Cathode Ray Eyes - Featured Image - (700x700)

ALBUM REVIEW | Cathode Ray Eyes - How We Lost The 21st Century

Cathode ray Eyes - Post Image - (300x300)ARTIST: Cathode Ray Eyes

RELEASE: How We Lost The 21st Century

RELEASE DATE: 12th June 2017

RECORD COMPANY: Unsigned

Nottingham based 'Cathode Ray Eyes' is the solo moniker of Ryan DelGaudio, who usually plies his trade with one of the most influential modern day psych outfits out there - 'The Cult Of Dom Keller'. He has temporarily stepped away from promoting their latest sonic onslaught to unleash his ten track sophomore solo release; the brilliantly named 'How We Lost The 21st Century'. His debut album 'Eyes in the Melancholy Palm' was released by Cardinal Fuzz back in 2015. With an dark & experimental sound, 'Cathode Ray Eyes' explores disturbing acid etched psych melded with trembling post punk, warbling gothic tones and atmospheric electronics. 'How We Lost The 21st Century' was released on June 12th and you can check it out via thecathoderayeyes.bandcamp.com

A menacing synth line creeps into earshot as 'Take A Bow, Cthulhu' rocks unsteadily on a bed of repetitive sequenced percussion pulling haunting vocalisations and humming bass frequencies into the mix accompanied by chittering sonic frequencies and fizzing lead lines. Up next, 'People/Evil' floats effortlessly on clouds of reverb and the off-putting pluck of strings as scarily infectious gothic vocal lines drenched in layers of production effects drag this track into movie soundtrack territory. The hypnotically warped opening salvos of 'They Cut The Heart From Out Of The Sky So Burn Down This Government' sound like they've been forced through the inner workings of a Wurlitzer and then used as a crazy circus clowns entrance tune. It's disturbingly haunting yet melodious vocal lines float in close proximity to the aforementioned instrumental madness creating sonic yin and yang moments that are brilliantly addictive. 'We Sleep Till We Rust' is a charging psych behemoth. Experimental overtones surge through its inner workings swirling hypnotic frequencies out into the ether as a punishing vocal line cuts a deep wedge into the sonic firmament and gets under your skin albeit in a good way. Instrumentally immense, 'We Sleep Till We Rust' is probably my favourite track on the entire album.

'Say Goodbye (Soul)' swirls into audible range trapped in cyclonic drone coupled with resonating electronically tinged vocal lines and growling guitar progressions whilst 'Dance! Dance! Die!' drones into existence before unfurling a magnificently entrancing psychedelic soundscape drenched in eastern esoteric flair. 'Take The Darkness Again' injects a 60's psych-pop vibe into proceedings with its sweeping organ swells and plinking synth lines. Vocally astute, this track explodes into a growling sonic beast reminiscent at times to one of my favourite ever bands - 'Spacemen 3'. 'We're Not Born to Serve' is drenched in cinematic flair as its electronically charged instrumentation shakes and shudders on an impressive bedrock of sequenced percussion and hypnotic vocalisations whilst 'Digging A Grave For The World', the albums penultimate piece, is deeply experimental. Sparse percussion accompanied by charging synth lines and gothic vocalisations meld with electronic theatrics to collectively create the most forward thinking track on the whole album. 'We Lost the 21st Century' closes out with 'Goodbye 21st Century', a massive six minutes plus soundscape, inertly cinematic, draped in intense atmosphere and filled with stunning instrumentation that is hands down as good as anything that the legendary 'Vangelis' could conjure up. A stunning finale to a rather impressive experimental album.

4/5

LINKS:

thecathoderayeyes.bandcamp.com

facebook.com/cathoderayeyes

ABOUT THE AUTHOR:

Del Chaney - (Author Photo)

Del Chaney has spent the last five years dedicating his time to uncovering the best artists in the unsigned or small independent label based shoegaze, ethereal dream pop, post punk & modern psych rock from all over the globe & reviewing them for this blog - The Primal Music Blog. He is also a contributing  writer for The Sound Of Confusion (Now On Hiatus). His other arm  - Primal Radio -  has gained considerable respect from bands and promoters alike since its conception in 2013 & has helped him in actively promoting a genre of music that he is passionate about. Hailing from Dublin, Ireland, he is a keen Vinyl Collector, Tattoo Fan & all round good guy! He is a self confessed music freak & is never far away from a studio console or a turntable.


Las Cobras - Temporal (Fuzz Club Records)

ALBUM REVIEW | Las Cobras - Temporal

 ARTIST: Las Cobras

RELEASE: Temporal

RELEASE DATE: 19th May 2017

RECORD COMPANY: Fuzz Club Records

When South American based boyfriend/girlfriend duo of Sofía Aguerre and Leandro Rebellato aka 'Las Cobras' signed to the ever reliable London based independent record label 'Fuzz Club' and their debut single dropped into our inbox, they instantly became firm favourites of ours with their swirling, hypnotically charged sun kissed rock n' roll vibe underscored at times with dark experimental tendencies that are deeply enshrined within this modern day fuzz fuelled psych firmament. We soon discovered that this initial debut single barely even scratched the surface of what this duo could achieve sonically and it was only after we peeled back the many layers on this debut album did we immerse ourselves into what traditional Latin American psych truly sounded like. 'Temporal' is released on May 19th 2017 via 'Fuzz Club' and you can pre-order it right now on various formats from fuzzclub.com 

After an initial intro of warbling synthesiser drone courtesy of 'Dark Waves', the albums opening piece, we're then shepherded into the welcoming arms of 'Beating Hard', a mesmerising mêlée of sequenced percussion and growling guitars that are broken up at times by plinking keyboard patterns and layered brilliantly by those menacing duel vocals. Screaming lead lines meander through swells of synth and luscious reverberation as the track builds in momentum and pulses through huge instrumental progressions with relative ease. Up next, 'The Time Has Come' staggers into audible range on a bedrock of electronic percussion as it's sampled synth lines loop and pull the entire production together dragging with them tremulous guitar progressions and simmering vocal lines that are absolutely steeped in resonating effects. Lead guitar lines whip up a frenzy and are allowed to lash out at will as their serine but sampled electronic understudies hold the track's deeply repetitive modern swagger in check. 'Our Love Will Grow' jangles into earshot accompanied by a fantastic cascading baseline, hi-hat heavy drum pattern and angry guitars as the subtle but infectious sampled production bubbles underneath what is a fantastically refreshing track indeed. Duel vocals add swathes of melody as pulses of reverberation ripple out into the ether, skipping along with that highly infectious baseline.

There's a tinge of garage psych streaming through the inner core of  'Al Más Allá' thats quite alluring but it's the pull of traditional percussion, jangling guitars and droning synth enveloping a magnificent vocal line drenched in glorious reverberation that peaks this listeners attention. Up next, 'Nothing Against You' sways into the ether on a snaking synth line and another brilliant guitar progression whilst 'So Much Love' growls menacingly on a fractious baseline and a swirling synthetic drone as it's metronomic drum pattern pulls a duel vocal attack through massive swathes of delayed reverb. This track loops and arcs through wave after wave of undulating sonic frequencies and turbulent effect laden production and it's probably my favourite track on the entire release. The albums penultimate piece trembles on a swirling synth drone as throbbing bass frequencies and the explosive drum track dig a deep dark furrow into the sonic firmament. 'Same And Again' swerves through passages of intensely addictive lead lines and mesmerisingly hypnotic vocal lines that intertwine with one another and undulate like a stalking pit viper and atmospheric organ sweeps create magical incantations as the collective wall of the instrumentation pulses ripples of psychedelic abandonment out into the ether at will. The album closes out with the bands debut single. 'Temporal' shakes on pulsating bass lines and shamanic like percussion as haunting opening vocalisations mimic addictive streamlined lead lines and open up into a magnificent lush and textured afro-beat connotations underpinned with mystical impressions, droning incantations and warbling guitar lines. A fitting bookend to a wonderful debut album.

4/5

LINKS:

fuzzclub.com

ABOUT THE AUTHOR:

Del Chaney has spent the last four years dedicating his time to uncovering the best artists in the unsigned or small independent label based shoegaze, ethereal dream pop, post punk, post rock & modern psych rock from all over the globe & reviewing them for this blog - The Primal Music Blog. He is also a contributing  writer for The Sound Of Confusion (Now On Hiatus). His other arm  - Primal Radio -  has gained considerable respect from bands and promoters alike since its conception in 2013 & has helped him in actively promoting a genre of music that he is passionate about. Hailing from Dublin, Ireland, he is a keen Vinyl Collector, Tattoo Fan & all round good guy! He is a self confessed music freak & is never far away from a studio console or a turntable.


Clustersun - Surfacing To Breathe (Seahorse Recordings)

ALBUM REVIEW | Clustersun - Surfacing To Breathe

ARTIST: Clustersun

RELEASE: Surfacing To Breathe

RELEASE DATE: 19th May 2017

RECORD COMPANY: Seahorse Recordings

Italian based sonic aficionados 'Clustersun' are what I would define as one of the four main cornerstones of todays underground 'Italogaze' scene. Their collective sound effortlessly swims within a heady mix of shoegaze, electronica & post-punk with a subtle undercurrent of alt-rock that bubbles and fizzes through layers of sublime production to create a wall of blissful noise with layers of soaring reverberation. Now, three full years after the debut long player 'Out Of Your Ego' graced the ears of the underground faithful, the 4-piece band from Catania have announced a brand new eight track album in the guise of 'Surfacing To Breathe' via the brilliant Italian based independent record label 'Seahorse Recordings'. 'Clustersun' have matured dramatically since those tentative debut years, so much so that this time around they have added a new element to the their sonic arsenal by dipping their collective toes into the modern psych gaze scene; and the overall results of this experimentation are magnificent. The band are made up of Marco Chisari - vocals /bass, Mario Lo Faro - guitars, Piergiorgio Campione - synthesizers/keyboards/backing vocals) & Andrea Conti - drums and 'Surfacing To Breathe' gets it's full release on the 19th May 2017 via 'Seahorse Recordings'. The album is available to pre-order right now on various formats including lovely limited edition black vinyl via clustersun.bandcamp.com

The album opens up with it's lead single 'Raw Nerve' and it sits on a very precarious experimental curve with the band stepping out of their comfort zone to inject elements of modern day psych into their usual watered down electro-gaze firmament. It has a kraut like percussive swagger that lends itself brilliantly to that post-punk styled throbbing bass progression and it's angry guitar lines bob and weave menacingly through layers of senses pummelling reverberation. The heavily effected vocal lines dangerously lean (sort of like an over weight scales) atop of the instrumentation with an air of expectation that they might just fall off the sonic precipice at any moment; but that only adds to the overall atmosphere of the track. Up next, 'Antagonise Me' explodes into the ether on sharp instrumental stabs before unloading a dark & delicious slab of driving post-punk intertwined with psych rock tendencies and reams of resonating frequencies. Throbbing bass lines & soaring synth swells bounce and weave along a steadying percussive pattern as noisy guitars slash and chop at those mesmerising vocalisations before collectively soaring into a sublime chorus pattern filled with wailing lead lines and brim;antsy constructed production. Absolutely marvellous!

'Lonely Moon' swerves into modern dream-gaze territory as wave after wave of shimmering synth and soaring reverb drenched guitars loop & arc around a brilliantly executed drum pattern that carefully surrounds and protects that stunning vocal performance by Marco Chisari. Up next, 'Clustersun' dive into massive swathes of undulating atmosphere as 'The Whirling Dervish' unfurls it's resonating tendrils. Piercing lead lines follow cascading bass patterns as the vocals float on a hovering wave of reverb, accompanied at times by refreshing plinking piano lines. This track builds brilliantly as it progresses, adding layer after layer of instrumentation before exploding into a massive wave of post-punk hued psych-gaze. 'Don't Let The Weight Of Your Soul Drag You Down' instrumentally swirls into the ether on an ambient themed synth pattern before glorious guitars enter the mix followed by sparse percussion and the hum of sullen bass frequencies. Another atmospheric monster, this track builds and formulates into a huge wall of blissful unwavering noise before unleashing it's inner behemoth thus dragging this listener with it through every single twist and turn on the road to it's blistering finale.

The albums self-titled track is a full on modern day psych-gaze bruiser. 'Surfacing To Breathe' begins life held fast in a swirling synth drone before a magnificent guitar progression takes hold and instantly peak this listeners attention. Metronomic percussion holds court here as it drags plodding bass patterns and soaring synth lines with it into the mix thus turning this track into a well organised, uniformed, steady and rhythmic sonic drill through layers of reverberation and dark atmosphere. Again, both Marco Chisari & Mario Lo Faro need to celebrated here (on vocal and guitar duties respectfully) as they carry this engrossing track through to the end. The albums penultimate piece teeters precariously on a more experimental edge as 'Emotional Painkiller' enters audible range. This is the only track on the entire album that harkens back to their more electronically charged debut release 'Out Of Your Ego'. For me they try to fit the sonic aesthetic of that debut album into this newer sound with varying results. That not to say that it isn't aesthetically pleasing, it just seems to me that it works only in parts and to some extent suffers greatly at times. It's very difficult to fit square pegs into round holes and the band should be careful of this going forward. For me their new psych-gaze leanings work brilliantly when left alone to be exactly that .... psych-gaze!

The album closes out with a magnificent final track. 'Event Horizon' bounces along on an absolutely immense bass signature that acts as sonic glue thus holding this entire track together. Soaring synth swells carry beautifully intense guitar progressions up into the ether as it's ground dwelling drum patterns pound and echo into the sonic firmament with relative ease. Instrumentally sublime, this track carefully envelopes it's vocal lines like a mother caring for a new born baby, buffering it from punishing sound waves and relentless resonating frequencies with aplomb. A very impressive finale to a masterful sophomore release thus showing that the dreaded second album needn't be so scary.

Bravo Clustersun .... now lets go for album number three!

5/5

LINKS:

clustersun.bandcamp.com

facebook.com/CLUSTERSUN

twitter.com/CLUSTERSUN

ABOUT THE AUTHOR:

Del Chaney has spent the last four years dedicating his time to uncovering the best artists in the unsigned or small independent label based shoegaze, ethereal dream pop, post punk, post rock & modern psych rock from all over the globe & reviewing them for this blog - The Primal Music Blog. He is also a contributing  writer for The Sound Of Confusion (Now On Hiatus). His other arm  - Primal Radio -  has gained considerable respect from bands and promoters alike since its conception in 2013 & has helped him in actively promoting a genre of music that he is passionate about. Hailing from Dublin, Ireland, he is a keen Vinyl Collector, Tattoo Fan & all round good guy! He is a self confessed music freak & is never far away from a studio console or a turntable.


EP REVIEW | Rancho Relaxo - Polarized (Wrong Way Records)

ARTIST: Rancho Relaxo

RELEASE: Polarized

RELEASE DATE: 10th May 2017

RECORD COMPANY: Wrong Way Records

One of our favourite bands here at Primal Music, Norwegian based 'Rancho Relaxo' have announced a brand new five track EP entitled 'Polarized', penned in for release on May 10th 2017 via the ever reliable 'Wrong Way Records'. 'Polarized' is the bands eight release & it again epitomises their unique talent of sonic experimentation by creating whirlwinds of intense electronically charged psych intertwined at times with subtle spaced out kraut rock tones. The album has the pleasure of being touched by the bands brand new 60's rhythm ace drum machine which completely turns their overall sound on it's head thus creating a sublime collection of tracks that are worthy of your ears. It is being exclusively released as part of 'Wrong Way Records' Blacklist 100 Series and is available to pre-order right now on lovely 12' hand numbered black vinyl via wrongwayrecords.bandcamp.com

‘Spooky Satisfaction At A Distance’ arrives into the ether held fast in a repetitious percussive swagger as its soaring synth swells echo and drone meticulously as if held in a continuous sonic stasis. Angry guitars growl and belch out distorted atmospherics whilst its haunting vocalisations swirl through swathes of gratifying reverberation. It is a sublime opening track filled with intensely hypnotic instrumentation that streams effortlessly through layers of blissed out electronically charged modern psychedelia. ‘Augen Zu’ drones and swirls into audible range strapped to sequenced electronic percussion and a deeply repetitive guitar progression. This track builds through each chord change brilliantly as underlying synth swells buffer and harass those hypnotically charged vocal lines with stunning aplomb. The arrival shimmering tambourine hits and undulating shakers add instant atmosphere as those cascading synth lines loop and arc through clouds of reverb like some sort of sonic hallucinogen. ‘Augen Zu’ is sublimely addictive and is probably my favourite track on this entire release.

Up next, ‘Life & Death’ billows effortlessly through infectious guitar progressions, gyrating organ lines and distant vocalisations that collectively ripple and surge through spiralling production and woozy denouements whilst swirling frequency laden sonic tendrils reach out to wrap themselves around sequenced electronic drum patterns as ‘Tell Me Something’ enters earshot draped in a hazy veil of droning instrumentation that melds effortlessly with atmospheric swells of synth & guitar. The arrival of distant reverb drenched vocalisations add depth to the track as it’s snaking percussive thrills dance and skip on a bedrock of iridescent bass frequencies and vibrating mechanical sound waves. The EP’s closing piece growls and fizzes into earshot on a wave of punishing feedback driven guitar squall. ‘My Girl (Spoken)’ shudders precariously on a kind of metronomic percussive precipice as throbbing bass frequencies hold court underlined by electronic beeps and whirrs that accompany an up front vocal line. Noisy guitars circumnavigate the entire piece emitting a menacing atmospheric hue to proceedings as the track rises and falls hypnotically through stunning vocal samples and swirling clouds of reverberation. A fitting end to a bloody marvellous EP.

4/5

LINKS:

wrongwayrecords.bandcamp.com

ranchorelaxo.bandcamp.com

facebook.com/Rancho-Relaxo-119261814770886/

ABOUT THE AUTHOR:

Del Chaney has spent the last four years dedicating his time to uncovering the best artists in the unsigned or small independent label based shoegaze, ethereal dream pop, post punk, post rock & modern psych rock from all over the globe & reviewing them for this blog - The Primal Music Blog. He is also a contributing writer for The Sound Of Confusion (Now On Hiatus). His other arm - Primal Radio - has gained considerable respect from bands and promoters alike since its conception in 2013 & has helped him in actively promoting a genre of music that he is passionate about. Hailing from Dublin, Ireland, he is a keen Vinyl Collector, Tattoo Fan & all round good guy! He is a self confessed music freak & is never far away from a studio console or a turntable.


EP REVIEW | SPC ECO - Under My Skin

ARTIST: SPC ECO

RELEASE: Under My Skin

RELEASE DATE: 10th February 2017

RECORD COMPANY: Unsigned

From the mind of CURVE genius Dean Garcia comes the ridiculously good, cold air beauty of SPC ECO; a duo consisting of Garcia and his daughter Rose Berlin, who are set to release the mesmerizing, slow yearning five track EP 'Under My Skin'. It’s honestly an EP I wasn’t exactly bending over backwards to hear as I wasn’t a huge fan of Garcia’s previous collaboration S T F U. But I revoke such reservations to conclude that 'Under My Skin' is in fact a 5/5 EP. It’s choir/orchestral like moods combined with the slow daze of trip hop and a touch of dark wave, helped along by the trance inducing-beauty of Berlin’s vocals make it a slow moving, heavy classic; showcasing the genius of Garcia’s as a producer and acclaimed multi-instrumentalist.

'Under My Skin' opens with the moving title track that establishes the sound of the project. Built around a slow dream pop inspired keyboard line and the utterly brilliant vocals of Berlin, the song moves into a sweeping orchestral key and remains heavy and drowned for the tracks entirety. The lyrics aren’t anything substantial, but coupled with the music, they make fantastic and meditative tones for the listener. ‘Meteor’ is the duos greatest streak at trip hop; the song builds around a similar group of sounds as the opener, albeit slightly more upbeat, though this time said sounds are reinforced by the slow hits of a drum machine, programmed slowly and swinging in time with the music and the soundscapes within the song. ‘Meteor’ sounds less cinematic than the opener, switching out the orchestra swell for a more synthetic sound; which does wonders for the song.

This beat/darkwave style of synthetic/programmed sound continues on 'Creep In The Shadows' which is perhaps the least significant track on the EP. That’s not to say, however, it doesn’t have its positives; the synthetic notion of the music is enhanced to include a neat reverbed bottle rattling sound in the background of the drum pattern that sits comfortably behind a confusingly auto-tuned/vocal FX enhanced Rose Berlin. And that’s exactly why I feel this track to be less significant than the others; because it is perhaps a little too comfortable. Thankfully Garcia and Berlin turn things in a different direction with the deep electronic track ‘Let It Be Always’; a song that revisits the projects earlier tinkering’s with dream pop but abstracts it using neat and intelligent experimental production techniques.

‘Found’ is the most meditative, dreamy and soothing song upon 'Under My Skin'. It’s truly beautiful stuff; slow and spacey, echoed and hovering vocals hang over the mix. The instrumentation and production turns minimalist while the lyrics suggest of gentle contemplation, of discussion and speech between Berlin and somebody or something that has lost its way. It’s a song about light that doesn’t actually hold much light within itself; ‘When you get lost and found/ And when you get lost for a noun/ Like I lead you there/I will lead you there’ sings Berlin, as she offers a kind of shimmering light to counteract the darkwave undertones of 'Under My Skin'. It’s intro and outro are as slight as each other, and when Berlin's vocals sway away, it’s as if the listeners been gently touched by the singers voice. A truly fantastic song.

Apparently 'SPC ECO' have had the title track featured on MTV’s popular show Teen Wolf, a show that I don’t watch. The main thing that I can deduce, however, from that decision is that for the most part the producers must have very good taste. So good of a taste in fact that I applaud them for featuring it on their show and hope that from doing so, more viewers and listeners out there go out searching for 'SPC ECO'. They definitely deserve it. For this EP deserves recognition; whether it’s for the stellar and professional production, the sweeping instrumentation, the stellar arrangements and instrumentation or if it’s for the breathtaking talent and stature of Rose Berlin’s vocal deliveries. After a few listens of the EP I can say that the father/daughter combination of music and vocals/instruments and lyrics is a 5/5 collaboration that highlights everything creative and interesting about dream pop, trip hop and a genre I generally don’t listen to much of - darkwave! This collaboration puts their strengths forward and creates an engaging and musing piece of music, achieved through top notch production, performance and sound.

5/5

LINKS:

spceco.com

facebook.com/Spc.Eco

twitter.com/SPCECO

spceco.bandcamp.com

ABOUT THE AUTHOR:

Cam Phillips is a writer and above all, a music lover, who seeks to gain experience through writing and listening. He is also an avid film viewer and art and literature junkie who enjoys creative writing. His most recent published work was featured on the Australian heavy music blog, I Probably Hate Your Band.


ALBUM REVIEW | Shoegazer Sanctuary Records (V/A) - Gazing Into Andromeda Volume II

ARTIST: Shoegazer Sanctuary Records

RELEASE: Gazing Into Andromeda Volume II 

RELEASE DATE: 7th January 2016

RECORD COMPANY: Shoegazer Sanctuary Records

I'm not really one for reviewing compilations. I've always found that they're either full of the same old, same old bands & featured artists or it's just another blog, webzine or net label trying their luck by forcing me into another click bait exercise. It's all a very disappointing & mundane exercise to be honest. But I sat back and watched as the Connecticut based net label 'Shoegazer Sanctuary Records' release their debut compilation 'Gazing Into Andromeda Volume I' in July of last year and I was mesmerised at how they selected the list of artists for the release. They didn't add the usual heavy hitters from the underground psych/gaze/ethereal/ambient scene just to get Facebook likes or numbers across a blog. They didn't annoyingly force the release into my inbox either by harassing or tagging me in their social media posts. They purposefully & honestly decided on each artist by their sonic individuality (and not by their social standing) and that's the reason why I'm reviewing this compilation release today. 'Gazing Into Andromeda Volume II' features 20 artists from the world wide space rock, shoegaze, psych-gaze & ambient electronica scene that you may or may not have ever heard of before, and that really shouldn't matter. What you can bet your bottom dollar on is that every single track on this release will blow your socks off. As usual the label have put this out as a 'Name Your Price' tariff up on their bandcamp page: shoegazersanctuaryrecords.bandcamp.com

This massive compendium of sound opens up with Italian giants 'Clustersun' and a track taken from their amazing 2014 release 'Out Of Your Ego'. The chosen track is 'Clustersun' and it shimmers in a beautifully translucent psych-gaze haze filled with melodic drones and fizzy sonic sequences. Up next, Melbourne natives 'Fire To The Stars' bring magical synth swells, swirling vocalisations and droning reverberation to the fore as 'Keep You Safe' taken from their 2016 release 'Made Of Fire' is brought to bare. Connecticut based 'Omega Vague' unleashes a huge sonic behemoth next, in the form of 'From The Outside', lifted off last years triumphant full release 'Obsolescent' whilst Canadian based 'Slowly' ushers in tremulous instrumentation and gloriously addictive shimmering tones as the melancholically atmospheric 'Melt' does exactly as it says on the tin. Utterly delectable and a beautifully crafted piece of music.

It's off to Malaysia next as we're graced with beautiful waves of reverb laden guitars and ethereal vocalisations courtesy of the track 'Past', lifted off SOFT's majestic 2013 release 'A Warm Romanticism In A Coldwave Room'. Sit back as this track explodes into the ether, swirling into beautiful, cascading frequencies as it burns out. Up next is the California based Ryan Fields aka 'Project Skywards' and a track called 'No More Lies' originally released back in 2006 on his immense 4 track EP entitled 'Sirius'. 'Project Skywards' blend ambient electronica and experimental space rock with magnificent results. Definitely worthy of your ears. The next five track blend seamlessly. The hazily hypnotic space rock sounds of 'The Quality Of Mercury' swirl into the ether as 'Her Eyes Are The Stars' explodes into earshot whilst Sweden's own shoegaze wonders 'Zeit' bring the noise with their 2013 release 'Silvery Nights'. Then it's up to Atlanta based 'Absence Of Ocean' to bring their majestic blend of experimental post-gaze into the mix as 'We Don't Sleep' spins into earshot on a cloud of swirling reverb & quivering atmospherics. Up next, impressive Californian doom gazers 'Sleep White Winter' bring a heavy darkness to proceedings with two tracks. Firstly 'Philo Sophia' gets a spin, lifted off their latest six track release 'Degeneracy of Nostalgia' followed by 2014's 'A Succession of Unrecognizable Emotions' lifted off their self titled full length album.

Half way through and the immense tracks keep coming. One of our favourite UK based bands of the past few years 'The Virgance' aka Nathan Smith injects his fuzzy brand of experimental psych into proceedings with the incredibly intense  'Saturnine', lifted off his immense 2015 release 'Paradigm 3' whilst up next we're whisked off into a dreamlike electro-gaze state as Vitaly Bogachev aka 'Talhayme' unleashes 'Real Me' lifted off his 2016 release 'Telesanctuar'. Up next are a band who tweaked my attention back in 2014. Melbourne based 'The Lost Jackets' released a five track EP back then entitled 'The Airports Of The World All Look The Same' and I instantly fell in love with it. Here they are represented by the brooding track 'Sirens', lifted off their 2016 release 'Don't Turn Your Back On The Sea'. Well worth your time! Argentina based 'Ison Spectra' swirls effortlessly into earshot with their experimental space-gaze release 'Oceano' whilst Brazilian based Roberta Artiolli and Bruno Romani aka 'S.E.T.I' reinvigorate the senses with the beautifully dreamy synth laden 'Sinta​-​se, Perca​-​se', taken from their latest full length album 'Extase' released back in 2015. Santiago, Chile is our next port of call as delicious dream gazers 'Perfectos Extraños' float into earshot on a swirling frequential drone and instrumental atmospherics. The track represented here, entitled 'Shanghái' is filled with warm, summery eastern flair.

Québec based 'The City Gates' have been wowing the underground fraternity over the past year or so with their brand of no nonsense gaze induced soundscapes. The brilliant 'Maddening Ride' is taken from their highly anticipated forthcoming sophomore release penned in for sometime in 2017. Recommended listening if you ask me. Up next, Berlin based shoegazers 'Downhill Willows' unleash the brilliant track 'Machines', lifted off their self titled debut album, released back in 2016. Special mention here has to go to the immense vocalisations of Kenneth Estrada. Check them out. The spiralling dark-wave sounds peppered with subtle psych-gaze highlights of North Carolina based 'Spirit System' (another band that we've reviewed here at Primal) effortlessly swerve into audible range with their track 'Nest' lifted off their immense album 'Nightfalling' whilst the brilliant London based 'Doldrums' have added their epic track 'Dreamcatcher' to the list, bringing with it a touch of impressive neo-psychedelia. I'm please to see another one of my favourite bands make an appearance on this compilation as Michigan based 'Great Black Night' bring their fuzzy brand of melodiously dreamy psych-pop to the sonic table. 'Spit You Out' is lifted from the bands latest six track release 'Lift Those Hands', a serious recommendation from me! 'The Dead Lucid' released their debut six track self titled EP to the masses back in October 2016. This is an immense slice of impressive psych rock and it's well represented here with 'If You Don't Mind', a serious throw back to that delicious 60's psych sound.

Self classed as 'Soundgaze', Rome based Massimiliano Nardulli and Gabriele Saffioti aka 'Pipes Not Dead' create a heady mix of shoegaze & electronica with outstanding results. 'The Place Where Time Stood Still' plinks into existence on sequenced theatrics and electronic percussion before scooping you up on a journey of sonic discovery. Up next are the experimental indie rock/shoegaze stylistics of L.A based 'PurePleaser' who's track 'The Grateful 4' at first confuses me before exploding into a electro-gaze masterpiece.  The penultimate track on this epic 20 track compilation comes courtesy of 'The Infinite Seas', an LA based electronica duo comprised of Infinite Creativity Group Founder and Producer Dino Bose and Vocalist/Dancer Yanna Fabian who create dark and broody electronica. 'Dark Lightning' is reminiscent at times to the brilliant 'Spc Eco', with it's huge production and ear catching vocalisations. The final piece of this immense worldwide sonic puzzle goes to Maryland based 'Soñder' and their specially commissioned 'Sanctuary Remix' of 'STRAÑGE'. A fitting book end to one of the more interesting music compilations out there today. Go get it!

4/5

LINKS:

shoegazersanctuaryrecords.bandcamp.com

twitter.com/JShoegazer

facebook.com/groups/shoegazersanctuary/

facebook.com/shoegazersanctuaryrecords/

ABOUT THE AUTHOR:

Del Chaney has spent the last four years dedicating his time to uncovering the best artists in the unsigned or small independent label based shoegaze, ethereal dream pop, post punk, post rock & modern psych rock from all over the globe & reviewing them for this blog - The Primal Music Blog. He is also a contributing writer for The Sound Of Confusion. His other arm - Primal Radio - has gained considerable respect from bands and promoters alike since its conception in 2013 & has helped him in actively promoting a genre of music that he is passionate about. Hailing from Dublin, Ireland, he is a keen Vinyl Collector, Tattoo Fan & all round good guy! He is a self confessed music freak & is never far away from a studio console or a turntable.


NEW SINGLE PREMIERE | Ummagma - Winter Tale

One of our favourite bands here at the Primal Music blog, the brilliant 'Ummagma', release their dreamy track 'Winter Tale' and it's stunning accompanying A.R Kane remix to the masses on January 12th 2017. 'Ummagma' are the Canadian based duo of Shauna McLarnon & Alexander Kretov who collectively create beautifully intense sonic soundscapes that touch the outer reaches of shoegaze whilst swirling deftly through a world of electronically charged ethereal dream pop. The band have joined forces on the B - Side of this release with a seductive remix courtesy of celebrated dream pop pioneer and 4AD recording legend A.R.Kane who lends his immensely dissonant touches to the breathless 'A.R Kane Mix 69 Style' which along with a radio edit book ends this impressive three track release.

'Winter Tale' was originally released as part of the the bands 'Frequency EP' back in December 2015 and it swoons into audible range held fast within a blissfully ethereal bubble, seductively filled with glorious vocalisations, almost subliminal sequenced percussive hits and rather impressive electronic instrumentation courtesy of the amazing Alex Kretov. McLarnon's vocals are deliciously harmonious as they meld effortlessly with those sweeping synth laden drones and the reverb heavy instrumentation coupled with intensely peaceful sonic textures to create a festive sonic soundtrack perfectly positioned for this time of year.

'Winter Tale' is available to buy/download right now from ummagma.bandcamp.com

Recommended!

LINKS:

ummagma.bandcamp.com

facebook.com/ummagma

twitter.com/ummagma


EP REVIEW | Coconut Cluster - Brighter Day

a0670704389_16ARTIST: Coconut Cluster

RELEASE: Brighter Day

RELEASE DATE: 25th September 2016

RECORD COMPANY: Unsigned

Generally when I get a post-rock submission into the blog these days the first thing that I tend to look for are surrealistic or atmospheric soundscapes with expansive swathes of reverb and repetitive patterns of minimalistic instrumentation. At least thats what I have been brought up associating the post-rock genre to be. Music that you can transfer into a movie soundtrack with the flick of a switch and in doing so you end up being brought on an immense sonic journey. Paris based post-rock/indie duo of Matthieu Connon & Gaël Maffre aka ‘Coconut Cluster’ released their debut five track EP entitled ‘Brighter Day’ to the masses on the 25th September 2016, and if you can get over the band name, have actually released something rather special. A melding of post-rock, shoegaze and electronica with indie and alt-rock tendencies that still have those spine trembling atmospheric moments but with a distinctly modern edge. ‘Brighter Day’ is available to buy/download right now from: coconutcluster.bandcamp.com

‘When We Burn’ pulsates on a wave of synth and swirling guitars as sequenced percussion builds feverishly behind walls of impressive production. The vocals arrive in a haze of atmosphere that builds menacingly through the verse parts and explodes brilliantly into the chorus progressions. The use of undulating synth swells and repetitive guitars lines add depth to proceedings and I cant help but hear sounds reminiscent of our good friends ‘In Violet’ peppered throughout. It’s a wonderful opening salvo. Up next, ‘The Terrifying’ rattles and shakes on a slow percussive pattern as sampled vocalisations and intensely delicious instrumentation creeps and weaves a magical kind of sonic spell. The vocal lines intertwine themselves in amongst the swirling cacophony of atmospheric noise as the track builds & drags itself into the musical ether on a wave of harmonious sounds and massive synth swells.

Track three, ‘The Mysterious’ explodes into the arena circulating effortlessly within a maelstrom of synth, drums and growling guitars. The cascading lead guitar lines dance and spin a web of blissful, golden hued instrumentation as the track unfurls its tremulous tendrils before ‘Downstream’ pierces the musical ether, held fast within an distinctly atmospheric sonic bubble. ‘Coconut Cluster’ show us their definitively intelligent post-rock side with this beautiful track. It’s fragile melancholic vocals ride a wave of reverberation as droning instrumentation builds and shimmers into earshot. Sparse rumbling percussion pulses from far below before the introduction of dark repressive synth swells and swathes of noise inter the fray with one aim in mind; to deliciously lash the senses with glorious sonic aplomb. The EP’s closing track breathes and undulates brilliantly as its held deep within an air of 70’s sci-fi chic. Acoustic frequencies swirl as the track builds in momentum, consciously looping and arcing as it changes gear and pushes a wave of blissful synth filled repetitious noise out into the ether. ‘The Strange’ injects overdriven guitar squall into the mix, shattering the surreal calmness of before and instilling an unnerving dark & haunting edge into its final moments. An absolutely stunning finale to brilliantly executed debut EP.

Recommended!

4/5

LINKS:

coconutcluster.bandcamp.com

facebook.com/coconutcluster

ABOUT THE AUTHOR:

Del Chaney has spent the last four years not only fronting popular experimental Irish Electronic duo Analogue Wave but also dedicating his time to uncovering the best artists in the unsigned or small independent label based shoegaze, ethereal dream pop, post punk, post rock & modern psych rock from all over the globe & reviewing them for this blog - The Primal Music Blog. He is also a contributing writer for The Sound Of Confusion. His other arm - Primal Radio - has gained considerable respect from bands and promoters alike since its conception in 2013 & has hepled him in actively promoting a genre of music that he is passionate about. Hailing from Dublin, Ireland, he is a keen Vinyl Collector, Tattoo Fan & all round good guy! He is a self confessed music freak & is never far away from a studio console or a turntable.


NEW SINGLE PREMIERE | In Light Of - Bless Your Heart

Writing and recording music over the internet is a modern phenomena that has helped the development of todays worldwide underground music scene and in turn has brought some very important musicians together to create some stunning musical soundscapes. I for one am a firm advocate of this method of music production and I personally feel that its aiding in the resurgence of many of the smaller untapped music genres swirling around within the underground scene. Ambient/post-rock/electronic duo 'In Light Of' have self-released their debut single entitled 'Bless Your Heart', lifted off their forthcoming debut EP entitled 'Little Treasures', whilst living in different cities altogether. In their own words - "Jason hired Sandy to join his music licensing company. Starting as colleagues they quickly bonded over a shared appetite for the kind of boundless sonic exploration found in post-rock (and the like) songwriting. But it wasn’t until Sandy moved five hours away that a musical project was first discussed".

What they have collectively created though, is a magnificently atmospheric slice of post-rock that is delectably infused with stunning reverberation & underscored with beautifully ambient textures that effortlessly build and surge into a raging cacophony of beautiful noise. God bless the power of the internet!

Recommended!

LINKS:

inlightof.bandcamp.com

twitter.com/inlightof_

facebook.com/InLightOfOfficial#


ALBUM REVIEW | Rise Of The Echo Drone - Chemically Altered

a0842208450_16ARTIST: Rise Of The Echo Drone

RELEASE: Chemically Altered

RELEASE DATE: September 28th 2016

RECORD COMPANY: Unsigned

Glasgow based experimental psych outfit ‘Rise Of The Echo Drone’ is a collaborative musical project created by Laura O’Brien and Helicon’s own Gary Hughes that features hypnotically charged psychedelic soundscapes gloriously filled with swathes of sequenced electronics, dub laden bass frequencies, motorik percussive patterns and intensely addictive instrumentation that effortlessly swirl through the sonic ether with reckless abandon. Their latest full length nine track album entitled ‘Chemically Altered’ was released back on September 28th 2016 and is available to buy/download right now from: riseoftheechodrone.bandcamp.com

‘Getting Higher’ menacingly ambles into earshot on rumbling bass frequencies and a repetitious percussive pattern coupled with sampled vocalisations and underlying synth swells. It’s mantra like vocal lines are enticing and they meld effortlessly with the swirling bleeps and whirls of the instrumentation. Up next, ‘Skull Grinder’ crawls and shudders as it makes landfall, building in intensity as the drum patterns rumble and shake, all the while circumnavigated by droning frequential noise, snaking lead guitar lines and haunting sampled vocals. The eastern esoteric vibes of ‘Chemically Possessed’ float into the ether on a blissful wave of tabla drums and electronic theatrics whilst ‘Drone And E’ does exactly as it says on the tin.

‘Walks Without Sound’ hovers as it unleashes sparse percussion and a plethora of impressive sampled vocals that collectively swirl through swathes of reverberation while ‘Chemically Altered’ rattles as it’s burgeoning synth swells sit atop a repetitious breakbeat, building in intensity as it works through a collection of woozy sequenced patterns. Up next, ‘Dying Escape Death’ is steeped in atmospherics as its dark synth lines and pounding drums usher in it’s unsettling repetitious vocal mantra. The albums penultimate track is a modern day psych monster. ‘Is He Sleeping’ undulates and builds in intensity as it enters into audible range. It’s driving bass frequencies lead the charge as the almost hallucinogenic vocal line rides a wave of impressive reverb and is brilliantly intertwined with searing guitar squall and enchanting lead licks.

The albums closing piece entitled ‘Insane People With Insane Minds’ swirls around a sampled speech by the infamous Mr.John Lennon. Subtly building as it meanders through layers of deranged synth swells, cascading piano progressions and droning instrumentation, ‘Insane People With Insane Minds’ is a fitting end to a brilliantly experimental slice of modern day electronic psych.

4/5

LINKS:

riseoftheechodrone.bandcamp.com

facebook.com/RiseOfTheEchoDrone/

ABOUT THE AUTHOR:

Del Chaney has spent the last four years not only fronting popular experimental Irish Electronic duo Analogue Wave but also dedicating his time to uncovering the best artists in the unsigned or small independent label based shoegaze, ethereal dream pop, post punk, post rock & modern psych rock from all over the globe & reviewing them for this blog - The Primal Music Blog. He is also a contributing writer for The Sound Of Confusion. His other arm - Primal Radio - has gained considerable respect from bands and promoters alike since its conception in 2013 & has hepled him in actively promoting a genre of music that he is passionate about. Hailing from Dublin, Ireland, he is a keen Vinyl Collector, Tattoo Fan & all round good guy! He is a self confessed music freak & is never far away from a studio console or a turntable.