ARTIST: Snakes Don't Belong In Alaska
RELEASE: Mountain Rituals
RELEASE DATE: 7th May 2016
RECORD COMPANY: Sky Lantern Records / Infinity Mirror Records
Finding a foothold in todays burgeoning psych rock circuit and then building on said foothold is something that very few bands can rationally seem to figure out. It's a veritable sonic minefield out there vehemently strewn with the broken shells of those bands who have tried and failed miserably due to a lack of positive sonic evolution. There are however, very slim margins of error to work around. A lot of juggling needs to happen to twist a collective sound into something completely new whilst trying to stay relevant and true to core beliefs. This modern scene (and what every band needs to survive in it) changes from week to week so you really need to have something different in your sonic arsenal to make you stand out from it's overpopulated crowd. Newcastle based experimental psych aficionados 'Snakes Don't Belong In Alaska' have achieved just that. After a fairly intense live regime allowing to them to make a name for themselves by hosting numerous international touring acts and putting out some limited but highly sought after self-releases under their own 'Infinity Mirror' imprint the band have unleashed their first widely available record in the guise of 'Mountain Rituals'. This album is infectious, it's a serious step up in terms of performance, aforementioned sonic evolution & overall song writing. It also destroys any preconceived ideas that we had about what this trio could conjure up musically. The album is thirty seven minutes ling and contains two massive tracks filled with immense passages of intensely experimental sonic exploration that skips menacingly through swathes of pummelling reverberation, howling vocalisations, heavy psych & droning kosmische. It's available to buy/download right now both digitally & on limited edition cassette with artwork by Isla Marie Haddow via snakesdontbeonginalaska.bandcamp.com
Mountain Rituals by Snakes Don't Belong In Alaska
Track one, 'Mountain Void' enters earshot by winding up its coiled innards and slowly building sonic momentum. It's held fast in acres of reverberation as a swirling lead guitar line undulates through plodding bass frequencies and sparse but metronomic percussive hits. The track builds menacingly and at times it whips itself into a frenzy of layered production trickery and wah wah led theatrics before unleashing a powerful psych induced blast of hypnotically charged sonic waves that pulse and envelope the senses, pulling the listener with them as they tumble into the dark rippling abyss and on out into the unknown. Wailing lead lines lick and torment the piece to within an inch of it's life as the band play out twenty one minutes plus of sublime psychedelic instrumentation peppered at times with awe inspiring moments of droning stoner & kosmische delight that lead us brilliantly into its frantically turbulent finale. Up next, the intimidating 'Mountain Mirror' creeps through layers of droning atmosphere as it's effected fret noise melds with hovering reverberations and the twang of resonating guitars. Howling vocalisations skulk into audible range mimicking the bend of guitar strings. Pulsating percussion shakes and shudders on a predestined track like some unseen stalking beast as those bass frequencies pulse and hover in close contact. 'Mountain Mirror' easily funnels you into its repetitive inner core as it ambles through massive waves of spacious reverb and expansive ambient hued psychedelic flavours, before sonically assaulting you with dark humming bass lines, tormenting guitar progressions and haunting shamanic like vocalisations that collectively drag the listener through trademark heavy stoner vibes.
ABOUT THE AUTHOR:
Del Chaney has spent the last four years dedicating his time to uncovering the best artists in the unsigned or small independent label based shoegaze, ethereal dream pop, post punk, post rock & modern psych rock from all over the globe & reviewing them for this blog - The Primal Music Blog. He is also a contributing writer for The Sound Of Confusion (Now On Hiatus). His other arm - Primal Radio - has gained considerable respect from bands and promoters alike since its conception in 2013 & has helped him in actively promoting a genre of music that he is passionate about. Hailing from Dublin, Ireland, he is a keen Vinyl Collector, Tattoo Fan & all round good guy! He is a self confessed music freak & is never far away from a studio console or a turntable.
by Primal Music
ARTIST: Moon Gravity
RELEASE DATE: 27th February 2107
RECORD COMPANY: Silber Records
The cool sounds of ice particles floating in the air has been captured in sonic form by Stockholm's 'Moon Gravity'. The three track release, Antarctica, glides in glacial beauty. It was officially released back on the 27th February via Silber Records and is available to buy/download right now from moongravity.bandcamp.com
Antarctica by Moon Gravity
Iridescent layers spiral round the eardrum in Nightfall. A faint drone ebbs and flows in Snowstorm, before sharp shards of guitar build into something substantial. A dusting of vocal adds to the atmosphere and it gets truly deep and dark when the bass kicks in. The cosmic rays of Purpling spread out into the wintry sky like the Northern Lights.
In her time, Sarah Cuthbert-Kerr has attended raves and rock clubs. She enjoys pedals, pizza and spy dramas. Sarah also plays guitar in Edinburgh-based noisemakers Wozniak and is co-founder of Morningside Young Team who put on gigs and put out records for discerning audiences who enjoy fuzz and confusion.
ARTIST: Dead Gurus
RELEASE: Acid Bench
RELEASE DATE: 17th February 2017
RECORD COMPANY: Wrong Way Records
Dark and foreboding, menacing and hypnotic, Minnesota based psych aficionados 'Dead Gurus' are no strangers to this modern underground psych scene. The band are made up of Jason Edmonds (Magic Castles), Bennett Johnson, Collin Gorman Weiland (Daughters of the Sun and Dreamweapon) & Ryan Garbes (Wet Hair) and what they collectively create is a no holds barred, deeply entrancing thrill ride through the darker side of the psychedelic spectrum. Their latest seven track opus entitled 'Acid Bench' is unleashed on February 17th 2017 via the exciting UK based independent record label 'Wrong Way Records' with pre-orders now available both digitally and on limited edition white with black haze vinyl via wrongwayrecords.bandcamp.com
ACID BENCH by Dead Gurus
'Acid Bench' opens in a feral haze of tape hiss, feedback and raging guitar squall as 'Vibrations' kick starts it's inner engine and winds up its hypnotically charged instrumentation into a blazing cyclonic whirlwind of intense noise. Repetitious drones coupled with squealing lead guitar lines lick and whip the entire piece to within an inch of its life as those stomping drum patterns act as a metronomic kind of timekeeper. It's monotone vocalisations add intense atmosphere as we're dragged on a fuzz laden voyage of psychedelic discovery. Up next, 'Mistress X' pulses on a wave of reverberating guitars, throbbing bass frequencies and pounding drums as it's highly addictive vocal lines weave an enticing sonic web, luring it's listeners into a turbulent inner core before unleashing a torrent of fuzz, phasing guitars and a full on sonic storm of wailing noise. 'Serpent Fire' is an undulating sonic behemoth filled with throbbing bass lines, unrelenting guitars & a repetitious percussive attack whilst 'Celestial Fuzz' cleanses the soul with it's melody driven opening bars before unleashing a full on mind bending torrent of menacing psych rock that swirls around it's mantra like vocalisations with blistering aplomb. 'Celestial Fuzz' is a cyclonic beast that twists and turns through many different sonic permutations. It's a bruising white knuckle ride that heaves and pulses intermittent reverberations out into the ether on waves of hypnotically charged incantations that will leave you wanting more. Definitely my favourite track on this entire release, 'Celestial Fuzz' is a modern day psych rock triumph and a serious recommendation from me.
Up next, 'Song For Saraswati' swirls into audible range on blissful waves of peaceful instrumentation, draped in swathes of eastern esoteric flair, mysticism and droning vocalisations. These opening bars however lead us all into a false sense of security as 'Dead Gurus' unleash a churning sea of frequential noise, filled with unrelenting repetitious instrumentation and mantra like vocalisations that collectively form a heady invocation of mind altering, mescaline fuelled brilliance. Do yourselves a favour and pop on some headphones, sit back and let 'Song For Saraswati' seep into your inner psyche. You will thank me for the tip afterwards. The albums penultimate piece is dark and cyclical. 'Starlight Sisters' takes no prisoners, there's absolutely nowhere to hide from this turbulent brute. Steeped in heavy bass patterns and raging guitars it swings menacingly on a bedrock of metronomic percussion building in intensity as it meanders through the ether cutting a deep furrow through proceedings just to allow those entrancing vocal lines to sit comfortably somewhere whilst all around them wields a sonic war of attrition. 'Dead Gurus' keep the longest track on the entire album to close out with. Coming in at a whopping eight minutes plus 'Black Silk' uses punishing instrumentation to circumnavigate those intense vocal lines. Explosive percussion and repetitious bass frequencies tie the piece to terra firma as all around them pulses and undulates into a wild sonic beast that surges wave after wave of punishing vibrations out into the ether. 'Black Silk' is powerfully addictive and it closes out what will surly be one of the best releases of 2017 come years end!
Del Chaney has spent the last five years dedicating his time to uncovering the best artists in the unsigned or small independent label based shoegaze, ethereal dream pop, post punk, post rock & modern psych rock from all over the globe & reviewing them for this blog - The Primal Music Blog. He is also a contributing writer for The Sound Of Confusion (Now On Hiatus). His other arm - Primal Radio - has gained considerable respect from bands and promoters alike since its conception in 2013 & has helped him in actively promoting a genre of music that he is passionate about. Hailing from Dublin, Ireland, he is a keen Vinyl Collector, Tattoo Fan & all round good guy! He is a self confessed music freak & is never far away from a studio console or a turntable.