Curelight Wounds - Constant Mind EP - Featured Image - (700x700)

EP REVIEW | Curelight Wounds - Constant Mind

ARTIST: Curelight Wounds

RELEASE: Constant Mind 

RELEASE DATE: 20th November 2017

RECORD COMPANY: Unsigned

Brooklyn based noise makers 'Curelight Wounds' have returned with their highly anticipated follow up to their impressive 2016 four track EP release 'Wearing The Strings'. This new EP is the bands seventh release to date and is aptly titled 'Constant Mind'. It's as melodically fuzzy as it's predecessors and pulls with it many influencial genres of music from noisy shoegaze to post-punk, noise-rock to lo-fi. 'Constant Mind' gets it's full release on the 20th November 2017 and will be available to buy/download via curelightwounds.bandcamp.com from that date.

In a broiling undercurrent of senses pummelling instrumentation ‘Curelight Wounds’ unleash a sonic call to arms in the guise of ‘Sew It Back’, the opening salvo on this impressive collection of tracks and the EP’s lead single. Bass lines throb deliciously with post-punk abandon as they stick fast to a busy tambourine led percussive pattern and dodge the searing whip of those ever present lead guitars. It’s accompanying vocal lines quiver menacingly as they pulse through layers of reverb, brandishing an addictive 90’s alternative edginess that is very difficult to ignore. Up next, ‘Hot House’ is a swirling sonic behemoth that starts slow with those woozy whammy bar guitar theatrics before building progressively into a throbbing, bass heavy beast steeped in repetitiveness, screaming guitars and monotone vocalisations. It’s a sublime track and highlights what seems to me to be ‘Curelight Wounds’ perfecting the marvellous art of the ‘no nonsense’ two minute track that hits the nail on it's proverbial head.

The EP’s penultimate piece entitled ‘Distant Song’ shivers on a melody infused bass signature used primarily to instil a calmness as all around it explodes into a cacophony of noise. Guitar lines envelope nearly everything as a steady drum beat keeps meticulous time allowing the vocal lines to ride the tempo sitting comfortably in amongst the sonic melee. The ‘Constant Mind’ EP closes out with ‘Hard Sand’, a pulsating monster musically reminiscent of early ‘Pavement’ or even ‘The Fall’ with it’s driving bass signature, skittish percussion and those wailing guitars. It's a brilliant piece of music that ticks every sonic box as far as I'm concerned - fuzz, noise, throbbing melodic bass and tons of reverb. An absolutely brilliant end to thoroughly enjoyable EP.

Bravo! 

5/5

LINKS:

facebook.com/CurelightWounds/

curelightwounds.bandcamp.com

ABOUT THE AUTHOR:

Del Chaney - (Author Photo)

Del Chaney has spent the last five years dedicating his time to uncovering the best artists in the unsigned or small independent label based shoegaze, ethereal dream pop, post punk & modern psych rock from all over the globe & reviewing them for this blog - The Primal Music Blog. He is also a contributing writer for The Sound Of Confusion (Now On Hiatus). His other arm  - Primal Radio -  has gained considerable respect from bands and promoters alike since its conception in 2013 & has helped him in actively promoting a genre of music that he is passionate about. Hailing from Dublin, Ireland, he is a keen Vinyl Collector, Tattoo Fan & all round good guy! He is a self confessed music freak & is never far away from a studio console or a turntable.


Telescope - Telescope - EP Review - Featured Image - (700x700)

EP REVIEW | Telescope - Telescope EP

ARTIST: Telescope

RELEASE: Telescope

RELEASE DATE: 10th November 2017

RECORD COMPANY: Unsigned

Barcelona based neo-psych duo 'Telescope' unleashed their debut self-titled three track EP to the masses back on November 10th 2017. With a sound reminiscent of The Brian Jonestown Massacre, Dungen and Tame Impala this sweet little release caught our attention instantly. The band are made up of Esteban Garós & Luis Pomés and you can buy/download this impressive release right now via telescopebcn.bandcamp.com

The EP opens up swirling in muggy reverberating haze. Magically melodic sound waves intertwine with a rambling vocal performance as 'With Your Truth' unfurls it's sonic tendrils and explodes into a cacophony of colourful frequencies. Plodding bass lines meander and undulate brilliantly under busy percussion as catchy hook laden chord changes and the pull of fuzz laden guitars lead us into whirring, looping lead lines and sublime passages of neo-psychedelia. Up next, 'Adrift' bounced into the ether on a melodic bass signature as tambourine hits and swirling organ swells announce the arrival of a catchy lead guitar line and reverb laden vocalisations. It's chorus parts are utterly addictive and they show off the songwriting prowess that this duo possess. There's also a fantastic modern psych feel to this track although it does have passages of 60's psych pop attached to it's kaleidoscopic vibrations.

The EP closes out with 'Not Your Game', a tumbling shimmering behemoth that rumbles through a melody strewn landscape filled with addictive bass fills, explosive percussion and brilliantly executed instrumentation. Leads guitars lick and harass impressive vocalisations before that synth line permeates the ether and instantly adds golden atmosphere to proceedings. A masterful ending to brilliantly executed EP.

Recommended!

4/5

LINKS: 

telescopebcn.bandcamp.com

facebook.com/telescopebcn/

ABOUT THE AUTHOR:

Del Chaney - (Author Photo)

Del Chaney has spent the last five years dedicating his time to uncovering the best artists in the unsigned or small independent label based shoegaze, ethereal dream pop, post punk & modern psych rock from all over the globe & reviewing them for this blog - The Primal Music Blog. He is also a contributing writer for The Sound Of Confusion (Now On Hiatus). His other arm  - Primal Radio -  has gained considerable respect from bands and promoters alike since its conception in 2013 & has helped him in actively promoting a genre of music that he is passionate about. Hailing from Dublin, Ireland, he is a keen Vinyl Collector, Tattoo Fan & all round good guy! He is a self confessed music freak & is never far away from a studio console or a turntable.


Solip - Without - Featured Image - (700x700)

EP REVIEW | Solip - Without

Solip - Without - Post Image - (300x300)ARTIST: Solip

RELEASE: Without EP

RELEASE DATE: 28th September 2017

RECORD COMPANY: Unsigned

Solip's 'Without' EP is a brutal beast of doom-laden gaze. It's a powerful thing, dark and oppressive. Self-released, it follows on from 2016's 2 track 'Dissociation' and takes a similarly dim view of life, the universe and everything. The EP was released back on the 28th September 2017 and is available to buy/download right now via solip.bandcamp.com

Adaptation's deliberate droning sets the scene for a record with very little light. The double-time drumming is completely suffocating and massively impressive. 'Held In Place' is like a shuddering death march. It's so slow and crushingly heavy at first. The fear just seeps out of 'The Burning Car'. It's unsettling opening notes explode into a chorus of abrasive guitar sounds, and it feels like being buried alive with those pummelling drums, driving us deeper down. The EP closes with 'No Gomorrah', with its enveloping walls of wild guitar squall. And those drums, pounding the nails into all our coffins.

Hailing from Oakland, California, the four piece have created a record with the heft and gravity required for late 2017, when all seems pretty much lost. Embrace the dark, it's all we have.

4/5

LINKS:

solip.bandcamp.com

facebook.com/solipband

ABOUT THE AUTHOR: 

In her time, Sarah Cuthbert-Kerr has attended raves and rock clubs. She enjoys pedals, pizza and spy dramas. Sarah also plays guitar in Edinburgh-based noisemakers Wozniak and is co-founder of Morningside Young Team who put on gigs and put out records for discerning audiences who enjoy fuzz and confusion.


Deer park ranger - Moderation - Featured Image - (700x700)

EP REVIEW | Deer Park Ranger - Moderation

Deer Park Ranger - Moderation - Post Image - (300x300)ARTIST: Deer Park Ranger

RELEASE: Moderation

RELEASE DATE: 17th august 2017

RECORD COMPANY: Fluttery Records

'Moderation' is the second EP by Oakland based post-rock/ambient project 'Deer Park Ranger'. It’s a neat little release that puts aside assumption and pretentious musicology while still being as interesting as a full length album. It's a warm and fuzzy six track that’s as enjoyable as it is simple, smart as it is showy. Across the track listing 'Deer Park Ranger' mixes a Radiohead-esque approach to electronic instrumentation and programming, while underpinning the sound with post-rock progressions that flesh the whole thing out in an audibly enjoyable way. While some may pertain it to be ‘slight’ or simply background music, I feel a comfort in 'Moderation' that seems to be somewhat absent from much music that comes around under the banner of post-rock… and it is both refreshing and absorbing for just those reasons. The album was officially released back on August 17th 2017 via the good people over at Fluttery Records and it is available to buy/download right now from both fluttery records.com and deer-park-ranger.bandcamp.com respectively.

'Moderation' begins with ‘Shipwreck’ and a bellowing, rumbling wall-of-sound style strum that slowly introduces background guitar melding. Where many of the other songs on Moderation project a happier, more enjoyable and perhaps bright-minimalist sound, ‘Shipwreck’ opens things in a much more downtrodden way. Beautiful piano guides the song into its second half, while the beat of a drum and what sounds to be a synth play calmly in the background. This is melodic ambient music at its best. ‘Another World, Another Time’ delves more cinematically, albeit with the same stripped back sounds of ‘Shipwreck’. The inclusion of what sounds to be a layer of brass instrumentation also adds a deeper dimension to the sound and song as a whole: an EP highlight. Even the small interlude ‘Old City’ is an impressively simplistic track in terms of the EP, and functions as a well rounded song despite its length and standing on the EP.

‘Time And Distance’ is perhaps the most post-rock that Deer Park Ranger goes: the opening threads picking lines of guitar together to make fantastic soundscapes and ambient textures. The eventual guitar-based tricks that Deer Park Ranger use to build and conjure mood also come across beautifully, especially when contrasted with the backing piano. A shorter song (around the same length as ‘Old City’) utilizes a post-punk drum beat, skeletal but well layered guitars and piano to create another fantastic track that builds up before pandering off slowly and carefully. In terms of beauty: through texturing, colour and layers, there is no greater track on 'Moderation' than ‘Seeing All The Shelves’: it’s a crescendo of instruments and soundscapes into a mesmerizingly mini-epic sound. Again, the greatest element of this sound is the tinkering piano that guides along the other instruments with power and subtletly that makes it less of a slog than you’re average prog-rock song.

Usually when somebody releases a post-rock or progressive rock album, we all spend our time listening and then stepping back, having had enough of one giant slog through sound as it was. Funnily enough, I feel like when I finished listening to 'Moderation' that I only wanted more. Its been a while since I’ve listened to something so soothing yet simple, so smart yet so stripped back, and so comforting while being slightly challenging. The production, much like the mixing, is of a top quality standard and it a brilliant and relaxing accompaniment to the flow of the sound.

4/5

LINKS:

deer-park-ranger.bandcamp.com

flutteryrecords.com

ABOUT THE AUTHOR:

Cam Phillips - Contributing Writer

Cam Phillips is a writer and above all, a music lover, who seeks to gain experience through writing and listening. He is also an avid film viewer and art and literature junkie who enjoys creative writing. His most recent published work was featured on Baeble Music and Culture (USA), Sounds and Colours Magazine (Latin America, London), Easterndaze (Latvia) and the Australian based heavy music blog, I Probably Hate Your Band.


Bolywool - From Void To Matter Volume 2 - Featured Image - (700x700)

EP REVIEW | Bolywool - From Void To Matter Volume 2

Bolywool - From Void To Matter Volume 2 - Post Image - (300x300) ARTIST: Bolywool

RELEASE: From Void To Matter Volume 2 

RELEASE DATE: 29th September 2017

RECORD COMPANY: VÅRØ Records 

Hailing from the wind swept isle of Öland in Sweden, Calle Thor and Oskar Karlström aka 'Bolywool' have been fascinating us lot here at Primal Music for quite some time with their shimmering, cinematic, frost laden soundscapes filled to the brim with flourishes of atmospheric post-rock and scintillating shoegaze collectively underscored by stunning electronic progressions. Their collective sound has the ability to bring listeners on a melancholic journey into their world, a world that twists and turns through epic snapshots of life, death and an inherent love for their homeland. Back in May 2017 the band released the first of a planned trilogy of EP's entitled 'From Void To Matter' via VÅRØ Records  and now they have returned with their second thrilling instalment, boldly continuing on a journey of sonic enlightenment and once again blowing our minds. 'From Void To Matter Volume 2' was released back on the 29th September 2017 and is available to buy/download right now via varorecords.bandcamp.com

The soft thud of sequenced percussion accompanied by pulsing bass frequencies and cascading synth lines permeate the ether as ‘The Dial (Revisited)’ glides into audible range punctuated by reverb laden guitars and impressive production values. Otherworldly vocalisations add to the seemingly peaceful atmospheric hubris that tumbles wilfully throughout the piece but that ethereal feeling is short lived as we’re pushed headlong into a raging whirlwind of sound that surrounds an immense chorus progression that seems to build and build brilliantly into a undulating sonic behemoth. ‘Bolywool’ continuously amaze me. They are experts at changing the mood of a track at will and it’s well documented here as the track bounces quickly from a melancholic fuelled slice of atmospheric post-rock into a lurching lysergic tinged monster, amalgamating serene vocalisations with churning percussion, fuzzed out guitars and swirling lead lines to create something altogether magical. Not only is ‘The Dial(Revisited)’ my favourite track on this release but it’s possibly Bolywool’s best track to date and it ranks as one of my favourite tracks of this year by far.

Up next, ‘Mirror Sky’ rumbles on a repetitive back beat as reverb laced guitars tremble and shimmer through icy atmospherics, the hum of bass and sullen synth swells. Stunning vocals float effortlessly atop of the collective instrumentation guiding the listener into a deeply atmospheric break filled with blissed out sonic reflections and the collective twinkle of instrumentation before exploding into a huge wall of hazy guitars and that soaring maleficent howl. The EP closes out with ‘Blues For Stornoway (Pts 1,2,3 & 4) and if ever a piece of music deserved to appear on a movie soundtrack it has to be this track. Beautifully melancholic opening vibes meander and intertwine with delay and reverb, enveloping themselves around a ghostly vocal line and the woozy flourishes of synth and rumbling percussion. It loops and arcs through shimmering electronics and wavering instrumental progressions before opening up into an almost industrial feel, metronomic in it’s tempo but majestic in it’s approach before finishing up caught in a brilliant atmospheric cloud of samples and synth that rise and fall into it’s stunning finale. A blistering end to another marvellous collection of tracks.

5/5

LINKS:

varorecords.bandcamp.com

bolywool.bandcamp.com

bolywool.com

facebook.com/Bolywool/

twitter.com/Bolywool

ABOUT THE AUTHOR:

Del Chaney - (Author Photo)

Del Chaney has spent the last five years dedicating his time to uncovering the best artists in the unsigned or small independent label based shoegaze, ethereal dream pop, post punk & modern psych rock from all over the globe & reviewing them for this blog - The Primal Music Blog. He is also a contributing writer for The Sound Of Confusion (Now On Hiatus). His other arm  - Primal Radio -  has gained considerable respect from bands and promoters alike since its conception in 2013 & has helped him in actively promoting a genre of music that he is passionate about. Hailing from Dublin, Ireland, he is a keen Vinyl Collector, Tattoo Fan & all round good guy! He is a self confessed music freak & is never far away from a studio console or a turntable.


Pastel Coast - Vague Noire - Featured Image - (700x700)

EP REVIEW | Pastel Coast - Vague Noire

ARTIST: Pastel Coast 

RELEASE: Vague Noire

RELEASE DATE: 9th September 2017

RECORD COMPANY:  Collective Noord Sfeer Records

Just only last year I began my stint with the ever-prestigious Primal Music blog, and with that stint begun revelling in the unearthing of many a brilliant band, musician, artist and producer. There is nothing more satisfying than receiving a CD from France, a thank you from the US or a recommendation from Brazil and announcing to your friends a list of reasons why they should listen to them, enjoy them and soak them up. At the end of last year, amongst the revelling and soaking process, I decided to construct a rough ‘Releases of the Year’ list and saw in my rear view mirror a grand appreciation and acclaim for two releases in particular. One was a return from the murky depths of the past by one of the most underrated bands in the history of popular music; US shoegaze/noise veterans 'The Veldt' appeared and drowned out their critics with a mesmerizingly beautiful five track EP that balanced shoegaze, trap music and noise pop with the contextual hymns of their past. The other release could not have been more different: from France I heard the lush, beautiful and unique sounds of 'Pastel Coast', a one man project that combined nostalgic overtures and dreamy tones with the guitar and synth lead production of indie pop. The EP, entitled 'Sense', was a melding of emotive guitar music and the kind of sun-drenched downtrodden attitudes of an evening spent on dirty beaches that made it so breathtakingly beautiful I could not stop talking to it and listening enough. So, when I heard that 'Pastel Coast' was to release a new EP, entitled 'Vague Noire', I turned my ears on again and awaited an opportunity to hear one of the worlds most interesting non-professional artists paint pictures with sounds, words and textures all over again. 'Vague Noire' was released back on the 9th September 2017 and is available to buy/download right now via pastelcoast.bandcamp.com

‘Roses’ opens the EP, a guitar tinkering based track backed by a drum machine style beat. The vocals are deeper, perhaps a shade darker in texture than on 'Sense', but the music retains the playfully pop-infused jangle, interspersed with fantastic production and guitar tricks. Underneath the initial mix of guitars, bass and drums lies a neat soundscape-styled synth track that adds a more dreamy quality to the song. After the three minute mark 'Pastel Coast' showcases his fantastic guitar tricks with an intricate and ridiculously rewarding outro for the listener. ‘La Fille Aux Yeux d’Or’ follows with a similar musical structure: bouncing drums guide the guitars and bass through the outskirts of the song. However on ‘La Fille Aux Yeux d’Or’ the riffs and vocals take a more concentrated stance, sounding deeper and darker than on the EPs opening track. The fantastic guitar-orientated instrumental passages of ‘Roses’ appears even more prominently on ‘La Fille Aux Yeux d’Or’ especially on the second half of the track, making the song an easy EP highlight.

The lighthearted pop of ‘Malo Les Bains’ reaches an almost danceable level of bounce and tempo. The alluring French vocal offers a fantastically layered sketch of driving in the hills of ones hometown or dancing with friends long after the bar has closed: it is with these simple tricks that songs like ‘Malo Les Bains’ connect and resonate with the listener on a level of pure enjoyment and admiration. ‘Araginee’ sounds like it was a left over from 'Sense', its more reverb-centric guitar lead and keyboard backed sound allows it too come off (in a positive way) as like a sort of philosophised dance club track. Still in the backbone of the song (much like the others) is the core elements of indie pop music that make the song appear less experimental and, perhaps, more approachable as such. The title track appears as a cross between the dreamy, pop infused songs that have appeared throughout Vague Noire, and a more post-punk styled sound. While still light hearted, its chorus alters the landscape; carving out a more dark but entrancingly beautiful sound: another EP highlight.

Although a review of 'Vague Noire' is not an opportunity to balance its credibility upon a comparison between itself and 'Sense', it is important to note the transitions and influence that 'Pastel Coast' evokes from one to another. I’ll preface my thoughts on 'Vague Noire' by openly stating that I believe 'Sense' is a better EP, a fact that I thought would be integral to my opinions. Where 'Sense' relied heavily on thematic musical elements of what most would consider dream-pop and shoegaze music, 'Vague Noire' instead sees 'Pastel Coast' attend to a more pop influenced, indie rock type sound… And that is exactly wherein its brilliance lies. You see, its easy to ride off 'Vague Noire' as simply a bunch of indie pop songs that all retain a similar drum beat, but it is within each song that the true genius of 'Pastel Coast' shines. These tracks, gathered together with a unity of similar sounds and tones, are ridiculously well constructed indie pop songs: between the evidently neat guitar playing all the way to the background ambience, each song is a well built and oiled machine. Together, these tracks provide nothing but pure entertainment, joy and acclaim. Another thing: I can’t speak French (in fact I remember I spent all of my high school mandatory French lessons listening to music) so when you listen to an EP where the gentleman singing only does so in French, and it conjures up images, memories and dreams… Then there is something wholly fantastic and intelligent going on. Much like on 'Sense', 'Pastel Coasts' greatest connection with the listener is through the nostalgia-laced visions of parties, beaches and empty dance halls, except this time it is done less contemplatively and more subtle and somewhat initially appealing for some listeners. 'Vague Noire’s' beauty and love stands out against so much damn mediocrity that listening to it was like some kind of cleansing relief… An original and enjoyable piece of art, achieved through stellar production, intricate mixing and beautiful sound.

5/5

LINKS:

facebook.com/pastelcoast/

soundcloud.com/pastel-coast

pastelcoast.bandcamp.com

ABOUT THE AUTHOR:

Cam Phillips is a writer and above all, a music lover, who seeks to gain experience through writing and listening. He is also an avid film viewer and art and literature junkie who enjoys creative writing. His most recent published work was featured on Baeble Music and Culture (USA), Sounds and Colours Magazine (Latin America, London), Easterndaze (Latvia) and the Australian based heavy music blog, I Probably Hate Your Band.


Citrus Clouds - Ultra Sound - Featured Image - (700x700)

EP REVIEW | Citrus Clouds - Ultra Sound

ARTIST: Citrus Clouds

RELEASE: Ultra Sound

RELEASE DATE: 22nd September 2017

RECORD COMPANY: Custom Made Music

Phoenix based desert-gaze trio ‘Citrus Clouds’ have announced the highly anticipated follow up to their debut full length album ‘Imagination’ which was released back in November 2016 via Custom Made Music. This new release entitled 'Ultra Sound' has it's official unveiling on the 22nd September 2017 and it consists of seven brand new tracks that swirl effortlessly in a sonic style that only 'Citrus Clouds' can create. The band are made up of Eric Pineda, Stacie Huttleston & Anthony Jarero and collectively they create stunning soundscapes that swim effortlessly through swathes of reverberating shoegaze and addictive, dreamy vocal lines that are impressively underpinned by steadying percussion and sublime instrumentation. 'Ultra Sound' is available to pre-order right now via citrusclouds.bandcamp.com

The repetitive tap of percussion announces the EP's opening track entitled 'Ocean Eyes' and it not long before we're awash in that Citrus Clouds trademark luscious wall of melody. Hazy guitars underpinned by the subtle throb of bass frequencies collectively swirl around that impressive vocal performance. There's a brilliant ethereal vocal highlight that touches each line throughout the chorus parts and that instantly catapults this track into a fantastic dream-pop state and it marks another level in 'Citrus Clouds' continuously evolving sound. Up next, 'You Loved Me First' fizzes into life held fast in an addictive shoegaze orientated cloud. Beautifully melodic duel vocal tracks meander through warbling guitar stabs and humming bass lines as that steady percussive swagger holds perfect time. Catchy chord structures and hook laden instrumental sequences mark this track out as a favourite of mine and let's not forget that impressive lead break and its soaring reverberations. Simply stunning!

'Life Happens' trembles on a quivering bass signature before opening up into a swirling maelstrom of mind numbing reverberations held fast to a punchy percussive swagger and overlaid by majestic vocalisations. A repetitive lead guitar line races in and out of the collective instrumentation casting magical sonic spells throughout the ether whilst 'Happy' (reminiscent at times to early 90's era 'Lemonheads') explodes into a cacophony of hazy sound waves and lazily undulates through laid back vocalisations, catchy chorus lines and sticky instrumentation that seems to linger long after the track ends. Up next is another favourite! 'Is This Real?' echoes in a 4AD kind of way. It's opening salvos sound like thunder before mellowing out into a melody driven slice of blissed out desert gaze. Jangling guitars ride a busy drum pattern deftly delivering that immense vocal take as it's distinct chord changes are permeated by the throb of bass and deep echoes of reverb.

The EP's penultimate piece entitled 'Here Is Where We Are' is drenched in luscious reverb and this helps immensely with it's atmospheric opening bars, instilling a kind of fragility that is both addictive and melancholic all at once. As per the norm for Citrus Clouds this track unfurls it's sonic tendrils and we're absolutely drenched in a collective downpour of melody as lead guitars soar into the ether accompanied by those beautifully intense backing vocals, cascading bass and that steady percussive assault. The EP closes out with what is one of the best pieces of music that I think I've heard this year. 'A Dream Of You' is a meandering wave of jangling desert-gaze. Lazy percussion keeps metronomic time as warbling guitars and a bloody brilliant bass line protects that haunting vocal line. The chord sequences on this track are absolutely fantastic and catch you off guard as they seamlessly connect verse and chorus with a pull of whammy bar and that downward step of heavy bass and as for that stunning instrumental break ...... well you'll have to hear that for yourself ..... THIS IS MUSIC!

As EP's go 'Ultra Sound' is one of the best I've heard this year. It's so exciting to hear a bands development from their early releases until now with each release being a positive step forward. As far as I'm concerned this band have gone from strength to strength and they've worked hard to create a sound all to themselves in a scene that is so bloody diluted right now the hip scensters are fighting over genre tags!

5/5

LINKS:

citrusclouds.bandcamp.com

facebook.com/citrusclouds/

twitter.com/Citrus_Clouds

ABOUT THE AUTHOR:

Del Chaney - (Author Photo)

Del Chaney has spent the last five years dedicating his time to uncovering the best artists in the unsigned or small independent label based shoegaze, ethereal dream pop, post punk & modern psych rock from all over the globe & reviewing them for this blog - The Primal Music Blog. He is also a contributing writer for The Sound Of Confusion (Now On Hiatus). His other arm  - Primal Radio -  has gained considerable respect from bands and promoters alike since its conception in 2013 & has helped him in actively promoting a genre of music that he is passionate about. Hailing from Dublin, Ireland, he is a keen Vinyl Collector, Tattoo Fan & all round good guy! He is a self confessed music freak & is never far away from a studio console or a turntable.


Flashes- Rzev - Featured Image - (700x700)

EP REVIEW | Flashes - Rzhev

Flashes - Rzhev - Post Image - (300x300)ARTIST: Flashes 

RELEASE: Rzhev

RELEASE DATE: 21st July 2107

RECORD COMPANY: Unsigned

Cornwall based heavy shoegaze quartet 'Flashes' inject driving alt-rock and dreamy melodies into their collective sound as the listener is dragged head long through sonic peaks and troughs filled to the brim with powerful lysergic energy and hazy melancholic reflections. Their latest five track EP entitled 'Rzhev' was released back on the 21st July 2017 and it blew us away here at Primal HQ. It's available to buy/download right now via flashesband.bandcamp.com

A surge of tremulous hook laden guitars permeate the sonic ether as ‘Summation’ slowly enters audible range drenched in a sticky post-rock hued reverberation. Sparse percussion intertwined with the throb of bass frequencies swirl effortlessly around that dreamy, lysergic tinged vocal track as psychedelically charged instrumentation loops and arc’s throughout, churning up stunning, almost incantational sound waves that build into that immense melodic finale. Up next, ‘Paintbrush’ creeps into view stuck fast to a glistening instrumental drone as it’s haunting vocalisations undulate through turbulent clouds of hazy reverb. Driving percussion then enters the arena accompanied by twinkling synth progressions and addictive lead lines that tumble and vie for space within soaring chorus changes as ‘Flashes’ lure us into a false sense of security. Before long the entire piece explodes into a riot of thunderous grunge tinged instrumentation sullied by screaming vocalisations and overdriven guitars.

‘The Upset’ rocks precariously on lines of sequenced electronic percussion and Nine Inch Nails esque vocalisations that builds rapidly, winding themselves up into a coiled sonic behemoth. Atmospheric fret noise and hunting vocalisations pull addictive guitar progressions into the mix doused in reverb, sampled theatrics and melodically charged instrumentation before ‘Obliterator’, the EP’s penultimate piece, swirls and undulates through wavy guitar signatures, atmospheric fret noise, busy percussion and a brilliant vocal line that collectively explodes into a raging wall of turbulent grunge hued noise. The EP closes out with ‘Dream Fuzz’, eleven minutes plus of repetitive percussive electronics, swirling synths, fuzzed out guitars and reverb hued vocalisations that merge brilliantly into an explosive and atmospheric, fuzzed out, alt-rock leaning monster! A fitting end to a rather interesting EP.

4/5

LINKS:

flashesband.bandcamp.com

facebook.com/flashesband

twitter.com/flashesband

ABOUT THE AUTHOR:

Del Chaney - (Author Photo)

Del Chaney has spent the last five years dedicating his time to uncovering the best artists in the unsigned or small independent label based shoegaze, ethereal dream pop, post punk & modern psych rock from all over the globe & reviewing them for this blog - The Primal Music Blog. He is also a contributing writer for The Sound Of Confusion (Now On Hiatus). His other arm  - Primal Radio -  has gained considerable respect from bands and promoters alike since its conception in 2013 & has helped him in actively promoting a genre of music that he is passionate about. Hailing from Dublin, Ireland, he is a keen Vinyl Collector, Tattoo Fan & all round good guy! He is a self confessed music freak & is never far away from a studio console or a turntable.


Ask For Joy - A Blow And A kiss - Featured Image - (700x700)

EP REVIEW | Ask For Joy - A Blow And A Kiss

Ask For Joy - A Blow And A kiss - Post Image - (300x300)ARTIST: Ask For Joy

RELEASE: A Blow And A Kiss

RELEASE DATE: 10th September 2107

RECORD COMPANY: Unsigned

Texas based Aaron Rossetto aka 'Ask For Joy' has been wowing the underground shoegaze fraternity for quite some time with his fuzzy blissed out musical compositions deftly filled with inspired melancholic subject matter. His ninth release aptly titled 'A Blow And A Kiss' is an immense five track EP that had it's official release back on September 10th 2017. The EP is available to buy/download right now via askforjoy.bandcamp.com

In a haze of shimmering guitar frequencies, ‘Under A Breaking Wave’ washes effervescent swathes of reverberation over this listener and pours ripple after ripple of immense atmospheric sound waves out into the ether. Melancholic vocalisations ride the melodic wall of sound as bubbling bass notes hum and throb alongside repetitive drum patterns and soaring synth swells making ‘Under A Breaking Wave’ a triumphant opening salvo. Up next, ‘Luna’ swirls into audible range tumbling gracefully through layer after layer of blissed out sonic waves as it’s heavenly vocalisations float effortlessly on pulses of sparse percussion and cascading instrumentation. Catchy hook laden chorus progressions pull beautifully intense chord sequences into view, allowing those stunning vocal lines to soar blissfully out into the ether.

The EP’s lead single entitled ‘Corsets’ bounces into ether and quickly unfurls it’s sonic tendrils. It tumbles headlong through layers of shimmering reverb as it’s sparse percussion resonates through the swirl of guitar and the echo of simplistic vocalisations. There’s a subtle hint of post-punk nestling under the surface of this dreamy track as it meanders and arc’s brilliantly along a luscious predestined verse/chorus route before ‘Ask For Joy’ dismisses with the intoxicating haze and allows it to explode into a veritable melting pot of shimmering instrumentation that includes the addition of a brilliant trumpet line making this track my favourite on the entire release. ‘Deep Into The Night’, the EP’s penultimate piece, explodes into a kaleidoscope of colourful sound waves before driving into the ether on a thunderous percussive pattern intertwined with swirling guitars. Throbbing bass frequencies add a lysergic kind of atmosphere that envelopes an impressive vocal take as cascading synth progressions tumble and fall through masses of reverb and a hazy wall of melodic guitars. ‘Rebirth’ closes proceedings swirling gracefully through dreamy sonic incantations filled with glistening synth swells and addictive guitar progressions. Repetitive drum patterns hold everything together spectacularly as those totally addictive vocalisations pull you in with them as they begin a spiralling journey of luscious sonic discovery. A brilliant ending to a wonderful EP.

4/5

LINKS:

askforjoy.com

bandcamp.com/askforjoy

twitter.com/askforjoy

facebook.com/AskForJoy

ABOUT THE AUTHOR:

Del Chaney - (Author Photo)

Del Chaney has spent the last five years dedicating his time to uncovering the best artists in the unsigned or small independent label based shoegaze, ethereal dream pop, post punk & modern psych rock from all over the globe & reviewing them for this blog - The Primal Music Blog. He is also a contributing writer for The Sound Of Confusion (Now On Hiatus). His other arm  - Primal Radio -  has gained considerable respect from bands and promoters alike since its conception in 2013 & has helped him in actively promoting a genre of music that he is passionate about. Hailing from Dublin, Ireland, he is a keen Vinyl Collector, Tattoo Fan & all round good guy! He is a self confessed music freak & is never far away from a studio console or a turntable.


When The Sun Hits - Immersed Within Your Eyes - Featured Image - (700x700)

EP REVIEW | When The Sun Hits - Immersed Within Your Eyes

When The Sun Hits - Immersed Within Your Eyes - Post image - (300x300)ARTIST: When The Sun Hits

RELEASE: Immersed Within Your Eyes

RELEASE DATE: 22nd September 2017

RECORD COMPANY: Saint Marie Records

Nottingham based 'When The Sun Hits' unleash their debut six track EP entitled 'Immersed Within Your Eyes' to the masses on September 2snd 2017 via the good people over at 'Saint Marie Records'. With a great name and a deeply melodic sound that echoes through swathes of luscious reverb and delay, 'When The Sun Hits' write catchy hook laden soundscapes that both mesmerise and amaze all at once. The EP gets it's full release on various formats over the next few weeks with all information available via saintmarierecords.com

A meandering sonic drone ushers in track one ‘The Last Light’ as ethereal fret noise swirls through the ether underscored brilliantly by the repetitive hit of percussion and the surge of swirling reverb hued guitars. Floating vocalisations ride a wave of glistening sound waves that loop and arc throughout, adding another layer of intense frequencies into the already burgeoning mix thus allowing this track to have a melodic way point to focus on deep within the massive wall of noise. Up next, ‘Lie To Me’ ambles into audible range on a wave of tremulous guitars and a melodic hum of cascading bass frequencies. Yearning vocal lines add atmosphere as the track builds and builds into a thunderous chorus break filled with incredible swathes of reverb and skittish percussion.

80’s inspired sequenced synth lines announce the opening salvos of the instrumentally inclined ‘Twilight’. They build in intensity adding reams of ambient melody before buffering into obscurity and allowing a beautiful guitar progression to fill the sound space as my favourite track on the entire release 'Stereopium' unfurls it’s sonic tendrils and envelopes another stunning vocal take. Atmospheric synth swells bubble from far below melding effortlessly with that repetitive guitar progression, the steadying drum pattern and the brilliant production values. The EP’s penultimate piece entitled ‘Lovedead Town’ charges into the ether on explosive percussion and turbulent reverberation. Beautiful vocalisations take centre court here as raging guitars intertwine with the throb of bass and subtle hint of synth to collectively tumble into a maelstrom of beautiful noise and as the chorus break kicks it drags this listener with it into swirling cacophony of blissed out sound. The EP closes out with a slice of swriling instrumental shoegaze. ‘Coopers Secret’ rides a wave of instrumental noise that loops and arcs through swathes of shimmering reverberation. An ambient inspired ending to a rather interesting EP.

4/5

LINKS:

saintmarierecords.com

facebook.com/whenthesunhitsmusic

whenthesunhits.com

twitter.com/wtshband

ABOUT THE AUTHOR:

Del Chaney - (Author Photo)

Del Chaney has spent the last five years dedicating his time to uncovering the best artists in the unsigned or small independent label based shoegaze, ethereal dream pop, post punk & modern psych rock from all over the globe & reviewing them for this blog - The Primal Music Blog. He is also a contributing  writer for The Sound Of Confusion (Now On Hiatus). His other arm  - Primal Radio -  has gained considerable respect from bands and promoters alike since its conception in 2013 & has helped him in actively promoting a genre of music that he is passionate about. Hailing from Dublin, Ireland, he is a keen Vinyl Collector, Tattoo Fan & all round good guy! He is a self confessed music freak & is never far away from a studio console or a turntable.