Pia Fraus- Field Ceremony - Featured Image - (700x700)

ALBUM REVIEW | Pia Fraus - Field Ceremony

ARTIST: Pia Fraus 

RELEASE: Field Ceremony 

RELEASE DATE: 16th October 2017

RECORD COMPANY: Seksound Records (EU) Shelflife (US) Vinyl Junkie (JPN)

Estonian dream-poppers 'Pia Fraus' formed in 1998 and released four studio albums and a handful of EP's on various record labels worldwide. Their collective sound is a sublime mixture of dream-pop, subtle shoegaze and beautiful electronica all topped off blissfully with shimmering layered vocalisations. The band are made up of Eve Komp - vocals/synths/metallophone, Kärt Ojavee - synths, Rein Fuks - guitars/vocals/percussion, Reijo Tagapere - bass and Margus Voolpriit - drums and after a ten year hiatus they have returned with a brand new album entitled 'Field Ceremony', to be released on October 16th 2017 via Seksound Records (EU) Shelflife (US) &  Vinyl Junkie (JPN)  with former member Kristel Eplik returning to record backing vocals and former drummer Joosep Volk also returning to direct the video for 'That’s Not All'. The full album is available to pre-order right now on various formats from the aforementioned record companies.

Entrancing sound waves swirl and meld effortlessly with the uplifting sweep of fizzing synth and woozy pull of reverberating guitars as ‘It’s Over Now’ unfurls it’s sonic tendrils and wraps itself around steady percussion and the throb of luscious bass frequencies. The repetitive vocal line floats effortlessly alongside sweeping electronics and the buzz of fret noise that steadily builds into a majestic crescendo of noise accompanied by the ghostly refrain of undulating reverb. ‘Never Again Land’ moves brilliantly through catchy chord changes and hazy instrumentation as a busy percussive pattern pulses through a pre-ordained flight path. The glorious duel vocal attack is simply mesmerising and it glides on waves of swirling synth, the hum of bass and those resonating guitar lines before collectively pausing for breath, held fast in a sticky lysergic hued instrumental break anxiously awaiting ejection into a grand finale. Up next, ‘Autumn Winds’ howls into audible range heckled by a screaming synth line before exploding into a colourful cacophony of sound. It charges headlong into a catchy melody driven fog filled with swirling almost incantational reverberations. Steady percussion, soaring synth and pulsing bass lines allow addictive guitar progressions to wrap themselves around another impressive vocal performance that loops and arcs brilliantly throughout the sonic ether.

‘Mountain Trip Guide’ rattles into existence on a lazy drum pattern as pulsating bass frequencies, fizzing electronics and surging synth swells glide in close proximity. Beautiful vocalisations swirl through catchy hook laden guitar progressions whipped by reverberating lead lines and addictiveness of effected slide guitar. ‘No Filters’ floats effortlessly on the up draft of impressive synth swells, the metronomic thud of percussion and the swirl of reverb as ‘Pia Fraus’ deploy a modern dream-pop gem. Shimmering guitars accompanied by the whirl of organ push the tempo on as the track builds momentarily before pulling back and gently descending to a final stop whilst ‘Endless Clouds’ lurches into a organ filled whirlwind peppered by the thrill of tremulous guitars and explosive drum patterns. Intense melody accompanies those gorgeous vocalisations as pulsating bass progressions wind their way through cascading synth and the pull of luscious reverb. Up next, the opening bars of 'Sugar High Of The Year' erupt into an fuzzy sonic behemoth filled with explosive percussion, raging guitars and soaring synth swells. The track echoes through quieter moments of instrumentation allowing the vocals to move through those impressive verse patterns before exploding into a mesmerising display of blissed out noise.

‘Don’t Tell Me How’ is simply divine and it shimmers and glides through undulating waves of instrumentation that glisten with graceful lustre, drenching melancholic vocalisations in scintillating reverberation that echoes and lingers with every single note, chord change or plucked string. It’s deeply infectious and beautifully constructed making it an album highlight for me. The albums penultimate piece entitled ‘Brutal Truth Of The World’ opens up pulsing atmospherically through massive walls of hazy reverb hued guitars. Slow moving percussion, circumnavigated by the constant sweep of synth and the undulating rumble of bass accompany another impressive duel vocal performance laced with stunning melody that collectively leads the listener through pretty impressive instrumental passages of sonic light and shade right up until its finale. The album closes out with ‘That’s Not All’, a turbulent sonic whirlwind filled with woozy guitars, charging drum patterns, the plink of synth and the throb of bass frequencies all wrapped around those stunning melody driven vocalisations. A fitting ending to an absolutely marvellous album.

4/5

LINKS:

piafraus.bandcamp.com

facebook.com/PiaFraus

seksound.com

ABOUT THE AUTHOR:

Del Chaney - (Author Photo)

Del Chaney has spent the last five years dedicating his time to uncovering the best artists in the unsigned or small independent label based shoegaze, ethereal dream pop, post punk & modern psych rock from all over the globe & reviewing them for this blog - The Primal Music Blog. He is also a contributing writer for The Sound Of Confusion (Now On Hiatus). His other arm  - Primal Radio -  has gained considerable respect from bands and promoters alike since its conception in 2013 & has helped him in actively promoting a genre of music that he is passionate about. Hailing from Dublin, Ireland, he is a keen Vinyl Collector, Tattoo Fan & all round good guy! He is a self confessed music freak & is never far away from a studio console or a turntable.


Shoegazer Sanctuary Records - Dreaming In Sound - VA - Featured Image - (700x700)

ALBUM REVIEW | Shoegazer Sanctuary Records - (V/A) - Dreaming In Sound

Shoegazer Sanctuary Records - Dreaming In Sound - Post Image - (300x300)ARTIST: V/A

RELEASE: Dreaming In Sound 

RELEASE DATE: 15th September 2017

RECORD COMPANY: Shoegazer Sanctuary Records

Our good friends over at 'Shoegazer Sanctuary Records' have compiled yet another no-nonscense, anti-inner sanctum, genre-defining collection of worldwide artists in the guise of their latest compilation release aptly titled 'Dreaming In Sound'. As you are probably all aware we're usually not ones for reviewing compilation releases here at Primal Music as most of the time they do absolutely nothing for the artists involved and we've always found that they're either full of the same old, same old bands & featured artists or it's just another blog, webzine or net label trying their luck by forcing us into another click bait exercise. It's all a very disappointing & mundane exercise to be honest. 'Shoegazer Sanctuary Records' are the exception! They've released three immense compilations so far without fuss or bother. They didn't add the usual heavy hitters from the underground psych/gaze/ethereal/ambient scene just to get Facebook likes or numbers across a blog. They didn't annoyingly force the release into our inbox either by harassing or tagging us in their social media posts. They purposefully & honestly decided on each artist by their sonic individuality (and not by their social standing). We really dig that! Their latest compilation release entitled 'V/A Dreaming In Sound' was released back on September 15th 2017 and it features twenty three artists from the world wide dream pop, dream wave, dream noise & ambient scene and as usual the label have put this out as a 'Name Your Price' tariff via shoegazersanctuaryrecords.bandcamp.com

The album opens up with the fantastic Mississippi based dreamscape duo 'The Starlight Run' and their track 'Lower', lifted off June 2017's 'Let's Float EP'. It glides on shimmering streamlined reverberations deftly underscored with repetitive percussion, soaring synths and hazy vocalisations. A blistering opening salvo indeed. Up next, Alaska's 'A Thousand Hours' bring 'Bleach' to the party. Lifted off their recently released full length album 'Sleep' this track is a simmering cloud of droning instrumentation and jangling reverb hued guitar progressions. Sporadic percussion adds a heavy atmosphere allowing that stunning wall of vocal tracks to penetrate the gloom and drench this listeners ears in glorious sonic joy and that's followed brilliantly by Swedish based dream-gazers 'Weather Island' with their stunning January 2017 released single 'The Eternal'. A massive wall of hazy guitars pound the senses as misty vocalisations swirl in the maelstrom buffered by meandering lead lines and huge chord changes. French based 'Fools Ferguson' appear here supported by 'The Alohama Lakes', a track lifted off their sublime January 2017 released album 'Dead Lines'. This track is a slow and yearning piece of heavy dream-pop whilst California based 'The Fawns Of Love' are up next with their decent track 'Silly Boy' lifted off 2017's 'Who Cares About Tomorrow'. This band are a constant enigma to me as they have seriously great potential but seem to care more about blog, webzine & American based online radio coverage than anything else. Either way 'Silly Boy' swoons into the ether held fast within a whirlwind of tremulous guitars and repetitive sequenced percussion. Add into the mix the dreamy vocalisations of Jenny Andreotti and what we have is a shimmering wall of translucent dream pop underscored by a flurry of shoegaze impressions, impressive instrumentation and some fantastic production.

Nathan Guzman aka 'Southpavv' is a Californian based dream-gaze artist and he is supported on this compilation by his mesmerising track 'Saturday Night 1997' lifted off an EP of the same name released back in June 2017. Luscious walls of swooning guitar & effervescent synth float effortlessly on the serine hum of bass frequencies as sequenced percussion lulls sweetly beneath the intoxicating swirl of reverberation. 'Saturday Night 1997' is a stunning track and a great addition here. Michigan based 'Cesium Swimsuit' appear next and they bring some rather mundane electro-gaze to the mix with their track 'Particles' whilst up next 'Wintermilk' hail from Russia and they fuse blissed out dream-pop and luscious synths together with almost ethereal vocalisations on their track 'Lots Of Light' lifted off their May 2017 released debut album 'Pretty Ugly'Florida based 'Zooey' create stunning blissed out dream-gaze and they are well represented here by a track called 'Never Was' lifted off their debut album entitled 'Bottlerocket', released back in April 2o17. Hazy walls of melodically infused instrumentation languish in pools of intense reverb as shimmering vocalisations float effortlessly throughout the mix firmly tethered to the earth by those impressive drum patterns. This is a beautiful track worthy of your ears. Virginia based 'Distant Creatures' have been wowing the underground shoegaze fraternity ever since the release of their immense two track single entitled 'Escape' back in September 2016. 'Haunted By You' appears here and it's is lifted from their recently released thirteen track opus entitled 'Snares In Safe Harbours'. It's a dreamy slice of reverberating joy permeated by luscious vocalisations, throbbing bass frequencies, surging synth swells and driving guitars. Andy Jossi aka 'The Churchill Garden' has worked with countless vocalists and used them to bring his sonic visualisations to life. Here he has supplied is latest track entitled 'Breath' fronted by Ben Aylward from Australian based outfit 'Swirl'. His vocal moves and undulates in a mesmerising manner capturing moments of melancholic abandonment as it pulses through wave after wave of magical instrumentation whilst up next UK based 'beatastic' appears here with his track 'Always Us', an atmospherically charged synth driven electro-gaze outing lifted off his 2016 released twelve track entitled 'Staticity'.

Texas based dream-gazers 'Blushing' have supplied their track 'Tether' lifted off an EP of the same name released back in January 2107. 'Tether' has gentle guitars that leads the way into a well written melodic structure built around the slow tap of drums, well mixed and comfortable bass and the noisy but ethereal influenced guitars. Special credit to the fantastic and memorable chorus, in which two soaring female vocals meld mesmerizingly with the instrumentation to create a beautiful and original type of sound. Liverpool based dreamy trio 'Cascadia Fault Line' appear here with an alt/indie acoustic track entitled 'Firefly', a run of the mill add reverb for effect sort of thing, lifted off their recently released two track single 'Firefly/Counting Kings On Rainy Days' whilst up next Texas based 'Creature In The Spiral' balance the playing field once again with their sublime dream laden track 'Anodyne', a simmering slice of melodic dream-pop that floats effortlessly on streamlined waves of tingling reverb, subtle synths and stunning vocalisations. Brazilian based post-gaze outfit 'Alles Club' unleash their explosive track 'Eclipse' lifted off their recently released three track remix package of the same name. Melodic guitar lines merge with huge walls of hazy atmospheric reverb, humming bass frequencies, ghostly vocalisations and busy percussion to collectively inject a massive lysergic ball of sonic energy out into the ether. 'Eclipse' is a triumphant addition to this collection of tracks by a band who I will be checking out further. Experimental duo 'Mayu' join forces with the ever reliant 'Tom Lugo' (Panophonic, Stellarscope, Patetico Recordings) to create an atmospherically dreamy ambient hued track entitled 'Mayu-Quiero Despertar', originally released back in November 2016. Danish based 'Keith Canisius' appears next, bringing his brand of spaced out electronica to the fore in the guise of 'We Gotta Get Going', a busy synth laden affair with repetitive sequenced percussion and huge spaced out chorus breaks. The compilation takes some what of a confusing twist here with the addition of two cover versions. The first is a cover of New Order's 'Temptation' by Maryland based 'Soñder' and it's followed by a cover version of The Byrds track 'It Happens Each Day' by 'Daydream Cathedral'. If you are into this sort of thing by all means check them both out but as I'm completely against cover versions appearing on underground releases I'm going to take a step out and move quickly on.

Tennessee based 'HR_Lexy' released her five track EP 'Nature Vs Neon' back on February 21st 2015. Her sound echoes through electronically charged gothic mysticism with dreamy ambient hued overtones and lashings of atmospheric synth, reverb and sequenced percussion. Her track 'You're Not Mine' is lusciously addictive and stands out here as a major positive. The albums penultimate track comes from Melbourne based droning alt-psych aficionados 'Seasloth'. Their latest album 'Somnuiva' was released on the 5th September 2017 and it is represented here with a track entitled 'Scarlet'. Throbbing bass lines bounce into the sonic ether tethered to subtle atmospherically charged drones and intense vocalisations. Brilliantly executed guitar progressions and the occasional instrumental drone wraps itself around cascading bass frequencies as dark malicious sound wave envelopes the entire track. 'Scarlet' is absolutely absorbing making 'Seasloth' a band to check out going forward. 'Dreaming In Sound' closes out with a track called 'Low Valley Low' by Washington based electronic dream-pop du0 'Static Shore'. This track is lifted off their July 2016 released five track EP 'Life & Love In The Hologram' and it's a shimmering synth laden slice of summery electronica with beautifully entrancing and utterly dreamy vocalisations underscored by sublime production. A fitting ending to another fantastic collection of tracks.

4/5

LINKS:

shoegazersanctuaryrecords.bandcamp.com

twitter.com/JShoegazer

facebook.com/groups/shoegazersanctuary/

facebook.com/shoegazersanctuaryrecords/

ABOUT THE AUTHOR:

Del Chaney - (Author Photo)

Del Chaney has spent the last five years dedicating his time to uncovering the best artists in the unsigned or small independent label based shoegaze, ethereal dream pop, post punk & modern psych rock from all over the globe & reviewing them for this blog - The Primal Music Blog. He is also a contributing writer for The Sound Of Confusion (Now On Hiatus). His other arm  - Primal Radio -  has gained considerable respect from bands and promoters alike since its conception in 2013 & has helped him in actively promoting a genre of music that he is passionate about. Hailing from Dublin, Ireland, he is a keen Vinyl Collector, Tattoo Fan & all round good guy! He is a self confessed music freak & is never far away from a studio console or a turntable.


When The Sun Hits - Immersed Within Your Eyes - Featured Image - (700x700)

EP REVIEW | When The Sun Hits - Immersed Within Your Eyes

When The Sun Hits - Immersed Within Your Eyes - Post image - (300x300)ARTIST: When The Sun Hits

RELEASE: Immersed Within Your Eyes

RELEASE DATE: 22nd September 2017

RECORD COMPANY: Saint Marie Records

Nottingham based 'When The Sun Hits' unleash their debut six track EP entitled 'Immersed Within Your Eyes' to the masses on September 2snd 2017 via the good people over at 'Saint Marie Records'. With a great name and a deeply melodic sound that echoes through swathes of luscious reverb and delay, 'When The Sun Hits' write catchy hook laden soundscapes that both mesmerise and amaze all at once. The EP gets it's full release on various formats over the next few weeks with all information available via saintmarierecords.com

A meandering sonic drone ushers in track one ‘The Last Light’ as ethereal fret noise swirls through the ether underscored brilliantly by the repetitive hit of percussion and the surge of swirling reverb hued guitars. Floating vocalisations ride a wave of glistening sound waves that loop and arc throughout, adding another layer of intense frequencies into the already burgeoning mix thus allowing this track to have a melodic way point to focus on deep within the massive wall of noise. Up next, ‘Lie To Me’ ambles into audible range on a wave of tremulous guitars and a melodic hum of cascading bass frequencies. Yearning vocal lines add atmosphere as the track builds and builds into a thunderous chorus break filled with incredible swathes of reverb and skittish percussion.

80’s inspired sequenced synth lines announce the opening salvos of the instrumentally inclined ‘Twilight’. They build in intensity adding reams of ambient melody before buffering into obscurity and allowing a beautiful guitar progression to fill the sound space as my favourite track on the entire release 'Stereopium' unfurls it’s sonic tendrils and envelopes another stunning vocal take. Atmospheric synth swells bubble from far below melding effortlessly with that repetitive guitar progression, the steadying drum pattern and the brilliant production values. The EP’s penultimate piece entitled ‘Lovedead Town’ charges into the ether on explosive percussion and turbulent reverberation. Beautiful vocalisations take centre court here as raging guitars intertwine with the throb of bass and subtle hint of synth to collectively tumble into a maelstrom of beautiful noise and as the chorus break kicks it drags this listener with it into swirling cacophony of blissed out sound. The EP closes out with a slice of swriling instrumental shoegaze. ‘Coopers Secret’ rides a wave of instrumental noise that loops and arcs through swathes of shimmering reverberation. An ambient inspired ending to a rather interesting EP.

4/5

LINKS:

saintmarierecords.com

facebook.com/whenthesunhitsmusic

whenthesunhits.com

twitter.com/wtshband

ABOUT THE AUTHOR:

Del Chaney - (Author Photo)

Del Chaney has spent the last five years dedicating his time to uncovering the best artists in the unsigned or small independent label based shoegaze, ethereal dream pop, post punk & modern psych rock from all over the globe & reviewing them for this blog - The Primal Music Blog. He is also a contributing  writer for The Sound Of Confusion (Now On Hiatus). His other arm  - Primal Radio -  has gained considerable respect from bands and promoters alike since its conception in 2013 & has helped him in actively promoting a genre of music that he is passionate about. Hailing from Dublin, Ireland, he is a keen Vinyl Collector, Tattoo Fan & all round good guy! He is a self confessed music freak & is never far away from a studio console or a turntable.


Close Encounters - First Light - Featured Image - (700x700)

EP REVIEW | Close Encounter - First Light

Close Encounters - First Light - Post Image - (300x300)ARTIST: Close Encounter

RELEASE: First Light

RELEASE DATE:12th July 2017

RECORD COMPANY: Look Up Records

Smooth smooth smooth are the guitar tinkerings, strums and jazzy drums at the beginning of Seattle based dream-gaze band 'Close Encounter'. Their debut EP entitled 'First Light' is influenced and inspired by pysch-rock just as much as it is influenced and inspired by shoegaze, dream-pop and alt-rock. Across the EP, the band utilize the much more layed back and ‘soft-rock’ side of dream-pop and smooth trip-hop-esque soundscapes, equating to a relaxing and pleasant listening experience that is to often forfeited by other artists under the belief it tampers with ‘high artistry’. The band are made up of Bill Darksoft, Bobby Sydney, Cameron Lambert & Matt Conlen. 'First Light' is available to buy/download right now on various formats from closeencounterband.bandcamp.com

'First Light' begins with ‘Lumina’, soft jazz-like drumming plays over the top of soothing guitar tinkering and the backing strum of another reverbed guitar. The vocals, when introduced, are as laidback as the music; creating a communal sense of freedom and loose-ness in the music. Altogether, it conjures into a beautiful and whimsically intelligent soft rock, dreamy ballad-ish tune… Only to be eclipsed by the track that follows it. That track is ‘Fade Away’ which instrumentally presents itself much more upbeat, and whose guitar passages are more weaving and involved than on ‘Lumina’. Lyrically, things seem as day-dreamy and soothing as ever, with a darker undertone of questioning the concept of wandering through things. It is too often easy for dream pop tracks to appear nostalgic and contemplative in their presentation of beauty and warmth, but 'Close Encounter' manages to capture that mood with a more interesting and engaging form of song writing. ‘See The Sun’ turns down the reverb and instead goes for a more alt-rock feel: while the drums pad away in the background, forming the structure of the song, a keyboard plays a fantastically catchy line of music before the band dive into a jangle pop inflused type of dream pop. Although there are exceptions, the lyrics on ‘See The Sun’ are somewhat weaker and sound more throw-away compared to on previous tracks. The second half of the track turns into more pysch-rock territory, maintaing the aforementioned upbeat feel.

Things stay as mellow ever on ‘Reappear’, an EP highlight complete with soaring vocals and melodic drumming. The song is also backed with what sounds like the ooze and breeze of a synthesizer, adding a whole other dimension to the track. If the previous tracks on First Light could be played at the beach while the sun set, ‘Reappear’ would be an applicable track to play on your way back from the beach; the cars roof recedes, the sun sets, hair flows; a kind of nostalgia-laced relief blows in the wind. ‘Tuff Time’ slows down things to a speed akin to the opener ‘Lumina’, drifting on the back of a neat bouncing cymbal performance by the drums and the distant strumminngs of the guitars. A small but extremely pleasurable solo sneaks its way into the song somehow as well. One of the only songs that sounds like a true album filler, or perhaps a B-Side kind of track, is the song ‘Halo’. While attempting to touch upon more slowed down psych elements explored previously on the EP, the band become background music in the most bland way, rendering the track less impressive than some of the other engaging yet relaxed gems on the EP. ‘Channels’ turns things more to an indie rock spectrum, and while crafting a nice and rhythmic tune, it sort of recedes into the background of the EP as a whole.

'First Light' has many beautiful and enjoyable qualities about it. And much in the same way as 'Pastel Coasts' music does, the thematic elements of deep and care-free yearning seem to loom around the bands music (in a good way.) There is an easy way to put it: this is beautiful music… And while the EPs second side becomes lacklustre at times in comparison to the first, it nevertheless shows a band that are well versed in crafting a tune, painting a picture and performing admirably together. These things are achieved swiftly through production, performance and sound.

4/5

LINKS:

closeencounterband.bandcamp.com

closeencounter.band

ABOUT THE AUTHOR:

Cam Phillips is a writer and above all, a music lover, who seeks to gain experience through writing and listening. He is also an avid film viewer and art and literature junkie who enjoys creative writing. His most recent published work was featured on Baeble Music and Culture (USA), Sounds and Colours Magazine (Latin America, London), Easterndaze (Latvia) and the Australian based heavy music blog, I Probably Hate Your Band.


Ask For Joy - Corsets - Featured Image - (700x700)

NEW SINGLE PREMIERE | Ask For Joy - Corsets

Sublime Austin based dream-gaze aficionado Aaron Rossetto aka 'Ask For Joy' has unleashed a stunning new single entitled 'Corsets' lifted off his forthcoming five track EP 'A Blow And A Kiss' penned in for release on the 10th September 2017. For those of you who are new to his music, Aaron has an uncanny ability of creating musical standards that swim in lush, shimmering & dreamy reverb that wraps itself effortlessly around the exoskeleton of every single track that he writes, leaving every one of his listeners blown away with the final results. 'Corsets' is available to buy/download right now via askforjoy.bandcamp.com

'Corsets' unfurls it's sonic tendrils tumbling through layers of shimmering reverb as sparse percussion resonates through the swirl of guitar and the echo of a simplistic vocal line. There's a hint of post-punk bubbling under the surface of this dreamy track as it meanders and arc's brilliantly along a luscious predestined verse/chorus route before 'Ask For Joy' dismisses the haze and explodes into a blistering melting pot of shimmering instrumentation including the addition of a trumpet line that fits into this piece effortlessly. This track  is impressive, the sonic experimentation on it is most definitely inspired ... roll on the full EP!

Recommended!

LINKS: 

askforjoy.com

bandcamp.com/askforjoy

twitter.com/askforjoy

facebook.com/AskForJoy


Ummagma - LCD - Featured Image - (700x700)

EP REVIEW | Ummagma - LCD

Ummagma - LCD - Post Image - (300x300)ARTIST: Ummagma

RELEASE: LCD

RELEASE DATE: 22nd September 2017

RECORD COMPANY: Label Obscura & Somewhere Cold

It's always a pleasure to feature new music from the fantastic Canadian based electronic dream-pop/shoegaze duo of Shauna McLarnon (vocals) & Alex kretov (multi-instrumentalist) aka Ummagma and I take any release from them as a sign that all is well within this burgeoning underground music scene. Never ones to shy away from challenging their musical boundaries, Ummagma continuously push the sonic bar higher and higher with every single one of their releases and this latest four track EP entitled 'LCD' is no different. It features three stunning remixes by two legendary musicians, the fantastic Dean Garcia (SPC ECO/Curve) and the masterful Robin Guthrie of Cocteau Twins fame, both with wide and varying musical styles but who both shine and buff, twist and reshape some of Ummgama's finest tracks into absolutely incredible soundscapes. The EP gets its full release through both 'Label Obscura (Cassette)' and 'Somewhere Cold Records (CD)' on the 22nd September 2017 with pre-orders available right now on various formats via ummagma.bandcamp.com

The EP opens up with ‘LCD’, a beautifully entrancing track with a vocal attack that is simply breathtaking. Both McLarnon and Kretov are back to their best with this deeply experimental eastern esoteric take on their usual electronic dream gaze fair. Punchy drum patterns hold court as surging synth, bouncing frequencies and fizzing electronics swirl effortlessly around a rather interesting vocal performance. Up next is the first of three remixes; ‘Dean Garcia (CURVE/SPC ECO)’ injects some hard hitting industrial sounds into ‘LCD’ turning it into a crawling electronic monolith with dark atmospheric undertones whilst ‘Robin Guthrie (Cocteau Twins)’ sprinkles some shimmering sonic stardust over the insatiably melodic ‘Lama’ (lifted off Ummagma’s debut album ‘Antigravity’) turning it into a bright and airy soundscape that seems to suit Shauna McLarnon’s vocal prowess immensely, offering them up in a whole new light.

The EP closes out with yet another ‘Dean Garcia (CURVE/SPC ECO)’ remix. This time he turns his attention to ‘Back To You’ (again lifted from Ummagma’s 2012 debut album ‘Antigravity’) and he doesn't disappoint. Fans of Massive Attack and Stereolab will love the wide expansive spaces and the huge swathes of reverb injected into this piece, deftly underscored by a hard hitting percussive swagger and airy dual vocalisations courtesy of Shauna McLarnon & Alex Kretov respectively.

Recommended!

4/5

LINKS:

ummagma.bandcamp.com

facebook.com/ummagma

twitter.com/ummagma

ABOUT THE AUTHOR:

Del Chaney - (Author Photo)

Del Chaney has spent the last five years dedicating his time to uncovering the best artists in the unsigned or small independent label based shoegaze, ethereal dream pop, post punk & modern psych rock from all over the globe & reviewing them for this blog - The Primal Music Blog. He is also a contributing  writer for The Sound Of Confusion (Now On Hiatus). His other arm  - Primal Radio -  has gained considerable respect from bands and promoters alike since its conception in 2013 & has helped him in actively promoting a genre of music that he is passionate about. Hailing from Dublin, Ireland, he is a keen Vinyl Collector, Tattoo Fan & all round good guy! He is a self confessed music freak & is never far away from a studio console or a turntable.


NEW SINGLE PREMIERE | Citrus Clouds - Life Happens

The fantastic Pheonix based desert-gaze trio of Stacie Huttleston, Erick Pineda and Angelica Pedrego aka 'Citrus Clouds' have returned with the stunning lead track from their forthcoming seven track EP 'Ultra Sound' penned in for release on the 22nd September 2017 via Custom Made Music. The track is called 'Life Happens' and you can buy/download it right now via citrusclouds.bandcamp.com

'Life Happens' trembles on a quivering bass signature before opening up into a swirling maelstrom of mind numbing reverberations held fast to a punchy percussive swagger and overlaid by majestic vocalisations. A repetitive lead guitar line races in and out of the collective instrumentation casting magical sonic spells throughout the ether. This track is throughly addictive! It's possibly their best release so far and that fact only bodes well for the forthcoming EP.

Recommended!

LINKS:

citrusclouds.bandcamp.com

facebook.com/citrusclouds/

twitter.com/Citrus_Clouds


Dazy Crown - I Don't Need A Jacjket - Featured Image - (700x700)

EP REVIEW | Dazy Crown - I Don't Need A Jacket

Dazy Crown - I Don't Need A jacket - post image - (300x300)ARTIST: Dazy Crown

RELEASE: I Don't Need A Jacket

RELEASE DATE: 16th June 2017

RECORD COMPANY: Hazy Dog 

Norwich based 'Dazy Crown' have just unleashed a brand new four track EP brilliantly titled 'I Don't Need A Jacket' via the independent record label 'Hazy Dog'. The band began life back in 2015 as the solo project of guitarist and vocalist Thomas Little before fleshing it out into a quartet with Philip Jones on guitar, Thomas Rees on bass and Theo Lewis on drums. Their collective sound sits firmly within the jangling lo-fi/garage catagories of music but it is also infused with stunning melody and subtle passages of dreamy psych-pop. 'I Don't Need A Jacket' is available to buy/download right now on various formats from hazydog.bandcamp.com

The EP opens up with 'Euphoria'. A beautifully translucent lead guitar line runs throughout as cascading bass frequencies hover just below the mix hugging a steady drum track and the hum of rhythm guitar, collectively enveloping that melody driven vocal line in it's entirety. A stunning opening salvo indeed. 'Dazy Crown' peel back their outer layers to show their subtle psych-pop tendencies on track two. 'Peanut Butter Dreaming' swerves into earshot filled with summery vibes that swirl around a shimmering a lead lick, a metronomic drum track and the throb of bass. Woozy vocalisations splashed in melodious colour twist a turn through layers of reverberation until we're eventually introduced to brilliantly executed and psychedelically charged finale.

'360 Dunk' drives into the ether swirling on another rambling lead guitar line. This time the bass line takes centre stage though as it meanders on a melodious trip, dancing in and out of a giddy percussive swagger as the collective instrumentation tries desperately to hold on. The vocal lines on this track are addictive and they float effortlessly on top of the surging reverb. The EP closes out with its lead single. 'Multi Vitamin' tumbles through swathes of woozy and highly infectious guitar progressions that ride an insanely laid back percussive pattern. Those simmering vocalisations wobble and arc through hazy layers of bubbling bass frequencies and resonating production as the leaping chorus break snaps you out of a hypnotising trance and tip toes you into a cyclonic world filled with instrumental drones and fuzzy sonic reflections. A fitting ending to a marvellous EP.

4/5

LINKS:

hazydog.bandcamp.com

facebook.com/dazycrown

twitter.com/dazycrown

soundcloud.com/dazy-crown

dazycrown.bandcamp.com

ABOUT THE AUTHOR:

Del Chaney - (Author Photo)

Del Chaney has spent the last five years dedicating his time to uncovering the best artists in the unsigned or small independent label based shoegaze, ethereal dream pop, post punk & modern psych rock from all over the globe & reviewing them for this blog - The Primal Music Blog. He is also a contributing  writer for The Sound Of Confusion (Now On Hiatus). His other arm  - Primal Radio -  has gained considerable respect from bands and promoters alike since its conception in 2013 & has helped him in actively promoting a genre of music that he is passionate about. Hailing from Dublin, Ireland, he is a keen Vinyl Collector, Tattoo Fan & all round good guy! He is a self confessed music freak & is never far away from a studio console or a turntable.


My Favourite Things - Fly I Will, Because I Can - Featured Image - (700x700)

ALBUM REVIEW | My Favourite Things - Fly I Will, Because I Can

ARTIST: My Favourite Things

RELEASE: Fly I Will, Because I Can

RELEASE DATE: 14th July 2017

RECORD COMPANY: Unsigned

Brooklyn based 'My Favourite Things' aka multi-instrumentalist Dorothea Tachler has been writing, recording and producing competent sonic soundscapes since the release of her debut album 'Rarara' back in 2009 and has transfixed audiences in the notoriously unforgiving New York City music scene with her beautifully dreamy, acoustic filled sound both as a solo act and with her constantly changing live five piece band which features various players from within the vibrant underground NYC scene. Her latest album 'Fly I Will, Because I Can' is a beautifully melancholic sonic journey swirling around some turbulent themes such as lost love, life and it's many pitfalls. 'Fly I Will, Because I Can' gets it's official release on July 14th 2017 and is available to pre-order right now on various formats via myfavouritethings.bandcamp.com

The albums opening salvo entitled 'Sunlight' glistens as it jangles into earshot, stuck fast to an addictive acoustic guitar progression and underscored by a subtle array of impressive instrumentation and sporadic hits from various percussive instruments. Beautifully dreamy vocalisations wash over the entire piece draping it in light reverberation and intense melody that collectively adds a summery melancholic vibe to proceedings. Up next, 'Everything Changes' builds from its first notes and introduces layer after layer of instrumentation as it deftly meanders through a predestined production arrangement. Again, there are lashings of melancholy here as you float effortlessly along with the dreamy but addictive vocal tones of Dorothea Tachler and I can't help but hear subtle but delightful touches of Americana swirling around in the mix. The opening bars of 'Goodbye Again' continue with the previous trend albeit on a more scaled back trip before the chorus soars up and out into the ether on a bubbly cacophony of golden frequencies. There's a sonic battle of wills between light and shade echoing throughout this track as the instrumentation shimmers whilst it's underlying theme drapes a dark atmospheric cloak over it's yearning vocal lines. Brilliantly worked and both the songwriting and the production are faultless.

'Still Practicing' growls on a deep electric guitar progression that envelopes another outstanding vocal performance. The subtle wash of crash cymbal melded with a fuzzy layer of resonating guitar and underlying instrumentation adds weight to the chorus change before we're dragged back into another hazy verse progression and on in to the tracks moody finale whilst up next 'Some Things Stay The Same ( Stay A Little While)' floats into earshot on a woozy cloud of tremulous guitars and droning instrumental swells offering up a glorious 60's esque psychedelic twist as it loops and arcs brilliantly through shimmering reverb hued layers. 'My Favourite Things' offer up some fantastic folk leanings on this record and none more so than on 'Growing Pains'. It undulates around a simple guitar progression accompanied by tumbling drum patterns and twinkling lead lines that collectively circumnavigate it's soothing vocal lines brilliantly whilst 'Nobody Knows' shimmers into audible range swirling on a dreamy vocal harmony before wobbling electronics and tremulous guitars take over and sparkle on a steady metronomic beat. 'A Little Closer' sounds like a long lost Beatles track with its busy drum pattern and wavy, reverberating vocal lines accompanied by a persistent instrumental drone that winds its way through jangling guitars and stunning production with relative ease. Catchy hook laden chorus progressions lift the entire track into a gauzy dream-pop laden masterpiece and this listener is pulled with it up into the ether. Thoroughly addictive and probably my favourite track on the entire release!

Steeped in melody, 'Keep Letting Go' opens with slow tremulous guitars, humming bass frequencies and the occasional wash from the cymbals. A stripped back vocal track cuts through the production and it's joined at times by harmonious backing vocals as the track builds, injecting meandering drum patterns and periods of fuzzy reverberation whilst 'Spaceman' surges from its opening sequenced drum pattern and opens up into a slow moving ball of hazy instrumentation. Dreamy vocalisations swirl and whirr through layers of reverb as this track steps in and out of fuzzy shoegaze and hazy dream-pop at will. The albums penultimate piece entitled 'The Longest Winter' rustles into ear shot on warbling instrumentation and the subtle brush of drums. There's a air of experimentation here that is very refreshing as Dorothea's vocals emerge into the mix precariously positioned atop slow moving ambient hued instrumentation peppered with sparkling atmosphere, brilliantly executed production and fuzzier moments of sonic contemplation. The album closes out with 'I Don't Know', a full on dream-gazing standard. A bedrock of sequenced electronic drums act as the foundation for humming bass frequencies, various instrumentation, bouncing synths and dreamily layered vocalisations. A brilliant finale to a very interesting album.

4/5

LINKS:

myfavouritethings.bandcamp.com

facebook.com/MyFavouriteThingsBrooklyn

dorotheatachler.com/my-favourite-things

ABOUT THE AUTHOR:

Del Chaney - (Author Photo)

Del Chaney has spent the last five years dedicating his time to uncovering the best artists in the unsigned or small independent label based shoegaze, ethereal dream pop, post punk & modern psych rock from all over the globe & reviewing them for this blog - The Primal Music Blog. He is also a contributing  writer for The Sound Of Confusion (Now On Hiatus). His other arm  - Primal Radio -  has gained considerable respect from bands and promoters alike since its conception in 2013 & has helped him in actively promoting a genre of music that he is passionate about. Hailing from Dublin, Ireland, he is a keen Vinyl Collector, Tattoo Fan & all round good guy! He is a self confessed music freak & is never far away from a studio console or a turntable.


Panda Riot - Infinity Maps (700x700) Featured Image

ALBUM REVIEW | Panda Riot - Infinity Maps

Panda Riot - Infinity Maps (300x300) post image

ARTIST: Panda Riot

RELEASE: Infinity Maps

RELEASE DATE: 9th June 2017

RECORD COMPANY: Unsigned

Chicago based hazy dream-gazers 'Panda Riot' have announced a gargantuan eighteen track monolith in the guise of 'Infinity Maps', the follow up to their impressive 2013 release 'Northern Automatic Music'. Steeped in an deeply experimental hue 'Infinity Maps' skips through massive swathes of shoegaze, gloriously addictive dream pop and darker electronic moments with blistering aplomb pulling it's listeners inwards as it spirals out into the ether. The instrumental pieces on this album are sublime and coupled with impressive song writing abilities, stunning vocals and brilliantly executed layers of production, it is sure to be one of best albums of 2017 come years end. This mesmerising Illinois based quartet are made up of Rebecca Scott - vocals/guitar, Brian Cook - guitar/drum machine/programming, José Alejandro Rodríguez - drums  & Cory Osborne - bass and you can pre-order 'Infinity Maps' on various formats via pandariot.bandcamp.com

Waves of raging melodious turbulence swirl into earshot as droning guitar squall gives way to shimmering vocalisations and squealing feedback. ‘Aphelion’ bubbles precariously on a bedrock of impressive percussion, noisy guitars and humming bass frequencies peppered at times by subtle swells of synth, wavy reverberations and broken up by magnificent breaks filled with soaring vocal lines. Up next, ‘Helios (June 20th)’ swirls into audible range trapped in cloud of shoegaze infused dream pop as it’s beautifully serine vocal lines bounce and whirr on layers of tremulous reverb drenched guitar progressions whilst ‘Latitudes’ pulses on sequenced electronics and churning instrumental drones before fading out through wavy vocal samples and impressive production theatrics. ‘Ghosting’ unfurls its sonic tendrils stuck fast to a plinking synth progression before careering headlong into a brutish wall of hazy guitars & plodding bass, sweeping synth swells and metronomic percussion all collectively enveloping that soaring vocal track before ‘Chimera’ explodes into a haze of atmospherics as it’s cinematic leanings are brought to bare tumbling effortlessly in a cyclonic ball filled with fizzing synths, lazy percussion, fuzzy guitars and its addictive backwards vocal lines.

Pounding drum patterns and soaring melodious guitars ride throbbing bass frequencies and sequenced bleeps as they circumnavigate beautifully serine vocalisations before ‘Double Dream’ explodes into a mesmerising finale swiftly followed by the tremulous opening guitar tones of ‘Arrows’ and it’s cascading bass lines, hypnotic drum patterns and those shimmering reverberations. Wavy instrumentation coupled with a serine piano progression and instantly refreshing vocal samples herald the arrival of the deliciously dreamy ‘Parachutes’ whilst the driving percussion of ‘Night Animation’ swirls delicately in a hazy modern dream pop vibe underscored at times with acres of reverberation, soaring layered guitars and shimmering vocalisations. The experimental leanings of ‘Parallels’ wash over this listener as sparse drum patterns, humming bass frequencies and swooshing guitar drones circumnavigate that laid back vocal performance allowing moments of sonic abandonment to pierce the normally rigid song structures created by the band. The album swoons as ‘Infinity Maps’ undulates into audible range tumbling effortlessly in a whirlwind of beautifully intense frequencies permeated by the hypnotic swing of the drums before the instrumental pause that is ‘Niagara’ pulses on swathes of comforting atmospheric synth and sequenced bleeps & whirrs.

‘New Colours’ oozes sonic brilliance as its captivating dream pop leanings bob and weave on layers of hazy guitar, steadying percussion, throbbing melodious bass lines and entrancing vocal lines. There are subtle moments of woozy shoegaze bubbling up at times throughout this track as lead guitar lines whip and cajole resonating frequencies, pushing them through layers of reverb and whammy bar theatrics. ‘Aurora Shift’ moves back into a more experimental patch as a bouncing bass line rides giddying sequenced percussion and swirling synth swells before the instrumental 'Glass Cathedrals' surges through layers of sticky delay, hazy reverb and turbulent drones. Up next, the brilliant ‘Gold Lines’ doffs it's well worn cap to those early 90’s shoegaze stalwarts as it undulates into the ether on a tremulous wall of reverb hued guitars and steadying percussion. Addictive lead progressions pull another intense vocal performance out into the light accompanied by growling passages of soaring shoegaze and cascading bass frequencies. Possibly my favourite track on the entire release, ‘Gold Lines’ doesn’t disappoint. The albums penultimate piece entitled ‘Otherside’ swoons into earshot on a beautifully intense wave of synth and droning guitar as metronomic percussion and a throbbing bass line announces a beautifully effervescent vocal take. The albums closes out on an infectious footing as tumbling vocals intertwine with backwards guitars and addictive production as ‘Magic Numbers’ bookends a fascinating collection of tracks.

Panda Riot never fail to impress me. Their grasp on what is relevant in this modern underground shoegaze & dream pop scene is as evident as ever on this new album. Collectively the quartet move effortlessly through passages of experimentation and ambient exploration whilst keeping a firm grip on their core D.I.Y values, drawing on slivers of wide ranging influence to create magnificent modern sounding standalone pieces alongside their well crafted early 90’s inspired soundtracks that keeps them consistently relevant in todays ever evolving scene. Some folks might find that eighteen tracks is a chore to get through in one sitting but I can guarantee that each one will captivate and hypnotise both old and new fans alike.

Impressive return to form.

5/5

LINKS:

pandariot.bandcamp.com

pandariot.com

facebook.com/PandaRiotBand/

instagram.com/panda_riot/

twitter.com/pandavspanda

ABOUT THE AUTHOR:

Del Chaney has spent the last four years dedicating his time to uncovering the best artists in the unsigned or small independent label based shoegaze, ethereal dream pop, post punk & modern psych rock from all over the globe & reviewing them for this blog - The Primal Music Blog. He is also a contributing  writer for The Sound Of Confusion (Now On Hiatus). His other arm  - Primal Radio -  has gained considerable respect from bands and promoters alike since its conception in 2013 & has helped him in actively promoting a genre of music that he is passionate about. Hailing from Dublin, Ireland, he is a keen Vinyl Collector, Tattoo Fan & all round good guy! He is a self confessed music freak & is never far away from a studio console or a turntable.