beko_champanes - daysaway by beko
Stunning Saint Petersburg based vapourware/shoegaze outfit 'Champagnes' unleashed their immense latest single entitled 'Daysaway' to the masses back on April 29th 2016 via the French based independent 'Beko Disques label'. The bands sound is immersive, beautifully crafted and filled with dreamy shimmering synths, melodic bass frequencies, reverberating golden hued guitar lines and effortless percussion that collectively swirls around that gloriously hazy vocal. 'Daysaway' is available right now as a 'Name Your Price' tariff over on beko.bandcamp.com
by Primal Music
ARTIST: Mirror Days
RELEASE: No Hope For Getting Better
RELEASE DATE: 31st October 2016
RECORD COMPANY: Unsigned
Soft, dreamy and influenced by a myriad of different sounds, LA based dream pop/shoegaze/soft rock recording project Mirror Days go into complete introspection and release a beautiful album which sounds like a kind of matured re-structuring of music featured on their EPs from the past. No Hope For Getting Better presents itself in a kind of meditative subtleness; never trying to sound too full or dense but instead creating a mesmerizing deep sound that resonates and plays out with a different kind of heaviness. Part- laid back beach inspired hipster dream, part introverted reconciliation, part directed self-expression, the album comes off as a kind of dazzling diamond of a piece of music; so beautiful and clean, but at times so shiny you can’t totally see into it… In a good way, of course.
No Hope For Getting Better by Mirror Days
The album opens with the breezy but aforementioned type of heavy ‘In Focus’ which is built around a calm and contemplative vocal FX and the slow roll of soft rock instrumentation, until the pounding drums enter into the background which turns the song into a more dream pop key. Lyrically the song takes the shape of the projects name as the vocals send their time questioning, wondering and humbly musing in a kind of reflective manner. The more shoegaze but utterly brilliant ‘Endless’ follows, featuring a more drowned vocal performance; adding a kind of post-punk element to the music. All the instruments join in an imaginative sound to step above vocals; making them sound heavier and deeper. The whole song, however, forms around the beautiful and rich instrumentation that makes it a step above what it could have been. ‘Left to Wander’ features more of a similar kind of instrumentation to previous tracks but adds another layer with a more poppy sound. It also seems to build upon the aforementioned dash of post-punk by incorporating more a coldwave sounding guitar and post-punk inspired bass riff. What makes it one of the albums highlights is again its tone and distinctive sound; the vocals and lyrics seem even more studious in content, again evoking the undercurrent and thematic elements of a more dream pop sound. This track is followed by ‘Time Won’t Heal You’, a shoegaze heavy song which begins with a shoegaze melody coupled with the dream pop aesthetic explored previously on the album. Impressive and well produced and mixed drumming holds the sound together while the guitars snake their way through the soundscape texture of the song. All the while the vocals extend into phrases that follow the instruments around and create interesting contrasts for the listener.
‘Low’ is an enjoyable and noteworthy interlude that features in just the right place for the album to flow and continue in the desired way. ‘Old Beginnings’ is a good, straightforward song but only continues the sound and tracks that have featured on the album before it, making it less impressive. That’s, of course, not to say it’s not a well written song, but it is definitely not one of the best on the album. Driving guitar opens the song ‘Spinning’. Its more melodic heavy sound gives it a hypnotising quality; couple this with the distant lyrics and moody air of the track and you have a song that is far away from the soft rock-beach aesthetic at the beginning of the album. ‘Spinning’ dives straight into the ocean, now dark and deep, to move away from its past while keeping one eye firmly in its preverbal rear-view mirror. ‘Rest Assured’ seems like the character or voice within the previous songs has finally made a decision of sorts. What kind of decision? What is the decision about? I have no idea. But as the most colourful and ‘least heavy’ song on the second side of the album it seems that the core tone has altered back into a more relaxed sound; slow and inward in a different form. These elements all join together to create a picture and ultimately to make the listener revaluate all the previous songs; to consider them in a different kind of light. No Hope For Getting Better thus presents itself together with this loose yet interesting concept involving regret and pondering of the past. And just as the album soothes with its opening chords and notes of a soft rock style sound, the complexion of the music swells into a whirl pool of darkness, depth and heaviness throughout the second half; ultimately culminating with the more considerate ‘Rest Assured’, bringing the entire album into a kind of full circle. A fantastic and engaging element of the music is that said content doesn’t only appear as a lyrical feature. In fact, the music and instrumentation pushes this kind of concept and emotive experience more so than the lyrics on a lot of moments on this album, and when it’s not just the music, it’s the music combining and contrasting the lyrics in a beautiful way.
Overall almost all the songs themselves remain enjoyable without featuring in between other songs on the album. Mirror Days talent of combining genres such as dream pop/shoegaze/soft rock/post-punk and alternative rock showcases the projects tight and impressive performance and song writing skills. It was mentioned in the PR kit for this release that the album features no electronic instruments; an extremely noteworthy feature as many bands program this and that to achieve sounds in a synthetic manner. Rather, like the music and the lyrics, the instruments come pure for the listening experience. An experience which is assisted with brilliant low key production and a type of mixing that saves the heavier drums from drowning out other instruments in a song. The projects actually talent with playing said instruments is also immensely impressive and can be heard through the magnificent production and sound.
ABOUT THE AUTHOR:
Cam Phillips is a writer and above all, a music lover, who seeks to gain experience through writing and listening. He is also an avid film viewer and art and literature junkie who enjoys creative writing. His most recent published work was featured on the Australian heavy music blog, I Probably Hate Your Band.
ARTIST: Strata Florida
RELEASE: Falling From Grace
RELEASE DATE: 25th November 2016
RECORD COMPANY: Cherry Red Songs
Wales based dream-gazers Strata Florida released their beautiful sophomore album to the masses back on the 25th November 2016. 'Falling From Grace' is the highly anticipated follow up to the brilliant 'Made of Stars'(Saint Marie Records) and although it peels away much of the distortion that we had previously heard on the aforementioned album it takes absolutely nothing away from the songwriting prowess of both Louise Trehy & Peter Pavli. Louise returned to music after a 20 year hibernation having previously graced the underground music scene as a member of 4AD darlings 'Swallow'. She joined forces with Peter Pavli (High Tide, Robert Calvert, Third Ear Band, Annette Peacock) to form Strata Florida and they continue to release immense sonic soundscapes. 'Falling From Grace' is available to buy/download right now from strataflorida.bandcamp.com
Falling from Grace by Strata Florida
In a blissful array of stunning instrumentation the opening bars of ‘Caroline’ breathe shimmering frequencies out into the musical ether with delicious aplomb. Louise Trehy’s ethereal vocalisations float effortlessly on a wave of dreamy reverberation as the swirling guitar track and the repetitious sequenced percussion collectively instil a surreal kind of calmness to proceedings. Up next, ‘Vital Signs’ pulses into audible range on sequenced synth swells and tremulous guitar squall. Again, the haunting tones of Trehy are ever present as they swirl and meld into a cascading chorus break, deftly underscored by some fascinating layered guitar work, the bleeps & whirr’s of electronic atmospherics and sparse percussive hits. ‘Emily Bronte’ fizzes into earshot on an post-punk inspired bass line & luscious synth swells. The metronomic drum track takes up a kind of holding pattern, like a musical anchor, as all around it soars into the ether on wave after wave of beautifully golden sonic frequencies that are drenched in blissful reverb. A stunningly refreshing track indeed.
Up next, ‘Frozen’ is filled with boundless energy, allowing it’s woozy guitars to hold court and to gracefully shimmer as sparse sequenced percussive hits and throbbing bass frequencies act like bedrock to support those refreshing vocalisations. ‘Lost In Space’ trembles as it’s guitars jangle and shake on a steadying drum pattern that collectively builds with each progression until eventually breaking down into it’s cascading synth filled finale whilst the brilliant ‘Honey’ unfurls it’s sonic tendrils and transforms itself into a musical mash up between The Cure & Cocteau Twins. ‘Honey’ is a stunning track, deliciously filled with soaring instrumentation and blissfully translucent vocal lines.
The albums penultimate track is by far the heaviest on the entire release. Tremulous guitars and melodious bass lines sit atop a steadying drum pattern as Louise’s otherworldly vocalisations pulse from a different sonic plane than ours. Like a ghostly apparition the brilliant ‘Falling’ instils a surreal calmness as it works through it’s sonic repetitions and on into its grand finale. The albums closing piece is a brilliant slice of modern day post-punk. ‘Don’t Give Up On Me’ shudders on a driving bass line as swirling vocals and snaking lead guitar licks circumnavigate that repetitious percussive pattern. Underscored with electronic atmospherics and subtle synth swells ‘Don’t Give Up On Me’ is an absolute triumph and quite possibly my favourite track on this entire release.
There's an air of invincibility surrounding Strata Florida's music that is both enthralling and addictive all at once. Louise Trehy draws her listeners into every single track with her distinctive ethereal vocal style whilst instrumentally the band create well though out, layered soundscapes that act as a sonic conduit to deliver dreamy shoegaze & post-punk inspired sound.
Del Chaney has spent the last four years not only fronting popular experimental Irish based electronic duo Analogue Wave but also dedicating his time to uncovering the best artists in the unsigned or small independent label based shoegaze, ethereal dream pop, post punk, post rock & modern psych rock from all over the globe & reviewing them for this blog - The Primal Music Blog. He is also a contributing writer for The Sound Of Confusion. His other arm - Primal Radio - has gained considerable respect from bands and promoters alike since its conception in 2013 & has helped him in actively promoting a genre of music that he is passionate about. Hailing from Dublin, Ireland, he is a keen Vinyl Collector, Tattoo Fan & all round good guy! He is a self confessed music freak & is never far away from a studio console or a turntable.
ARTIST: Sounds Of Sputnik
RELEASE: New Born feat Ummagma
RELEASE DATE: 16th May 2016
RECORD COMPANY: Moon Sounds Records
When I first heard that two powerhouses of the underground post-rock, electronic shoegazing & dream-pop scene were collaborating on an album I wasn’t in the least bit surprised. In fact, I was overjoyed! After all it is a musical match made in heaven in my opinion. I was surprised, though, to read that it was going to be Sound Of Sputnik’s debut album because I’d been listening to Sound Of Sputnik for a long time, playing them on Primal Radio and up until now foolishly thinking that they had a back catalogue of albums to peruse at my leisure. Boy was I wrong! Moscow-based Sounds Of Sputnik is the brain child of Roma Kalitkin, a close collaborator of UMMAGMA, influenced by My Bloody Valentine, The Jesus And Mary Chain, Ride & Sonic Youth but with a style closer to Mogwai or Air Formation. What I had been listening to were stunning soundscapes written as a group of tracks but never actually released as an album! I’m talking about electronic, post-gazing soundscapes like: Astronomical Summer, Adaptation, The Mission & Motoroller!
New Born by Sounds of Sputnik
It was then that I had one of those ‘light bulb lighting up over head moments’. I got giddy & I simply had to hear what these two bands could conjure up together musically! So when I received my copy of the album to review what I found was a musical masterpiece! Yes the trademark Sounds Of Sputnik post-rock & shoegazing soundscapes are still there but there is an added injection of something rather special. You see to me I’m amazed at how a collection of musicians fixed on the same trajectory with the same drive & abilities can create brilliant musical ideas and get the best results imaginable in the most harshest of atmospheres! You see ‘New Born’ is groundbreaking on many levels musically but it’s the fact that Roma Kalitkin, Alexx Kretov & Shauna McLarnon managed not only to initiate this project but co-write & record it under what must be a whirlwind of unpredictable political turmoil in Kretov’s home country of Ukraine thats the most amazing thing! And collectively they don’t disappoint!
Unless you have been hiding under a rock for the past twelve months you would have read or heard about Ummagma, the Canadian / Ukrainian electronic, dream-pop duo of Shauna McLarnon & Alexx Kretov and their stunning albums UMMAGMA, Antigravity & Lama Remixes LP on which Sounds Of Sputnik created a remix of Lama, another epic Ummagma track and their latest Moon Sounds Records released ‘Frequency EP’. What Ummagma bring to this collaboration is the vision of vocalist, producer/musician Alexx Kretov and the absolutely stunningly beautiful vocal abilities of Shauna McLarnon. Mixing melodic dream-pop with electronic shoegaze, they add their life’s blood to this record and you can hear it in every track that they feature on! From the blistering lead track ‘New Born’ with Shauna McLarnon on vocals through to the brilliant dream-pop/shoegaze laden ‘Light Scheme’ featuring Kretov & McLarnon on duel vocals and on into the epic Sounds Of Sputnik’s post-rock, gaze heavy ‘Blizzard’ & ‘Shades Of The Cosmos’ this album plays effortlessly from track to track! Add into the sonic melting pot the pulsating, thundering ‘Overdrive’ featuring none other than Graham Bonnar (Ex Swervedriver/Brian Jonestown Massacre ) on drums & McLarnon on vocals & what we have is a must have album for anyone who adores everything thats good within the electronic, post-rock, dream-pop & shoegazing genre’s without the frills!
‘New Born’ also feature’s remixes of both ‘New Born’ & ‘Light Scheme’ by Malcom Holmes of legendary Synthpop group OMD, Oleg Mezherovsky & Morozov, Roma Kalitkin himself & Brazil’s Mind Movies!
The album was released on May 16th through the Texas based independent label ‘Moon Sounds Records’ and is also available on various formats through: soundsofsputnik.bandcamp.com/album/new-born
RELEASE: Fever Dreams
RELEASE DATE: 18th November 2016
Toronto based noisy shoegaze duo 'Tonemirror' have unleashed their six track debut EP 'Fever Dreams' to the masses via their bandcamp page. The band exploded onto the underground scene back in June 2016 with their debut single & Primal Radio fav 'Supermoon' and pretty soon caught the attention of a fair few online radio Dj's with their no nonsense, hard hitting blend of noisy shoegaze underscored with post-hardcore tendencies and coupled vocally with subtle dream-pop sensibilities! The band are made up of Jake Lehman - guitar/vocals & Robby Sedran - drums and the 'Fever Dreams' EP is available to buy/download right to from:tonemirror.bandcamp.com
Fever Dreams EP by Tonemirror
Jangling guitars and echoing reverberation announces the arrival of 'Lost' and it's gloriously evident to me that these guys love brash & fuzzy frequencies. The drums erupt as those swirling guitar progressions wrap themselves around a brilliantly executed vocal and drag this track through walls of noise & crashing cymbal splashes. Up next, 'Smile' swirls woozily into earshot on a wave of almost ethereal sounding guitar and above all I'm instantly hooked with just how live the drum track sounds! It's impressively explosive and injects atmosphere into the entire track as it's vocal track arrives, held fast within an addictive slacker vibe that is brilliantly reminiscent at times to early 90's shoegaze stalwarts 'Swervedriver'. Track three has captivated me ever since I first heard it back in June. 'Supermoon' builds & creeps like a stalking animal as those guitars weave a shimmering sonic web of reverberation and instil a blissful edge to proceedings. They spread out and envelope the hi-hat heavy percussive attack with ease allowing the vocal line to bleed into every facet of the tracks instrumentation. A stunning track and possibly my favourite on this entire release.
'Drag Me' announces itself on a tremulous frequential cloud as those jazz like percussive hits skittishly arrive coupled with another impressive vocal track. It's not long before the track explodes and pulls you into its soaring chorus, filled with lead licks, psychedelic swirls, mind bending reverberation and driving guitar drones. The EP's penultimate piece is growling, noisy beast! 'XYZ' drives and pulses angry guitars steadied by explosive percussion and wailing vocals that collectively creates a massive wall of highly addictive fuzzy noise. Absolutely immense! 'Fever Dreams' closes out out with 'Asomnia', a skulking forlorn passage filled with dark, atmospheric instrumentation and wailing vocalisations courtesy of Jake Lehman. A fitting ending to a rather impressive debut EP.
ARTIST: Soft Wounds
RELEASE: Soft Wounds
RELEASE DATE: 31st January 2016
Toronto based alt-gazers ‘Soft Wounds’ bumped up the release date of their debut self titled album from its original January 31st date obviously to ride on the buzz created from the release of their debut single. Their brand of fuzzy alt rock strewn soundscapes with hints of impressive shoegaze & dream pop has been making waves within the underground gazing community ever since they sprung their impressive debut 5 track ‘Demo’ (Nov 2015) & their subsequent debut single entitled ‘Baby Blue’ back at the beginning of January. The band are made up of Andrew Peach – Bass, Charlie Berger – Vocals/Guitar, Matt Rimon – Guitar/Vocals & Jimmy Fitzgerald – Drums. ‘Soft Wounds’ is available to buy/download right now via the bands bandcamp page: www.softwounds.bandcamp.com
Soft Wounds by Soft Wounds
My 2016 North American odyssey continues with Soft Wounds, another Toronto-based gaze gang. Their eponymous debut album came out in January, to some impressive reviews. Its cavernous reverb sounds are augmented by some scuzzy noise rock influences too which come through in a well-placed squally guitar line, or a vocal melody like those in You Can’t Stay Here or See the Sun.
Opener Honora kicks in with purpose. A track of warbly delay lays down the shoegazey bedrock of the sound and built on top is a loose alt-rock structure that tends toward the anthemic. This big vision continues in Baby Blue, an affecting ode to girls gone by and one of the highlights of the record. ‘There’s a voice inside my head’ runs the refrain from Voices, but it must be a benevolent presence because the song tumbles along with an easy rhythm. Bright and Early opens with a blistering guitar line and settles into a dark sashay.It’s back into high gear with You Can’t Stay Here, equal parts jangly and grungy guitars and Dive In is gritted up with another cracking, crackly guitar solo. Forty Winks is warm and woozy, like being wrapped in a huge fuzzy duvet, before we are jolted back to consciousness with the sing-a-long See the Sun. The opening strains of Stray settle into a rolling but somehow melancholy groove while the guitars chime prettily along.
Soft Wounds debut is a record that seems to benefit from influences beyond the usual suspects. And could it hint at aspirations to head somewhere grander in the future? Only the voices in their head will know the answer.
In her time, Sarah Cuthbert-Kerr has attended raves and rock clubs. She enjoys pedals, pizza and spy dramas. Sarah also plays guitar in Edinburgh-based noisemakers Wozniak and is co-founder of Morningside Young Team who put on gigs and put out records for discerning audiences who enjoy fuzz and confusion.
Chain of Pink by Lazy Legs
Our favourite Chicago based shoegaze trio 'Lazy Legs' have unleashed an explosive new track entitled 'Chain Of Pink', lifted off their forthcoming brand new EP of the same name and penned in for release on December 16th via the Chicago based micro label Wild Patterns Records.
'Chain Of Pink' swirls into earshot on a repetitive drone as the track builds in delicious intensity adding percussion, throbbing bass frequencies and that explosive layered wall of effected guitars that effortlessly envelopes the hazy duel vocal attack. This is an absolutely enthralling track that will have you floating out into the musical ether with ease.
There is a subtle air of the nostalgic swirling around within the meandering jangle led frequencies on Newcastle based 'Seeing Hands' latest single 'It's True' that only lends to the current musings within the underground music blogging world that this band lean effortlessly to the past whilst injecting a new twist into the dream-pop/jangle-pop genres of music. In our opinion (however good that is) their immense sound is full of melody, catchy hooks, is vocally impressive and absolutely drenched in layered reverberation to the point of languishing somewhere in-between hazy shoegaze and dreamy frequency fed dream-pop! Closest comparisons today as far as we're concerned would be the sublime Melbourne based 'Bloodhounds On My Trail'. Whatever way you look at it, these guys are rather impressive!
'It's True' is available through all of the usual music streaming outlets.
ARTIST: Miss Mobile Home
RELEASE: Glimmer Down
RELEASE DATE: June 24th 2016
New York based dreamgazing duo ‘Miss Mobile Home’ have unleashed their highly anticipated full length follow up to 2014’s immense ‘Phototaxis EP’. ‘Glimmer Down’ see’s the band continue to deliver shimmering reverb laced soundscapes coupled with stunningly dreamy vocal progressions that collectively manifest a modern edge to a well worn & highly respected musical genre. The band are made up Chris Stoddard – Guitars, Drums, Synth, Writing & Mixing and Samantha Ritter – Vocals & Synth. ‘Glimmer Down’ had it’s full release on the 24th June 2016 and it is available to buy/download right now from: missmobilehome.bandcamp.com
Glimmer Down by Miss Mobile Home
A swirling maelstrom of repetitive droning noise ushers in ‘Fine Machine’, the album’s opening track and its not long until we’re introduced to a beautifully ethereal vocal courtesy of Ritter, blissfully wrapped within entrancing metronomic percussion and some brilliantly hypnotic guitar lines. Up next, ‘California (Run On)’, begins with a layered wall of reverberating guitar, closely followed by minimal percussive hits intrinsically permeated by wave after wave of beautifully translucent swirling vocal progressions. A stunning track that weaves and arc’s all over the sonic ether. ‘Sleepwalker’ charges into ear shot on rumbling bass frequencies intertwined with a solid foundation of thundering percussion. It soars into its chorus progressions with aplomb and carries the listener with it, daydreaming into the shimmering ether. ‘Hazel Witch’ begins with a subtle psych-gaze twist as those psychedelically induced guitar progressions swirl intently within a dark creeping reverb induced haze. The vocal track wades into the mix pulsing ripples of dreamy frequencies into the melting pot as the track explodes into its chorus parts. Another stunning track thats worthy of your ears.
Up next, ‘Castles’ slows proceedings down considerably as we step off the edge of the world and float on wave after wave of beautifully executed & highly melodic vocals, steeped in spacious reverb and intensely circumnavigated by those stunningly addictive guitar parts. ‘Castles’ is a dream-pop masterpiece! The rumbling opening chords of the albums penultimate track entitled ‘Still’ shatters the ethereal serenity of the aforementioned soundscape and we’re quickly introduced to cascading guitar thrills and another stunning vocal performance. The albums closing piece is utterly addictive. ‘Ronnie’ blasts into earshot on a melodic guitar line, pounding drums and soaring organ swells that seem to hover just under audible range as its haunting vocals balance tentatively on a sonic tight-wire. It streams into a stunning organ break before erupting into a blissful cascading synth line. ‘Ronnie’ is intensely hypnotic, addictively ethereal and its a fitting finale to a stunning release.
ARTIST: Fire Behaving As Air
RELEASE: Vapour Trail
RELEASE DATE: November 25th 2015
There is a haunting air of excitement as I wait for the opening salvos of this debut full length release from Melbourne based droning dream-gazers ‘Fire Behaving As Air’. I’ve been a big fan of this band ever since the release of their debut EP ‘Desire’ back in 2013 & having just recently read excerpts from an interview that the band gave to the brilliant ‘Blog That Celebrates Itself’, I was chomping at the bit to hear the finished album in full. Fire Behaving As Air’s origins began in 2008 by husband and wife songwriters Owen (guitarist) and Beck Lee (vocalist/harmonium), over the seven years the band’s family has grown and morphed to permanently include Chris Compton (lead guitar) & Mark Taylor (drums), as well as numerous guest appearances including players of additional harmonium, tabla, djembe, violin, cello, bansuri, moog, keyboard and trumpet. This latest release ‘Vapour Trail’ explores recurring themes of impermanence in all of its incarnations; loss, sudden destruction, metastasis, evasion, revolution and ultimately, the sublime release through escapism.
Vapour Trail by Fire Behaving As AirThe album opens with an atmospheric guitar progression that creeps between the interplay of light & dark tonal beauty whilst skipping along a musical atmosphere steeped in reverb laden brilliance, erupting in explosive power with the arrival of the absolutely immense vocal abilities of Beck Lee. ‘Silver Tongue’ is a portal to a world of sonic delight. Think Velvet Underground & Nico meets Portishead but turned on its head with a modern twist. Its a stunning opener. Up next ‘To The Seafloor’ has dream-pop aspirations from the off. Again the vocal track catches this listeners ear as it dances & weaves through reverberating guitars & steady shimmering drums. There’s a dark atmospheric edge interspersed with an almost folk like feel, vocally to ‘When She’s Bored She Dies’ & it does just about enough to keep you focused & interested until about 4 minutes in when this track explodes & offers up its inner wailing guitar self. ‘Tolerance’ is a triumphant masterpiece! Having been voted by the listeners of California based DKFM Shoegaze Radio as one of the Top 50 Most Loved Shoegaze & Dream Pop Tracks of 2012 its no wonder that it appears here on their debut full length release. ‘Tolerance’ meanders deftly through layer upon layer of fuzzy reverb laden psychedelic shoegaze & only comes up for air during Beck Lee’s stunning vocal parts. A must have in any true shoegazers playlist. After the heady heights of ‘Tolerance’ the pace slows a little as the band introduces ‘Unconquered’ & ‘Peaceful’. In both of these tracks I’m hearing sporadic ethereal dream-pop inspired flourishes Cocteau Twins style throughout but there’s also a dark droning addictively intense undercurrent that drags them both through peaks & troughs courtesy of Owen Lee & Chris Compton on guitars.
Up next, ‘Ripples’ builds & builds from its inception to its explosive ending whilst ‘Breathe’ is a cumulative charging sonic ball of hazy psychedelic goodness with repetitive vocal progressions, effected guitars & thunderous drum patterns. ‘Watch The World Go Down’ slows the album to a crawl as we listen to Beck Lee’s vocal swim through a wall of reverb & sink into a sea of guitar swells, diminished percussion & effected hallucinogenic instrumentation. This is a wonderful track that will inspire you to dream in colour. Listen to it via headphones, it will blow your mind! 'Mantra' sneaks onto the musical canvass with its throbbing repetitive bass line, snake like shakers & a droning wall of psychedelic sound all intertwined with another stunning vocal performance. There’s a definite 60’s psych feel to this enthralling track that swerves & meanders like a snake hunting its prey. Very cool indeed. The albums closing track ‘One More Winter’ is a tame affair of cinematic instrumentation all entered around a magnificent vocal performance reminiscent of Portishead’s own Beth Gibbons.
As debut albums go this is up there with the best of them. I really love the way ‘Fire Behaving As Air’ skip through various musical genres with aplomb. Their well thought out song structures, blissfully effected guitar progressions & pounding drums coupled with the immense vocal ability of Beck Lee should hold them in good stead with shoegazers, dream poppers & psych aficionados alike. ‘Vapour Trail’ gets its official release on November 25th and its a major recommendation from us. Go get it!
4.5 / 5