ARTIST: Dead Sea Apes
RELEASE: Sixth Side Of The Pentagon
RELEASE DATE: 3rd April 2017
RECORD COMPANY: Sky Lantern Records & Cardinal Fuzz Records
Manchester based experimental psych aficionado's 'Dead Sea Apes' have returned with a brand new album entitled 'Sixth Side Of The Pentagon'. The band have been carving out their own rather special niche in a scene that strives on it's core principles of expansive and consciousness-altering guitar, bass and drum based compositions. 'Dead Sea Apes' have never easily fitted into a 'psychedelic scene' as such like so many of their contemporaries but have instead taken a different path to sonic enlightenment by experimenting with dub, electronic sequencing and mind altering reverberations that both thrill and hypnotise all at once. 'Sixth Side Of The Pentagon' is available to pre-order right now from skylanternrecords.bandcamp.com (US) or cardinalfuzz.bigcartel.com (UK) on standard weight black vinyl edition, 250 copies with full color printed inner sleeves & on CD.
Sixth Side of the Pentagon by Dead Sea Apes
Cavernous reverb peppered with echoing percussive delays swirl menacingly around the rise and fall of a repetitive bass line as ‘The Map Is Not The Territory’ kicks open the door to an atmospheric world of mesmerising (almost incantational) psychedelic dub. This track heaves effortlessly through moments of unrepentant experimentation as growling guitars ride soaring instrumental drones and deliriously off kilter drum patterns as its lead lines whip and harass the senses with wild sonic abandon. Up next, ‘Sixth Side Version I’ provides an atmospheric interlude before ‘Low Resolution’ staggers into earshot riding a resonating drone and slow moving bass line. Synth lines fizz as the tension builds and the track meanders through layers of reverberating lead guitar lines collectively battered by angry synchronised electronics. ‘Dead Sea Apes’ inject the twenty second long 'Sixth Side Version II' next, fitting another piece into the sonic jigsaw before unleashing the brilliant ‘Pale Anxiety’, my favourite track on the entire release. Slow moving drones swirl and loop around a snaking bass line as a repetitive percussive assault keeps a steady metronomic beat. The occasional delayed vocal line slips into earshot riding a turbulent processional wave of noisy reverb laden electronics, jittering effected guitar lines and the odd chopped brass sample that tumbles and dances through layers of echoing hypnotics.
‘Nerve Centre’ explodes into a cacophony of guitar stabs, intense ethereal vocal samples as wailing lead guitar lines and those off tempo drum patterns that collectively add billowing atmosphere. This track hangs suspended in the sonic ether, held fast in a whirlwind of undulating reverb and mind bending production. 'Sixth Side Version III' enters audible range and squeezes shuddering lo-fi instrumentation into a melting pot of spellbinding echoing delays whilst ‘Lo Res’ ambles into the ether tethered to a meandering bass line and it’s accompanying sequenced electronic theatrics. Glorious guitar progressions act like bedrock thus fixating this listener to their hypnotising sway whilst swirling bleeps and whirrs meld with immense production to bring us on a gratifying sonic adventure of immense proportions. The album twinkles and jitters in a golden hued haze before the opening salvos of ‘Tentacles (The Machine Rolls on)’ shatter the illusion and unfurl their sonic tendrils to intertwine brilliantly with a shuddering drum pattern, undulating bass progression and venomous lines of spoken word. Angry sequenced production gradually bubble up to the surface to circumnavigate the entire piece, draping it in resonating reverb laced snare hits and the constant gyrating throb of bass.
The album drags ‘Sixth Side Version IV’ out into the open to show us it’s final death throws before plying us with it’s closing soundscape. ‘Rectifier’ jangles and sways on a wave of fizzing synth, hypnotic bass and the repetitive pitter patter of steady metronomic percussion. Heady lead lines stream and glide in close proximity to those senses pummelling effected delays and the occasional stab of rhythm guitar as ‘Dead Sea Apes’ exhume every single morsel of hallucinogenic dub they can muster and fire it out into the sonic ether. A fitting end to a bloody marvellous album.
ABOUT THE AUTHOR:
Del Chaney has spent the last four years dedicating his time to uncovering the best artists in the unsigned or small independent label based shoegaze, ethereal dream pop, post punk, post rock & modern psych rock from all over the globe & reviewing them for this blog - The Primal Music Blog. He is also a contributing writer for The Sound Of Confusion (Now On Hiatus). His other arm - Primal Radio - has gained considerable respect from bands and promoters alike since its conception in 2013 & has helped him in actively promoting a genre of music that he is passionate about. Hailing from Dublin, Ireland, he is a keen Vinyl Collector, Tattoo Fan & all round good guy! He is a self confessed music freak & is never far away from a studio console or a turntable.
by Primal Music
ARTIST: Rise Of The Echo Drone
RELEASE: Chemically Altered
RELEASE DATE: September 28th 2016
RECORD COMPANY: Unsigned
Glasgow based experimental psych outfit ‘Rise Of The Echo Drone’ is a collaborative musical project created by Laura O’Brien and Helicon’s own Gary Hughes that features hypnotically charged psychedelic soundscapes gloriously filled with swathes of sequenced electronics, dub laden bass frequencies, motorik percussive patterns and intensely addictive instrumentation that effortlessly swirl through the sonic ether with reckless abandon. Their latest full length nine track album entitled ‘Chemically Altered’ was released back on September 28th 2016 and is available to buy/download right now from: riseoftheechodrone.bandcamp.com
Chemically Altered by Rise of the Echo Drone
‘Getting Higher’ menacingly ambles into earshot on rumbling bass frequencies and a repetitious percussive pattern coupled with sampled vocalisations and underlying synth swells. It’s mantra like vocal lines are enticing and they meld effortlessly with the swirling bleeps and whirls of the instrumentation. Up next, ‘Skull Grinder’ crawls and shudders as it makes landfall, building in intensity as the drum patterns rumble and shake, all the while circumnavigated by droning frequential noise, snaking lead guitar lines and haunting sampled vocals. The eastern esoteric vibes of ‘Chemically Possessed’ float into the ether on a blissful wave of tabla drums and electronic theatrics whilst ‘Drone And E’ does exactly as it says on the tin.
‘Walks Without Sound’ hovers as it unleashes sparse percussion and a plethora of impressive sampled vocals that collectively swirl through swathes of reverberation while ‘Chemically Altered’ rattles as it’s burgeoning synth swells sit atop a repetitious breakbeat, building in intensity as it works through a collection of woozy sequenced patterns. Up next, ‘Dying Escape Death’ is steeped in atmospherics as its dark synth lines and pounding drums usher in it’s unsettling repetitious vocal mantra. The albums penultimate track is a modern day psych monster. ‘Is He Sleeping’ undulates and builds in intensity as it enters into audible range. It’s driving bass frequencies lead the charge as the almost hallucinogenic vocal line rides a wave of impressive reverb and is brilliantly intertwined with searing guitar squall and enchanting lead licks.
The albums closing piece entitled ‘Insane People With Insane Minds’ swirls around a sampled speech by the infamous Mr.John Lennon. Subtly building as it meanders through layers of deranged synth swells, cascading piano progressions and droning instrumentation, ‘Insane People With Insane Minds’ is a fitting end to a brilliantly experimental slice of modern day electronic psych.
Del Chaney has spent the last four years not only fronting popular experimental Irish Electronic duo Analogue Wave but also dedicating his time to uncovering the best artists in the unsigned or small independent label based shoegaze, ethereal dream pop, post punk, post rock & modern psych rock from all over the globe & reviewing them for this blog - The Primal Music Blog. He is also a contributing writer for The Sound Of Confusion. His other arm - Primal Radio - has gained considerable respect from bands and promoters alike since its conception in 2013 & has hepled him in actively promoting a genre of music that he is passionate about. Hailing from Dublin, Ireland, he is a keen Vinyl Collector, Tattoo Fan & all round good guy! He is a self confessed music freak & is never far away from a studio console or a turntable.