ARTIST: This Other Kingdom
RELEASE DATE: 21st April 2017
RECORD COMPANY: Wrong Way Records
Dublin based neo-psych/garage powerhouse 'This Other Kingdom' have announced their latest full length release in the guise of their stunning ten track sophomore opus entitled 'Rêveur' penned in for release on April 21st 2017 via Wrong Way Records. 'This Other Kingdom' are made up of Del Kerton - vocals/keys, Declan Dunne - guitar/vocals & Git Sweeney - drums and they are no strangers to this modern day psych scene having previously supported some serious international heavy hitters like 'Holy Wave, The Cult of Dom Keller, TAU, Radar Men from the Moon & Yuck'. 'Rêveur' is available to pre-order right now on translucent orange vinyl with purple splatter, CD and download via wrongwayrecords.bandcamp.com
Rêveur by This Other Kingdom
On a wave of steadying percussion wrapped deliciously in throbbing bass lines and the constant strum of angry guitars ‘This Other Kingdom’ unleash the opening salvos of ‘Common Colours, Common Sounds’, track one on their brutish sophomore album. It undulates and heaves through layers of glorious reverb, oscillating brilliantly around that impressive vocal line as it weaves through sonic peaks and troughs with blistering aplomb. This is a stunning opening track. Up next, ‘Eye Do Eye’ shimmers as it enters into audible range held fast in an instantly addictive 60’s psych vibe sonically peppered at times by a harder swirl of driving garage psych. The instantly recognisable vocalisations of Del Kerton holds everything together here and keeps this listener focused as surging guitars & pulsating percussion meld effortlessly with throbbing bass frequencies and driving production.
‘Telescopic State Of Mind’ bounds into earshot tumbling through repetitious drum patterns and hypnotically charged lead lines as the constant hum of bass notes add atmosphere whilst ‘Comatosed’ impresses with it’s driving guitar signature and catchy organ hooks. ‘Chemikle’ shimmies into the ether on a cloud of golden hued eastern esoteric flair as it’s droning instrumentation and lumbering percussive attack lurch and wobble on wave after wave of tremulous reverberation. This track moves and undulates collectively as one huge monolithic chunk of sonic energy acting solely as a conduit for that impressive vocal line. Up next, ‘Rays For Days (When The Sun Did Shine)’ is a repetitious behemoth that leans heavily on the constant twang of mechanical guitar and shimmering (cymbal heavy) drum pattern whilst ‘Hellion’ is a driving sonic triumph and probably my favourite track on this entire release. It pulses menacingly on a stunning drum pattern as billowing instrumentation underscored by a stunning lead guitar line licks and harasses the vocal to within an inch of its life.
‘Réveur’ takes a welcoming mellow turn next as ‘Morning Skies’, it’s penultimate piece, enters the sonic arena slowly revolving in a haze of turbulent reverberation. Creeping percussion holds a steady beat here as Del Kerton’s haunting vocalisations keep a kind of fixed holding pattern in the eye of a billowing sonic storm. Up next, the cinematic ‘नई दिल्ली सात’ pulls some esoteric vibes back into play and melds them brilliantly with impressionistic neo-psychedelia to create a beautifully intense acid blotched instrumental sonic trip. The album closes with the atmospheric ‘Valley Of Nowhere’, a dark slab of modern tinged psych rock that builds and undulates on waves of fuzzed out guitars and explosive drum patterns that jostle and push it’s vocal boundaries until they howl and wail like a primordial animal on the hunt. A fitting ending to a rather interesting album.
ABOUT THE AUTHOR:
Del Chaney has spent the last four years dedicating his time to uncovering the best artists in the unsigned or small independent label based shoegaze, ethereal dream pop, post punk, post rock & modern psych rock from all over the globe & reviewing them for this blog - The Primal Music Blog. He is also a contributing writer for The Sound Of Confusion (Now On Hiatus). His other arm - Primal Radio - has gained considerable respect from bands and promoters alike since its conception in 2013 & has helped him in actively promoting a genre of music that he is passionate about. Hailing from Dublin, Ireland, he is a keen Vinyl Collector, Tattoo Fan & all round good guy! He is a self confessed music freak & is never far away from a studio console or a turntable.
by Primal Music
RELEASE DATE: 14th April 2017
RECORD COMPANY: Penske Recordings
Dublin based three piece 'Percolator' have been creating electronically charged experimental standards drenched in poly-rhythmic kraut rock connotations underscored with subtle flourishes of shoegaze, prog rock & resonating noise since 2012 with the bands core lineup of Ian Chestnutt - guitar/vocal, Eleanor Myler - drums/vocal & John Murphy - bass staying true to the project since its conception. They popped up on our radar back in 2013 with the immense 'Little Demon' EP (which we played tracks from religiously over on our sister radio station Primal Radio) and now they have returned with a staggering collection of eight tracks packaged as 'Sestra', released via Cork based independent record label Penske Recordings. The album is available to pre-order right now both digitally and on lovely vinyl over at percolator.bandcamp.com
Sestra by Percolator
Menacing feedback laden drones announce the opening salvos of 'Spúlmachine' and they swirl & arc into a punishing crescendo of malicious noise as repetitive percussion bounds into earshot underscored by dark malevolent bass frequencies. Pulsing sequenced electronics fizz and hiss as a waves of frequential noise wash over the piece, purposefully whipping the track into a sonic frenzy. 'Spúlmachine' is a mesmerising opening track. Up next, 'Squishy Future' resonates as it pulses into the ether on a turbulent wave of fuzzy electronically charged sonic frequencies. It twists and turns, gyrating through layers of driving percussion, warbling synth swells and throbbing bass progressions that collectively circumnavigate a stunning vocal line. The track builds and builds into raging cacophony of noise before petering out into diminishing fractious sound waves. 'Law & Order' swirls into earshot leaning heavily on experimental kraut rock as its monstrously good instrumentation grinds out a futuristic sonic behemoth filled with explosive drum patterns, angry feedback laden drones, atmospheric fret noise and noisy guitar progressions purposefully created to harbour those subdued dystopian hued vocalisations.
Driving metronomic percussion and swirling synthetic drones drag 'Kimchi' out into the open as melodic guitar progressions swing and arc, pulling menacing synth lines with them as they intertwine with brilliantly executed vocal lines and intermittent fuzzed out production theatrics. 'Kimchi' is absolutely sublime and possibly my favourite track on this entire release. Up next, 'Crab Supernova' shimmers as it breaks the surface and bounces along on a steadying beat and a warbling bass progression. Vivacious feedback laden guitar squall whips and harasses the track as a beautifully serine vocal line swerves in and out of tempestuous production. 'Yellow Fire' howls into the ether on the back of swirling golden reverberation. Shimmering vocal lines dance and skip along a lazy back beat as those tremulous guitar progressions build and sway through layers of hazy effects, sporadic whammy bar theatrics and undulating bass frequencies. 'Usen't we', the albums penultimate piece, crawls into earshot on a swirling synth line coupled with jangling guitars and repetitious drum patterns. It's duel vocal lines are marvellous here as they tip toe through layers of reverb with stunning aplomb. Sporadic tremulous guitar strums add atmosphere as 'Percolator' unleash their melodic shoegaze tendencies for all to hear, and in the process, they build this track step by step until it swerves through a magnificent wall of reverberating sound and on into its soaring finale. The album closes with the brilliant 'Binkle', a swirling tempestuous affair with screaming effects laden guitars and throbbing bass lines permeated by another impressive vocal performance that all collectively rides steadying drum pattern. Solid stuff and a fitting end to a marvellous album. For me, 'Percolator' have created one of the best Irish album's of the year so far in 'Sestra' and I wouldn't be surprised at all if it appears on many of the 2017's best of lists come year end.
Dublin based swirling neo-psych/garage psych aficionados 'This Other Kingdom' have unleashed a stunning brand new video to accompany the lead track entitled 'COMATOSED' from their highly anticipated twelve track sophomore opus 'Rêveur' penned in for release on April 21st via the ever brilliant 'Wrong Way Records'. 'This Other Kingdom' are made up of Del Kerton - vocals/keys, Declan Dunne - guitar/vocals & Git Sweeney - drums and they are no strangers to this modern day psych scene having previously supported some serious international heavy hitters like 'Holy Wave, The Cult of Dom Keller, TAU, Radar Men from the Moon & Yuck'.
The full album is to be released on 21st April 2017 on translucent orange vinyl with purple splatter, CD and download via Wrong Way Records. You can pre-order the album right now from wrongwayrecords.bandcamp.com
A launch party in Dublin and Manchester accompanies the release, with a full tour scheduled for May 2017.
ARTIST: Sun Mahshene
RELEASE: Drones That Don't Kill
RELEASE DATE: 31st December 2016
RECORD COMPANY: Deathcapades Music Ltd.
Dublin based experimental psych/noise collective 'Sun Mahshene' have been quietly busying themselves behind the scenes over the past two years creating intense soundscapes and manipulating sonic frequencies to do their bidding. They have just released their third EP entitled 'Drones That Don't Kill', their first since 2015's 'When The Bomb Drops' and it is absolutely magical. The band are made up of Nathan Henderson - guitars & vocals, Iain McGinn - guitars, Martin Fagan - bass & David Murray - drums & percussion and you can get your hands on the full EP to buy/download over at sunmahshene.bandcamp.com
Drones That Don't Kill by Sun Mahshene
The EP opens up swirling deftly in a droning whirlwind of noisy frequencies and explosive percussion. 'No Control' licks and undulates into a meandering supercharged beast, filled with driving percussion, throbbing baselines and melodious guitars that are overshadowed at times by immense arcing guitar drones that whip in and out of wailing vocalisations instilling a kind of hypnotic intensity over proceedings and thus keeping this listener very interested indeed. A bloody marvellous opening track. Up next the band wear their influences on their sleeves with 'Shine Your Light'. I can hear 'BJM, Warlocks and seminal UK stalwarts Spiritualized' echoing all over this piece. Brilliantly executed and packed full of fuzzy psychedelic imprints to soothe your soul after a festive period of overindulgence.
Up next is my favourite track on this entire release. 'The End' pulses into audible range held fast in a cacophony of noise as it's pounding drums and reverberating guitar frequencies envelope the instantly recognisable vocals courtesy of the brilliant Lydia Des Dolles (Daag Hur). This swirling behemoth moves and arcs through walls of frequential noise as it's hypnotic sonic incantations meld effortlessly with throbbing bass lines and explosive drum patterns to take you on an intensely malicious sonic journey. Utterly delectable and deeply psychedelic this track is worthy of your ears and is a recommendation from me.
The EP's penultimate piece is a noisy nonchalant affair. Just when you think 'Sun Mahshene' have hit the nail on the head musically they throw in a curve ball. 'You' swerves in and out of alt-rock territory at times as it's noisy guitar lines and steadying drums hold court throughout pulling the almost metronomic verse progressions into explosive chorus passages. Vocally it's faultless, but it's a bit too same-same for me. The closing piece on the EP is different story altogether. 'I Love You' is a stunning bonus addition to the release when you buy it from bandcamp. It's central spine is a throbbing repetitive baseline in the vein of 'Jesus And Mary Chain' with a wonderful vocal and noisy growling guitars all rattling collectively on a bedrock of shuddering percussion. A fitting end to an interesting EP. More of this please!
Del Chaney has spent the last four years not only fronting popular experimental Irish based electronic duo Analogue Wave but also dedicating his time to uncovering the best artists in the unsigned or small independent label based shoegaze, ethereal dream pop, post punk, post rock & modern psych rock from all over the globe & reviewing them for this blog - The Primal Music Blog. He is also a contributing writer for The Sound Of Confusion. His other arm - Primal Radio - has gained considerable respect from bands and promoters alike since its conception in 2013 & has helped him in actively promoting a genre of music that he is passionate about. Hailing from Dublin, Ireland, he is a keen Vinyl Collector, Tattoo Fan & all round good guy! He is a self confessed music freak & is never far away from a studio console or a turntable.
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With earlier releases from Princess more firmly in the shoegaze camp, the two tracks that make up this latest single see the Dublin duo trip the light fantastic into Stereolab territory. Black Window’s insistent and mathy guitar goes in satisfying circles. The scuzzed-up vocals and high-pitched feedback that plays at the edge of our hearing evokes 90s noise – that’s compounded when the whole thing erupts in fuzz and chaos. There is more than a soupçon of Laetitia Sadier evident as composure is regained towards the end.
On Sick Ties, vocal layers upon vocal to a reach velvety crescendo, before the bass and drums drives droning into a krautrock groove. Keening guitar breaks the spell and calls us back to somewhere much more clean and crystalline.
Aside from the Dublin connection and some sonic sympathies, Princess appear to share Kevin Shields’ love of the studio, suggesting their forthcoming album will be an ambitious affair.
Black Window is out now on CD and download at www.thatsoprincess.bandcamp.com
AUTHOR: Sarah Cuthbert-Kerr
There was an subtle air of anticipation in the Loft venue of Dublin's Grand Social as two of the hottest underground live acts today came together for one epic live experience. There's a well deserved buzz surrounding both bands with electro rockers Makings having recently accrued a distribution deal for their very impressive debut album 'Cognition' & Scottish shoegazers Wozniak on the verge of releasing their second EP and subsequently playing their debut gig in Ireland. The online threads were awash with talk of this gig and there was plenty of music bloggers in the venue on the night waiting anxiously to give their account of how this gig would go down live. These two bands may be on the opposite ends of the musical spectrum with where they sit in their respective genres but they are both equally immense live! This gig had been organised by the brilliant Pinkman PR & Management who I might add are a shining example of how to treat artists / music reviewers & gig goers alike. If there were a few more setups like these guys in the Irish music scene today we'd probably have the best live scene in Europe. Their attention to detail was second to none & its only fair that I mention them in this live review.
With both bands getting an equal share of stage time it was up to Wozniak to open the proceedings. In a haze of reverb laden brilliance the shimmering sounds of this Edinburgh based 4 piece awakened the docile Grand Social crowd with their full on shoegazing experience. Projected cinematic visuals, flashing strobe lights & the thundering opening track 'Columbo's Car' heralded the arrival of a musical behemoth! Simon & Sarah worked their magic on board's of effect pedals to create a psychedelic wall of sound while James hypnotised us with his addictive bass lines & the ever steadying qualities of drummer John Sinclair brought fire & brimstone to the eardrums of the waiting crowd.
The band brought new tracks with them to play tonight alongside their already amazing arsenal of musical soundscapes and these new compositions did not disappoint! Snow Effect, Wings Of Pegasus, Gospel of Infinity & Hester & Zelda are taken from the bands forthcoming & highly anticipated new EP entitled 'Auster' & they are absolutely huge live! Add into the mix Columbo's Car, Kreuzberg & El Maresme (from their debut EP Pikes Peak) & their ever brilliant latest single 'Five Star' and what we have is a band on the verge of something big! Wozniak are truly an immense live musical outfit. Im glad that everyone present tonight In The Grand Social got to experience this fact live and I hope we get to see them again on our shores soon.
Up next were local heroes Makings! With the crowd getting fidgety & the late arrivals pushing to get in to see the band they took to the stage. And after a guitar change we were ready to experience another band on the verge of something big! Makings have an enormous live sound. In fact, its the most complete sound that I think I've ever heard from an underground Irish band to date. Rick Burns ever present vocal is absolutely stunning as usual as they open up with 'Only Time'. Im constantly amazed at how good these guys are as musicians!
Each individual member of the band sings live (A rare occurrence on todays live circuit). Barry Shock & Rick Burn are a musical tour de force on guitars while Raul Marcos skips through his baselines with aplomb. Its in the engine room where this band fascinates me though. Paddy Reynolds on drums is as good a drummer as I have ever heard in Ireland. What he does throughout a Makings gig is nothing short of magical. His drum patterns are second to none and it adds to Makings immense overall sound. It's a well oiled machine with every member of the band knowing exactly where he should be at any given time. They never fail to blow me away with their overall sound & as front men go Rick Burn is ominous as he drags this band kicking and screaming to the ears of every single audience member. Their setlist tonight included tracks from their debut album 'Cognition' & some new tracks including Only Time, Dig, Man On Fire, 46a, The Wool Gatherer, iClone, Mythomania, (Editors note: My Favourite Track) - Heart Attack, Suffocate & Human Nature.
Ive said this before but Makings are a band on the rise. Their next live stop is a gig with Wozniak again but this time in Edinburgh. They have the complete package as far as Im concerned. Go and check out their debut album 'Cognition'. This is a sonic confession from a band who's sound is destined to play in stadiums ..........
Del Chaney - Dublin 2015.