ALBUM REVIEW - Lumerians - Call Of the Void - Featured Image - (700x700)

ALBUM REVIEW | Lumerians - Call Of The Void

ALBUM REVIEW - Lumerians - Call Of the Void - Post Image - (300x300)ARTIST: Lumerians 

RELEASE: Call Of The Void

RELEASE DATE: 22nd June 2018

RECORD COMPANY: Fuzz Club Records 

Oakland-based psychonauts 'Lumerians' create a mind-bending hypnotic brew filled to the brim with parts procured from various music genres such as experimental psychedelia, space rock, krautrock, noise rock, drone rock, electronica & dub. The resulting concoction is a thrilling excursion into the mystical & futuristic realms of contemporary psychedelia. Formed in San Francisco back in 2006 by Chris Musgrave - drums/percussion, Jason Miller - vocals/synth/organ/guitar, Marc Melzer - vocals/bass/synth and Tyler Green - guitar/synth/keys, the band relocated to Oakland just before the release of their debut album 'Transmalinnia', building their own recording studio called New Telos Sound in a former church. They released their sophomore LP 'The High Frontier' back in 2013 and two collections of improvised compositions called 'Transmission from Tellos III & IV'. They have also shared the stage with bands such as My Bloody Valentine, Killing Joke and Black Moth Super Rainbow. Now after a four year hiatus the band have returned with their third 'official' studio album entitled 'Call Of The Void'. The album is released on June 22nd 2018 via Fuzz Club Records and is dedicated to the memory of Barrett Clark, 'Lumerians' long-time friend, sound engineer and collaborator who passed away in the tragic Ghost Ship warehouse fire in Oakland 2016. 'Call of the Void' is available to pre-order right now on various formats via both respectively.

The fizz of melodic electronics merge brilliantly with those swirling instrumental drones as ‘Fuck All Y’all’ arrives to permeate the ether accompanied by the slow pull of percussion and the deep throb of bass frequencies. Repetitive organ notes hover and glide just above the sonic melee whipped by tightly wound lines of lead guitar as we’re led into a magnificent break and momentarily guided out it’s back end by the lull of squally guitars and that hypnotically a-tuned metronomic tempo. ‘Fuck All Y’all’ serves up a sonic tonic to cure all ills and is a blistering opening salvo indeed. Up next, ‘Silver Trash’ pounds into existence on repetitive threads of motorik percussion as swirling synths meander through cascading lines of bass. Woozy guitars cling closely to that explosive drum track allowing the surge of electronic instrumentation, drenched in effects, to bring lines of vocal into audible range, all balancing precariously on top of tumbling swells of organ and whirring lines of lead guitar. ‘Silver Trash’ is a triumph, it’s absolutely phenomenal and a definite stand out piece on this album.

‘Space Curse’ bounces into the ether in a 70’s krautrock haze. Filled with intermittent bleeps and whirrs this track rocks steadily on a bedrock of rolling percussion as various analogue synths pulse lines of catchy chord sequences across booming bass frequencies deftly accompanied by fascinating lines of vocal whilst ‘Signal’ starts small but builds incrementally into a droning sonic behemoth filled with intense melody, ambient strewn breaks and lines upon lines of sequenced electronics. ‘Fictional’ rattles into the ether on a pounding drum track accompanied by hypnotically addictive bass progressions and soaring lines of synth. Duel vocal’s glide brilliantly here all enveloped by the swirling sonic maelstrom, adding squealing guitars and layers of stylish reverberation as fizzing electronica meets metronomic krautrock and collectively dives headlong into a broiling melee of lysergic tinged modern psychedelia.

‘Masters Call’ glides into audible range swirling on an instrumental drone as layers of reverb reach out to slow it’s momentum. Tumbling percussion accompanies booming pulls of bass as sequenced synths arrive to accompany those edgy lines of vocal merging brilliantly into one surging wave of psych induced electronica whilst the albums penultimate piece entitled ‘Ghost Notes’ is deeply atmospheric. Huge swells of reverberation embraces menacing lines of synth, rolling percussion and heady waves of bass frequencies as it’s entrancing vocal’s arrive meandering in and out of angry guitars and overpowering instrumental progressions eventually crescendoing into a magnificent bass led break that builds and builds all over again. ‘Ghost Notes’ is fascinating and another album highlight for me. ‘Call Of The Void’ closes out with ‘Clock Spell’ and instantly arrives strapped to a droning analogue signal and a slow moving line of structured percussion. Catchy electronic bleeps and whirrs accompany layers of reverb that seem to rise and fall brilliantly alongside those hypnotic vocalisations. It’s a blistering ending to a wonderful album.




Del Chaney - (Author Photo)

Del Chaney has spent the last five years dedicating his time to uncovering the best artists in the unsigned or small independent label based shoegaze, ethereal dream pop, postpunk & modern psych rock from all over the globe & reviewing them for this blog - The Primal Music Blog. He is also a contributing writer for The Sound Of Confusion (Now On Hiatus). His other arm  - Primal Radio -  has gained considerable respect from bands and promoters alike since its conception in 2013 & has helped him in actively promoting genres of music that he is passionate about. Hailing from Dublin, Ireland, he is a keen Vinyl Collector, Tattoo Fan & all round good guy! He is a self confessed music freak & is never far away from a studio console or a turntable.

ALBUM REVIEW | E Gone - Advice To Hill Walkers

egone-afhw-cover_72ARTIST: E Gone

RELEASE: Advice To Hill Walkers

RELEASE DATE: September 30th 2016

RECORD COMPANY: Sunrise Ocean Bender/Deep Water Acres

'Advice to Hill Walkers' is the second immense full-length album by Swedish based experimental psych aficionado 'E Gone' aka Daniel Westerlund. 'E Gone' melds together various musical stylings including electronica, psych, post rock, oriental, dub, raga, ambient and folk to create a stunning cacophony of mesmerising soundscapes. 'Advice To Hill Walkers' appeared briefly on cassette back in 2015 via the brilliant Zeon Lights label but its instrumental soundscapes sent ripples throughout the sonic ether, instantly captivating & permeating deeply into the psyche of the few listeners who had the pleasure of hearing it. Now the album gets a fitting rebirth and an expanded CD reissue on September 30th via the brilliant Virginia based 'Sunrise Ocean Bender' & 'Deep Water Acres' respectively.

The albums opening track, ’Mark The Spot Where You Leave The Injured’ fizzes into existence on a giddying droning swirl and a captivating intricate chord progression. A sparse percussive whirl adds atmosphere as the track builds into a menacing droning monolith, weaving stunning hallucinogenic visions draped in swathes of beautifully golden resonating frequencies. The eastern flavoured ‘Your Goal Is To Know Everything And Say Nothing’ arrives and instantly tickles the senses as its hypnotic instrumentation snakes and whirls through the sonic ether with relative ease, all the while captivating this listener with its tempestuous musical peaks and troughs. Up next, ‘Follow Moonmilk Rivers’ explodes into ear shot on a wave of glorious instrumentation, filling the mind with wondrous throbbing bass frequencies, tribal percussive attacks, swirling sitar progressions and entrancing musical patterns that collectively hypnotise as they pulse a chittering cloud of reverberation out into the burgeoning sound sphere. ‘Follow Moonmilk Rivers’ is a beautifully constructed piece of music that completely mesmerises as it meanders through its pre-designated course with stunning aplomb.

Menacing synth swells coupled with a hypnotic guitar line announces the arrival of ‘Build Your Camp Out Of Alpine Moss’. A thunderous drum pattern & a dark organ progression enters the fray as the atmosphere swirls and steadily builds, adding an air of film soundtrack experimentation to proceedings. This for me, is spaghetti western style experimental psychedelia, brilliantly thought out and expertly constructed for our modern age, presented to us to digest and try to make sense of. In lay-mans terms: This is music!

Up next, ‘Dwell In Tents By Day, Hike At Random By Night’ offers up an off kilter guitar progression coupled with sequenced bleeps and a cacophony of cascading musical tones. There’s a subtle psych/dub/raga feel to this track that will have you hooked so fast that you will eventually totally succumb to its addictive swagger and find yourself swaying to its immensely hypnotic metronomic swing. The album swerves into a more polished dub/electronica feel as ‘Fast Before Stalker Season’ cranks up and shutters into existence on a bedrock of sequenced percussive hits and programmed synth lines before ‘You Don’t Know It Yet But We Are Losing You’ rustles up more esoteric flair and injects some brilliant eastern edged vibes into proceedings.

The sampled pitter patter of falling rain and a rumbling of thunder graces the ears before ‘Find New Methods For Compass Use’ introduces a swirling ambient drone that completely cuts through the soundscape, gathering momentum as it builds in intensity, all the while helping to focus the mind and calm the senses. Menacing percussive swells and shaking tambourines usher in ‘Bring Ice Axe And Rope’ before dark & oppressive synth swells bubble up from the outer reaches, purposefully deployed to scare and enthral all at once. The track shuffles and dances, loops and arcs through layers of immense instrumentation that includes banjo, guitars, synths and sequenced progressions of varying degrees that build and swirl to stunning effect making ‘Bring Ice Axe And Rope’ my favourite track on this entire release. Swirling banjo progressions coupled with glorious sitar and hauntingly good synth lines brings the albums lead single, the brilliantly named  ‘Record The Humming Of Melodious Caves’ into earshot before skittish ‘tabla’ hits and the rumbling ‘dugga’ bass drum noises swirl into action. This is another addictive piece of music guaranteed to have you swaying with its snaking & motorik percussive movements.

The albums penultimate track entitled ‘Continue Ascent While Blindfolded’ reverberates on a jangling guitar strum before organ stabs, light clavichord progressions underscored with sampled whirls & bleeps reminiscent to that of a dastardly ‘horror film’ merry-go-round scarily crawls into play! My recommendation is to listen to this track via headphones to experience what I mean ..... thoroughly dark & enjoyable! The albums closing piece is a ten minute plus thrill ride through electronica, oriental, folk, ambient, tribal and eastern musical themes that swirl and pulse swathes of beautifully hypnotic frequencies into the sonic atmosphere. ‘Reach The Summit, Egg’ is a mesmerising finale to another wonderful collection of tracks created from the mind of Daniel Westerlund, a man who has mastered a plethora of musical stylings to produce something not only quite eclectic & different but immensely compelling too. Bravo!


'Advice To Hill Walkers' gets its full release on September 30th and is available to pre-order right now via Sunrise Ocean Bender & Deep Water Acres.



Del Chaney has spent the last four years not only fronting popular experimental Irish Electronic duo Analogue Wave but also dedicating his time to uncovering the best artists in the unsigned or small independent label based shoegaze, ethereal dream pop, post punk, post rock & modern psych rock from all over the globe & reviewing them for this blog - The Primal Music Blog. He is also a contributing writer for The Sound Of Confusion. His other arm - Primal Radio - has gained considerable respect from bands and promoters alike since its conception in 2013 & has hepled him in actively promoting a genre of music that he is passionate about. Hailing from Dublin, Ireland, he is a keen Vinyl Collector, Tattoo Fan & all round good guy! He is a self confessed music freak & is never far away from a studio console or a turntable.