ARTIST: Great Black Night
RELEASE: Lift Those Hands
RELEASE DATE: 4th October 2016
RECORD COMPANY: Unsigned
Back in 2015 we championed a band who had created a wonderfully melancholic three track release called 'The Smoke Is Rising'. Back then we heard a plethora of beautifully entrancing sounds lifted from a shed full of music genres including shoegaze, alt-rock, post-punk and dream-pop emanating from every single note that was played by this impressive Michigan based collective of artists. 'Great Black Night' push sonic buttons that not many bands can do in this modern day overly saturated underground music scene. The band are made up of Steve D - guitar & vocals, Matthew Eastman - drums & piano, Angel Hayden - vocals, Anne LaGrand - cello, Patrick Schaafsma - violin and Andy Stob - bass and their latest six track masterpiece entitled 'Lift Those Hands' has completely floored us all over again.
Lift Those Hands by great black night
'Lift Those Hands' opens up with the sonically sublime 'Do What You Were Born To Do'. Impressive fuzzed out guitars underscored by steadying percussion, throbbing bass frequencies and impressive hooks create an incredible bedrock that holds up a stunning duel vocal attack. 'Do What You Were Born To Do' floats effortlessly on a wave of reverberation as it meanders through its chosen sonic course. Up next, 'Stalker' open with a traditionally sounding post-punk bass line thats brilliantly intertwined with that (always impressive) 'Great Black Night' string section. We’re then introduced to a wall of reverb laden guitars, thundering drums & throbbing basslines caressing another brilliant vocal arrangement. Track three floats into the musical arena on soaring lead guitar lines and hi-hat heavy percussion. It's 'Pixies' esq baseline holds court as Steve D unleashes a vocal line that even 'Echo And The Bunnymen' would be proud of. 'Whisper' is absolutely stunning from start to finish.
'Spit You Out' drones into earshot on a melody driven baseline that builds intensely circumnavigated by a undulating lead guitar progression. Vocally reminiscent at times to early 'Verve' crossed musically with 90's rockers 'Pearl Jam', 'Spit You Out' grabs you from the off and deftly spins you around in circles before unleashing a blistering wall of reverberation that seems to compliment that duel vocal immensely. The EP's penultimate piece is a joyous affair filled with expertly exercised musicianship. The EP's self-titled track menacingly undulates on a lazy drum pattern coupled with the constant throb of bass frequencies and a totally immersive duel vocal that sucks you into the track and focuses its attention on only you the listener, regardless of whats going on around it. It's seriously stunning and worthy of your ears. The EP's closing track entitled 'We're All Beautiful' is a sonic call to arms. Driving instrumentation and those totally recognisable vocal tones introduces you to just what 'Great Black Night' can unload musically. Totally explosive and immensely impressive, 'Great Black Night' can do absolutely nothing wrong.
'Lift Those Hands' is available to buy/download right now from gbnlovesyou.bandcamp.com
ABOUT THE AUTHOR:
Del Chaney has spent the last four years not only fronting popular experimental Irish based electronic duo Analogue Wave but also dedicating his time to uncovering the best artists in the unsigned or small independent label based shoegaze, ethereal dream pop, post punk, post rock & modern psych rock from all over the globe & reviewing them for this blog - The Primal Music Blog. He is also a contributing writer for The Sound Of Confusion. His other arm - Primal Radio - has gained considerable respect from bands and promoters alike since its conception in 2013 & has helped him in actively promoting a genre of music that he is passionate about. Hailing from Dublin, Ireland, he is a keen Vinyl Collector, Tattoo Fan & all round good guy! He is a self confessed music freak & is never far away from a studio console or a turntable.
by Primal Music
ARTIST: Belle Mare
RELEASE: Heaven Forget
RELEASE DATE: 30th September 2016
Brooklyn dream poppers Belle Mare have recently self-released their confident and really wonderful debut album Heaven Forget. They inhabit the same dreamy electronic spaces as bands like New Order, The Cure, and Cocteau Twins, to name just a few.
Heaven Forget by Belle Mare
Opening track 'Georgia' uses moody synth along with Amelia Bushell’s reverb speckled vocals to great effect. Imagine if The Cure had a female singer and you are only getting started. The follow up tune 'Cicada' is extended and gorgeous, containing equal parts Beach House and Radiohead in its soaring textures. Just lovely! 'Every Night' is conversational and intimate, with a bright, jazzy buzz to propel it along. 'How Much Longer' proudly trots out its New Order influence, with synths and metronomic percussion front and center. Amelia’s voice floats over it all like a skein of silk, through which you can view the wonders of the world.
'Dark of My Evening' is entrancing with warm washes of organ that slowly builds in intensity. It is stuffed full of catchy riffs and Amelia sounds particularly fine here. 'Ghostly' is another stunner, and all sonic elements mesh together effortlessly. Amelia’s ethereal vocals are woven into the melodic fabric, and it all works in perfect synchronicity. 'Rehearsed Lines' runs along the same introspective, melancholy lines as Lotte Kestner, while 'All This Time' dials up the energy a bit and bursts through your head in trippy bursts of color. Amelia hums on parts of this, and it’s a fun trip. 'Feel You Against My Heart' dwells in darker spaces populated with chilly synths, only alleviated slightly by Amelia’s airy vocals. 'In the Fall' is the lengthy coda to this bright, elegant, and beautiful record. Recommended for anyone who enjoys savory dream pop with touches of psych and even jazz to sweeten the pot.
'Heaven Forget' is available to buy/download right now from: bellemare.bandcamp.com
Music has always been a driving force for Elizabeth Klisiewicz, which she days "continues to define my existence". At present, she writes for The Big Takeover Magazine and The Active Listener Blog, and when not writing technical manuals, she gets her thrills from reading mysteries, birdwatching, and can always be found with a camera and a maxed-out storage card full of music.
RELEASE DATE: November 25th 2016
RECORD COMPANY: These Are Not Records
Connecticut based experimental shoegaze/lo-fi four piece 'Landing' are no strangers to the underground music scene having no less than nine previous releases under their belts. The latest addition to that stunning collection is 'Complekt', their 10th release to date and a continuation to their no-nonsense, genre-defining attitude of creating blissful sonic soundscapes that are filled with hazy shoegaze highs and jaw dropping ethereal vocalisations coupled with experimental twists and lashings of glorious reverberation. The band are made up of three longtime members; Adrienne Snow - vocals, Aaron Snow - guitar/synth/bass/drums/vocals, Daron Gardner - bass & John Miller - drums/guitar/synth and you can pre-order the full album on various formats right now from: landing.bandcamp.com
Complekt by Landing
In a beautifully translucent instrumental drone ‘Complekt’ unfurls its effortless sonic tendrils to announce the arrival of it’s opening salvo - 'Light'. It pulses into earshot on a wave of quivering guitars and deliciously ambient swirls before it’s blissfully ethereal vocalisations sweep past you, held fast in swathes of immense reverberation. Up next, ‘Complekt’ swirls repetitiously before exploding into a driving cacophony of thunderous percussion, throbbing bass frequencies and a maelstrom of layered reverberating guitars. The vocal lines cut an ethereal wedge through proceedings, bringing a sort of serine clarity whilst all around them wage a sonic war of attrition. A stunning track that you must listen to via headphones to experience its full sonic onslaught.
‘Weft’ jangles into ear shot on an undulating bed of instrumental promise, sequenced synth theatrics and a shaking percussive pattern as it’s brilliantly executed guitar lines languish deep within swathes of luscious reverb, whilst the monumental ‘Shifts’ menacingly emerges from beneath an angry instrumental drone accompanied by hypnotic shakers and massive walls of ethereal noise. ‘Shifts’ undulates as its beautiful vocals swerve through cascading synth lines that float effortlessly through the sonic ether, looping and arcing with blissful aplomb. Up next, ‘Thither’ soars on a glorious synth swell before building into a throbbing sonic beast. This track pulses and swirls on a cloud of hazy electronics and sequenced atmospherics before we’re treated to a metronomic drum pattern, melodious bass frequencies and another beautiful vocal performance, constantly circumnavigated by reverberating guitars and cushioning synth swells. ‘Thither’ is immense and possibly my favourite track on this entire release.
‘Grow’ bleeps and swirls into existence on a bedrock of sequenced electronics and stunning guitar swells. It shimmers blissfully as it works through it’s sonic gears with aplomb, effortlessly floating unaided through layers of reverb and droning experimental instrumentation. Coming in at ten minutes plus ‘Grow’ is by far the longest track on the entire album and it doesn’t disappoint. It moves effortlessly through soaring guitars, pulsing synths and hypnotic percussion whilst pushing wave after wave of golden hued frequencies out into the sonic ether without breaking a sweat. The vocal lines weave a spell as they majestically intertwine with the entrancing sound waves. ‘Grow’ is a sonic triumph of immense proportions. The albums penultimate track entitled ‘Clouds II’ moves on a lazy percussive swagger albeit coupled with swirling guitars and the constant hum of a throbbing bass line. It’s vocal sits gracefully in the mix, gently leading this listener through a meandering pre-designated verse pattern and on into it’s soaring chorus parts. The albums closing piece however, shimmers on acoustic frequencies and soaring synth swells. ‘World’ switches from female to male lead vocals brilliantly as it builds into a trembling maelstrom of glorious reverberation and tremulous noise. A fitting ending to a marvellous album.
HEART 2 HEART by Soft Lashes
'Soft Lashes' is the solo effort of Chicago-based musician/producer, Michael Tenzer (Savage Sister, Eyes Behind the Veil, Lazy Legs). His latest dreamy single entitled 'Heart 2 Heart' is lifted off his forthcoming debut full length album 'Hypersensuality'. The track weaves and bobs blissfully through layers of cavernous reverb, with its swirling guitars deliciously underscored by luscious synth swells and repetitive sequenced percussion that expertly envelopes that ethereal vocal with aplomb. There's a distinctly 80's dream-pop sounding edge to this single thats reminiscent at times to the Cocteau Twins, Human League or early Tears for Fears.
'Heart 2 Heart' is available as 'Name Your Price' right now from: softlashes.bandcamp.com
ARTIST: Pastel Coast
RELEASE: Sense EP
RELEASE DATE: 17th October 2016
Plain and simple, straight and true, Sense by the French based dream-pop project Pastel Coast is a neat and enthralling 5/5 EP. When I saw the projects genre to be that of dream-pop, I sighed and wondered whether this would be any different; different to the mass amounts of the genre that are poured out into the public sphere from musicians who think they are truly unique in some various way. Is it different? I’m not sure. Because I started to think as I listened to it; what makes dream-pop good? What makes it an enjoyable and a favourable listening experience? The answer, I started to think, is that if it evokes some sort of emotional response; some kind of ‘connection’ (if you want to get fancy) then it must be of better quality than others. And while I feel that Sense is definitely an original EP, filled with unique and refreshing songs and music, I believe it to be the nostalgic, propounded elements of Pastel Coast's musical and lyrical content that truly makes it a step above the others.
Sense opens with the ideal characteristic sound of the whole EP; the hush roll of waves on a shoreline and the gentle plucking of dream pop tone guitars. This song, ‘Nightfire’, showcases the projects musical landscape and favourite tools for creating soothing, relaxing and dreamy pop music. ‘Nightfire’ centres itself silently around the gentle beat of a drum machine at the back of the mix. Guitars sound light and fluffy; perhaps like the clouds that Pastel Coast are trying to emulate through their music. The sound is drenched in reverb enough so that the vocals and the instruments mix together without being totally audible all the time; which fits well in the music. Altogether I feel the song sounds synthetic; but synthetic in almost a genius way… As though these characteristics do nothing but good for the music. What follows, however, is the best track on the EP. ‘Lifes’ sees Pastel Coast use a more shoegaze texture; they connect this back with the ingredients used at the start of the EP; such as drum machines, heavy reverb, distant but entrancing vocals and simple yet appropriate bass lines. The project also add another gem into the mix; as ‘Lifes’ is where the vocals truly shine. The mesmerizingly beautiful chorus sees the vocals reach high to accompany the guitars in a truly brilliant passage of music. This tight mixture of sound also sees Pastel Coast at their most proffer as the music begins to reek (in a good way) of nostalgia.
‘Synthetic Love’ follows with its lengthy and more pronounced musical structure. The song opens with clear vocals, a steady drum beat and some basic backing instrumentation. It develops, however, over the course of the song, to include a neat synth and heavy, pounding drum machine passage of music. The track reaches its artistic heights with a winding, disco like breakdown in the middle of the song; after which the band slowly plaster things back into one cohesive image at the end of the song. Another truly beautiful and genuinely fantastic song is the aptly titled ‘Don’t Gaze Your Shoes’. By far the most shoegaze Pastel Coast ever broach on Sense, the song appears and projects itself in a much heavier way than others with reverb drenched guitars, more elusive vocals and a slower tempo that could be likened more to gazing at ones shoes than dream pop-ing. The song almost acts as the musical representation of swimming as it soothes; gentle, yet always deep and more often than not layered sounds paddle over the top of others.
Literally everything about Sense EP connects with what I referred to as ‘nostalgia’ in the aforementioned paragraphs. The artist image on the Internet is a colourful photo of somebody walking in the ocean with their guitar; the sky is blue, the water is dark and the whole picture looks like some sort of beautiful oil painting. The EP cover art displays a neatly blended colour pattern, light and full of colours associated with the beach, the ocean and I suppose… The coast? Even the band’s name links in with this dream pop nostalgia beauty, aesthetic. Of course, however, it is the music that links everything together tightly; presenting Sense EP in a neat, good-looking package. The production is almost bordering on lo-fi, which one generally does not associate with shoegaze or dream pop. However the project somehow push this very lo-fi like production quality to the front which somehow adds another gentle element to the mixing on the album. Reverb is heavy, as are the echoed programmed drums and the undercurrent of shoegaze like synths and soundscapes. Thankfully, again, the band use this to their advantage.
The beauty of this EP is immense. So much so at some points I felt like I was listening to Sense while standing on a cove or beach somewhere, ankle deep in the dark sand. And ultimately I feel like that’s why you should listen to this EP; it is a creature of mesmerizing brilliance and attraction, all the while being something you feel has walked you back through the past and placed you somewhere under the sun. Pastel Coast present this image and connect it together through the avenues of production, performance and sound.
Cam Phillips is a writer and above all, a music lover, who seeks to gain experience through writing and listening. He is also an avid film viewer and art and literature junkie who enjoys creative writing. His most recent published work was featured on the Australian heavy music blog, I Probably Hate Your Band.
ARTIST: Movie Brain
RELEASE DATE: 25th September 2016
RECORD COMPANY: Alien Age Records
Tennessee based dream gaze trio 'Movie Brain' have unleashed a stunning collection of four tracks on an EP aptly named 'Soma' via Alien Age Records. The EP is full of effervescent sounds and hazy sonic compositions coupled with soaring instrumentation and blissful vocalisations. This latest release follows on from the bands full length, self-titled debut album, released back in July, that contained four new tracks and a handful of previously released handpicked 'Favourite Tracks' lifted from the bands first three releases. Movie Brain are made up of Jonathan - guitar/vocals, Adam - bass guitar & Kevin - drums and the 'Soma' EP is available to buy/download right now from moviebrain.bandcamp.com
Soma by Movie Brain
'Soma' opens with the blissful 'Honey', a glistening tremulous instrumental piece that gracefully hovers within a cloud of layered reverberation, all neatly saddled on a bedrock of busy percussive hits, glorious guitar progressions and throbbing bass frequencies. Up next, the beautifully arranged 'Azure' ambles into earshot on a thread of melodious lead guitar before we're hit by a wall of golden hued noise in the form of tempered percussion, snaking guitars and the deep hum of the addictive bass lines. The vocals soar blissfully, held fast within a dreamy reverb induced bubble as the instrumentation weaves a magical trail of of sonic discovery. Utterly delectable and possibly my favourite track on the entire release.
'Wasting Away', the EP's penultimate track, is a beautiful slice of glorious dream pop, infused with jangling guitars and lazy percussion, the medley driven vocal lines, drenched in stunning reverb, swirl as they work through their pre-designated repetitions with aplomb deftly leading the track to its finale. The EP's self-titled closing track enters into earshot on a wave of plodding sonic swells, pounding drums and a woozy vocal. 'Soma' purrs as it undulates and moves hypnotically through its verse parts until the chord change interrupts the almost metronomic like drum pattern, instantaneously bringing the listener back to reality and introducing them to the tracks final throw of the dice, an exploding cacophony of magically golden reverb induced frequencies. An absolutely stunning finale to a blissful EP!
Del Chaney has spent the last four years not only fronting popular experimental Irish Electronic duo Analogue Wave but also dedicating his time to uncovering the best artists in the unsigned or small independent label based shoegaze, ethereal dream pop, post punk, post rock & modern psych rock from all over the globe & reviewing them for this blog - The Primal Music Blog. He is also a contributing writer for The Sound Of Confusion. His other arm - Primal Radio - has gained considerable respect from bands and promoters alike since its conception in 2013 & has hepled him in actively promoting a genre of music that he is passionate about. Hailing from Dublin, Ireland, he is a keen Vinyl Collector, Tattoo Fan & all round good guy! He is a self confessed music freak & is never far away from a studio console or a turntable.
Norwegian based psychedelic dream gazers 'The Age Of Coloured Lizards' have unleashed a beautifully hazy new video to accompany their debut single, the brilliantly titled 'We Don't Care', released via 'Sotron-Records'. With a sound that harks back to the likes of 'early Verve, Spacemen 3, Spiritualized & fuzzy UK stalwarts Lupine Howl', 'The Age Of Coloured Lizards' have created a downtempo masterpiece, filled with jangling acoustic guitars and utterly addictive vocal lines that collectively swirl within a shimmering sea of glorious reverberation.
'We Don't Care' is streaming right now over on Soundcloud, Spotify & Apple Music.
Phoenix based dreamy shoegaze trio 'Citrus Clouds' have just released a brand new single entitled 'Imagination' via their bandcamp page, following on from 2015's impressive dreamy soundscape 'In Time I Am'. Formed in 2014 the band consists of Erick Pineda, Stacie Huttleston and Angelica Pedrego and they collectively create stunning soundscapes that swim through swathes of melodic ethereal shoegaze whilst all the while coupled with addictive dreamy vocals! 'Imagination' is available to buy/download right now from: citrusclouds.bandcamp.com
Imagination by Citrus Clouds
'Imagination' swerves & glides on gloriously dreamy, layered frequencies that are simply doused in reverb and deployed effortlessly to accompany a vocal line that swoons & soars as it gently caresses the senses with ethereal joy!
ARTIST: SPC ECO
RELEASE: Dark Matter
RELEASE DATE: 03/05/15
RECORD COMPANY: kaboommusic / Saintmarierecords
This release came out about a month ago to no fanfare. Reviews of Dark Matter have been impossible to find online, so with nothing to go on, I have to wing this one. Oh, wait, there are some nice words from fans on the band’s Bandcamp page, so there you go. Dean Garcia and his daughter Rose are frighteningly prolific, often releasing two albums of new material per year. For a time, they tried changing their name, but that thankfully didn’t pan out. Their work is something you can rely on, and I don’t mean that it’s pedestrian. Rather, they continue laying down this engrossing sonic architecture of darkwave and electronica laced with dream pop. Dean is a master of studio trickery and plays a zillion instruments, and Rose has the voice of a dark angel. But they are not creatures of light, not really.
Dark Matter by SPC ECO
And let’s get the Curve comparisons out of the way - “The Whole World Shines” is hands down my favourite song here, and it stylistically resembles vintage Curve, but Rose sounds nothing like Toni Halliday. So there you have it. Cool tune, with its retro beats and darkly ominous bassline. But let’s not get ahead of ourselves as I have jumped forward to the bottom of the playlist. 'Creep in the Shadows' opens the album, and is marred by the voice synthesiser on Rose’s vocals. It is a pretty song, and I love the other spacey elements, but I can’t get past these synthetic enhancements. “Different Kind” continues this unfortunate trend; I would have much preferred to hear Rose humming over the hypnotic backdrop. “Let it Be Always” is the perfect soundtrack to your nightmare, with that creepy, slow backbeat, and then it shifts into lightness unexpectedly. It reminds me of the sort of sinister electronica that used to dominate TV shows like La Femme Nikita back in the 90s.
“Playing Games” is a gem, floating along with found voices deep in the mix to bolster Rose’s gorgeous vocals, and Dean has woven a mesmerizing sonic tapestry. More like this, please! “I Won’t Be Heard” should be a single, and is equally beautiful. “Meteor” veers toward somber dream pop and also appears on their brand new SPC and Time - Vol 2 compilation. I can see myself hitting repeat often on this song. “Down Low” has interesting electronic elements and I really like when the guitar kicks in. “Breathe” dials it back to simpler patterns, letting the music speak for itself without too many complicated layers. “Under My Skin” (also on the aforementioned compilation) is gauzy and magnificent dream pop, and is a fitting end to this release.
Recommended for fans of dream pop, Curve, and chilled out dark wave.
Music has always been a driving force for Elizabeth Klisiewicz, which she days "continues to define my existence". During and after her college years, she ran a weekly radio show at WMUA FM Radio and also at a community station in Springfield, MA, in addition to writing music and concert reviews for the college newspaper. At present, she writes for The Big Takeover Magazine and The Active Listener Blog, and recently began producing a semi-regular Mixcloud-based show called The Kitchen Sink. In the real world, when not writing technical manuals, she gets her thrills from reading mysteries, birdwatching, and can always be found with a camera and a maxed-out storage card full of music.
ARTIST: The One2's
RELEASE: EP 2
RELEASE DATE: 06/01/15
We get contacted regularly on the Primal Music Blog by a lot of bands with expertly written press releases outlining their sound & influences etc etc. What I mean is that most of the time their press release's or band bio's tell us what they want us to know just so they catch our eye, rather than telling us the truth. We then go and listen to their music and they sound nothing like their written bio reads and most of time we don't review or write about them at all. Its a common occurrence unfortunately & one that I can only put down bands being uneducated in the ways of contacting music blogs or reviewers. So imagine my surprise to read an email from a band who do exactly as it says on the tin via their press release & then go that extra mile to sound immense musically. Philadelphia based noise merchants 'The One2's' create a full on, no messing around, sonic attack on your senses. Their sound is heavily laden with multiple influences from many genres of music but they manage to focus it directly at the listener & not let it get swallowed up in the maelstrom of screaming vocals, pounding drums, throbbing bass, layered walled guitars & synth sounds. Yes they have a solid shoegazing foundation in parts but they also manage to intertwine post-punk, touches of early grunge & flourishes of dream-pop into the mix to create a sonic manifesto all of their own. 'The One2's' are made up of: Leiana - Bass & Vocals, Sean Bombz - Guitars & Vocals, Jay Dyer - Drums & Tom Nuzzie - Guitars & Vocals. The 5 track - 'EP2' was released on the 6th January 2015 and we reckon that it's immense!
[bandcamp width=100% height=120 album=2024171243 size=large bgcol=333333 linkcol=e32c14 tracklist=false artwork=small]
The EP opens with a two minute seven second instrumental montage (or modern day tribute) to the 80's synth era with added post-punk swirls. A bit of a misnomer for me, but it works! Check out 'Gazed Out' for yourselves:
[bandcamp width=100% height=42 album=2024171243 size=small bgcol=333333 linkcol=e32c14 track=1720140974]
Track 2 is probably my favourite on the whole EP & is most definitely full on shoegazing at its very best. An addictive chord sequence heralds the arrival of a musical behemoth in the form of a sonic wall of reverb laden guitars, pounding drums, throbbing bass & soaring vocals. Im in shoegaze heaven! The chorus break alone will have you screaming at your stereo willing the band for more. 'Cryer' is absolutely stunning. Check it out:
[bandcamp width=100% height=42 album=2024171243 size=small bgcol=333333 linkcol=e32c14 track=180503157]
Track 3 - 'Pop The Ripper' opens with that distinctive post-punk fuelled Philadelphia sound of charging Bass & Drums, swirling effected Guitar swells and addictive Vocal lines reminiscent in parts to Philly stalwarts - 'Stellarscope'. A triumph of a track and one that should come across monstrous in a live setting. Check it out:
[bandcamp width=100% height=42 album=2024171243 size=small bgcol=333333 linkcol=e32c14 track=1370255959]
'The One2's' Dream-Pop influences are clearly audible throughout the beginning of Track 4 on this impressive release. With an intro of Drums, Bass & impressive Guitar swells 'I Can See' introduces us to the vulnerable vocal tones of bassist Leiana before opening up into another explosive shoegaze fuelled maelstrom of effected Guitars thriving Drum tracks & subtle Bass lines. I've listened to this track on headphones & it is really impressive.
[bandcamp width=100% height=42 album=2024171243 size=small bgcol=333333 linkcol=e32c14 track=2659322603]
The EP closes with what at first comes across as a tame slow burner of a track - but don't be fooled. 'Blank Stare' is spacious & bright with floating reverb drenched guitar lines, a simple drum pattern and a serine bass line all cradling & protecting the venerable vocal track up to a point. This track explodes half way through spilling its guts onto the musical canvass with screaming vocals, heavy guitars and pounding drums. A truly immense track full of peaks & troughs that incites the listener into its inner core before expelling it through the medium of full on sound waves. Check it out:
[bandcamp width=100% height=42 album=2024171243 size=small bgcol=333333 linkcol=e32c14 track=2578067306]
Overall this EP is an impressive body of work from a band who are not afraid to experiment with particular genres of music to create something all of their own. 'The One2's' continuously show songwriting prowess throughout this EP & their song structures are faultless. Apart from the opening track, this EP is a marvel and I look forward to hearing what comes next from this distinctively sounding group of musicians.
Del Chaney has spent the last two years not only fronting popular Irish Electronic duo Analogue Wave, but also dedicating his time to uncovering the best artists in the Unsigned or Small Independent Label based Shoegaze, Dream Pop, Post-Punk & Post-Rock genre’s of music from all over the globe & reviewing them for this blog - The Primal Music Blog. His other arm - Primal Radio - has gained considerable respect from bands and promoters alike since its conception in 2013 & has hepled him in actively promoting a genre of music that he is passionate about. He also currently writes for Canadian based online music webzine ReplicantEars. Hailing from Dublin, Ireland, he is a keen Vinyl Collector, Tattoo Fan & all round good guy! He is a self confessed music freak & is never far away from a studio console or a turntable.