ARTIST: Close Encounter
RELEASE: First Light
RELEASE DATE:12th July 2017
RECORD COMPANY: Look Up Records
Smooth smooth smooth are the guitar tinkerings, strums and jazzy drums at the beginning of Seattle based dream-gaze band 'Close Encounter'. Their debut EP entitled 'First Light' is influenced and inspired by pysch-rock just as much as it is influenced and inspired by shoegaze, dream-pop and alt-rock. Across the EP, the band utilize the much more layed back and ‘soft-rock’ side of dream-pop and smooth trip-hop-esque soundscapes, equating to a relaxing and pleasant listening experience that is to often forfeited by other artists under the belief it tampers with ‘high artistry’. The band are made up of Bill Darksoft, Bobby Sydney, Cameron Lambert & Matt Conlen. 'First Light' is available to buy/download right now on various formats from closeencounterband.bandcamp.com
First Light by Close Encounter
'First Light' begins with ‘Lumina’, soft jazz-like drumming plays over the top of soothing guitar tinkering and the backing strum of another reverbed guitar. The vocals, when introduced, are as laidback as the music; creating a communal sense of freedom and loose-ness in the music. Altogether, it conjures into a beautiful and whimsically intelligent soft rock, dreamy ballad-ish tune… Only to be eclipsed by the track that follows it. That track is ‘Fade Away’ which instrumentally presents itself much more upbeat, and whose guitar passages are more weaving and involved than on ‘Lumina’. Lyrically, things seem as day-dreamy and soothing as ever, with a darker undertone of questioning the concept of wandering through things. It is too often easy for dream pop tracks to appear nostalgic and contemplative in their presentation of beauty and warmth, but 'Close Encounter' manages to capture that mood with a more interesting and engaging form of song writing. ‘See The Sun’ turns down the reverb and instead goes for a more alt-rock feel: while the drums pad away in the background, forming the structure of the song, a keyboard plays a fantastically catchy line of music before the band dive into a jangle pop inflused type of dream pop. Although there are exceptions, the lyrics on ‘See The Sun’ are somewhat weaker and sound more throw-away compared to on previous tracks. The second half of the track turns into more pysch-rock territory, maintaing the aforementioned upbeat feel.
Things stay as mellow ever on ‘Reappear’, an EP highlight complete with soaring vocals and melodic drumming. The song is also backed with what sounds like the ooze and breeze of a synthesizer, adding a whole other dimension to the track. If the previous tracks on First Light could be played at the beach while the sun set, ‘Reappear’ would be an applicable track to play on your way back from the beach; the cars roof recedes, the sun sets, hair flows; a kind of nostalgia-laced relief blows in the wind. ‘Tuff Time’ slows down things to a speed akin to the opener ‘Lumina’, drifting on the back of a neat bouncing cymbal performance by the drums and the distant strumminngs of the guitars. A small but extremely pleasurable solo sneaks its way into the song somehow as well. One of the only songs that sounds like a true album filler, or perhaps a B-Side kind of track, is the song ‘Halo’. While attempting to touch upon more slowed down psych elements explored previously on the EP, the band become background music in the most bland way, rendering the track less impressive than some of the other engaging yet relaxed gems on the EP. ‘Channels’ turns things more to an indie rock spectrum, and while crafting a nice and rhythmic tune, it sort of recedes into the background of the EP as a whole.
'First Light' has many beautiful and enjoyable qualities about it. And much in the same way as 'Pastel Coasts' music does, the thematic elements of deep and care-free yearning seem to loom around the bands music (in a good way.) There is an easy way to put it: this is beautiful music… And while the EPs second side becomes lacklustre at times in comparison to the first, it nevertheless shows a band that are well versed in crafting a tune, painting a picture and performing admirably together. These things are achieved swiftly through production, performance and sound.
ABOUT THE AUTHOR:
Cam Phillips is a writer and above all, a music lover, who seeks to gain experience through writing and listening. He is also an avid film viewer and art and literature junkie who enjoys creative writing. His most recent published work was featured on Baeble Music and Culture (USA), Sounds and Colours Magazine (Latin America, London), Easterndaze (Latvia) and the Australian based heavy music blog, I Probably Hate Your Band.
by Primal Music
RELEASE DATE: 1st September 2017
RECORD COMPANY: Modernsky UK
Liverpool based psych-pop aficionados 'Fuss' release their sublime debut self-titled four track EP on vinyl via Modernsky UK on September 1st 2017 just in time for their appearance at 'Liverpool's International Festival Of Psychedelia' on the 22nd September. The band are made up of David Baddeley, Tony Dixon, Karl Byrne, Bobby Reardon & Cormac Gould and they've previously shared the live stage with some serious sonic heavyweights such as the fantastic Psychic Ills, Ulrika Spacek and The Vryll Society. The 'Fuss' EP is available on lovely vinyl via Modernsky UK and digitally over on iTunes and Spotify.
Jangling melody driven guitars intertwine with swirling synth lines and throbbing bass progressions as 'Fluff' unfurls it's sticky sonic tendrils and washes this listener in simmering reverberations. Addictive vocalisations float into the ether held fast to sticky instrumentation, rocking slowly on a bedrock of steadying percussion and lysergic vibrations that build effortlessly into a kaleidoscope of sonic colour. Up next, 'Human Music' fills the ether with sparking guitar riffs, cascading bass lines and slow metronomic drumming as fizzing electronics and bubbling synths envelope another impressive vocal take. Lead guitars loop and arc in and out of catchy hook laden chorus progressions that float and undulate on magical psychedelically charged sonic frequencies.
'Life Forming' bubbles on a slow moving bass line as subtle organ stabs shimmer beneath the surface allowing the tinkering guitars to dance and move along that addictive drum pattern. Laid back vocals lead the listener on a sonic journey, keeping them focused on meandering guitar hooks and shimmering lead lines that circumnavigate the entire piece brilliantly. Thoroughly enjoyable, 'Life Forming' is my favourite track on the entire release. The EP closes out with it's lead single. 'Coma' enters audible range on a swirling guitar riff and simmering sampled vocalisations before exploding into a cacophony of instrumentation. It's fizzing synth lines hold court, strapped to a busy percussive pattern and the throb of magnificent bass frequencies as swirling psych induced guitars lick and whip those impressive vocal lines to within an inch of their life. 'Coma' is an absolutely absorbing piece of music and a fitting end to a marvellous debut EP. Definitely ones to watch going forward!
Del Chaney has spent the last five years dedicating his time to uncovering the best artists in the unsigned or small independent label based shoegaze, ethereal dream pop, post punk & modern psych rock from all over the globe & reviewing them for this blog - The Primal Music Blog. He is also a contributing writer for The Sound Of Confusion (Now On Hiatus). His other arm - Primal Radio - has gained considerable respect from bands and promoters alike since its conception in 2013 & has helped him in actively promoting a genre of music that he is passionate about. Hailing from Dublin, Ireland, he is a keen Vinyl Collector, Tattoo Fan & all round good guy! He is a self confessed music freak & is never far away from a studio console or a turntable.
RELEASE DATE: 22nd September 2017
RECORD COMPANY: Label Obscura & Somewhere Cold
It's always a pleasure to feature new music from the fantastic Canadian based electronic dream-pop/shoegaze duo of Shauna McLarnon (vocals) & Alex kretov (multi-instrumentalist) aka Ummagma and I take any release from them as a sign that all is well within this burgeoning underground music scene. Never ones to shy away from challenging their musical boundaries, Ummagma continuously push the sonic bar higher and higher with every single one of their releases and this latest four track EP entitled 'LCD' is no different. It features three stunning remixes by two legendary musicians, the fantastic Dean Garcia (SPC ECO/Curve) and the masterful Robin Guthrie of Cocteau Twins fame, both with wide and varying musical styles but who both shine and buff, twist and reshape some of Ummgama's finest tracks into absolutely incredible soundscapes. The EP gets its full release through both 'Label Obscura (Cassette)' and 'Somewhere Cold Records (CD)' on the 22nd September 2017 with pre-orders available right now on various formats via ummagma.bandcamp.com
LCD by Ummagma
The EP opens up with ‘LCD’, a beautifully entrancing track with a vocal attack that is simply breathtaking. Both McLarnon and Kretov are back to their best with this deeply experimental eastern esoteric take on their usual electronic dream gaze fair. Punchy drum patterns hold court as surging synth, bouncing frequencies and fizzing electronics swirl effortlessly around a rather interesting vocal performance. Up next is the first of three remixes; ‘Dean Garcia (CURVE/SPC ECO)’ injects some hard hitting industrial sounds into ‘LCD’ turning it into a crawling electronic monolith with dark atmospheric undertones whilst ‘Robin Guthrie (Cocteau Twins)’ sprinkles some shimmering sonic stardust over the insatiably melodic ‘Lama’ (lifted off Ummagma’s debut album ‘Antigravity’) turning it into a bright and airy soundscape that seems to suit Shauna McLarnon’s vocal prowess immensely, offering them up in a whole new light.
The EP closes out with yet another ‘Dean Garcia (CURVE/SPC ECO)’ remix. This time he turns his attention to ‘Back To You’ (again lifted from Ummagma’s 2012 debut album ‘Antigravity’) and he doesn't disappoint. Fans of Massive Attack and Stereolab will love the wide expansive spaces and the huge swathes of reverb injected into this piece, deftly underscored by a hard hitting percussive swagger and airy dual vocalisations courtesy of Shauna McLarnon & Alex Kretov respectively.
ARTIST: The Breaks
RELEASE DATE: 3rd July 2107
RECORD COMPANY: Unsigned
Manchester based alt-shoegaze outfit 'The Breaks' unleashed their debut four track EP entitled 'Misery' to the masses via bandcamp back on the 3rd July 2017. With various worldwide commentators to the scene mentioning them on social media we felt it was about time we dissected it for ourselves to see just how good it really is and being completely honest; we weren't disappointed! The band's collective sound is inherently shoegaze orientated although their are lovely passages of music throughout that effortlessly jump in and out of luscious dream-pop or edgy alternative rock. 'Misery' is available to buy/download right now via thebreaks.bandcamp.com
Misery by The Breaks
The EP's opener entitled 'Honey' sways brilliantly on hard hitting percussion before swerving into a shimmering wall of reverberating guitars, throbbing bass frequencies and the twinkling splash of cymbal crash. Beautifully melodic vocalisations intertwine with heavier surges of guitar as catchy chorus hooks take flight dragging this listener up and out into the sonic ether, making this track a stunning opening salvo indeed. Up next, 'I Need' explodes into earshot on a massive wall of angry instrumentation. It's distorted vocal lines spit venom as they trudge through layers of wavy guitars and screaming lead lines, collectively tip-toeing in and out of noisy alt-rock and hazy shoegaze with relative ease.
The slow metronomic percussive thud of 'Biscuit Factory' enters the sonic arena and introduces us to 'The Breaks' melodic dream-pop sensibilities. Jangling guitar progressions accompanied by cascading bass lines and subtle swells of reverb circumnavigate a stunning vocal performance as this track twists and turns through catchy hooks and shimmering production. The EP closes out with 'Misery', possibly the most alt-pop that this band get on the whole EP and to be honest I was getting a tad worried until things took a rather interesting turn after the first verse. Opening bars of acoustic guitar rattle and scrape through standard street busking fair before lurching into a warm & fuzzy chorus layered with explosive drum patterns, bouncing bass frequencies and shimmering guitars thus restoring the balance and turning this track into an impressive sonic finale on what is a bloody marvellous debut EP. It'll be very interesting to hear what comes next from these guys!
ARTIST: Dazy Crown
RELEASE: I Don't Need A Jacket
RELEASE DATE: 16th June 2017
RECORD COMPANY: Hazy Dog
Norwich based 'Dazy Crown' have just unleashed a brand new four track EP brilliantly titled 'I Don't Need A Jacket' via the independent record label 'Hazy Dog'. The band began life back in 2015 as the solo project of guitarist and vocalist Thomas Little before fleshing it out into a quartet with Philip Jones on guitar, Thomas Rees on bass and Theo Lewis on drums. Their collective sound sits firmly within the jangling lo-fi/garage catagories of music but it is also infused with stunning melody and subtle passages of dreamy psych-pop. 'I Don't Need A Jacket' is available to buy/download right now on various formats from hazydog.bandcamp.com
I Don't Need A Jacket by Dazy Crown
The EP opens up with 'Euphoria'. A beautifully translucent lead guitar line runs throughout as cascading bass frequencies hover just below the mix hugging a steady drum track and the hum of rhythm guitar, collectively enveloping that melody driven vocal line in it's entirety. A stunning opening salvo indeed. 'Dazy Crown' peel back their outer layers to show their subtle psych-pop tendencies on track two. 'Peanut Butter Dreaming' swerves into earshot filled with summery vibes that swirl around a shimmering a lead lick, a metronomic drum track and the throb of bass. Woozy vocalisations splashed in melodious colour twist a turn through layers of reverberation until we're eventually introduced to brilliantly executed and psychedelically charged finale.
'360 Dunk' drives into the ether swirling on another rambling lead guitar line. This time the bass line takes centre stage though as it meanders on a melodious trip, dancing in and out of a giddy percussive swagger as the collective instrumentation tries desperately to hold on. The vocal lines on this track are addictive and they float effortlessly on top of the surging reverb. The EP closes out with its lead single. 'Multi Vitamin' tumbles through swathes of woozy and highly infectious guitar progressions that ride an insanely laid back percussive pattern. Those simmering vocalisations wobble and arc through hazy layers of bubbling bass frequencies and resonating production as the leaping chorus break snaps you out of a hypnotising trance and tip toes you into a cyclonic world filled with instrumental drones and fuzzy sonic reflections. A fitting ending to a marvellous EP.
RELEASE: Wasted Mind
RELEASE DATE: 2nd June 2017
Austin based noise aficionados 'Glaze' self-released their stunning sophomore EP 'Wasted Mind' back on the 2nd June 2017, following on from their impressive debut three track 2016 release entitled 'Dimensions'. Their sound centres around angst ridden post-punk & fantastically noisy alt-rock thats underscored by soaring layered shoegaze collectively topped off with utterly sublime vocalisations that will make the hairs on the back of your neck stand to attention. The band are made up of Stephen McElwee, Austin Yeates & Jake Villarreal and you can buy/download the full EP right now via glazeusa.bandcamp.com
Wasted Mind by Glaze
The EP opens up with ‘No Surprises’; a swirling vortex of intense sound waves buffer and arc through layers of turbulent reverberation as charging percussion tumbles and skits alongside chugging bass frequencies and the resonating pull of guitars. Haunting vocalisations ride the tempestuous instrumental surge as lead lines whip and cajole the track to within an inch of its life dragging this listener with it as it streams into an abrupt finale. This is a masterful opening salvo! Up next, ‘Who Can Say’, the EP's lead single, builds from the off and steadily rises into a raging sonic behemoth filled with with brilliantly dark post-punk hued bass lines, screaming lead guitars and hazily melodic vocals. It breaks midway through into a sublime cacophony of tempo changes, psych induced instrumentation and production theatrics before fading into obscurity by swirling aimlessly into a reverberating fog.
‘Mercury’ jangles into earshot on a tremulous guitar progression before busy percussion drags the deep hum of bass and another blistering melody driven vocal line into focus. This track floats effortlessly through it’s verse parts before breaking into an explosive chorus stacked to the brim with soaring guitars and deliciously catchy vocal hooks. The EP closes out with ‘Chow Mein’, probably my favourite track on the entire release. A simple bass line opens proceedings up before we’re sucked into a swirling sonic whirlwind, battered around the senses and dumped out the back end to perch precariously on a melodic verse progression, only to be pulled along brilliantly by the aforementioned bass line and sucked back into the sonic melee once more. Thoroughly enjoyable and a fantastic finale to a well executed EP.
RELEASE: Jellyskin EP
RELEASE DATE: 28th June 2017
Immense Leeds based trio 'Jellyskin' have correlated all of their previously released singles, added a splattering of newer material and have packaged it all up on what is being labelled as their very first self-titled physical release. Formed in 2016, 'Jellyskin' are made up of Will & Zia and they exploded onto the underground psych/gaze scene with four consecutive single releases, each one absolutely sublime. Unless you've been hiding under a rock over the past year you would have read about the band on Primal Music's web pages & listened to them over on Primal Radio daily; they are seriously that good. 'Jellyskin' create stunning musical soundscapes that gracefully meander through experimental shoegaze, dream pop, psych rock and it's many, many sub genres. Their self-titled EP was released back on the 28th June 2017 and is available to buy/download on various formats right now via jellyskin.bandcamp.com
jellyskin by jellyskin
The EP opens up with 'Eater' and it pulses into the ether on a swirling vortex of kraut like repetition as its metronomic percussion, driving psychedelically charged guitars, throbbing bass frequencies and resonating synth lines deftly circumnavigate that stunning trademark vocal line. This track fizzes as it tumbles through layers of sequenced electronics and hazy reverberation. Up next, 'She Sung Oceans' glistens on a beautifully intense vocal line that floats on subtle fizzing synths and melodic guitars. This track sucks you in as it's lazy percussion arrives pulling the entire track skywards on shimmering sound waves, dipping in and out of entrancing instrumental passages filled with heavier moments of atmospheric experimentation and wavy synth laden psychedelics. 'Jellyskin' stay in a mode of electronic experimentation as 'Snow Sky', my favourite track on the entire release, warbles into audible range pinned fast to a cascading synth line, sequenced electronics and repetitive percussion. Beautifully entrancing vocalisations swirl and undulate through subtle eastern esoteric flavours as we dance and whirr through stunning instrumentation that collectively loops and arcs throughout the ether. Absolutely sublime!
The EP's penultimate piece entitled 'Only Rain (Flows To Beach)' floats effortlessly on glorious waves of simmering synth coupled with tumbling tremulous guitar progressions as metronomic sequenced percussion pulses on effervescent frequencies carefully enveloping that fragile vocal track. At predesignated points along its meandering course it morphs and twists brilliantly into a noisy & turbulent psych induced behemoth before snaking back into a beautifully entrancing piece of music before we close out with the intensely addictive 'Milk Of Magnesia' . It moves slow, is draped in swathes of psychedelic reverberation and is deliciously repetitious. It will have have you hooked from the off with it's burgeoning percussive pattern, layers of stunning atmospherics, swirling synth swells and luscious lead licks. It has subtle esoteric vibes underscored by droning instrumentation coursing through it's inner core that envelopes those sublime duel vocalisations with visceral aplomb. A masterful finale to a wonderful EP.
RELEASE: Taeppe EP
RELEASE DATE: 27th June 2017
RECORD COMPANY: Structure vs Chaos Music (SESAC)
Fantastic Connecticut based lo-fi shoegaze quartet 'Landing' have announced a brand new three track cassette in the guise of the 'Taeppe' EP , released to coincide with their 2017 tour which has just kicked off and will run all the way to July 12th taking in Northampton, Hamilton, Detroit, Indianapolis, St. Louis, Minneapolis, Des Moines, Austin, New Orleans, Atlanta, Raleigh, Salt Lake City & Washington D.C. The band create blissful sonic soundscapes that are filled with hazy shoegaze highs and jaw dropping ethereal vocalisations coupled with experimental twists and lashings of glorious reverberation. The band on this release are made up of Adrienne Snow - vocals, Daron Gardner - bass/drones, Aaron Snow - guitar/synth/drums/bass/vocals, Kryssi Battalene - guitar on Side A & John Miller - drums on 'Together'. You can buy/download this latest release digitally right now from landing.bandcamp.com or if you are one of the lucky folk who get to see them play live, the cassette version is released by Vast Arc Hues in an edition of 50 and will be available at shows on their summer 2017 tour.
Taeppe EP by Landing
Reverberating drones coupled with fizzing effected fret noise collectively move and undulate in a dense sonic fog as faint hints of melody punctuates through subtle feedback and the odd pull of guitar notes. 'Page After Page' unfurls it's enveloping frequencies, gradually building momentum as it peels back each individual musical layer before pulsing a beautifully intense wall of glistening vibration out into the ether in one great big wave, enveloping Adrienne's haunting vocals in the process. It's subtle percussion keeps an almost ethereal tempo as the wash of luscious guitars surge and break through layer after layer of stunning production. Instrumentally, 'Page After Page' pulls you inwards and keeps you transfixed on all eight minutes of this fantastic opening salvo. Up next, 'Tape' explodes into a cacophony of golden hued frequencies as tremulous guitars, augmenting synth swells and the repetitive whoosh of hi-hat's swirl and meld effortlessly with beautifully entrancing vocalisations, the gentle hum of bass frequencies and sublime production. 'Tape' is my favourite track on the entire release. It's a blissed out sonic adventure that will have you forgetting daily life as you float skywards into the abyss.
The EP closes out with 'Together', a snapshot of dreamy sonic escapism. A hazy wall of steady drums, cascading bass lines and fuzzy reverberation glisten and shine as jangling progressions mix with melodious lead lines to collectively circumnavigate another shimmering vocal take. 'Landing' tease us with their old school shoegazing tendencies half way through as the track explodes into a driving mass of blissful noise drenched in simmering instrumental melody that loops and arcs brilliantly throughout the the entire piece. This flight of fancy is quickly tamed however as the band pull the plug and dump us headlong into a finale of fading incandescent sound waves.
ARTIST: Brilliant Beast
RELEASE DATE: July 7th 2017
Hailing from Minneapolis, fuzzy shoegaze quartet 'Brilliant Beast' are no strangers to Primal Music. In fact, we've been spinning them religiously over on Primal Radio for quite some time as we fell in love with their glistening dream-gaze tones way back in 2013 after the release of their fantastic 'Where Do You Want' long player. Hazy yet melodious and with a grungy kick that stirs up many different influential artists from the scene, 'Brilliant Beast' are a band that I selfishly keep coming back to again and again. The band are made up of sibling dual vocalists Hannah & Jordan Porter, both on vocals/guitar, Ronnie Lee -bass & Eric Whalen - drums an they have just announced a brand new five track EP entitled 'Jelly', penned in for release on the 7th July 2017. The EP is available to pre-order right now via brilliantbeast.bandcamp.com
Jelly by Brilliant Beast
Surging instrumentation swirls and cajoles for space as woozy frequencies battle clandestine reverberations for the right to accompany a truly melodious vocal line as it meanders out into the ether. 'High Time' mesmerises as it sifts through stunning layered guitars and pounding drums, floating effortlessly on the continuous throb of bass and skipping brilliantly through catchy hook laden chord structures and immense production. A mouth watering opening salvo that leads us into squealing feedback and the heavier opening bars of 'Scatter', a menacing sonic behemoth that heaves and undulates on bass heavy frequencies. Soaring guitars carry another impressive vocal as 'Brilliant Beast' wage a sonic war of attrition looping and arcing in and out of heavy shoegaze at will before exploding into a stunning chorus break. Up next, 'Spiders' stalks into earshot on a charging percussive assault punctuated by grunge heavy guitars and snaking vocalisations. I can hear tons of early Sonic Youth here (I don't know how the band will feel about that??) but I bloody love it anyway, so much so that it's my favourite track on the entire EP. Seductive lead lines intertwine with punchy percussion and hovering bass signatures before that woozy chorus break slows everything down just a tad before exploding back into a maelstrom of blissful noise.
The EP's penultimate piece skips into range straddled to a hazy wall of resonating noise and a busy drum progression. 'Slipping' continues with the same sonic formula as the previous tracks that holds 'Brilliant Beast' in good stead. Fuzzy guitars, explosive percussion, undulating bass lines and a duel vocal to die for that at times sounds almost ethereal. Add into the mix that fantastically explosive closing break and it's a win win for me. 'Jelly' closes out with it's lead single. 'Star Of' is a blissed out summer jam filled with glorious golden hued fuzz, a dreamy dream-pop inspired vocal line and fantastic instrumentation. Again, catchy hooks make this track easy on the ear but it's those duel vocals that are absolutely spellbinding and at times hypnotic, keeping this listener well entertained. A brilliant ending to a marvellous EP .... bravo Brilliant Beast.
ARTIST: Paper Daggers
RELEASE DATE: 18th June 2017
Brooklyn based dreamgazers 'Paper Daggers' create deeply melodious soundscapes that skip effortlessly through melancholic sonic snapshots filled with woozy shoegaze and shimmering yet hazy dream pop with blistering aplomb. The band are made up of Rob - guitar, Nicola - vox/keys, Carrie - bass & Lisa - drums and they have just released a stunning three track debut self-titled EP and you can buy/download it right now from paperdaggersnyc.bandcamp.com
Paper Daggers by Paper Daggers
The EP opens up with an absolutely stunning track entitled 'Small'. Tumbling tremulous guitars meld brilliantly with subtle synth swells and humming bass frequencies as rolling percussion collectively ferries a beautiful vocal out into the ether. A hazy wash of gentle reverberation smoothes the journey as we're deftly scooped up and carefully enveloped in resonating lead guitar lines that intertwine with infectious songwriting and brilliant production. Up next, 'Wash' penetrates a busy wall of tremulous noise before a beautiful wave of melody gracefully pulls a deeply hypnotic percussive swing into the mix, it's metronomic pulse adding intense atmosphere as Nicola's ethereal vocalisations float into earshot. Entrancing instrumentation swirls throughout as this tracks lead guitar parts whirr and dance in and out of throbbing bass lines and subtle reverberations collectively following the gravitational pull of those entrancing drum patterns. This is absolutely stunning and if you have to listen to anything at all today please let it be this one track. 'Wash' will blow you away.
The EP closes out with slice of magic. There are bands out there who can pull off shoegaze and dream-pop to a consistent level but never really step outside of their comfort zones. And then there are bands like 'Paper Daggers' who have the ability to inject subtle genre changes outside of their chosen sonic disciplines. 'Between Moments' shatters into earshot on a beautifully serine melancholic vibe, steeped in dreamy dream-pop but underscored by something completely new to the sounds previously heard on this EP; this track has a late 80's post-punk vibe that I'm instantly drawn to courtesy of those plodding bass notes and that ever present swell of swirling synth. It's infectious, it's hypnotic and it's insanely masterful all at once and it shows that 'Paper Daggers' have the ability to change. A trait that is needed in this modern underground scene. Again the vocals are on point here too and those soaring guitars inject an intense shoegaze high and patches of angrier resonating lows. It's a stunning ending to a marvellous EP and I for one cannot wait to hear what comes next from 'Paper Daggers'.
ABOUT THE AUTHOR: