Corsets by Ask For Joy
Sublime Austin based dream-gaze aficionado Aaron Rossetto aka 'Ask For Joy' has unleashed a stunning new single entitled 'Corsets' lifted off his forthcoming five track EP 'A Blow And A Kiss' penned in for release on the 10th September 2017. For those of you who are new to his music, Aaron has an uncanny ability of creating musical standards that swim in lush, shimmering & dreamy reverb that wraps itself effortlessly around the exoskeleton of every single track that he writes, leaving every one of his listeners blown away with the final results. 'Corsets' is available to buy/download right now via askforjoy.bandcamp.com
'Corsets' unfurls it's sonic tendrils tumbling through layers of shimmering reverb as sparse percussion resonates through the swirl of guitar and the echo of a simplistic vocal line. There's a hint of post-punk bubbling under the surface of this dreamy track as it meanders and arc's brilliantly along a luscious predestined verse/chorus route before 'Ask For Joy' dismisses the haze and explodes into a blistering melting pot of shimmering instrumentation including the addition of a trumpet line that fits into this piece effortlessly. This track is impressive, the sonic experimentation on it is most definitely inspired ... roll on the full EP!
by Primal Music
RELEASE DATE: 22nd September 2017
RECORD COMPANY: Label Obscura & Somewhere Cold
It's always a pleasure to feature new music from the fantastic Canadian based electronic dream-pop/shoegaze duo of Shauna McLarnon (vocals) & Alex kretov (multi-instrumentalist) aka Ummagma and I take any release from them as a sign that all is well within this burgeoning underground music scene. Never ones to shy away from challenging their musical boundaries, Ummagma continuously push the sonic bar higher and higher with every single one of their releases and this latest four track EP entitled 'LCD' is no different. It features three stunning remixes by two legendary musicians, the fantastic Dean Garcia (SPC ECO/Curve) and the masterful Robin Guthrie of Cocteau Twins fame, both with wide and varying musical styles but who both shine and buff, twist and reshape some of Ummgama's finest tracks into absolutely incredible soundscapes. The EP gets its full release through both 'Label Obscura (Cassette)' and 'Somewhere Cold Records (CD)' on the 22nd September 2017 with pre-orders available right now on various formats via ummagma.bandcamp.com
LCD by Ummagma
The EP opens up with ‘LCD’, a beautifully entrancing track with a vocal attack that is simply breathtaking. Both McLarnon and Kretov are back to their best with this deeply experimental eastern esoteric take on their usual electronic dream gaze fair. Punchy drum patterns hold court as surging synth, bouncing frequencies and fizzing electronics swirl effortlessly around a rather interesting vocal performance. Up next is the first of three remixes; ‘Dean Garcia (CURVE/SPC ECO)’ injects some hard hitting industrial sounds into ‘LCD’ turning it into a crawling electronic monolith with dark atmospheric undertones whilst ‘Robin Guthrie (Cocteau Twins)’ sprinkles some shimmering sonic stardust over the insatiably melodic ‘Lama’ (lifted off Ummagma’s debut album ‘Antigravity’) turning it into a bright and airy soundscape that seems to suit Shauna McLarnon’s vocal prowess immensely, offering them up in a whole new light.
The EP closes out with yet another ‘Dean Garcia (CURVE/SPC ECO)’ remix. This time he turns his attention to ‘Back To You’ (again lifted from Ummagma’s 2012 debut album ‘Antigravity’) and he doesn't disappoint. Fans of Massive Attack and Stereolab will love the wide expansive spaces and the huge swathes of reverb injected into this piece, deftly underscored by a hard hitting percussive swagger and airy dual vocalisations courtesy of Shauna McLarnon & Alex Kretov respectively.
ABOUT THE AUTHOR:
Del Chaney has spent the last five years dedicating his time to uncovering the best artists in the unsigned or small independent label based shoegaze, ethereal dream pop, post punk & modern psych rock from all over the globe & reviewing them for this blog - The Primal Music Blog. He is also a contributing writer for The Sound Of Confusion (Now On Hiatus). His other arm - Primal Radio - has gained considerable respect from bands and promoters alike since its conception in 2013 & has helped him in actively promoting a genre of music that he is passionate about. Hailing from Dublin, Ireland, he is a keen Vinyl Collector, Tattoo Fan & all round good guy! He is a self confessed music freak & is never far away from a studio console or a turntable.
Ultra Sound by Citrus Clouds
The fantastic Pheonix based desert-gaze trio of Stacie Huttleston, Erick Pineda and Angelica Pedrego aka 'Citrus Clouds' have returned with the stunning lead track from their forthcoming seven track EP 'Ultra Sound' penned in for release on the 22nd September 2017 via Custom Made Music. The track is called 'Life Happens' and you can buy/download it right now via citrusclouds.bandcamp.com
'Life Happens' trembles on a quivering bass signature before opening up into a swirling maelstrom of mind numbing reverberations held fast to a punchy percussive swagger and overlaid by majestic vocalisations. A repetitive lead guitar line races in and out of the collective instrumentation casting magical sonic spells throughout the ether. This track is throughly addictive! It's possibly their best release so far and that fact only bodes well for the forthcoming EP.
ARTIST: Dazy Crown
RELEASE: I Don't Need A Jacket
RELEASE DATE: 16th June 2017
RECORD COMPANY: Hazy Dog
Norwich based 'Dazy Crown' have just unleashed a brand new four track EP brilliantly titled 'I Don't Need A Jacket' via the independent record label 'Hazy Dog'. The band began life back in 2015 as the solo project of guitarist and vocalist Thomas Little before fleshing it out into a quartet with Philip Jones on guitar, Thomas Rees on bass and Theo Lewis on drums. Their collective sound sits firmly within the jangling lo-fi/garage catagories of music but it is also infused with stunning melody and subtle passages of dreamy psych-pop. 'I Don't Need A Jacket' is available to buy/download right now on various formats from hazydog.bandcamp.com
I Don't Need A Jacket by Dazy Crown
The EP opens up with 'Euphoria'. A beautifully translucent lead guitar line runs throughout as cascading bass frequencies hover just below the mix hugging a steady drum track and the hum of rhythm guitar, collectively enveloping that melody driven vocal line in it's entirety. A stunning opening salvo indeed. 'Dazy Crown' peel back their outer layers to show their subtle psych-pop tendencies on track two. 'Peanut Butter Dreaming' swerves into earshot filled with summery vibes that swirl around a shimmering a lead lick, a metronomic drum track and the throb of bass. Woozy vocalisations splashed in melodious colour twist a turn through layers of reverberation until we're eventually introduced to brilliantly executed and psychedelically charged finale.
'360 Dunk' drives into the ether swirling on another rambling lead guitar line. This time the bass line takes centre stage though as it meanders on a melodious trip, dancing in and out of a giddy percussive swagger as the collective instrumentation tries desperately to hold on. The vocal lines on this track are addictive and they float effortlessly on top of the surging reverb. The EP closes out with its lead single. 'Multi Vitamin' tumbles through swathes of woozy and highly infectious guitar progressions that ride an insanely laid back percussive pattern. Those simmering vocalisations wobble and arc through hazy layers of bubbling bass frequencies and resonating production as the leaping chorus break snaps you out of a hypnotising trance and tip toes you into a cyclonic world filled with instrumental drones and fuzzy sonic reflections. A fitting ending to a marvellous EP.
ARTIST: My Favourite Things
RELEASE: Fly I Will, Because I Can
RELEASE DATE: 14th July 2017
RECORD COMPANY: Unsigned
Brooklyn based 'My Favourite Things' aka multi-instrumentalist Dorothea Tachler has been writing, recording and producing competent sonic soundscapes since the release of her debut album 'Rarara' back in 2009 and has transfixed audiences in the notoriously unforgiving New York City music scene with her beautifully dreamy, acoustic filled sound both as a solo act and with her constantly changing live five piece band which features various players from within the vibrant underground NYC scene. Her latest album 'Fly I Will, Because I Can' is a beautifully melancholic sonic journey swirling around some turbulent themes such as lost love, life and it's many pitfalls. 'Fly I Will, Because I Can' gets it's official release on July 14th 2017 and is available to pre-order right now on various formats via myfavouritethings.bandcamp.com
Fly I will, because I can by My Favourite Things
The albums opening salvo entitled 'Sunlight' glistens as it jangles into earshot, stuck fast to an addictive acoustic guitar progression and underscored by a subtle array of impressive instrumentation and sporadic hits from various percussive instruments. Beautifully dreamy vocalisations wash over the entire piece draping it in light reverberation and intense melody that collectively adds a summery melancholic vibe to proceedings. Up next, 'Everything Changes' builds from its first notes and introduces layer after layer of instrumentation as it deftly meanders through a predestined production arrangement. Again, there are lashings of melancholy here as you float effortlessly along with the dreamy but addictive vocal tones of Dorothea Tachler and I can't help but hear subtle but delightful touches of Americana swirling around in the mix. The opening bars of 'Goodbye Again' continue with the previous trend albeit on a more scaled back trip before the chorus soars up and out into the ether on a bubbly cacophony of golden frequencies. There's a sonic battle of wills between light and shade echoing throughout this track as the instrumentation shimmers whilst it's underlying theme drapes a dark atmospheric cloak over it's yearning vocal lines. Brilliantly worked and both the songwriting and the production are faultless.
'Still Practicing' growls on a deep electric guitar progression that envelopes another outstanding vocal performance. The subtle wash of crash cymbal melded with a fuzzy layer of resonating guitar and underlying instrumentation adds weight to the chorus change before we're dragged back into another hazy verse progression and on in to the tracks moody finale whilst up next 'Some Things Stay The Same ( Stay A Little While)' floats into earshot on a woozy cloud of tremulous guitars and droning instrumental swells offering up a glorious 60's esque psychedelic twist as it loops and arcs brilliantly through shimmering reverb hued layers. 'My Favourite Things' offer up some fantastic folk leanings on this record and none more so than on 'Growing Pains'. It undulates around a simple guitar progression accompanied by tumbling drum patterns and twinkling lead lines that collectively circumnavigate it's soothing vocal lines brilliantly whilst 'Nobody Knows' shimmers into audible range swirling on a dreamy vocal harmony before wobbling electronics and tremulous guitars take over and sparkle on a steady metronomic beat. 'A Little Closer' sounds like a long lost Beatles track with its busy drum pattern and wavy, reverberating vocal lines accompanied by a persistent instrumental drone that winds its way through jangling guitars and stunning production with relative ease. Catchy hook laden chorus progressions lift the entire track into a gauzy dream-pop laden masterpiece and this listener is pulled with it up into the ether. Thoroughly addictive and probably my favourite track on the entire release!
Steeped in melody, 'Keep Letting Go' opens with slow tremulous guitars, humming bass frequencies and the occasional wash from the cymbals. A stripped back vocal track cuts through the production and it's joined at times by harmonious backing vocals as the track builds, injecting meandering drum patterns and periods of fuzzy reverberation whilst 'Spaceman' surges from its opening sequenced drum pattern and opens up into a slow moving ball of hazy instrumentation. Dreamy vocalisations swirl and whirr through layers of reverb as this track steps in and out of fuzzy shoegaze and hazy dream-pop at will. The albums penultimate piece entitled 'The Longest Winter' rustles into ear shot on warbling instrumentation and the subtle brush of drums. There's a air of experimentation here that is very refreshing as Dorothea's vocals emerge into the mix precariously positioned atop slow moving ambient hued instrumentation peppered with sparkling atmosphere, brilliantly executed production and fuzzier moments of sonic contemplation. The album closes out with 'I Don't Know', a full on dream-gazing standard. A bedrock of sequenced electronic drums act as the foundation for humming bass frequencies, various instrumentation, bouncing synths and dreamily layered vocalisations. A brilliant finale to a very interesting album.
ARTIST: Panda Riot
RELEASE: Infinity Maps
RELEASE DATE: 9th June 2017
Chicago based hazy dream-gazers 'Panda Riot' have announced a gargantuan eighteen track monolith in the guise of 'Infinity Maps', the follow up to their impressive 2013 release 'Northern Automatic Music'. Steeped in an deeply experimental hue 'Infinity Maps' skips through massive swathes of shoegaze, gloriously addictive dream pop and darker electronic moments with blistering aplomb pulling it's listeners inwards as it spirals out into the ether. The instrumental pieces on this album are sublime and coupled with impressive song writing abilities, stunning vocals and brilliantly executed layers of production, it is sure to be one of best albums of 2017 come years end. This mesmerising Illinois based quartet are made up of Rebecca Scott - vocals/guitar, Brian Cook - guitar/drum machine/programming, José Alejandro Rodríguez - drums & Cory Osborne - bass and you can pre-order 'Infinity Maps' on various formats via pandariot.bandcamp.com
Infinity Maps by Panda Riot
Waves of raging melodious turbulence swirl into earshot as droning guitar squall gives way to shimmering vocalisations and squealing feedback. ‘Aphelion’ bubbles precariously on a bedrock of impressive percussion, noisy guitars and humming bass frequencies peppered at times by subtle swells of synth, wavy reverberations and broken up by magnificent breaks filled with soaring vocal lines. Up next, ‘Helios (June 20th)’ swirls into audible range trapped in cloud of shoegaze infused dream pop as it’s beautifully serine vocal lines bounce and whirr on layers of tremulous reverb drenched guitar progressions whilst ‘Latitudes’ pulses on sequenced electronics and churning instrumental drones before fading out through wavy vocal samples and impressive production theatrics. ‘Ghosting’ unfurls its sonic tendrils stuck fast to a plinking synth progression before careering headlong into a brutish wall of hazy guitars & plodding bass, sweeping synth swells and metronomic percussion all collectively enveloping that soaring vocal track before ‘Chimera’ explodes into a haze of atmospherics as it’s cinematic leanings are brought to bare tumbling effortlessly in a cyclonic ball filled with fizzing synths, lazy percussion, fuzzy guitars and its addictive backwards vocal lines.
Pounding drum patterns and soaring melodious guitars ride throbbing bass frequencies and sequenced bleeps as they circumnavigate beautifully serine vocalisations before ‘Double Dream’ explodes into a mesmerising finale swiftly followed by the tremulous opening guitar tones of ‘Arrows’ and it’s cascading bass lines, hypnotic drum patterns and those shimmering reverberations. Wavy instrumentation coupled with a serine piano progression and instantly refreshing vocal samples herald the arrival of the deliciously dreamy ‘Parachutes’ whilst the driving percussion of ‘Night Animation’ swirls delicately in a hazy modern dream pop vibe underscored at times with acres of reverberation, soaring layered guitars and shimmering vocalisations. The experimental leanings of ‘Parallels’ wash over this listener as sparse drum patterns, humming bass frequencies and swooshing guitar drones circumnavigate that laid back vocal performance allowing moments of sonic abandonment to pierce the normally rigid song structures created by the band. The album swoons as ‘Infinity Maps’ undulates into audible range tumbling effortlessly in a whirlwind of beautifully intense frequencies permeated by the hypnotic swing of the drums before the instrumental pause that is ‘Niagara’ pulses on swathes of comforting atmospheric synth and sequenced bleeps & whirrs.
‘New Colours’ oozes sonic brilliance as its captivating dream pop leanings bob and weave on layers of hazy guitar, steadying percussion, throbbing melodious bass lines and entrancing vocal lines. There are subtle moments of woozy shoegaze bubbling up at times throughout this track as lead guitar lines whip and cajole resonating frequencies, pushing them through layers of reverb and whammy bar theatrics. ‘Aurora Shift’ moves back into a more experimental patch as a bouncing bass line rides giddying sequenced percussion and swirling synth swells before the instrumental 'Glass Cathedrals' surges through layers of sticky delay, hazy reverb and turbulent drones. Up next, the brilliant ‘Gold Lines’ doffs it's well worn cap to those early 90’s shoegaze stalwarts as it undulates into the ether on a tremulous wall of reverb hued guitars and steadying percussion. Addictive lead progressions pull another intense vocal performance out into the light accompanied by growling passages of soaring shoegaze and cascading bass frequencies. Possibly my favourite track on the entire release, ‘Gold Lines’ doesn’t disappoint. The albums penultimate piece entitled ‘Otherside’ swoons into earshot on a beautifully intense wave of synth and droning guitar as metronomic percussion and a throbbing bass line announces a beautifully effervescent vocal take. The albums closes out on an infectious footing as tumbling vocals intertwine with backwards guitars and addictive production as ‘Magic Numbers’ bookends a fascinating collection of tracks.
Panda Riot never fail to impress me. Their grasp on what is relevant in this modern underground shoegaze & dream pop scene is as evident as ever on this new album. Collectively the quartet move effortlessly through passages of experimentation and ambient exploration whilst keeping a firm grip on their core D.I.Y values, drawing on slivers of wide ranging influence to create magnificent modern sounding standalone pieces alongside their well crafted early 90’s inspired soundtracks that keeps them consistently relevant in todays ever evolving scene. Some folks might find that eighteen tracks is a chore to get through in one sitting but I can guarantee that each one will captivate and hypnotise both old and new fans alike.
Impressive return to form.
Del Chaney has spent the last four years dedicating his time to uncovering the best artists in the unsigned or small independent label based shoegaze, ethereal dream pop, post punk & modern psych rock from all over the globe & reviewing them for this blog - The Primal Music Blog. He is also a contributing writer for The Sound Of Confusion (Now On Hiatus). His other arm - Primal Radio - has gained considerable respect from bands and promoters alike since its conception in 2013 & has helped him in actively promoting a genre of music that he is passionate about. Hailing from Dublin, Ireland, he is a keen Vinyl Collector, Tattoo Fan & all round good guy! He is a self confessed music freak & is never far away from a studio console or a turntable.
ARTIST: Secret shine
RELEASE: There Is Only Now
RELEASE DATE: 16th March 2017
RECORD COMPANY: Saint Marie Records
Bristol based 'Secret Shine' have been flittering between shoegaze, indie-pop and dream-pop since their humble beginnings back in the early 1990's and during their illustrious career have released some mesmerising albums to boot. Now on the back of 2016's reissuing of their seminal album 'Untouched', 'Secret Shine' have unleashed a brand new album entitled 'There Is Only Now' via the elusive Texas based independent record label 'Saint Marie Records'. Filled to the brim with ten shimmering new tracks for you to fall in love with, ten tracks that skip nonchalantly between harmonious hook laden guitar progressions, post-punk inspired keyboard fills, soaring melodious vocal tracks and blissed out hazy passages of sonic serenity, 'There Is Only Now' is a stunning return to form from a band who helped to shape this scene into what we know it as today. It was released back on the 16th march 2016 and it is available to buy/download right now on various formats via saintmarierecords.bandcamp.com
There Is Only Now by Secret Shine
The album opens with ‘Burning Stars’, shimmering vocal lines permeate layers of blissed out reverb as melodious synth swells bubble and move through charging guitar progressions and steadying drum patterns. Catchy hooks and monumental production lift this track skywards as ‘Secret Shine’ unleash a mesmerising chorus progression dragging this listener with it as its streams out into the sonic ether. Up next, ‘All In Your Head’ swirls effortlessly through a turbulent synth drone and tremulous guitars before unleashing a beautiful vocal line accompanied by cascading synth patterns and steadying percussion. This track builds and builds brilliantly throughout before tumbling into a shimmering ball of blissful sonic energy. ‘Dirty Game’ shimmies into earshot on a bedrock of metronomic percussion, throbbing bass frequencies and growling guitars as stunning synth lines weave and meander in and out of fantastic vocalisations and brilliant production whilst ‘Drift Away’ throbs and pulses on waves of melodious bass lines, soaring synth and otherworldly vocalisations. There’s a subtle but brilliant hint of 80’s post-punk emanating through the noisier moments on this track that catch you off guard but for the most part it flows effortlessly through hazy shoegaze passages dipped at times into a dreamy pot of loveliness.
‘To The Well’ bounces into earshot on a marvellous bass signature permeated by the constant plink of synth, the thud of a bass drum and the whoosh of sparse percussion. Floating vocalisations with magnificent duel backing lines ride the collective instrumentation before all hell breaks loose and we’re travelling at break neck speed through a soaring spread of resonating frequencies as ‘Secret Shine’ turn up the heat and pulse wave after wave of stunning sound waves out into the ether. Up next, ‘For You’ growls into existence strapped to a noisy guitar drone before a blinding wall of beautiful noise pummels the senses. Lazy percussion, humming bass lines, reverb laden guitars and sequenced synth swells envelope haunting vocalisations before collectively drenching this listener in a blissed out wave of euphoria. ‘For You’ is absolutely stunning and is my favourite track on the entire album. ‘Snowglobe’ glistens as it loops and arcs through meandering duel vocal lines and sublime instrumentation before ‘Falling Again’ screams into the ether on pounding drums, catchy guitar lines and sublime vocals that instantly transport this listener back to the early 90’s.
The albums penultimate piece pulses into audible range on a pulsating synth progression before unfurling repetitive drum patterns and a soaring wall of reverb laden guitars. ‘Things I Said’ is beautifully produced and it swirls around another stunning vocal take filled with stunning backing lines and shimmering instrumentation. The album closes out with another synth laden masterpiece. ‘Make Me You’ floats into the ether and gently caresses the listener with haunting vocal lines and charging guitars, cascading bass lines and meandering synth swells. A brilliant end to a marvellous return to form.
ABOUT THE AUTHOR:
Blue Garden by Un.Real
Based in Isabela, Puerto Rico & Influenced by seminal artists such as My Bloody Valentine, Slowdive, The Cure & Ride ‘Un.Real’ (Pronounced in Spanish) became the first shoegaze band in Puerto Rico. Conceived after the death of MTV’s ‘Alt. Nation’ the band started with their first show at the now legendary Longbranch Pub back in 1995. It has continued over the years as a medium for Perez & company to create unrestricted music. Their sound is firmly rooted within the shoegaze stable with subtle hints of blissful dream-pop thrown into the mix for good measure. With a plethora of releases under their belts 'Blue Garden' is the bands first single release since 2015's 'Kids Are Astronauts / Drones' with both singles lifted off their forthcoming full length album 'Islands' penned in for release sometime this summer. The single is available to buy/download right now from unrealpr.bandcamp.com
'Blue Garden' shimmers as it enters into earshot, trembling effortlessly on a bed of hazy guitars and glistening cymbal splashes. Glorious lead hooks loop and arc in and out of lazy percussion & the translucent hum of bass frequencies that gently wrap themselves around that sublime vocal track with stunning aplomb.
Melbourne based atmospheric dream/gaze duo 'VHS Dream' have unleashed a brand new video to accompany the third and final single to be lifted from their sublime 2016 released full length 'Departure'. The track is called 'So High' and it marks a highlight for us lot here at Primal as we had previously picked this track out and lavished it with high praise back in 2016. The duo are made up of Matthew Hosking - vocals/guitar & Mayzie Cocco Wallen - vocals/guitar and their collective sound is inherently shoegaze in orientation with blissful waves of glistening dream-pop streaming through it's inner core.
Unfortunately, since the release of this single the band have announced that they are taking a break from recording but you can get your hands on 'So High' and indeed their back catalogue by heading over to vhs-dream.bandcamp.com
The stunning accompanying video was created video artist Stephanie Peters.
Phoenix based desert-gaze trio ‘Citrus Clouds’ have announced a brand new video to accompany the latest single entitled 'Shapes And Things' to be lifted from their debut full length album entitled ‘Imagination’, released back in November 2016 via Custom Made Music. The band are made up of Eric Pineda, Stacie Huttleston & Angelica Pedrego and collectively they create stunning soundscapes that swim effortlessly through swathes of reverberating shoegaze and addictive, dreamy vocal lines that are impressively underpinned by steadying percussion and sublime instrumentation.
'Shapes And Things' drives into the ether on a wave of distorted guitars and thunderous drums. It’s bass frequencies hum as the vocal’s easily enter the maelstrom of noise, bringing with them a refreshing air of clarity as the sonic whirlwind loops and arcs throughout the entire soundscape.