning finale to an expansive collection of experimental musicianship. The culmination of a trip through massive passages of sonic floatation and distorted but oppressive melody driven hallucinations, into a gargantuan cyclonic whirlwind. 'Dead Sea Apes' bring the curtain down completely on this impressive release riding a maelstrom of senses pummelling distorted noise. A fitting end to a marvellous sonic journey. Recommended listening!
Leicester & Hamburg based dark experimental psych gazers 'Children of Leir' have unleashed a gargantuan sonic behemoth in the form of their latest single, the brilliant 'Shades'. The track is a cover version of the Lee Hazlewood song of the same name and it doesn't disappoint. It's also the first single to be lifted from their forthcoming new album which is penned in for release on the August 25th 2016. 'Shades' is only available to buy/download from: childrenofleir.bandcamp.com
Shades(Single) by Children of Leir
'Shades' is a dark fuzzy ball of glistening sonic energy that drones as it skips along its designated path, deliciously perched upon a skittish bed of motorik-driven percussive patterns. The swirling mass of reverberating noise carefully circumnavigates that addictive duel vocal attack as those organ crescendo's tease and the hypnotically charged instrumentation instils both giddying excitement & atmospheric trepidation all at once.
by Primal Music Blog
ARTIST: Jewish Mandiolo
RELEASE: Gustavinho Debaixo D'água
RELEASE DATE: 09/07/15
'The Jewish kings' are a new experimental post rock band from Rio De Janeiro, Brazil who specialize in experimental textures, flamboyant Latin grooves but with guitar effects that larry lalonde (Primus guitarist) would be wet for! The band are made up of Bernardo Arenari, Luiz Bento, Denisson Caminha, David Dinucci & Danilo Nagib.
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In the first track 'Agua' we are exposed to almost too much coolness for a mans ears to take. The opening chords are vague, spacious and driving while the bass leans over and gives yer ears a wee sombre kiss coupled with a subtle whisper conveying its love for making you happy. This track goes in and out of dominent 6th chords that add such a strange resolution - resolution - resolution kind of feel to the progression as opposed to the usual tension - resolve setup of our tritonic Jazz forefathers. After our typical start the tracks middle section takes us to shoegaze land where we swallow a dose of some concotion off of the same shelf as 'Do Make Say Think's - Goodbye Enemy Airship or The Landlord Is Dead' album's of yore! Of course then it takes us into a combination of the two but with an added brass section...... and as the main songwriter in 'Tuath', I love me a brass section! The crescendo in this track is so expertly conveyed that you will wonder how this band are just on their first EP.
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The third track 'Imersáo' has a shoegazey type of James Bond feel that you just gotta check out. You will not be able to prevent yourself from singing 'Live And Let Die' over the tune. This track has elements of 'Yo La Tengo' on vocals but with some of the same guitar textures of 'Conan Mockasins' debut album! While listening to it I was tempted to name drop 'Neutral Milk Hotel' in terms of the way his voice sounds. 'Imersáo' stinks of late 90's guitar 'Radiohead' but upon saying that it is still its own buzz! I reccomend experimenting with some 'Bucolic Remedies' before listening to this track. For absolutely no reason at the end of this song it blasts the distortion really loudly with some delicious unison bends. I am not sure weather this was a half assed ending or if they genuinely planned it to sound like this but either way I love it. Check it out:
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'Amor LIquido' is by far the coolest track on this EP. The intro is in an odd groove and takes me back to 'Bad Moon Rising' in terms of guitar sound. The drum sound is grainy & the bass doesn't give a toss about frequency masking and then imagine that 'Sonic Youth' had the cop on to include a brass section? Because of course they incorporate some really tense but harmonic brass harmonies all the while incorporating some Rio De Janeiro musical stylings in the form of some claps. In my opinion this is an excellent thing to do as it completely melds the culture from which this band come with the music that they like. The Jazzy Latin flavors are bloody magic & they make me want to go and put some trad onto the next 'Tuath' record. Also I must add that unlike most experimental bands these dudes sing in their own language which again, as the main songwriter in 'Tuath' I think is a magic buzz altogether and they should be stamped for their bravery in the field.
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'Merguhlar' is a song I am going to mention even though I didnt enjoy it for a contradictary reason: The first half of it is a story and it is in Portuguese & due to this it takes ages to get to the meat and potato's! This would not be a problem for me if I spoke Portuguese but I don't unfortunately. Anyways when it does kick off it is beautiful and contains some of the nicest shoegaze out there at the moment as it boasts some beautiful off kilter harmonies, the right amount of distortion and the panning techniques keep the sound interesting. Check this track out:
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The EP's closer 'Foz (Debaixo D'água)' is a feel good, Jazzular & almost Funk effort that lands directly at a loud Post Punk mid section half way through the intro but with the anthemic shouting of a lot of modern Indie music. These guys really know how to progress their music in an intricate way and this song is a great example of that. This is by far my second favorite track on this EP. It's a lovely closer & a magic sign off for what is a short but great listening experience.
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This band are great but I feel with a bit more experimentation they will be quite a force to be reckoned with. I doubt I will ever see this band live but I am a big fan of their sound.
I rate this 4 out of 5.
ABOUT THE AUTHOR:
Robert Mulhern is the Vocalist, Guitarist, Producer & Engineer in Irish heavy experimental shoegazers 'Tuath'. Hailing from Donegal, Ireland Robert’s musical influences span numerous genres and are far reaching. 'Tuath' are quietly establishing themselves as forerunners in Ireland’s experimental shoegaze & psych-rock scene.
RELEASE DATE: 29/06/15
RECORD COMPANY: Morningside Young Team Records
In the realm of instrumental shoegaze noise-rock, psych & post-rock it is the ability of the musician and or musicians to collectively carry a project to its finality thats the most important overriding factor. These modern day creators of psychedelic gazing are tasked with the job of carefully enticing listeners into their world by virtue of a sonic journey through many layers of infectious mind bending tone & shape and on into a blissful arena of sound. Musicians need to be masters of their craft & commit to enthralling listeners with their collective creative abilities in order to achieve their fans adoration. One such band have continued to impress not only me but the vast majority of the underground shoegaze, noise-rock, psych & post-rock world with their stunning musical soundscapes & their collective ability to bring listeners to their music on a psychedelic rollercoaster ride through waves & waves of addictive shoegazing goodness.
From their earliest creations Edinburgh based sound gazers 'Wozniak' have produced mind numbing music of brilliant shimmering proportions. 'Wozniaks' first release 'MFMB / New Hampshire' was a tiny crack in the surrounding framework that encompasses their musical world but what it did was to allow us to briefly peek inside. Listening to it let us collectively (as music fans first & foremost) sample a small sliver of their psychedelic might. It wasn't until the release of their immense EP 'Pikes Peak' that they broke the mould & unleashed a torrent of beautifully inspired shoegaze & noisey post rock infused cinematic sounds into the atmosphere that are so good they actually had the ability to sweep up this listener & carry him on an awe inspiring wave of shimmering musical brilliance.
After releasing the brilliant explosive single 'Five Star' back in November 2014 as a follow up to the mighty 'Pikes Peak' the band have released another stunning collection of tracks on Morningside Young Team Records aptly named - 'Auster'. The EP takes its name from the Roman God of the south wind, and reflects the elemental forces at work on Auster’s four stunning tracks. With its swirling snarl of guitars, dark, dirty bass tones and tom-heavy drums, the EP builds on 'Wozniak’s' previous releases revealing sophisticated sounds and songs that reveal themselves over repeated listens. 'Auster’s' layers of shoegaze sounds are underpinned by a noise-rock intensity and the expansive structures of post-rock bringing to mind comparisons with Slowdive and Mogwai.
This latest release opens up with the rather beautiful 'Snow Effect'. Glimmering guitars, addictively layered lead progressions, fuzzed out intricate bass lines, the steading presence of John Sinclair on drums mixed with that absolutely stunning standout vocal performance from Sarah Cuthbert-Kerr makes this track shimmer. As opening tracks go this has to be one of the best that I've heard this year. 'Snow Effect' has the ability to tell a story through the medium of music. Its chorus alone will shake up your memories & have you dreaming of the heady sunny days gone by. This is an absolutely stunning first track!
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The opening salvos of 'Wings Of Pegasus' charge into the musical atmosphere & instantly bring you back down to earth with its full on instrumental noise-rock swagger accompanied by that ( a- typical of Wozniak ) swirling maelstrom of guitars courtesy of both Simon & Sarah's penchant for guitar effect pedals & their ability to craft wondrous sounds from them! This is an addictively repetitive monster of a track that belongs on an early Death In Vegas mixtape & should in my opinion be remixed for the dance floor at some stage further down the road.
Next up on this immense release is another instrumental masterpiece - 'Gospel Of Infinity' is a call to arms. It builds from its very first repetitive chord progression whilst sitting on top of Johns Sinclair's rolling drum pattern & intertwining with yet another addictive bass line courtesy of the brilliant James Urquhart until the band eventually explode in unison as one swirling singular mass of gazing noisy sound waves.
The closing track on 'Auster' is simply EPIC. 'Hester & Zelda' is eight minutes plus of pure joy. Its cinematic beginnings are steeped with post-rock tendencies but don't be fooled. Wozniak refuse to be tamed within any genre specific borders. They unleash a full on sonic assault on your senses that will have you on the one hand gazing at your shoes immersed in a beautiful swirling mass of sound & on the other I can guarantee you will spend your time being absolutely amazed at this tracks post-rock infused glory. A truly wonderful track by a band who are not afraid to experiment by beating & bending sound until its moulded into their preferred shape. Stunning!
If creating & releasing music can be classed as a continuous progression with each step a betterment of yourself as a musician or as a collective of musicians then Wozniak have made a serious leap up the musical ladder with this latest EP release. What 'Auster' shows is that this band are one with their music & that they have the ability to create serious waves in todays underground musical landscape. I firmly believe that they have (as a collective) raised the musical bar for others to see clearly. This is a bold statement of intent from a band that I have a lot of time for & who I know have a lot more to give to us paltry music fans going forward. This EP is a must have for any serious music fan reading this (who like me) love their music on the shadier side of noisy post-rock but with that full on atmospheric shoegaze wall of sound.
It is my belief that the sounds 'Wozniak' are creating today will be influencing new bands for years to come.
Next up a full album release .......... & I can't wait.
Del Chaney has spent the last three years not only fronting popular Irish Electronic duo Analogue Wave but also dedicating his time to uncovering the best artists in the Unsigned or Small Independent Label based Shoegaze Dream Pop Post-Punk & Post-Rock genre’s of music from all over the globe & reviewing them for this blog - The Primal Music Blog. His other arm - Primal Radio - has gained considerable respect from bands and promoters alike since its conception in 2013 & has hepled him in actively promoting a genre of music that he is passionate about. Hailing from Dublin, Ireland, he is a keen Vinyl Collector, Tattoo Fan & all round good guy! He is a self confessed music freak & is never far away from a studio console or a turntable.