RELEASE DATE: 24th January 2018
RECORD COMPANY: Unsigned
Noisy Spanish based quartet 'Uniforms' create an atmospheric mix of noisy layered shoegaze and alternative rock deftly underpinned with dreamy & melodic vocalisations and connotations of sullen noise-pop. The band are made up of Pan - drums/vocals, Laura - bass /vocals, Spingel - guitar/vocals & Annie - synth/lead vocals. Their debut four track EP entitled 'Equals' was self-released back on January 24th 2018 and is available to buy/download right now via uniformsband.bandcamp.com
EQUALS by UNIFORMS
Swirling instrumental drones bellow and shimmer as the opening salvos of ‘Addicted’ meander into audible range. Angry guitars add beautiful atmosphere as it’s percussive assault pulses through layers of hazy reverberation. Jangling, layered guitar progressions accompany mesmersing vocal lines out of the sonic melee as we move through huge verse patterns and on into monumental chorus changes. The production values on this track are epic. They swirl and intertwine effortlessly with some influential sounds such as shoegaze, dream-pop and noise rock to create a wall of sonic bliss. Up next, the opening bars of 'Pearls' floats and swirls through shimmering clouds of instrumental atmosphere before exploding into a kaleidoscope of sonic colour as it roars skywards in a tumble g ball of collective instrumentation. There are hints of post-punk echoing on that trembling bass line as it's fragile vocals arrive accompanied by occasional strums of guitar and that huge synth line. The chorus progressions on this track are absolutely huge and they envelope layered backing vocals beautifully. 'Pearls' is big, bold and brash and quite possibly my favourite track on the entire release.
'Don't Wake Up', the EP's penultimate piece, leans heavily into shoegaze as it's opening walls of sound reverberate and surge on layers of angry guitar, resonating synth and repetitive percussion. Deep penetrating bass frequencies swirl through the clouds of noise as glorious vocal lines emerge, cutting deep trenches of clarity as they meander through the haze. This track is masterful and another definite highlight on this released for me. 'Equals' closes out with 'Gris'. A repetitive line of electronic sequencing opens proceedings, followed quickly by lines of jangling guitars and subtle swells of synth. A very enticing drum track tweaks this listeners ear as the hum of bass guitar throbs just below the mix and those dreamy vocal lines arrive to wash a kind of ethereal glow over the entire piece. As I've come to realise throughout this whole EP, 'Uniforms' song structures are built to inject massive chorus changes into every track and 'Gris' is no different. It soars into the ether on resonating surges of noisy but melodic guitar, swirling synth and pounding percussion as beautifully intense vocal lines ride the sonic wave skywards. It's a brilliant closing track and another highlight on this release for me. As EP's go, 'Equals' has something very addictive coursing through it's veins. It's thoroughly enjoyable and I'm very eager to hear what comes next from this band.
ABOUT THE AUTHOR:
Del Chaney has spent the last five years dedicating his time to uncovering the best artists in the unsigned or small independent label based shoegaze, ethereal dream pop, post punk & modern psych rock from all over the globe & reviewing them for this blog - The Primal Music Blog. He is also a contributing writer for The Sound Of Confusion (Now On Hiatus). His other arm - Primal Radio - has gained considerable respect from bands and promoters alike since its conception in 2013 & has helped him in actively promoting genres of music that he is passionate about. Hailing from Dublin, Ireland, he is a keen Vinyl Collector, Tattoo Fan & all round good guy! He is a self confessed music freak & is never far away from a studio console or a turntable.
by Primal Music
ARTIST: Burning House
RELEASE DATE: 17th February 2018
Southampton based 'Burning House' inject blissed out noisy infusions of sublime melancholy into their sound that is very, very hard to shake off. Streaming through shoegaze, melody driven alternative rock and swirling dream pop, 'Burning House' have evolved somewhat from their heavier and more alternative feedback driven debut single 'If You Won't' adapting and sculpturing a collective sound so serine in it's approach that on first listen it immediately harkened back to those early 90's pioneering shoegaze stalwarts 'MBV, Ride & Swervedriver' with song structures reminiscent of early 'Verve' and the absolute raw power of (dare I say it?) - 'Smashing Pumpkins'. Their four track debut EP entitled 'Tracer' was released back on the 17th February 2018 and is available to buy/download right now via burninghouse.bandcamp.com
Tracer by Burning House
'Ripened' pulls like a racehorse as it drives into the ether on a bedrock of pounding percussion accompanied by the wooziness of reverberating guitars and the throb of fuzzy bass frequencies. It's vocal lines glisten as they ride wave after wave of addictive production theatrics, deftly enveloped by backing vocals and meandering lines of resonating lead guitar. Musically reminiscent of 'MBV', 'Ripened' is a statement of intent and a massive opening salvo. Up next, 'Mercurial' surges into audible range, stacked to the brim with reverberating guitars and driving percussion. A mesmerising bass line bounces through layers of sticky reverb, closely circumnavigating an explosive drum pattern and that addictively harmonious vocal progression. This track teeters on a finely tuned precipice, dragging complex guitar progressions down into poignant melody infused lulls before injecting huge vials of atmospheric melancholy into those catchy chord changes and surging skywards, out into the sonic ether. Possibly my favourite track on the entire release, 'Mercurial' is a bloody triumph and worthy of your ears all day long.
'I Am A Tree', the EP's penultimate piece, leans heavily into alternative rock territory and it's a step back from the previous two tracks. Screaming lead guitars open proceedings before 'Burning House' take fuzz, raw power and subtle psychedelic curiosities and meld them into a charging wall of glistening noise. Vocal lines swirl like ghosts as they wrap themselves around driving instrumentation and dive headlong into a massive pool of reverb before that lead break arrives and overpowers everything in touching distance. The EP closes out with 'Vague', eight minutes plus of swirling sonic mayhem. Raging guitars cling to subtle acoustic frequencies as a slow moving percussive assault and the deep boom of bass frequencies rattle and shake underfoot. A brilliant vocal take takes centre stage here, cutting a deep trough of clarity straight through the sonic melee and instantly allowing this track to breathe and move freely. Catchy chord changes loop and arc skywards catching this listener off guard as they drag me further into the sonic abyss and then this track takes on a life of its own. Majestic in its approach and absolutely mesmerising in it's attack, 'Vague' is a sonic monster of absolutely massive proportions and a masterful closing piece. In my opinion 'Burning House' have nailed it with this debut EP and it'll be very interesting indeed to hear what comes next from them.
ABOUT THE AUTHOR:
ARTIST: Melt Dunes
RELEASE: Flesh EP
RELEASE DATE: 16th March 2018
RECORD COMPANY: Strong Island Records
Portsmouth based psych aficionados 'Melt Dunes' create a heady brew of dark and doom laden, acid blotched psych permeated at times with sullen krautrock tendencies that collectively creep into the inner psyche to completely blow our fucking minds. With only two singles released to date on both Strong Island Recordings and Fuzz Club respectively, the quintet have penned in the release date for their stunning debut EP brilliantly titled ‘Flesh’ for the 16th March 2018 through 'Strong Island Recordings' with pre-orders available right now on various formats via strongislandrecordings.bandcamp.com
Flesh EP by Melt Dunes
The 'Flesh' EP opens up with 'Whats Your Name?', a burgeoning slab of psychedelic enchantment filled to the brim with swirling electronics, deep penetrating bass lines, rumbling percussion and dizzying guitars. It builds like a steam train, echoing those early psychedelic explorers before unleashing a mind-bending cacophony of sound-waves that swirl around those menacing vocalisations with ease. It's lead guitar lines whip resonating frequencies at will as they fizz and hiss alongside those eerily enticing tambourine shakes and intertwining at times with those absolutely immense bass lines that seem to dance and sway with every single percussive hit. 'Whats Your Name?' is a stunning opening salvo. Up next, 'Flesh' bellows from deep below the mix as squally guitars and a bass heavy drones melds with swirling reverberations before opening up into a modern psych gem. Explosive drum tracks growl, pulling the throb of bass, the stab of synth, hypnotic guitars and those fucking immense vocal lines into audible range. Sullen lead guitar lines buffer for space in amongst the sonic melee as we surge along in metronomic time building monstrously with every twist and turn and tumbling headlong into that huge instrumental break. 'Flesh' is a triumph and a definite highlight for me on this release.
'Epicaricacy', the EP's penultimate track, bounces into the ether on a huge bass progression and strapped to a brooding krautrock swagger. Collectively whipped and cajoled by those reverberating lead guitars, it's sullen vocal lines meander in and out of the instrumentation leading the listener on a merry dance all the way into that darkly atmospheric instrumental break filled to the brim with swirling organ lines, woozy guitars and swaying drum tracks. Hypnotic, enchanting, downright scary and at times sonically reminiscent to those fantastic Athens based psychedelic travellers 'Holy Monitor', 'Epicaricacy' is one of those tracks that you will want to go back to again and again. The EP closes out with 'Grotesque'. Swirling organ lines accompany those immense bass progressions as a slow moving drum pattern rattles deep below the mix allowing the vocal lines to sit comfortably as lines of lead guitar undulate and move at will. Sporadic shakes of percussion join in with the fun was we're led on a merry dance through passages of psych, neo-psych and heavy alternative touches all the way to tracks end. It's a blistering closing piece to what is a decent EP.
Del Chaney has spent the last five years dedicating his time to uncovering the best artists in the unsigned or small independent label based shoegaze, ethereal dream pop, post punk & modern psych rock from all over the globe & reviewing them for this blog - The Primal Music Blog. He is also a contributing writer for The Sound Of Confusion (Now On Hiatus). His other arm - Primal Radio - has gained considerable respect from bands and promoters alike since its conception in 2013 & has helped him in actively promoting a genre of music that he is passionate about. Hailing from Dublin, Ireland, he is a keen Vinyl Collector, Tattoo Fan & all round good guy! He is a self confessed music freak & is never far away from a studio console or a turntable.
ARTIST: syrup, go on
RELEASE: Joyful Hesitation
RELEASE DATE: January 1st 2018
RECORD COMPANY: Self-Released
A spoonful of sugar helps the shoegaze go down - that's the recipe for the success of syrup, go on's latest treat. 'Joyful Hesitation' is the Australian band's newest release. The four track EP has lots of sweet notes, that's for sure. There's some crunch too and plenty of fizzy energy so it's pretty satisfying all round. At the time of recording (2017) the band consisted of Kris Briese, Tom Briese, Liz Dick & Ken Kimura. 'Joyful Hesitation' was released back on January 1st 2018 and is available to buy/download right now via syrupgoon.bandcamp.com and the band have a couple of live dates coming up this weekend around the Gold Coast. Go check them out if you get the chance.
Joyful Hesitation EP by syrup, go on
'Mantaray' bounces open with bass, and barrels along brilliantly. The textures of phased guitars add just a hint of haze, intensifying the track's rolling melodies. Titular track 'Joyful Hesitation' packs a powerful chorus on the scale of, say, Mitski's Your Best American Girl. The verses are sad and spacious, but it's the howling guitars that almost make your heart burst.
There's a change of vocalist on 'Adore' which feels like it's on a trampoline. It's so spirited, shambly and superfun - a really strong song. Closing the EP is 'Waco', a cover of the Violent Soho song, which 'syrup, go on' have succesfully shoegazeified, bringing all their textures to the table. The effect on the chorus is especially impressive. 'Joyful Hesitation' is out right now via the bands Bandcamp page - syrupgoon.bandcamp.com
In her time, Sarah Cuthbert-Kerr has attended raves and rock clubs. She enjoys pedals, pizza and spy dramas. Sarah also plays guitar in Edinburgh-based noisemakers Wozniak and is co-founder of Morningside Young Team who put on gigs and put out records for discerning audiences who enjoy fuzz and confusion.
ARTIST: Aural Air
RELEASE: The Torpor of Minds
RELEASE DATE: December 8th 2017
RECORD COMPANY: Little L Records
Dublin based 'Aural Air' is the moniker of dreamy lo-fi singer-songwriter Laura Rai. With a sound that conjures up far too many comparisons to mention, 'Aural Air' glides and glistens effortlessly on layers of woozy reverberations that ride sparse percussive hits used primarily to direct the listener onto those blissfully ethereal vocalisations and their accompanying wide scoped production. Laura's debut three track release entitled 'The Torpor of Minds' was unleashed back on December 8th 2017 via 'Little L Records' and features two previously released bonus tracks. You can get your hands on it right now to buy/download via auralair.bandcamp.com
The Torpor of Minds by Aural Air
The EP opens up rumbling magnificently on the thump of bass drum, the deep twang of bass notes and jangling hook heavy guitars. Oodles of reverberation swirl and eddy as addictive chord progressions envelope the entire piece and those swooning vocals meander into audible range. 'Serpents Speak' moves up a gear half way through, slowing at first before injecting some forceful tempo changes as the surge of heady production catches this listener off guard and we soar skywards, pinned fast to brilliantly executed vocal lines courtesy of Laura Rai and the hypnotic jangle of blissed out guitars. It's a brilliant opening salvo that leads us into track two - 'The Vanishing Dove', a lo-fi affair layered with immense guitars, cascading bass lines and probably the best vocal take on the entire EP. 'The Vanishing Dove' is one of those tracks that surprises you with every twist and turn. It rises and falls through pools of reverb, exploding at times into a kaleidoscope of sonic colour before fading out on waves of lead guitar progressions and the fading hiss of production.
The EP's next track is gloriously melodic. 'Medina's Wolves' unfurls it's fuzzy sonic tendrils and floats into the ether on subtle instrumental stabs and the hazy pull of reverb. It's hypnotic back beat rolls and moves brilliantly, dragging another impressive vocal take with it as the humming of bass frequencies melds with jangling guitars and fizzing lo-fi theatrics. Sonically sublime, 'Medina's Wolves' is stacked to the brim with an up front melodic confidence that is rarely heard in today's scene. As previously mentioned, 'The Torpor of Minds' closes out with two previously released tracks. 'The Heir of Indignation' showcases sublime vocals as a repetitive drum track holds a steady beat beneath quivering lines of guitar and deep booming bass notes. This track builds ever so slowly allowing the vocals time to breathe and meander in and out of the collective instrumentation whilst 'Edinburgh', the EP's closing track, shimmers dreamily on waves of reverb hued guitars, deep melancholic strings and sparse percussion all entered around that truly magnificent vocal track. It's a wonderful end point to a marvellously dreamy EP from a fellow Dubliner ... Bravo!
ARTIST: Your Friends Polymers
RELEASE: v chuzhoi strane
RELEASE DATE: December 12th 2017
The clear choir-like vocals on the latest release from 'Your Friends Polymers' seem to evoke the most quintessential illusions of English village life. In fact, the four piece are from Samara, Russia, which is altogether more intriguing. Following on from the shimmering 'Chudesa EP' from December 2015, the 6 track 'V Chuzhoi Strane' was released last month and is constructed from lustrous summery sound. The EP is available to buy/download right now via yourfriendspolymers.bandcamp.com
v chuzhoi strane by your friends polymers
Opening track 'Bees' flows between a swell of swooping guitar, before the pace slows and the vocals soar, inducing a very pleasing wooziness. The 90s jangle of 'No Dice' has the Sweetness and Light of Lush and pops along dreamily. Delicate delayed guitar coaxes 'Little Box' into life, contrasting with the insistent drums which push along. The chorus has a melody that is fit for a cathedral. Title track 'V Chuzhoi Strane' is a collection of icy shards catching the light with angular beauty.
The frosty electronic taps of 'At The Depths Of The Gulf Stream' soon melt into a melodious concoction topped with a sweet refrain. The bass sets the groove of the instrumental '48' which ends this EP with a breezy air - appropriate as it has brought some much needed light and air to this dark January.
RELEASE: Starwheel EP
RELEASE DATE: December 16th 2017
Derby based quartet 'Starwheel' embrace and meld sounds and genres effortlessly. From subtle shoegaze to jangling psych pop, indie to alternative rock this band instil a surreal calmness to their their overall collective sound that is highly addictive and deeply hypnotic. The band released their debut double A-side single 'Drip Feed/Broken Glass' to the masses back in April 2016 and followed it up in 2017 with their stunning second single 'Sit Down/Through My window (Parts 1 & 2)'. Now the band have returned with their stunning self-titled debut four track EP and they do not disappoint. The EP was released back on the 16th December 2017 and it is available to buy/download right now via starwheel.bandcamp.com
Starwheel EP by Starwheel
Swirling organ sounds announce the arrival of track one 'Replica' and it's accompanied by bounding percussion, jangling guitar and the rambling of bass frequencies. Stunning vocals meander in and out of accomplished instrumentation permeated at times with subtle flourishes of catchy lead guitar, luscious reverberations and lines of slight backing vocals. Up next, the instrumental 'Radio Love' slows things down a tad as shimmering slide guitar draped in oodles of reverb and laid back guitar progressions wash over this listener. Slow methodical percussion dances underneath ferrying deep melodic bass lines with ease and allowing jangling lead lines to intertwine with fantastically hypnotic psychedelic frequencies.
The EP's penultimate piece entitled 'Veins' is filled to the brim with intense melody. The swirl of organ melds effortlessly with cascading bass lines and the gentle jangling strum of guitar. Steady percussion rattles below as the vocal track weaves a magical spell as it dances and moves in ands out of the collective instrumentation. It has catchy hook laden breaks that catch you off guard allowing you to soar skywards, if only for a short time, before you get pulled back into the mesmerising mix of dazzling sonic frequencies. 'Veins' is a triumph and quite possibly my favourite track on the entire EP. 'Safari' closes proceedings with a sweet little psych-pop gem. Boundless bass lines rush beneath sporadic percussive hits and rambling lead guitars run and meander in and out of breathless vocalisations. It's a wonderful little track and a brilliant ending to a marvellous EP.
RELEASE: Spectroscope EP
RELEASE DATE: June 1st 2017
Barcelona based 'Vymaanika' is a drone-heavy experimental prog & space rock collective with a sound thats underpinned by motorik krautrock and swirling psych. Consisting of Benjamin Mahoney - guitar/vocals/synths, Carles Esteban guitar/vocals/synths, Jose Jünemann - drums/synths & Andrés Paniagua - bass this magnificent quartet come from different parts of the globe with varying degrees of experience from playing in bands such as sansoma, juneorjuly, jinkovilova & palaciomalson. They released their debut two-track EP entitled 'Spectroscope' back in June 2017 and it's available to buy/download right now via vymaanika.bandcamp.com
Spectroscope EP by VYMAANIKA
The EP's title track 'Spectroscope' swirls menacingly on a repetitive guitar line that pulses through layers of deep reverberation. Explosive progressive percussion builds from beneath the mix pulling cavernous synth swells, swirling instrumental drones, pulsing electronics and a magnificent vocal line with it as it melds brilliantly with turbulent guitars and the throb of luscious bass frequencies. Heady atmospherics accompany the instrumentation as they collectively dive headlong into a cyclonic sonic behemoth filled with motorik percussion. Coming in at ten minutes plus, 'Spectroscope' is a white knuckle thrill ride into a heady world of wide eyed sonic abandonment and a serious recommendation from us. Dive in!
The EP's closing piece offers a somewhat calm introduction. 'Golden Void' unfurls it's sonic tendrils and attaches itself to the strum of tremulous guitar and the swoosh of percussion. Slow moving at first, it builds momentum with each bar pulling different instrumentation with it as it slowly spirals skywards and out into the sonic ether. Hypnotically charged vocal lines ebb and flow through offbeat drum hits and layered reverb underpinned by repetitive progressions and mantra like qualities. But it's the immense instrumental break at five minutes in that catches this listener out as ''Vymaanika' inject a kind of lysergic energy into the mix pulling space rock, neo-psych and rolling waves of heady vibration into play, moulding the entire sonic concoction into one singular pulsating entity right up until it's turbulent finale. It's a really good ending to an immense EP. Hopefully we will hear more from these guys going forward. Recommended!
ARTIST: Shoe Shine Six
RELEASE DATE: January 5th 2018
Noisy alt-shoegaze quartet 'Shoe Shine Six' inject a melodic edge to their sound that is very hard to shake off. Beneath the sullen post-punk hued vocalisations are layers of instrumentation that collectively meld into a highly addictive blissed out melee of shimmering sonic noise. The band hail from Yekaterinburg, Russia and consist of Katarina Voronina - vocals, Paul Alimpiev - guitar, Mike Tulubaev - bass & Serge Markoff - drums. Their debut four track EP entitled 'Sunday' had it's official release on the 5th January 2018 and is available to buy/download right now via shoeshinesix.bandcamp.com
Sunday by Shoe Shine Six
'Sunday' unfurls it's fuzzy tendrils with 'Rainfall', it's opening salvo. It rocks brilliantly on a busy percussive assault whilst swirling melody driven guitars breach layers of reverb as they weave and dance on top of throbbing bass frequencies. Katarina Voronina's melodic vocals are instantly enjoyable, adding dark-wave inspired layer over proceedings and cutting a wedge through the noise thus adding sublime clarity to the overall track. It's a fantastic opening track. Up next, 'Daze' begins in quiet refrain, building slowly through it's opening verse before exploding into a cacophony of fuzzed out noise and explosive drum patterns. Catchy chorus changes and soaring lead lines help to lift this track skywards as laid back verse progressions ebb and flow with relative ease allowing the vocal track space to breathe.
'Ocean', the EP's penultimate piece is deeply melancholic as the band lean heavily into their shoegaze side injecting melody and swathes of reverb into the piece whilst steady percussion rumbles and bass lines throb in unison allowing layer after layer of guitars to soar into the ether enveloping what I believe is the best vocal performance on the release. 'Ocean' is absolutely breathtaking and probably my favourite track on the entire EP. 'Green' closes proceedings out delving more into alt-rock than the previous three tracks. There are, at times, subtle hazy moments courtesy of layered reverberations but for the most part this track rattles through a well worn alt-rock path. 'Shoe Shine Six' are definitely ones to watch throughout 2018 and it'll be interesting to hear what comes next.
RELEASE: Like A Dog
RELEASE DATE: 15th November 2107
RECORD COMPANY: Unsigned
Auckland based shoegaze/dream pop quartet 'Scarp' released their debut four track EP entitled 'Like A Dog' to the masses back on the 15th November 2017 via bandcamp. Their collective sound swirls effortlessly around some intense summery vibes as woozy shoegaze and beautifully entrancing dream pop hued vocal lines permeate noisy passages of layered reverberations. The band are made up of Pia - vocals/bass, Andrew - guitar, Adam - guitar & Howl - drums with EP available to buy/download right now via scarp.bandcamp.com
Like A Dog by Scarp
The EP opens with gentle guitar strums and a warbling lead line that intertwines with the plod of bass and steady percussion as those beautiful vocalisations wash over the listener. 'Youth Large, Size Small' builds slowly as it's instrumentation swoops through reverb hued atmospheric breaks underpinned with simple yet effective drum patterns and brilliantly executed chorus progressions. Up next, 'Air Max' shimmers on a wave of jangling guitars and intense reverb. Melancholic summer vibes explode into a cacophony of colour as this track unfurls it's sonic tendrils and instrumentally envelops another stunning vocal performance. It builds and builds gracefully into a wonderful crescendo driven dream pop standard echoing layers of subtle fuzz, captivating lead lines and rocking steadily on a pin point percussive pattern. 'Air Max' is simply beautiful and probably my favourite track on the entire release.
The slow moving 'Old Age' tip toes along it's steady drum pattern as it's bass line hums beneath a layer of hazy guitar drenched in swathes of reverb. Catchy hook laden chorus changes drag that vocal skywards, hoisting the repetitive verse progressions with it into new territory. 'Old Age' dips into the pop side of alternative rock at times and that's not a bad thing at all. It adds to the overall atmospherics of the piece and hit's home the tracks subject matter brilliantly. The EP closes out with 'Wasps', another slow moving slab of dreamy dream-gaze. Vocally sublime this track has a marvellous ambient hued break that builds brilliantly alongside pounding drums, throbbing bass and soaring lead guitar collectively guided by hazy rhythmic guitar progressions. It's a fantastic ending to a wonderful EP and I can't wait to hear what comes next for this band.