RELEASE: Taeppe EP
RELEASE DATE: 27th June 2017
RECORD COMPANY: Structure vs Chaos Music (SESAC)
Fantastic Connecticut based lo-fi shoegaze quartet 'Landing' have announced a brand new three track cassette in the guise of the 'Taeppe' EP , released to coincide with their 2017 tour which has just kicked off and will run all the way to July 12th taking in Northampton, Hamilton, Detroit, Indianapolis, St. Louis, Minneapolis, Des Moines, Austin, New Orleans, Atlanta, Raleigh, Salt Lake City & Washington D.C. The band create blissful sonic soundscapes that are filled with hazy shoegaze highs and jaw dropping ethereal vocalisations coupled with experimental twists and lashings of glorious reverberation. The band on this release are made up of Adrienne Snow - vocals, Daron Gardner - bass/drones, Aaron Snow - guitar/synth/drums/bass/vocals, Kryssi Battalene - guitar on Side A & John Miller - drums on 'Together'. You can buy/download this latest release digitally right now from landing.bandcamp.com or if you are one of the lucky folk who get to see them play live, the cassette version is released by Vast Arc Hues in an edition of 50 and will be available at shows on their summer 2017 tour.
Taeppe EP by Landing
Reverberating drones coupled with fizzing effected fret noise collectively move and undulate in a dense sonic fog as faint hints of melody punctuates through subtle feedback and the odd pull of guitar notes. 'Page After Page' unfurls it's enveloping frequencies, gradually building momentum as it peels back each individual musical layer before pulsing a beautifully intense wall of glistening vibration out into the ether in one great big wave, enveloping Adrienne's haunting vocals in the process. It's subtle percussion keeps an almost ethereal tempo as the wash of luscious guitars surge and break through layer after layer of stunning production. Instrumentally, 'Page After Page' pulls you inwards and keeps you transfixed on all eight minutes of this fantastic opening salvo. Up next, 'Tape' explodes into a cacophony of golden hued frequencies as tremulous guitars, augmenting synth swells and the repetitive whoosh of hi-hat's swirl and meld effortlessly with beautifully entrancing vocalisations, the gentle hum of bass frequencies and sublime production. 'Tape' is my favourite track on the entire release. It's a blissed out sonic adventure that will have you forgetting daily life as you float skywards into the abyss.
The EP closes out with 'Together', a snapshot of dreamy sonic escapism. A hazy wall of steady drums, cascading bass lines and fuzzy reverberation glisten and shine as jangling progressions mix with melodious lead lines to collectively circumnavigate another shimmering vocal take. 'Landing' tease us with their old school shoegazing tendencies half way through as the track explodes into a driving mass of blissful noise drenched in simmering instrumental melody that loops and arcs brilliantly throughout the the entire piece. This flight of fancy is quickly tamed however as the band pull the plug and dump us headlong into a finale of fading incandescent sound waves.
ABOUT THE AUTHOR:
Del Chaney has spent the last five years dedicating his time to uncovering the best artists in the unsigned or small independent label based shoegaze, ethereal dream pop, post punk & modern psych rock from all over the globe & reviewing them for this blog - The Primal Music Blog. He is also a contributing writer for The Sound Of Confusion (Now On Hiatus). His other arm - Primal Radio - has gained considerable respect from bands and promoters alike since its conception in 2013 & has helped him in actively promoting a genre of music that he is passionate about. Hailing from Dublin, Ireland, he is a keen Vinyl Collector, Tattoo Fan & all round good guy! He is a self confessed music freak & is never far away from a studio console or a turntable.
by Primal Music
ARTIST: Brilliant Beast
RELEASE DATE: July 7th 2017
RECORD COMPANY: Unsigned
Hailing from Minneapolis, fuzzy shoegaze quartet 'Brilliant Beast' are no strangers to Primal Music. In fact, we've been spinning them religiously over on Primal Radio for quite some time as we fell in love with their glistening dream-gaze tones way back in 2013 after the release of their fantastic 'Where Do You Want' long player. Hazy yet melodious and with a grungy kick that stirs up many different influential artists from the scene, 'Brilliant Beast' are a band that I selfishly keep coming back to again and again. The band are made up of sibling dual vocalists Hannah & Jordan Porter, both on vocals/guitar, Ronnie Lee -bass & Eric Whalen - drums an they have just announced a brand new five track EP entitled 'Jelly', penned in for release on the 7th July 2017. The EP is available to pre-order right now via brilliantbeast.bandcamp.com
Jelly by Brilliant Beast
Surging instrumentation swirls and cajoles for space as woozy frequencies battle clandestine reverberations for the right to accompany a truly melodious vocal line as it meanders out into the ether. 'High Time' mesmerises as it sifts through stunning layered guitars and pounding drums, floating effortlessly on the continuous throb of bass and skipping brilliantly through catchy hook laden chord structures and immense production. A mouth watering opening salvo that leads us into squealing feedback and the heavier opening bars of 'Scatter', a menacing sonic behemoth that heaves and undulates on bass heavy frequencies. Soaring guitars carry another impressive vocal as 'Brilliant Beast' wage a sonic war of attrition looping and arcing in and out of heavy shoegaze at will before exploding into a stunning chorus break. Up next, 'Spiders' stalks into earshot on a charging percussive assault punctuated by grunge heavy guitars and snaking vocalisations. I can hear tons of early Sonic Youth here (I don't know how the band will feel about that??) but I bloody love it anyway, so much so that it's my favourite track on the entire EP. Seductive lead lines intertwine with punchy percussion and hovering bass signatures before that woozy chorus break slows everything down just a tad before exploding back into a maelstrom of blissful noise.
The EP's penultimate piece skips into range straddled to a hazy wall of resonating noise and a busy drum progression. 'Slipping' continues with the same sonic formula as the previous tracks that holds 'Brilliant Beast' in good stead. Fuzzy guitars, explosive percussion, undulating bass lines and a duel vocal to die for that at times sounds almost ethereal. Add into the mix that fantastically explosive closing break and it's a win win for me. 'Jelly' closes out with it's lead single. 'Star Of' is a blissed out summer jam filled with glorious golden hued fuzz, a dreamy dream-pop inspired vocal line and fantastic instrumentation. Again, catchy hooks make this track easy on the ear but it's those duel vocals that are absolutely spellbinding and at times hypnotic, keeping this listener well entertained. A brilliant ending to a marvellous EP .... bravo Brilliant Beast.
ARTIST: Paper Daggers
RELEASE DATE: 18th June 2017
Brooklyn based dreamgazers 'Paper Daggers' create deeply melodious soundscapes that skip effortlessly through melancholic sonic snapshots filled with woozy shoegaze and shimmering yet hazy dream pop with blistering aplomb. The band are made up of Rob - guitar, Nicola - vox/keys, Carrie - bass & Lisa - drums and they have just released a stunning three track debut self-titled EP and you can buy/download it right now from paperdaggersnyc.bandcamp.com
Paper Daggers by Paper Daggers
The EP opens up with an absolutely stunning track entitled 'Small'. Tumbling tremulous guitars meld brilliantly with subtle synth swells and humming bass frequencies as rolling percussion collectively ferries a beautiful vocal out into the ether. A hazy wash of gentle reverberation smoothes the journey as we're deftly scooped up and carefully enveloped in resonating lead guitar lines that intertwine with infectious songwriting and brilliant production. Up next, 'Wash' penetrates a busy wall of tremulous noise before a beautiful wave of melody gracefully pulls a deeply hypnotic percussive swing into the mix, it's metronomic pulse adding intense atmosphere as Nicola's ethereal vocalisations float into earshot. Entrancing instrumentation swirls throughout as this tracks lead guitar parts whirr and dance in and out of throbbing bass lines and subtle reverberations collectively following the gravitational pull of those entrancing drum patterns. This is absolutely stunning and if you have to listen to anything at all today please let it be this one track. 'Wash' will blow you away.
The EP closes out with slice of magic. There are bands out there who can pull off shoegaze and dream-pop to a consistent level but never really step outside of their comfort zones. And then there are bands like 'Paper Daggers' who have the ability to inject subtle genre changes outside of their chosen sonic disciplines. 'Between Moments' shatters into earshot on a beautifully serine melancholic vibe, steeped in dreamy dream-pop but underscored by something completely new to the sounds previously heard on this EP; this track has a late 80's post-punk vibe that I'm instantly drawn to courtesy of those plodding bass notes and that ever present swell of swirling synth. It's infectious, it's hypnotic and it's insanely masterful all at once and it shows that 'Paper Daggers' have the ability to change. A trait that is needed in this modern underground scene. Again the vocals are on point here too and those soaring guitars inject an intense shoegaze high and patches of angrier resonating lows. It's a stunning ending to a marvellous EP and I for one cannot wait to hear what comes next from 'Paper Daggers'.
ABOUT THE AUTHOR:
ARTIST: Magic Shoppe
RELEASE: High Goodbye
RELEASE DATE: 16th June 2017
RECORD COMPANY: Little Cloud Records
Sublime Boston based dissonant psych aficionados 'Magic Shoppe' have just unleashed a brand new EP to the masses entitled 'High Goodbye', a bruising four track fuzz fest that will literally blow your socks off. From their very first release, the impressive ‘Reverb EP’ (2010) ,'Magic Shoppe' have been firmly on our radar and have also been a recommendation of ours for quite some time. Their immense brand of fuzzy, reverb induced psychedelic mayhem rattles through its gears with blistering aplomb and takes the listener on melodic journeys of sonic discovery. This latest EP had it's official release back on June 16th 2017 via the brilliantly independent 'Little Cloud Records' with various formats available including lovely limited edition 12' translucent red vinyl from magicshoppe.bandcamp.com
High Goodbye by Magic Shoppe
The EP opens up, tumbling menacingly through an unwavering wall of growling melodious guitars as ‘High Goodbye’ resonates into the subconscious. Shaking tambourines ride a wave of sticky bass frequencies and gravitate in close proximity to a tempestuous percussive swagger. It’s vocal lines croon and undulate in and out of snaking lead lines as the hypnotic swing of instrumentation captures this listeners attention. ‘High Goodbye’ is a stunning opening salvo steeped in swirling reverberations and whirring drones that captures a snapshot of what this modern day psych-gaze scene is all about. Up next, ‘Lost In Space’ shimmers in a dark resonating haze as the twang of lead guitar drags metronomic shakers into the mix underscored by soaring drones and a definitive 60’s neo-psych hue. The heady sonic fog clears to allow addictive vocal lines to lick, whip & penetrate just enough to guide the way as we shake and move through hypnotically charged shamanic vibrations filled with raging lead guitars and punishing production.
The EP’s penultimate piece entitled ‘Her Ritual’ stirs the senses as menacing sonic reflections bounce, drone and jitter effortlessly into the ether with blistering aplomb. The mechanical thump of percussion drags angry guitars and another mesmerising vocal into perspective, drenched in reverb and hovering on a bedrock of throbbing bass frequencies and the incessant whoosh of droning instrumentation and in turn answering to nothing but the pull and swing of a deeply hypnotic tempo. ‘Her Ritual’ sucks you in slowly and spits you out at break neck speeds before dropping you off into a swirling acid drenched haze. The EP closes out with what is possibly the most alternative track on the entire release and although they side step away from the sonic themes of the previous three tracks, ‘My Minds Eye’ is actually bloody immense. It begins with waves of screaming feedback as the band collectively usher in driving drum patterns, undulating bass lines, addictive tambourines and howling vocalisations before lightening the touch paper and exploding into a catchy, hook laden chorus progression. They repeat the process, turning up the noise as they go, injecting swirling drones and surging feedback into the mix before calling a halt to proceedings, trapped in a cyclonic whirlwind of noise. An absolutely stunning finale to another bloody masterful EP.
ARTIST: Tombstones In Their Eyes
RELEASE DATE: 4th August 2017
RECORD COMPANY: Send Me Your Head Records
Stoner rock, neo-psych, subtle flavours of shoegaze and rolling slowcore melded with fluttering dark frequencies, intense melody and those totally addictive vocalisations of John Treanor make up the collective sonic melting pot of musically astute L.A based quartet 'Tombstones In their Eyes'. Back in May 2016 they literally blew me away with their 'Bad Clouds' EP, so much so that I have been waiting with baited breath to see what these guys could come up with next. The band are made up of John Treanor – Vocals/Guitar/Keyboards, Josh Drew – Bass/Backing Vocals, Stephen Striegel – Drums/Percussion & Samuel Sherwood – Percussion and they have just announced their third EP entitled 'Fear' penned in for release on August 4th 2017 via 'Send Me Your Head Records' with pre-order options now available via tombstonesintheireyes.bandcamp.com
Fear by Tombstones In Their Eyes
The EP unfurls its sticky sonic tendrils with ‘I Want To Fly’. An explosive opening breathes life into an effortless vocal track that sits gracefully atop growling guitars, shuddering percussion and throbbing bass frequencies as ‘Tombstones In Their Eyes’ dip into their inner psych, melding it with subtle shoegazing tendencies and angry alt-rock to create a magically intense piece of music. Up next, my favourite track on the entire release enters audible range. ‘Separate’ tumbles into the ether strapped tightly to a downward spiralling tremulous drone before hazy vocalisations snake and undulate through warbling guitars, fizzing synth and cascading bass lines. It builds in intensity as it works through it’s sonic gears, moving menacingly through swathes of impressive reverb before culminating into a swirling mass of blissful noise. It’s a triumph of a track and it’s filled with everything that is needed to stir the senses completely.
‘Always There’, the EP’s lead single, sounds more like a mash up of french band AIR, R.E.M and some other nondescript alternative outfit from the mid 90’s. It doesn’t do it for me at all I’m afraid and I find it hard to understand what it is exactly that the band where trying to achieve here. I’ll probably be hung for saying that but for me it’s a very confusing track. Up next, ‘Another Day’ fizzes into life tumbling effortlessly through waves of hazy reverberation as melodious guitars are cajoled and whipped by swirling drones, the plink of synth and driving percussion before we’re dragged headlong into a marvellous chorus progression that simply soars. Brilliantly executed and filled with excellent production ‘Another Day’ mesmerises. The EP close out with another triumphant piece of music. ‘Fear’ swirls through a hazy psych filled world with blistering aplomb. Metronomic percussion coupled with shimmering tambourine adds intense atmosphere as a growling wall of noise pulls hypnotic vocalisations out into the ether, trembling on waves of throbbing bass and undulating synth swells. Soaring lead guitar gloriously punishes this entire piece to within an inch of it’s life, intertwining at times with those shamanic like vocal lines before we’re dropped off the back end, holding on desperately to it’s fading instrumental drones. A blistering end to a rather good EP.
Del Chaney has spent the last four years dedicating his time to uncovering the best artists in the unsigned or small independent label based shoegaze, ethereal dream pop, post punk & modern psych rock from all over the globe & reviewing them for this blog - The Primal Music Blog. He is also a contributing writer for The Sound Of Confusion (Now On Hiatus). His other arm - Primal Radio - has gained considerable respect from bands and promoters alike since its conception in 2013 & has helped him in actively promoting a genre of music that he is passionate about. Hailing from Dublin, Ireland, he is a keen Vinyl Collector, Tattoo Fan & all round good guy! He is a self confessed music freak & is never far away from a studio console or a turntable.
ARTIST: Is Bliss
RELEASE: The Honeycomb Explosion
RELEASE DATE: 19th May 2017
RECORD COMPANY: Club AC-30 Records
Revered, incantational, hypnotic - Three words that aptly describe what I felt after listening to the absolutely stunning 2016 debut EP entitled 'Velvet Dreams' from Portsmouth based psych aficionados 'Is Bliss'. Signed to celebrated Independent record label 'Club AC-30', 'Is Bliss' are causing quiet a stir right now both on the live scene and within the underground fraternity with their no nonsense, full on, psych induced reverberations! They are made up of Jimmy Stuart - vox/guitar, Dean Edwards - bass & Sam Speakman - drums and they have just released a monumental follow up to their untouchable debut EP 'Velvet Dreams' entitled 'The Honeycomb Explosion'. This sophomore release is a statement of intent by a band who collectively create stunning soundscapes filled with blissed out shoegaze & swirling shamanic psych deftly underscored with passages of dreamy spaced-out grooves and hypnotically charged reverberations. 'The Honeycomb Explosion' was released back on the 19th May 2017 and was initially available to purchase on lovely transparent yellow w/red & orange splatted 12' vinyl via store.clubac30.com
In a haze of cyclonic vocalisations that swirl repetitively through swathes of luscious reverb, the opening salvos of track one ‘Someone’ builds with a menacing hue, dragging hypnotic deep bass frequencies, tremulous drones and angry guitar signatures out into the ether whilst injecting tons of impressive sonic atmospherics as it carefully unfurls it’s far reaching sonic tendrils. Beautifully intense from the off and harking back to to those early 90’s shoegaze sounds ‘Someone’ unleashes a blissful, meandering vocal track that’s whipped and cajoled at times by soaring lead guitar lines and underscored by continuously alluring bass progressions. Up next, ‘Alive (Baby Come On)’ enters the sonic arena swirling dreamily through turbulent organ drones and sparse percussion. Bass lines hum and growl brilliantly as we witness some of the best vocal performances on this whole EP. The track builds builds and builds again until it unleashes a torrent of glorious noise, dragging this listener with it into the eye of a raging sonic firestorm. ‘Alive (Baby Come On)’ has a plethora of influences and I can hear the waviness of Spacemen 3, the punishing guitars of seminal shoegazers Loop & the melodious qualities of Ride streaming through its inner core. Absolutely stunning and definitely my favourite track on the entire release.
‘Is Bliss’ pulse some eastern esoteric flair into proceedings next as sumptuous sitar intertwines with 60’s psych connotations, shimmering tambourine and punchy drum patterns. ‘Into A Dream’ does exactly as it says on the tin. You tumble through layer after layer of droning instrumentation, cascading dream like bass frequencies and that twinkling guitar signatures, guided at every turn by that impressive vocal track and just as you think you are settling in for a session in the shamanic sonic immersion tank you get catapulted out the back end of this track at g-force speeds glued to to a fast moving pulse of intense instrumental chaos before being gently placed back on terra firma with a very big smile on your face (yes it is that good). Up next, ‘Tomorrow’ shimmers hypnotically around an incantational instrumental drone and the jaunty rumble of busy tablas as the dissonant sounds of dreamy sitar bounces and envelopes a stunning vocal performance. Again ‘Is Bliss’ work through their sonic gears with blistering aplomb until eventually they unleash a torrent of explosive frequencies punctuated by screaming guitars, throbbing bass lines and pounding drum patterns that collectively coagulate into one hell of a track finale. The EP then closes out with ‘Inner Soul’, a fantastic sonic trip through layers of blissful reverberations, melodious bass progressions, passages of droning guitars and slow moving percussion that drifts and moves effortlessly, acting as a conduit for those stunning vocal lines. Reminiscent at times to ‘A Storm In Heaven’ era ‘Verve’, ‘Inner Soul’ is an absolutely sublime closing piece to a monumental sophomore EP.
RELEASE: From Void ToMatter Volume 1
RELEASE DATE: 26th May 2017
RECORD COMPANY: VÅRØ Records
Back in March 2016 whilst writing for 'The Sound Of Confusion' I was tasked with reviewing a fantastic fourteen track album entitled 'Hymnals & Bombs' by Swedish based (Borgholm/Gothenburg) cousins Calle Thoor and Oskar Erlandsson AKA Bolywool. Having never heard of the band before I instantly fell face first into their shimmering & experimental sonic landscapes and I was literally blown away by their musical interpretations on life and the way in which they told melancholic stories through the medium of sound. Now the duo have released the first of a planned trilogy of EP's entitled 'From Void To Matter Volume 1'. This stunning two track EP was released back on the 26th of May 2017 via VÅRØ Records and it is available to buy/download right now via varorecords.bandcamp.com
From Void To Matter Volume 1 by Bolywool
Pounding, rhythmically charged percussion announces the opening salvos of ‘Hafmeyjan’ and with its arrival it pulls droning synth swells and the constant twang of guitar with it to collectively conjure up mesmerising incantational atmospherics. Beautifully intense passages of serine vocalisations swirl into the ether riding the turbulent instrumental wave before rippling skywards on undulating pulses of reverb and delay. ‘Hafmeyjan’ stirs the imagination and instills heavy swathes of melancholic abandonment as it meanders through layers of brilliantly executed production used effortlessly to whisper tales of salt lashed islands and far flung windswept beaches. This is a stunning opening track and it reminded me of just how good Bolywool are at telling stories through the medium of sound.
Up next the duo unleash ‘Meø Lögum Skal Land Byggja’ and it opens up tumbling erratically into a shimmering ball of sequenced electronics, swirling samples and the constant accompaniment of a synth heavy drone. Lazy, but brilliantly produced drum patterns rattle and shake, underscored at times by throbbing bass frequencies and tantalising good instrumental atmospherics that glide and shimmer on wave after wave of stunning reverberation. It’s synth lines glisten as they rise and fall giving off the impression of waves crashing on a storm ravaged beach-head and the constant rolling of different sonic frequencies add swathes of light and shade, reminiscent at times to the sun breaking through dark storm clouds. A magnificent ending to what is the opening volume of Bolywool’s planned trilogy of EP’s.
Del Chaney has spent the last four years dedicating his time to uncovering the best artists in the unsigned or small independent label based shoegaze, ethereal dream pop, post punk, post rock & modern psych rock from all over the globe & reviewing them for this blog - The Primal Music Blog. He is also a contributing writer for The Sound Of Confusion (Now On Hiatus). His other arm - Primal Radio - has gained considerable respect from bands and promoters alike since its conception in 2013 & has helped him in actively promoting a genre of music that he is passionate about. Hailing from Dublin, Ireland, he is a keen Vinyl Collector, Tattoo Fan & all round good guy! He is a self confessed music freak & is never far away from a studio console or a turntable.
RELEASE: Swim EP
RELEASE DATE: 28th April 2017
RECORD COMPANY: Across The Floor Records
Aarhus based noisy duo 'ZRN' have released their latest five track behemoth entitled 'Swim' to the masses back at the end of April 2017. 'ZRN' are a side project of monstrous Danish psych rockers 'Tales Of Murder And Dust' and their sound has gone from meandering, atmospheric almost slowcore/shoegaze leanings on their 2015 full-length release 'Animous' into a more of a menacing experimental/noise rock orientation on these new tracks. The EP was officially released back on the 28th April 2017 via and it is available to buy/download right now from zrnband.bandcamp.com
Swim EP by ZRN
In a spiralling drone and accompanied by sequenced production theatrics the opening salvos of 'Across' sweep into earshot dragged by the fizz of undulating synth and the hypnotic call of dark malevolent atmosphere. Chalking in at a full twelve minutes long this track circumnavigates a stunning array of sound waves as it's gravitational pull buffers and pivots sequenced bleeps and whirrs with stunning effect. It groans and creeks in parts as it's soaring synth lines cut deep sonic throughs through delayed reverberations, rippling magnificent swathes of ambient & lo-fi permutations out into the ether. 'Across' is an absolutely magnificent opening track. Up next, the EP's lead single staggers into audible range. 'Deep End' is immensely infectious! It undulates and snakes on layers of dark, noisy bass frequencies supplemented with repetitive lead lines, shimmering tambourine shakes and a heavy sense of sonic foreboding. It's vocal lines glide and snake in and out of the instrumentation, under constant bombardment from whirring lead guitar lines and addictively atmospheric production.
'Diving Off' stalks metronomically into the ether pulling with it those deep dark plods of menacing piano that seem to echo and billow as they fall. Haunting vocalisations accompanied by swirling synth swells swim in dark reverberation as growling guitar & undulating fret noise envelope the entire track in ink black atmosphere. Absolutely immense, 'Diving Off' is probably my favourite track on the entire release. Up next the album deftly unfurls it's penultimate piece. The shuddering twang of overdriven guitar held fast in a regimental flight path builds and shudders through layers of resonating frequencies. 'Slow Affection' has mantra like qualities that whip and curl brilliantly around the inner psyche. It's vocal lines are distant, almost demon like as they ride turbulent instrumentation mixed with intermittent sequenced theatrics to blistering effect. The EP closes out with a dark slab of experimental noise. 'Dry' is an intoxicating affair filled with infectious vocalisations, sequenced electronics and dark, jittering synth swells that are collectively drenched in massive swathes of reverb. It pulses wave after wave of dark atmospherics as it traverses three minutes plus of immense production. A brilliant ending to a very interesting EP.
ARTIST: Bleach Bath
RELEASE: It'll Get Worse If You Let It.
RELEASE DATE: 9th April 2017
Formed earlier this year, Ontario based heavy shoegaze three piece 'Bleach Bath' have unleashed a stunning three track demo entitled 'It'll Get Worse If You Let It', an immense prelude to what these guys can create going forward. Their sound shimmers in a haze of fuzzy layered reverberations & ghostly vocalisations collectively underpinned at times by heavier passages of driving alt-rock formulated to allow their sound to soar into the ether, riding a senses pummelling percussive swagger that doesn't give up! 'It'll Get Worse If You Let it' is available to buy/download right now from bleachbathto.bandcamp.com
it'll get worse if you let it by Bleach Bath
The demo opens up trapped in a shimmering translucent wall of guitars as 'Sick Of Me' pulls up it's sleeves and digs in to it's sonic surroundings. Noisy guitar squall echoes and squeals as this track winds itself up into a jittering sonic ball and unleashes a wave of throbbing bass frequencies and driving percussion. The arrival of ghost like vocal lines lay a veil of atmosphere over proceedings as the chorus progressions explode into a cacophony of noise and fuzz leading us into a swirling finale of droning guitars and steadying instrumentation. Up next, 'Worse' charges into the arena ploughing a deep furrow and dragging noisy guitars, humming bass lines and explosive drum patterns into audible range. Soaring lead lines add weight as 'Worse' moves through it's fuzz laden gears with ease and is reminiscent at times to early shoegaze pioneers 'Swervedriver' in it's production arrangement and overall approach.
The EP closes out with 'Shampoo', a soaring behemoth that resonates and reverberates through walls of noisy guitars, steadying percussion and probably the best vocal performance on the entire release. It lifts brilliantly through it's chorus parts injecting some refreshing alt-rock permutations into the mix as it shifts again and streams back into a melodious verse progressions. Reminiscent at times to early 'Dinosaur Jr' or any of those early nineties underground noise-rock outfits, 'Shampoo' is probably my favourite track on the release and it's a fitting ending to wonderfully addictive demo. I can't wait to hear what comes next.
ARTIST: The Age Of Coloured Lizards
RELEASE: Another Day
RELEASE DATE: March 29th 2017
RECORD COMPANY: Sotron Records
Norwegian based psychedelic explorers 'The Age Of Coloured Lizards' have released their highly anticipated four track debut EP 'Another Day' via the lovely folks over at Sotron Records. With a sound that permeates a multiple of different layers in the music genre spectrum, taking in dreamy shoegaze, psych, noise rock & fuzzy alt-rock 'The Age Of Coloured Lizards' do not disappoint. 'Another Day' is available to buy/download right now from theageofcoloredlizards.bandcamp.com
Another Day by The Age of Colored Lizards
The EP opens up held fast in a sparse but repetitive percussive arrangement and an angry guitar strum. Sublime vocalisations accompany the instrumentation as ‘Why’ swirls in a complacent kind of ‘JAMC’ hue that’s underscored at times with dreamy lines of interlacing lead guitar. Up next ‘In The Morning’ sways and moves through fuzzy layers of shimmering reverberation and melodious guitar progressions that cut a deft wedge through proceedings thus allowing that delectable vocal performance to shine through. It rises and falls through captivating guitar hooks and impressive production that collectively instil a brilliant melancholic feeling of lost loves & memories of misspent youth. Utterly addictive.
The EP's lead single ‘Pale White Sun’ swirls into the ether on a deliciously hazy psych-pop vibe reminiscent of those early sonic pioneers ‘The Birds’. It’s evident from the outset that these guys are well versed in music production as they inject fuzz and reverberation into the mix circumnavigating those impressive vocalisations with ease as they tip toe along a steady bedrock of impressive production. The EP closes out in a kinda infectious 1990’s 'Creation Records' swagger. ‘Stars Are Falling’ has definite early ‘Teenage Fanclub’ leanings as it noisily rumbles through layers of melodious fuzz topped with lazy percussive patterns, pop like instrumental progressions and another impressive vocal performance. Its lead lines loop and arc through layers of infectious reverb, skipping along the tips of those fuzzy frequencies with ease and help to close out what is a rather impressive EP.