ARTIST: Singapore Sling
RELEASE: Kill Kill Kill (Songs About Nothing)
RELEASE DATE: 2nd February 2017
RECORD COMPANY: Fuzz Club Records
Icelandic based experimental neo-psych aficionados 'Singapore Sling' have announced their highly anticipated ninth studio album 'Kill Kill Kill (Songs About Nothing)' penned in for release on February 2017 via the purveyors of all things psych 'Fuzz Club Records'. Formed back in 2000, 'Singapore Sling' are credited as being one of the originators of this experimental modern day psych scene with their music continuously being mentioned as influential to many of the newer psych bands releasing music within the scene today. You can pre-order 'Kill Kill Kill (Songs About Nothing) right now from fuzzclub.com
A menacing guitar drone ushers in repetitive drum patterns and a driving bass line as 'Shake Shake Shake', the opening track on 'Kill Kill Kill (Songs About Nothing)' explodes into a reactive wall of deliriously erie cascading piano lines and mesmerising vocalisations that seem to be collectively held in some sort of static gravitational reverberation. Guitars wail and arc brilliantly behind surging bass heavy instrumentation as the track meanders through it's sonic peaks and troughs with blistering aplomb. Up next, 'Scum Scum Scum' pulls itself out of it's fuzzy swirling melting pot as mantra like vocals pulse through waves of reverb, constantly berated by unsettling piano lines and cymbal heavy percussion. We're led a merry dance until that glorious chorus progression allows in some dull light and lifts the track ever so slightly out of the darkness only to collapse like some forlorn war weary beast of burden destined to sink back into the mix. A masterful track from start to finish.
'Fuck Everything' lurches into earshot on a brilliantly executed metronomic percussive shuffle as a swirling fuzzy instrumental drone circumnavigates the reverb heavy vocal line and that desert laden tremulous guitar line whilst 'Bop Bop Boo' swings into action held fast within a pulsating unwavering instrumental behemoth as we're told to 'Forget About God & Forget About Hope'. Happy days indeed! Up next comes the album's lead single. 'Evil Angel' stews menacingly, deep within a discomforting psychedelic brew as those seriously off putting horns lounge precariously on top of a fuzzy undulating bass line. The lingering reverberation of the guitars and the turbulent shaking of a motorik percussive beat adds dark atmosphere as Henrik's impressive echoing vocalisations swirl effortlessly into the ether . 'Evil Angel' is deeply experimental and fans of 'Singapore Sling' will notice it from the off but don't be fooled, this track is genre defining.
'Sonic Haus' blasts into audible range on an angry surge of latent driving psych rock as those echoing vocalisations instil a sense of fear and trepidation. Throbbing bass frequencies hug rumbling percussion as it's wailing guitars circumnavigate the entire piece washing it clean with fuzz and reverb before exploding into a mesmerising cacophony of noise. Thoroughly enjoyable and probably my favourite track on this entire release 'Sonic Haus' is definitely worthy of your ears. Up next, 'Surrounded By Cunts' marches into the ether on a repetitive beat as droning instrumentation swerves menacingly behind meandering vocals, driving guitar squall, undulating bass frequencies and those ever consistent malicious piano stabs whilst 'Riffermania (Kill Kill Kill)' ventures into motorcycle b-movie soundtrack territory and wouldn't sound out of place echoing vehemently in films such as 'Motorpsycho, Angels Die Hard, The Hellcats or The Jesus Trip'.
The albums penultimate piece jangles and plinks into existence on a surge of quivering acoustics and swirling reverberation. 'Nothing And Nowhere' meanders deftly through expressive psychedelically charged verse progressions coupled with brilliantly executed vocalisations and on into droning chorus parts, peppered at times with fuzzy & wailing guitar squall and those militant piano stabs. The album closes out however with the majestic 'Nuthing's Theme', an atmospheric eastern tinged slice of experimental neo-psych opening up with sampled swells of brash brass sections and deviously good cascading piano lines that are all precariously positioned on top of a marching percussive assault. 'Nothing's Theme' lurches forward through it's designated sonic parts with aplomb as we're brought willingly on a dark and twisted journey of psychedelic discovery. A triumphant ending to a marvellous album.
ABOUT THE AUTHOR:
Del Chaney has spent the last four years dedicating his time to uncovering the best artists in the unsigned or small independent label based shoegaze, ethereal dream pop, post punk, post rock & modern psych rock from all over the globe & reviewing them for this blog - The Primal Music Blog. He is also a contributing writer for The Sound Of Confusion. His other arm - Primal Radio - has gained considerable respect from bands and promoters alike since its conception in 2013 & has helped him in actively promoting a genre of music that he is passionate about. Hailing from Dublin, Ireland, he is a keen Vinyl Collector, Tattoo Fan & all round good guy! He is a self confessed music freak & is never far away from a studio console or a turntable.
by Primal Music
Malai Kofta Blues by Glissade
On January 1st 2016 North Carolina based experimental psych gaze outfit 'Glissade' returned with a tasty instrumental eastern themed piece entitled 'Malai Kofta Blues'. The track swirls impressively around a buzzing synth drone, steeped in fuzzy esoteric vibes and hypnotic reverberations that are sure to have you mesmerised from your very first listen.
The track is available to buy/download right now from glissade.bandcamp.com
ARTIST: Sun Mahshene
RELEASE: Drones That Don't Kill
RELEASE DATE: 31st December 2016
RECORD COMPANY: Deathcapades Music Ltd.
Dublin based experimental psych/noise collective 'Sun Mahshene' have been quietly busying themselves behind the scenes over the past two years creating intense soundscapes and manipulating sonic frequencies to do their bidding. They have just released their third EP entitled 'Drones That Don't Kill', their first since 2015's 'When The Bomb Drops' and it is absolutely magical. The band are made up of Nathan Henderson - guitars & vocals, Iain McGinn - guitars, Martin Fagan - bass & David Murray - drums & percussion and you can get your hands on the full EP to buy/download over at sunmahshene.bandcamp.com
Drones That Don't Kill by Sun Mahshene
The EP opens up swirling deftly in a droning whirlwind of noisy frequencies and explosive percussion. 'No Control' licks and undulates into a meandering supercharged beast, filled with driving percussion, throbbing baselines and melodious guitars that are overshadowed at times by immense arcing guitar drones that whip in and out of wailing vocalisations instilling a kind of hypnotic intensity over proceedings and thus keeping this listener very interested indeed. A bloody marvellous opening track. Up next the band wear their influences on their sleeves with 'Shine Your Light'. I can hear 'BJM, Warlocks and seminal UK stalwarts Spiritualized' echoing all over this piece. Brilliantly executed and packed full of fuzzy psychedelic imprints to soothe your soul after a festive period of overindulgence.
Up next is my favourite track on this entire release. 'The End' pulses into audible range held fast in a cacophony of noise as it's pounding drums and reverberating guitar frequencies envelope the instantly recognisable vocals courtesy of the brilliant Lydia Des Dolles (Daag Hur). This swirling behemoth moves and arcs through walls of frequential noise as it's hypnotic sonic incantations meld effortlessly with throbbing bass lines and explosive drum patterns to take you on an intensely malicious sonic journey. Utterly delectable and deeply psychedelic this track is worthy of your ears and is a recommendation from me.
The EP's penultimate piece is a noisy nonchalant affair. Just when you think 'Sun Mahshene' have hit the nail on the head musically they throw in a curve ball. 'You' swerves in and out of alt-rock territory at times as it's noisy guitar lines and steadying drums hold court throughout pulling the almost metronomic verse progressions into explosive chorus passages. Vocally it's faultless, but it's a bit too same-same for me. The closing piece on the EP is different story altogether. 'I Love You' is a stunning bonus addition to the release when you buy it from bandcamp. It's central spine is a throbbing repetitive baseline in the vein of 'Jesus And Mary Chain' with a wonderful vocal and noisy growling guitars all rattling collectively on a bedrock of shuddering percussion. A fitting end to an interesting EP. More of this please!
Del Chaney has spent the last four years not only fronting popular experimental Irish based electronic duo Analogue Wave but also dedicating his time to uncovering the best artists in the unsigned or small independent label based shoegaze, ethereal dream pop, post punk, post rock & modern psych rock from all over the globe & reviewing them for this blog - The Primal Music Blog. He is also a contributing writer for The Sound Of Confusion. His other arm - Primal Radio - has gained considerable respect from bands and promoters alike since its conception in 2013 & has helped him in actively promoting a genre of music that he is passionate about. Hailing from Dublin, Ireland, he is a keen Vinyl Collector, Tattoo Fan & all round good guy! He is a self confessed music freak & is never far away from a studio console or a turntable.
Icelandic experimental neo-psych aficionados 'Singapore Sling' have unleashed the first single entitled 'Evil Angel' to be lifted from their forthcoming highly anticipated ninth studio album 'Kill Kill Kill (Songs About Nothing)' due for release in February 2017 via the purveyors of all things psych 'Fuzz Club Records'. Formed back in 2000, 'Singapore Sling' are credited as being one of the originators of this experimental modern day psych scene with their music continuously being mentioned as influential to many of the newer psych bands releasing music within the scene today. As usual, 'Kill Kill Kill (Songs About Nothing) is available to pre-order right now from fuzzclub.com
'Evil Angel' stews menacingly deep within a discomforting psychedelic brew as those seriously off putting horns lounge precariously on top of a fuzzy undulating bass line. The lingering reverberation of the guitars and the turbulent shaking of a motorik percussive beat adds dark atmosphere as Henrik's impressive echoing vocalisations swirl effortlessly into the ether . 'Evil Angel' is very experimental and fans of 'Singapore Sling' will notice it from the off but don't be fooled, this track is genre defining and that only bodes well for the full album release.
Fizzy Orange by The Orange Kyte
Vancouver based psych outfit 'The Orange Kyte' have unleashed the final track on their mammoth sonic expedition to release one track per month for 2016! It's been an explosive sonic thrill ride for the band this year with every single monthly instalment swirling in and out of varying degrees of deliciously addictive psychedelic exploration. 'The Orange Kyte' are made up of Steve Moonboots & a revolving door of likeminded musicians. Piloting the good ship Orange Kyte on it's final voyage of 2016 are Stevie Moonboots - guitars/vocals, Mat Durie - organ/piano, Dave Mulvaney - drums/percussion, Robin Schroffel - bass & Jonah Kya Goksøyr - Trombone. The single is available to buy/download right now from theorangekyte.bandcamp.com
'Fizzy Orange' shimmies blissfully on a fuzzy instrumental wave thats filled with subtle brass indentations courtesy of Jonah Kya Goksøyr on trombone, luscious swirling organ lines, growling guitars, hypnotic drum patterns, cascading bass progressions and the ever present addictive vocalisations of Stevie Moonboots. 'Fizzy Orange' breaks down wonderfully around the two and a half minute mark, transforming itself into a creeping psychedelic beast, constantly changing it's sonic form until eventually exploding into a finale that is filled with beautiful frequential noise. A brilliant ending to a great year of releases.
ARTIST: Has A Shadow
RELEASE: Sorrow Tomorrow
RELEASE DATE: 18th January 2017
Mexico natives 'Has A Shadow' release their sophomore album (their first via Fuzz Club Records) entitled 'Sorrow Tomorrow' on January 18th 2017. The band create a brand of dark and ritualistic modern day psych gaze that heaves and undulates through swathes of unabashed reverberation and driving instrumentation tinged with menacing gothic tones. This new album follows a run of EU dates that included an appearance at Liverpool Psych Fest and shows with LSD & The Search for God, TAU and The Jabberwocky Band. You can pre-order 'Sorrow Tomorrow' ahead of it's January release, on various formats over at www.fuzzclub.com
In a hail of fragmented frequencies and the sampled barking of dogs the opening salvo’s of ‘Sorrow’ squeal into audible range riding rough shot on shuddering synth swells and the metronomic sway of percussion. Tormented vocalisations swirl repetitiously as the track builds and surges into a raging sonic tornado allowing it’s wailing guitar progressions to pulse wave after wave of intense reverberation out into the ether. Up next, ‘Lord Of Flies’ saunters into the musical arena with a distinctly edgy swagger. It’s creeping drum pattern swings hypnotically dragging with it those dark organ progressions, snaking guitars and the menacing throb of bass frequencies. Vocally ‘Lord Of The Flies’ is steeped in gothic flair and unrepentant reverberation as we exquisitely meander through waves of intense dark frequential matter and swirling atmospherics making this a brilliantly executed track. Track three, 'The Flesh' pulsates and swirls on undulating waves of dark instrumentation that includes throbbing bass lines, reverb laced organ swells, repetitive percussion, fuzz -laden guitars and hauntingly good vocalisations.
‘Attack Of The Junkie’ effortlessly drones into earshot, building repetitiously as the drag of the organ swell brings with it those thunderous drums and echoing vocalisations. This track is a driving psych induced behemoth that takes no prisoners as it’s tremulous guitars & throbbing bass progressions wage a war of sonic attrition, bending unsuspecting frequencies at will until eventually turning them into a colossal wall of magnificent noise. ‘Attack Of The Junkie’ is a triumphant track, possibly my favourite on the entire album. It is inherently filled with hard hitting sonic aggression and worthy of your ears. ‘Cul De Sac’ pulses on a sequenced synth line as ‘Has A Shadow’ unleash a noisy post-punk sheen on proceedings. The melodious bass line weaves a jittering sonic web as it works through it’s predesignated course, all the while being harassed by swirling reverberation, intense vocalisations and dark menacing instrumentation. Guitars explode into a cacophony of noise as those hypnotically charged organ lines takes hold, dragging the listener with them on an undulating white knuckle thrill ride.
Up next, the albums latest single jangles into earshot steeped heavily in an air of atmospheric trepidation. ‘Vampire Kiss’ has brash and scuzzy guitars that swirl deep within a dark haze of reverb. You really have to check yourself as those throbbing bass frequencies & thunderous drums dance and swing a hypnotically charged jig, effortlessly circumnavigated by those hauntingly good organ lines and the foreboding vocal tones of Daniel Garcino. ‘Horror Will Grow’ swirls into the ether on a another repetitious drone as it’s menacing organ lines snake and move held fast within a turbulent cloud of dark reverberation accompanied by brilliantly executed guitar lines and shuffling percussive hits. This slow burning psychedelic beast stalks the outer limits of the subconscious as those swirling vocalisations of Garcino slowly pick their way through the many layers of the human psyche and burrow themselves where they can be instantly recognisable for future reference.
The albums penultimate track explodes in a torrent of thunderous drums and driving guitars. ‘Not Even Human’ shatters the slow burgeoning drag of the previous track by spewing forth a cacophony of fuzzy atmospheric instrumentation & jittering repetitious noise. Somewhere deep within the sonic maelstrom, however, Daniel Garcino vocals meticulously hold court and strenuously keep everything together magnificently. The albums final onslaught comes in the form of ‘World Sensation’, a swirling salacious beast riding a growling guitar progression and a sparse wave of percussion. The organ arrives on cue as the track explodes into a colourful array of reverberating frequencies orbiting another impressive vocal display, before we’re all swallowed up by glorious surf/psych sounds until the tracks finale! A belter of a track to finish off one hell of a sonic thrill ride.
ARTIST: Telstar Sound Drone
RELEASE: Magical Solutions To Everyday Struggles
RELEASE DATE: 18th March 2016
RECORD COMPANY: Bad Afro Records
Copenhagen-based droning psych-gazers Telstar Sound Drone are not here to create pop songs. They have no interest in writing chorus progressions or intermittent 'Love Me Do' soundscapes either. What they collectively create is a swirling maelstrom of golden psychedelic sound that wraps itself around your senses and takes you with it as it loops and arcs through sonic peaks and troughs with relative ease. They released their sophomore album 'Magical Solutions to Everyday Struggles' back on the 18th March 2016 via Bad Afro Records.
Magical Solutions To Everyday Struggles by Telstar Sound Drone
The album opens up with the pulsating 'Drugs Help' and we're treated to a droning swirl of controlled mayhem. Hypnotic vocal progressions weave their way through the wall of sound as that shuffling drum pattern embeds itself deep within your psyche. This is the jump-off point as we dive into the world of Telstar Sound Drone. Track two, 'Something I Can't Place', shatters the sound barriers and crawls into a dark, uncomfortable space, funnelling itself into into a continuous swirling drone that leads us into track three, the aptly-named 'Dark Kashmir'. 'Your Fingers Stir The Liquid Moon' uses its electronically-charged drum sequence to mechanically distribute that swirling reverb-drenched vocal that's swathed in those impressive synth swells, whilst track five, 'Closer Again', swims in some kind of psych-induced industrial soup, as we're treated to another stunningly hypnotic vocal track held within a sonic ball of intensely vivid sound waves. Up next, 'Strange Apples' explodes onto the sonic ether, spewing forth with it that charging drum pattern and a swirling vocal track. The droning, layered guitars add a brilliant punch to proceedings. 'Mad Seeds' is reminiscent of California-based The Warlocks with its noisy, reverberating guitar lines and its impressive call to arms-like lyrical content, whilst the immensely hypnotic opening salvos of 'Deep Spaces' unleash a monolithic track that fills the entire sonic spectrum with aplomb.
The album's closer, 'Lean Down On White', is simply stunning with its massive open spaces and reverb-induced sustained droning. The haunting vocal swims in delays and reverbs as it circumnavigates the the addictive guitar line. A brilliant ending to a brilliant album.
It's that time of the year again when us music bloggers dip into the heap of music submissions we've received just to try and compile some sort of 'Best Of' list. This year has been especially hard as there have been so many immense releases by some seriously good worldwide artists who are either self-releasing out of a bedroom or signed to small independent record labels, that I didn't want to leave any of them out. It's a tough decision trying to whittle them down to a list of just 5 or 10 so I went all out and decided to settle on 20 releases. These various albums & ep's by underground artists based all around the globe have been sent into the Primal Music blog and thus we have gone on to review them, so unfortunately there's nobody out side of our submissions inbox on the list this year I'm afraid. I've also decided not to ask the other writers or Dj's to give me their favourites as it took way too long so the following 20 releases are my choices alone. I've reviewed most of them, took them apart, fantasised about them, listened to them repeatedly and even today they still blow me away.
As I've already alluded to, we've been snowed under with submissions this year and as a result we've had to get very selective with our reviewing process and our best of 2016 year end list will reflect that fact. We don't review reformed bands or artists signed to major labels so you wont read about them here. This is all about the underground psych, shoegaze, ethereal dream-pop and post-punk scene's. As usual, I'd like to thank every one of you readers, writers, commentators, labels, artists and PR companies who have sent us music, liked & shared our reviews and generally supported us 110%. Without you guys & gals I would have given up months ago. I have some big plans for 2017 with some new developments happening right now behind the scenes. I'm very excited to bring them to you as 2017 progresses.
Del Chaney - Primal Music - December 2016
PRIMAL MUSIC's TOP 20 RELEASES OF 2016:
(in no particular order)
JuJu - JuJu (Sunrise Ocean Bender Records) - http://primalmusicblog.com/album-review/album-review-juju-juju-sunrise-ocean-bender-records/
My Invisible Friend - S/T (Fuzz Club Records) - http://primalmusicblog.com/music/ep-review-my-invisible-friend-st/
Stella Diana - Nitocris (Vipchoyo Sound Factory Records) - http://primalmusicblog.com/album-review/album-review-stella-diana-nitocris/
RevRevRev - Des Fleurs Magiques Bourdonnaient (Northern Light Records/Custom Made Records/Kinotone Records) - http://primalmusicblog.com/album-review/album-review-revrevrev-des-fleurs-magiques-bourdonnaient/
Muertos - EP 1 (Wrong Way Records) - http://primalmusicblog.com/ep-review/ep-review-muertos-ep-1-wrong-way-records/
Magic Shoppe - Interstellar Car Crash (Optical Sounds) - http://primalmusicblog.com/album-review/ep-review-magic-shoppe-interstellar-car-crash/
Dead Rabbits - Everything Is A Lie (Fuzz Club Records) - http://primalmusicblog.com/music/album-review-dead-rabbits-everything-is-a-lie-fuzz-club-records/
Is Bliss- Velvet Dreams (Club AC30) - http://primalmusicblog.com/ep-review/ep-review-bliss-velvet-dreams/
In Violet - Amber (Bottle Imp Productions) - http://primalmusicblog.com/album-review/album-review-violet-amber/
Ghost Box Orchestra - High Plaine (Evil Hoodoo Records) - http://primalmusicblog.com/album-review/album-review-ghost-box-orchestra-high-plaine/
Rancho Relaxo - White Light Fever (Wrong Way Records) - http://primalmusicblog.com/album-review/album-review-rancho-relaxo-white-line-fever/
LSD And The Search For God - Heaven Is A Place (Deep Space Recordings) - http://primalmusicblog.com/album-review/album-review-lsd-search-god-heaven-place/
Follow The Sea - Blue Joy (Häxrummet Records) - http://primalmusicblog.com/album-review/album-review-follow-sea-blue-joy/
Ulrika Spacek - The Album Paranoia (Tough Love/ LEFSE Records) - http://primalmusicblog.com/album-review/album-review-ulrika-spacek-album-paranoia/
LEAF - Nothing Seems Real (Unsigned) - http://primalmusicblog.com/ep-review/ep-review-leaf-nothing-seems-real/
Travelling Wave - Simoom (Unsigned) - http://primalmusicblog.com/ep-review/ep-review-travelling-wave-simoom/
Mumrunner - Gentle Slopes (Wolves And Vibrancy Records/Soliti Records) - http://primalmusicblog.com/album-review/ep-review-mumrunner-gentle-slopes/
Living Hour - Living Hour (LEFSE Records) - http://primalmusicblog.com/album-review/album-review-living-hour-living-hour/
The Cult Of Dom Keller - Goodbye To The Light (Fuzz Club Records) - http://primalmusicblog.com/album-review/album-review-cult-dom-keller-goodbye-light-fuzz-club-records/
Bolywool - Hymnals And Bombs (Novoton Records) - http://primalmusicblog.com/album-review/album-review-bolywool-hymnals-bombs/
ARTIST: Ulrika Spacek
RELEASE: The Album Paranoia
RELEASE DATE: 5th February 2016
RECORD COMPANY: Tough Love / Lefse Records
Formed in Berlin but now residing in London, Rhys Edwards and Rhys Williams aka ‘Ulrika Spacek’ began their tentative first steps in what would be a two year journey to finish their debut album entitled ‘The Album Paranoia’ back in 2014. Employing the help of three skilled musicians & friends they embarked on sonic journey that would reap them immense rewards. With a sound that swerves between alt-rock & krautrock whilst taking a trip through downright fuzzed up lo-fi brilliance, ‘Ulrika Spacek’ create hazy impressive soundscapes that are sonically worthy of your ears. ‘The Album Paranoia’ was officially released via ‘Tough Love Records (EU) & LEFSE Records (USA) back on the 5th February 2016.
The Album Paranoia by Ulrika Spacek
The album opens up with ‘I Don’t Know’, a fuzzy swirling triumphant track that loops & arcs through addictive reverberating guitars intertwined with glorious psych tinged effects and a steadying drum progression that holds that stunning vocal aloft like a king sitting atop a mountain of golden sound. Track two, ‘Porcelain’ oozes alt-rock splendour with whirling repetitive guitars and another impressive vocal performance. ‘Circa 1954’ lives in a beautiful shimmering experimental ambient world while ‘Strawberry Glue’ jangles & struts like a sonic peacock before opening up into a glorious fuzzy alternative masterpiece. Track five, ‘Beta Male’ stands up there with some of the great modern day psych tracks. Reminiscent at times of ‘Fuzz Club Records’ own ‘Throw Down Bones’ with its hypnotic swirling maelstrom of sound that builds into a fuzzy multifaceted sonic whirlwind. ‘Beta Male’ is probably my favourite track on this entire release. Very cool! Up next,‘NK’ is a slow but sludgy psych tinged monster with a lazy ‘Sub Pop’ styled effected vocal line and a very impressive break that builds & builds forever.
We’re back on a subtle alt-rock vibe with ‘Ultra-Vivid’. This track is full of melodic melancholy with beautifully intricate guitar lines, gorgeous synth swells and an effortlessly striped back vocal take. ‘She’s A Cult’ screams ‘Radiohead’ from its very first distorted chord structure while ‘There’s A Little Passing Cloud In You’ shakes the sonic ether with is psychedelic flavourings dripping with repetitive guitars, throbbing bass line & a brilliant drum progression that collectively leads us into a false sense of security before opening up & exploding into a massive cacophony of sound.
The albums closer ‘Airportism’ is reminiscent of latter day ‘Radiohead’ with its beautifully delicate vocal lines accompanied by that addictively melodic guitar progression and a lazy drum pattern. A perfect finale to an overall impressive debut album. Recommended listening for fans of MBV, Television, Pavement, Sonic Youth, Radiohead & Deerhunter.
ARTIST: Tales Of Murder And Dust
RELEASE: The Flow In Between
RELEASE DATE: 23rd March 2016
Formed in 2007, Danish psych-gazing five piece ‘Tales Of Murder And Dust’ create stunning soundscapes of immense proportions that continuously push the boundaries of our psychedelic awareness. Vocally sublime, they meld together a subtle brand of dark shoegaze with psych rock to create an impressive cacophony of sound that includes pounding drums, waves of droning and noisy guitars, violins, sitars and impressive organ swells. Their latest album ‘The Flow In Between’ got it's official release on the 23rd March 2016 via the brilliant London based Fuzz Club Records and is available right now on various from www.fuzzclub.com
The Flow In Between by Tales Of Murder And Dust
The opening track on this impressive release is ‘Tidal Waves’. Creeping, maleficent percussion and dark guitar swells entice the hauntingly brilliant violin to loop and arc throughout the sonic atmosphere as the introduction of intermittent drum hits adds intensity. When the vocal arrives it does so on a wave of beautiful noise thats reminiscent of some religious choir holed up in a cavernous church hall with its layers of impressive vocals dripping wet with stunning reverb. A deliciously sublime whirling drone, riding a hypnotically tempestuous shuffling drum pattern, heralds the arrival of track two ‘Black Reflections’ and with it comes that undeniably addictive floating vocal line, hauntingly swirling within a dark melodic sonic stew. ‘Black Reflections’ hits you right between the eyes, awakening something rather special. Track three ‘The Devil Is A Poet’ drags itself into the sonic ether on a wave of impressive guitars, soaring organ swells, sparse percussion and hypnotic tambourine hits. Reminiscent at times to ‘Spacemen 3’ or Sean Cook’s (Ex-Spiritualized) ‘Lupine Howl’ with its opiate induced vocal production, ‘The Devil Is A Poet’ is a shuffling slab of sonic darkness personified.
Up next, ‘Mirror’ sweeps into view and brings with it a certain feeling of unease as a dark, brooding cacophony of droning guitars, haunting vocal lines and steading drums collectively gives off a processional feeling. This is another impressive track, full of widescreen cinematic qualities and intense musical atmospherics. A throbbing bass line, hiding a subtle droning guitar leads us into track four, the explosive ‘Sisters’. As a swirling vocal progression intertwined within a melodic ball of noise greets the listener, this track unfolds into something magical with its melodic violins, pounding drums and delightful sonic peaks and troughs. Track five, ‘Distored Ways’ is nine minutes plus of mind inducing psychedelic brilliance. This track is a vivid maelstrom of droning guitars, haunting sitars & violins, hypnotic explosive drum patterns and that circumnavigate that impressive swirling vocal progression. A masterpiece of epic proportions and possibly my favourite track on this entire release.
Squalling feedback announces the arrival of the albums closing track ‘Endless Repetition’ as that dark hypnotic vocal progression grabs you, pulling you into a swirling whirlwind of golden orchestral instrumentation and beautifully constructed musical progressions. That swirling drone works its magic, stirring the entire sonic composition with aplomb, adding atmosphere and bringing up new psychedelic visions with each reverberating pass.
This entire collection of tracks is an edge of your seat, no holds barred, sonic journey of psychedelic discovery.