RELEASE: Sooner EP
RELEASE DATE: TBA
RECORD COMPANY: Unsigned
Brooklyn based alt-shoegaze quartet 'Sooner' have announced their debut self-titled EP to the masses over on their bandcamp page. Their sound hovers somewhere between hazy shoegaze & driving alt-rock with a splattering of beautifully intense dream pop courtesy of it's stunning vocalisations. The band are made up of Federica Tassano - vocals, John Farris - guitar, Tom Wolfson - drums, Ehren Brenner - bass and although the EP isn't available to buy/download just yet there are tracks available to listen to over at soonermusic.bandcamp.com
Full EP out soon by Sooner
Jangling guitars drenched in shimmering reverberation announce the opening salvos of ‘Evil To Me’, track one on this impressive release from Brooklyn based alt-shoegaze quartet ‘Sooner’. The arrival of cascading bass frequencies hugging lazy percussion add depth as beautifully melodic vocalisations courtesy of Federica Tassano float into the ether and cling effortlessly to the collective instrumentation. ‘Sooner’ inject soaring hooks into their chorus progressions that catch this listener off guard as they sweep me up before floating away into gloriously hazy sound waves. Up next, ‘Shadower’ begins in a haze of swooning guitars before exploding into a blissful conduit for another impressive vocal performance. This track meanders through it’s verse parts with ease before unleashing a stunning chorus progression that drives into the atmosphere held fast in a cyclical ball of golden instrumentation that deftly circumnavigates that beautifully intense vocal.
‘Juniper’ is beautiful in it’s simplicity with its stripped back acoustics allowing the vocals to take centre stage, underscored by subtle droning lead lines that meld effortlessly with the twang of acoustic guitar whilst ‘About The Blue’, the EP’s penultimate piece, has shimmering dream pop tendencies intertwined at times with fuzzy summery vibes and intermittent layered shoegaze highs. The EP closes out with ‘Dust’ and it begins with a blissed out jangling guitar progression riding a busy drum pattern that’s underpinned by reverberating swells of hazy production and throbbing bass frequencies. Lead guitar lines whip up a frenzy at times as the track changes tempo but its the collective instrumentation as a whole that acts like a sonic chariot purposefully created to carry those blissed out melodically charged vocal lines. A great ending to a rather interesting EP.
ABOUT THE AUTHOR:
Del Chaney has spent the last four years dedicating his time to uncovering the best artists in the unsigned or small independent label based shoegaze, ethereal dream pop, post punk, post rock & modern psych rock from all over the globe & reviewing them for this blog - The Primal Music Blog. He is also a contributing writer for The Sound Of Confusion (Now On Hiatus). His other arm - Primal Radio - has gained considerable respect from bands and promoters alike since its conception in 2013 & has helped him in actively promoting a genre of music that he is passionate about. Hailing from Dublin, Ireland, he is a keen Vinyl Collector, Tattoo Fan & all round good guy! He is a self confessed music freak & is never far away from a studio console or a turntable.
by Primal Music
RELEASE DATE: 14th December 2016
RECORD COMPANY: Lavender Sweep Records
I am riding a wave of nostalgia – it’s 1994 day on 6 Music and impossible not to think back with fondness. So when I open the email from the esteemed editor and find that it’s a re-release of a lost EP from 1993, the timing could not be better. According to their Bandcamp page, Ozean formed in California in the early 90s after a flyer was handed out at a shoegaze show. They soon recorded their first demos on a Fostex Model 80, straight to tape. No unlimited takes in those days, and definitely no plug-ins! They made some cassette tapes, and split soon after.
Ozean by Ozean
Twenty-odd years on, those original recordings have been uncovered, and thanks to the wonder of the internet, Ozean’s dreaminess is making it out to a whole new audience. The timing is good – the shoegaze resurgence is well underway, with many of the genre’s big-hitters releasing new music this year. Ozean’s self-titled three track demo is a perfect parcel of the loveliness you’d expect of a band formed after a Ride and Lush gig. The fluttering guitars and wistful vocals transport the listener, overwhelmed and sentimental, back to those heady days. As well as their stated influences, I can hear The Sundays in Scenic. Fall floats like a feather, with flanged bass anchoring those big guitars. The closing track Porcelain drifts with no particular place to go. Ah, the possibilities.......
The EP was re-released via Lavender Sweep Records over in Wales on a limited edition c30 which has already sold out but you can get your hands on it digitally via the bands own bandcamp page: ozean.bandcamp.com
In her time, Sarah Cuthbert-Kerr has attended raves and rock clubs. She enjoys pedals, pizza and spy dramas. Sarah also plays guitar in Edinburgh-based noisemakers Wozniak and is co-founder of Morningside Young Team who put on gigs and put out records for discerning audiences who enjoy fuzz and confusion.
ARTIST: Fawns Of Love
RELEASE: Who Cares About Tomorrow
RELEASE DATE: 3rd March 2017
Californian based husband and wife team of Jenny & Joseph Andreotti aka 'Fawns Of Love' have released a mesmerising debut eight track album in the guise of 'Who Cares About Tomorrow', a blissful thrill ride through layers of dreamy lo-fi shoegaze laden dream pop that on first listen harks back to genre pioneers such as Cocteau Twins & Slowdive but with the occasional nod to MBV & Jesus And Mary Chain. 'Who Cares About Tomorrow' is out now and is available to buy/download via fawnsoflove.bandcamp.com
Who Cares About Tomorrow by FAWNS OF LOVE
In a haze of blissful reverberation and swirling sonic frequencies ‘Silly Boy’ swoons into the ether held fast within a whirlwind of tremulous guitars and repetitive sequenced percussion. Add into the mix the dreamy vocalisations of Jenny Andreotti and what we have is a shimmering wall of translucent dream pop underscored by a flurry of shoegaze impressions, impressive instrumentation and some fantastic production. Up next, ‘Thats What We Do’ sparks my fascination with it’s cascading bass lines, layers of synth & soaring reverb drenched guitars. The metronomic thud of distant sequenced electronics keeps this listener focused as the whole piece acts like a sonic conduit for those effortless vocalisations.
‘His Face’ soars into earshot tumbling cyclonically in a whirring ball of shimmering reverb and subtle synth swells whilst ‘How We Live’ echoes Disintegration era Cure melded with a splattering of the fantastic Cocteau Twins. ‘Names Names Names’ tumbles into audible range tangled up in a turbulent wave of percussion before unfurling it’s sonic tendrils and unleashing a beautiful array of hazy synth swells, throbbing bass frequencies, repetitive percussion and soaring guitars that collectively circumnavigate those fragile vocals with ease. The arrival of sequenced electronics seems to breathe some new life into the piece but ultimately it’s the transfixing almost ethereal like vocalisations of Jenny Andreotti that steal the show.
Up next, ‘Miranda’ shimmers and gyrates as it floats into the ether coupled with blissful instrumentation, haunting vocalisations and those brilliantly executed lead guitar lines whilst the albums penultimate piece billows and spirals through swathes of dark atmosphere. ‘Girls’ hovers in an undulating cloud of electronic percussion, jangling guitars and subtle synth swells as it ripples layer after layer of stunning reverberation out into the ether, gently protecting those ethereal vocalisations with aplomb. ‘Girls’ is a marvellous track and probably my favourite on the entire album. ‘Who Cares About Tomorrow’ closes out with ‘Scattered Pieces’. A melancholic affair that tumbles through soaring synth swells, repetitive electronic percussion and resonating guitar progressions that collectively envelope another impressive vocal. It’s a fitting end to a rather interesting debut album.
RELEASE: Venn EP
RELEASE DATE: 22nd February 2017
Washington based noisy shoegaze quartet 'Venn' have unleashed their debut four track self-titled EP to the masses via their bandcamp page. Its taken the band almost two years to perfect a sound that fits into what they love about shoegaze & dream pop and it's not hard to hear their many influences streaming through their core ascetic. The band are made up of Jon Fetahaj, Gabe Earle, Julian Earle & Holden Cihelka and you can buy/download their debut EP right now via: venn-dc.bandcamp.com
Venn EP by Venn
The EP opens up with it's lead single, the brilliantly executed 'Surreal'. This Track is mesmerisingly explosive, full on and it takes no prisoners as it soars into the ether on wings of sublime reverberation and punchy instrumentation. It's fragile vocals swirl and undulate on a bedrock of humming bass frequencies and shimmering guitar lines as it's percussive swagger explodes into glorious sonic shards. Up next 'Weekday' trembles into earshot on a thunderous drum pattern, shuddering baseline and soaring guitars as the track loops and arcs all over the sonic canvass dragging with it those sublime vocalisations. Collectively the bands sound on this track tumbles into the ether draped in shimmering swathes of reverberation and fuzzy guitar squall leaving sonic trails of dreamy fuzzed out bliss in it's wake. The EP's penultimate track entitled 'Maybe I'm A Liar' enters earshot swirling in a kind of semi ambient haze that is supplemented with metronomic percussive theatrics and brilliant production before a massive guitar line wakes up this sleeping sonic giant, drags it by the scruff of the neck and dumps it into a massive pool of silver hued reverb. It is jammed full of absent minded melancholy that comes across superbly in its sublime vocalisations that seem to slot into the instrumental maelstrom with relative ease. 'Maybe I'm A Liar' is a beautiful slice of modern day dream pop deftly infused with layer after layer of hazy shoegaze and it's probably my favourite track on this entire release.
If there was ever a modern track out there today that harks back brilliantly to those early nineties shoegaze pioneers it has to be the closing piece on this EP. 'Someone Else' bounds into the sonic arena on a huge pulsating drum pattern guided by soaring lead guitars and intense production. It's throbbing bass frequencies hold court diligently keeping everything together and acting like a kind of sonic glue. The track meanders through huge walls of layered sound only falling back on itself as the verse vocals arrive instilling a serine calmness in the process. It then builds menacingly into a raging torrent of glorious noise, twisting and turning through clouds of pulsating reverberation before fading out into finality leaving this listener in no doubt whatsoever that 'Venn' are the real deal .... and this is blissful music!
Munchausen by Tall Pines
Brisbane based grungy shoegaze trio 'Tall Pines' have unleashed a brand new single entitled 'Munchausen', the follow up to their very impressive 2016 debut single release 'The Day Is Gone'. The bands sound skips gracefully between quiet melodic passages & dark heavy swathes of reverberating doom dragging a plethora of music genres with it as it meanders through sonic peaks and troughs at will! 'Munchausen' is available to buy/download right now with two b-sides from: tallpines1.bandcamp.com
'Munchausen' opens up swirling deftly in a flurry of dream pop inspired vocal tones and sequenced percussive patterns as it's noisy guitars are toned back to a sullen hook laden growl. The track floats effortlessly along its predestined route but there's an undercurrent of dark malice lingering around those beautiful vocal tones that interests me the most! It's not long before the track shakes loose it's dream pop hue and explodes into a maelstrom of thunderous drums, throbbing bass frequencies and angry reverberating guitar noise thus underling just how good 'Tall Pines' actually are.
Pacific by Laedj
Melbourne based noisy shoegaze quartet 'Laedj.' have unleashed their debut single entitled 'Pacific' lifted off their forthcoming debut EP penned in for release over the coming months. The band include members of other Melbourne based bands such as 'Inventions, Yachtburner, Breve, Singing For Humans' & 'Hotel on Mayfair' and their sound is distinctly fuzzy with shimmering shoegaze connotations underscored at times by soaring dream pop flair. 'Pacific' is available to buy/download right now from laedj.bandcamp.com
'Pacific' shimmers into earshot on a wave of jangling guitars swimming in blissed out reverberation. It's percussive swagger is slow and ambling as it metronomically keeps time circumnavigated by throbbing bass frequencies and beautifully intense vocalisations. Explosive through it's chorus progressions and peppered here and there with subtle psych rock tones 'Laedj.' are a very interesting prospect indeed.
Surreal (Single) by Venn
Washington based noisy shoegaze quartet 'Venn' have unleashed a marvellous new track entitled 'Surreal' lifted off their forthcoming debut EP penned in for release later in the year. Its taken the band almost two years to perfect a sound that fits into what they love about shoegaze & dream pop and we think this new single is absolutely sublime! The band are made up of Jon Fetahaj, Gabe Earle, Julian Earle & Holden Cihelka and you can buy/download this new single right now via: venn-dc.bandcamp.com
'Surreal' is mesmerisingly explosive! It's full on and it takes no prisoners as it soars into the ether on wings of sublime reverberation and punchy instrumentation. It's fragile vocals swirl and undulate on a bedrock of humming bass frequencies and shimmering guitar lines as it's percussive swagger explodes into glorious sonic shards. Absolutely stunning and definitely ones to watch throughout 2017.
RELEASE: The Rolling , Driftless North
RELEASE DATE: 27th January 2017
'Vansire' are a Minnesota based lo-fi/dream pop duo who create sonic compositions that flow effortlessly through clouds of jangling reverberation that is underscored at times by periods of cinematic like atmosphere coupled with streaks of subtle psychedelic flair. 'The Rolling, Driftless North' is the bands first full outing since the release of their debut album 'Reflections And Reveries' back in August 2016 and it was written and recorded over a month-long period between the end of 2016 and beginning of 2017 by Josh Augustin and Sam Winemiller with Isaac Winemiller (Sam's younger brother) occasionally filling in on bass. It's available right now to buy/download from vansire.bandcamp.com
The Rolling, Driftless North by Vansire
The EP opens up swimming in a sea of cinematic atmosphere as it's intro 'Reflection No. 2 - A Treatise On Being' enters into earshot. It's not long before a jangling guitar progression and an instantly recognisable vocal courtesy of Josh Augustin arrives draped deliciously in a cloud of glorious reverb. 'Vansire' show their psychedelic tendencies here too as a warbling repetitive synth drone takes over and leads us brilliantly into the serine tones of track two - 'Eleven Weeks'. Rocking gently on a bed of percussion, beautifully intense guitars and underscored by the constant hum of organ and synth swells, 'Eleven Weeks' swirls gracefully around melancholically induced vocalisations and sequenced electronic theatrics. Deftly executed and blissfuly serine 'Eleven Weeks' evokes warm fires in winter and lazy, snowy days.
Up next, 'Pale Blue' injects tempo into proceedings as it's charging lead lines align themselves brilliantly to a driving percussive swagger and subtle bass frequencies. The addition of sublime vocals and swathes of impressive reverberation coupled with the occasional synth swell bolsters the overall sound from a lo-fi bedroom composition to that of a full on modern day dream pop standard. The EP's penultimate tack entitled 'Driftless' floats into earshot spinning repetitively in a cloud of tremulous guitars, cascading bass frequencies and sparse percussion as the almost ethereal like vocalisations of Josh Augustin pulse through wave after wave of stunning sonic production. This track is probably my favourite on the entire release if I'm honest as I love the way it breaks down half way through into simple instrumental progressions that are deftly enveloped by the all encompassing vocalisations. Simply breathtaking.
The EP's closing piece is beautifully written. 'Four Portraits' hangs on a jangling guitar line, a slow ambling percussion track and another excellent vocal as it meanders through sonic peaks and troughs, occasionally joined by a simple guitar strum, a haunting organ swell or the plink/plonk of a keyboard stab. This track keeps you transfixed on it's waves of metronomic reverb before completely throwing you off course during the break, twisting things up until it sounds like two separate tracks only to eventually return to its chosen trajectory just to lead you into it's serine finale. A fitting end to a rather interesting EP.
ARTIST: SPC ECO
RELEASE: Under My Skin
RELEASE DATE: 10th February 2017
From the mind of CURVE genius Dean Garcia comes the ridiculously good, cold air beauty of SPC ECO; a duo consisting of Garcia and his daughter Rose Berlin, who are set to release the mesmerizing, slow yearning five track EP 'Under My Skin'. It’s honestly an EP I wasn’t exactly bending over backwards to hear as I wasn’t a huge fan of Garcia’s previous collaboration S T F U. But I revoke such reservations to conclude that 'Under My Skin' is in fact a 5/5 EP. It’s choir/orchestral like moods combined with the slow daze of trip hop and a touch of dark wave, helped along by the trance inducing-beauty of Berlin’s vocals make it a slow moving, heavy classic; showcasing the genius of Garcia’s as a producer and acclaimed multi-instrumentalist.
Under My Skin EP by SPC ECO
'Under My Skin' opens with the moving title track that establishes the sound of the project. Built around a slow dream pop inspired keyboard line and the utterly brilliant vocals of Berlin, the song moves into a sweeping orchestral key and remains heavy and drowned for the tracks entirety. The lyrics aren’t anything substantial, but coupled with the music, they make fantastic and meditative tones for the listener. ‘Meteor’ is the duos greatest streak at trip hop; the song builds around a similar group of sounds as the opener, albeit slightly more upbeat, though this time said sounds are reinforced by the slow hits of a drum machine, programmed slowly and swinging in time with the music and the soundscapes within the song. ‘Meteor’ sounds less cinematic than the opener, switching out the orchestra swell for a more synthetic sound; which does wonders for the song.
This beat/darkwave style of synthetic/programmed sound continues on 'Creep In The Shadows' which is perhaps the least significant track on the EP. That’s not to say, however, it doesn’t have its positives; the synthetic notion of the music is enhanced to include a neat reverbed bottle rattling sound in the background of the drum pattern that sits comfortably behind a confusingly auto-tuned/vocal FX enhanced Rose Berlin. And that’s exactly why I feel this track to be less significant than the others; because it is perhaps a little too comfortable. Thankfully Garcia and Berlin turn things in a different direction with the deep electronic track ‘Let It Be Always’; a song that revisits the projects earlier tinkering’s with dream pop but abstracts it using neat and intelligent experimental production techniques.
‘Found’ is the most meditative, dreamy and soothing song upon 'Under My Skin'. It’s truly beautiful stuff; slow and spacey, echoed and hovering vocals hang over the mix. The instrumentation and production turns minimalist while the lyrics suggest of gentle contemplation, of discussion and speech between Berlin and somebody or something that has lost its way. It’s a song about light that doesn’t actually hold much light within itself; ‘When you get lost and found/ And when you get lost for a noun/ Like I lead you there/I will lead you there’ sings Berlin, as she offers a kind of shimmering light to counteract the darkwave undertones of 'Under My Skin'. It’s intro and outro are as slight as each other, and when Berlin's vocals sway away, it’s as if the listeners been gently touched by the singers voice. A truly fantastic song.
Apparently 'SPC ECO' have had the title track featured on MTV’s popular show Teen Wolf, a show that I don’t watch. The main thing that I can deduce, however, from that decision is that for the most part the producers must have very good taste. So good of a taste in fact that I applaud them for featuring it on their show and hope that from doing so, more viewers and listeners out there go out searching for 'SPC ECO'. They definitely deserve it. For this EP deserves recognition; whether it’s for the stellar and professional production, the sweeping instrumentation, the stellar arrangements and instrumentation or if it’s for the breathtaking talent and stature of Rose Berlin’s vocal deliveries. After a few listens of the EP I can say that the father/daughter combination of music and vocals/instruments and lyrics is a 5/5 collaboration that highlights everything creative and interesting about dream pop, trip hop and a genre I generally don’t listen to much of - darkwave! This collaboration puts their strengths forward and creates an engaging and musing piece of music, achieved through top notch production, performance and sound.
Cam Phillips is a writer and above all, a music lover, who seeks to gain experience through writing and listening. He is also an avid film viewer and art and literature junkie who enjoys creative writing. His most recent published work was featured on the Australian heavy music blog, I Probably Hate Your Band.
Fix Myself by Todavía
LA based multi instrumentalist Rhyan Riesgo aka Todavía typifies why this modern era dream pop/shoegaze scene has dumfounded the critics and lasted as long as it has. She plays all the instruments - (keyboard, guitar, drum triggers, vocals), records, produces, mixes, masters and releases her music from a little bedroom just outside Los Angeles without any label or PR support whatsoever. Her sound swoons effortlessly in a dreamy translucent haze filled with sequenced electronic percussion peppered by hushed synth swells, swirling guitars and shimmering reverberation that all circumnavigates that impressive vocal tone. Her latest single entitled 'Fix Myself' is lifted off the forthcoming full length album 'Shyness', penned in for release later this year and we think it's absolutely gorgeous.
'Fix Myself' ia available to buy/download right now from todaviamusic.bandcamp.com