Vuelveteloca - Sonora - Featured Image - (700x700)

ALBUM REVIEW | Vuelveteloca - Sonora

Vuelveteloca - Sonora - Post Image - (300x300)ARTIST: Vuelveteloca

RELEASE: Sonora 

RELEASE DATE: 27th October 2017

RECORD COMPANY: Fuzz Club Records 

Chilean outfit Vuelveteloca began life over a decade ago and have previously released four full studio albums on various independent labels. They are renowned for their incredible live shows and have shared the stage with some immense noise manipulators such as 'A Place To Bury Strangers, Dead Meadows, Spiritualized and Pond'. Their collective sound echoes through a rhythmic sonic concoction of driving psych, motorik krautrock and splattering's of space rock drenched in dark, heady and sometimes atmospheric stoner rock. To put it in layman's terms Vuelveteloca have that rare ability in today's scene to change it up by becoming sonic chameleons when needed. The band are made up of Tomas Olivos, Marcos De Iruarrizaga, Juan Gili and Mauricio Lacrampette and their fifth album entitled 'Sonora' gets it's full release on the 27th October 2017 via those ever reliable London based purveyors of all things lysergic 'Fuzz Club Records'. The album is available to pre-order right now on lovely deluxe or standard vinyl over at fuzz club.com 

The heaving pull of reverberation stuck fast to a motorik percussive attack announces the arrival of ‘La Niebla’, the albums opening salvo. It’s throbbing bass frequencies arrive at break neck speed trapped in a haze of fuzz that bounces underfoot with the sway of lead guitar and those swirling vocalisations. This track meanders brilliantly as it builds through explosive chorus changes and passages of driving heavy psych laced with the repetitiveness of krautrock and alluring addictiveness of space rock. Up next, ‘Alta Montana’ bounds into the ether tumbling menacingly on a wave of pounding drums and deep resonating bass frequencies. Surging guitars add to the melee pulling an intriguing vocal line into the mix intertwining brilliantly with stinging lead lines and heavy atmosphere. The impressive instrumentation eventually morphs into a singular sonic behemoth, pulsing morse code like sound waves out into the ether. The repetitive thud of ‘Ataque Masivo’ tweaks this listeners attention as it pulsates through fuzzy bass frequencies and the throb of busy percussion. It builds ever so slowly with the arrival of those hazy vocal lines and subtle stabs of synth before exploding into a cacophony of sound that loops and arcs throughout, dragging a continuous chug of guitars with it as it brings us all on it’s magnificent lysergic hued sonic journey.

‘Carnaval’ gyrates and undulates into audible range stuck fast to a menacing but repetitive drum pattern accompanied by lines of blues orientated guitars, throbbing bass lines and addictive vocalisations. It pulsates and drives brilliantly as it carves out a sonic trough, morphing and manipulating sound with relative ease into one animalistic wave of angry spaced out noise whilst ‘L.A’ slows things down for a while to a crawling acid blotched psychedelic wave that washes shimmering frequencies over this listener as it envelopes golden tinged sounds, repetitive beats and reverberating fret noise. It pulls you in before exploding into an angry sonic behemoth that soars skywards wrapped in punishing lead lines and thunderous percussion. ‘Vuelveteloca’ merge the throbbing reverberations of ‘L.A’ with the spaced out vibes of ‘El Lado Frio’, extenuating the lysergic trip in the process by injecting some righteous space rock into proceedings. This track is as menacing as it is brilliant with fuzzy driving guitars, ear splitting reverb and the constant thud of immense percussion collectively circumnavigating those impressive vocal lines. There’s a subtle edge of garage psych underlining the opening bars of ‘Tormento’ that is utterly captivating. Explosive guitars, pounding percussion and the throb of overdriven bass acts as a kind of sonic conduit for those intriguing vocals that are permeated at times by piercing lead lines and intense atmosphere.

The album’s stunning penultimate piece arrives swirling in a high pitched instrumental drone. ‘Vuelveteloca’ unleash what is the best track on this album as far as I’m concerned as ‘Chepical’ unveils it’s kraut like credentials and streams into earshot riding a motorik percussive pattern, an totally addictive vocal line and unwavering guitar signatures. Soaring synths pulse in waves alongside catchy chord structures as a seemingly unmovable bass line orbits in close proximity to those explosive passages of percussion and chittering reverberation. ‘Chepical’ is one of those tracks that catches you off guard, spins you around the room and deposits you somewhere out the back end leaving you wondering what the fuck had just happened. Marvellous stuff indeed. The album closes out with it’s lead single. ‘Cientologia & Altiplano’ is a modern psych gem that builds and builds continuously in unison with a pounding drum track and driving instrumentation. Raging guitars swirl around humming bass lines that collectively stick to that motorik percussive pattern. It’s vocal lines arrive in a golden haze, strapped to a massive sonic surge. They rise and fall through sonic peaks and troughs before dropping into deep reverb filled caverns and soaring lysergic hued cloud structures with relatives ease. It’s a fitting end to a bloody marvellous album.

5/5

LINKS:

fuzzclub.com

facebook.com/vuelveteloca

twitter.com/VL_Chile

ABOUT THE AUTHOR:

Del Chaney - (Author Photo)

Del Chaney has spent the last five years dedicating his time to uncovering the best artists in the unsigned or small independent label based shoegaze, ethereal dream pop, post punk & modern psych rock from all over the globe & reviewing them for this blog - The Primal Music Blog. He is also a contributing writer for The Sound Of Confusion (Now On Hiatus). His other arm  - Primal Radio -  has gained considerable respect from bands and promoters alike since its conception in 2013 & has helped him in actively promoting a genre of music that he is passionate about. Hailing from Dublin, Ireland, he is a keen Vinyl Collector, Tattoo Fan & all round good guy! He is a self confessed music freak & is never far away from a studio console or a turntable.


Pia Fraus- Field Ceremony - Featured Image - (700x700)

ALBUM REVIEW | Pia Fraus - Field Ceremony

ARTIST: Pia Fraus 

RELEASE: Field Ceremony 

RELEASE DATE: 16th October 2017

RECORD COMPANY: Seksound Records (EU) Shelflife (US) Vinyl Junkie (JPN)

Estonian dream-poppers 'Pia Fraus' formed in 1998 and released four studio albums and a handful of EP's on various record labels worldwide. Their collective sound is a sublime mixture of dream-pop, subtle shoegaze and beautiful electronica all topped off blissfully with shimmering layered vocalisations. The band are made up of Eve Komp - vocals/synths/metallophone, Kärt Ojavee - synths, Rein Fuks - guitars/vocals/percussion, Reijo Tagapere - bass and Margus Voolpriit - drums and after a ten year hiatus they have returned with a brand new album entitled 'Field Ceremony', to be released on October 16th 2017 via Seksound Records (EU) Shelflife (US) &  Vinyl Junkie (JPN)  with former member Kristel Eplik returning to record backing vocals and former drummer Joosep Volk also returning to direct the video for 'That’s Not All'. The full album is available to pre-order right now on various formats from the aforementioned record companies.

Entrancing sound waves swirl and meld effortlessly with the uplifting sweep of fizzing synth and woozy pull of reverberating guitars as ‘It’s Over Now’ unfurls it’s sonic tendrils and wraps itself around steady percussion and the throb of luscious bass frequencies. The repetitive vocal line floats effortlessly alongside sweeping electronics and the buzz of fret noise that steadily builds into a majestic crescendo of noise accompanied by the ghostly refrain of undulating reverb. ‘Never Again Land’ moves brilliantly through catchy chord changes and hazy instrumentation as a busy percussive pattern pulses through a pre-ordained flight path. The glorious duel vocal attack is simply mesmerising and it glides on waves of swirling synth, the hum of bass and those resonating guitar lines before collectively pausing for breath, held fast in a sticky lysergic hued instrumental break anxiously awaiting ejection into a grand finale. Up next, ‘Autumn Winds’ howls into audible range heckled by a screaming synth line before exploding into a colourful cacophony of sound. It charges headlong into a catchy melody driven fog filled with swirling almost incantational reverberations. Steady percussion, soaring synth and pulsing bass lines allow addictive guitar progressions to wrap themselves around another impressive vocal performance that loops and arcs brilliantly throughout the sonic ether.

‘Mountain Trip Guide’ rattles into existence on a lazy drum pattern as pulsating bass frequencies, fizzing electronics and surging synth swells glide in close proximity. Beautiful vocalisations swirl through catchy hook laden guitar progressions whipped by reverberating lead lines and addictiveness of effected slide guitar. ‘No Filters’ floats effortlessly on the up draft of impressive synth swells, the metronomic thud of percussion and the swirl of reverb as ‘Pia Fraus’ deploy a modern dream-pop gem. Shimmering guitars accompanied by the whirl of organ push the tempo on as the track builds momentarily before pulling back and gently descending to a final stop whilst ‘Endless Clouds’ lurches into a organ filled whirlwind peppered by the thrill of tremulous guitars and explosive drum patterns. Intense melody accompanies those gorgeous vocalisations as pulsating bass progressions wind their way through cascading synth and the pull of luscious reverb. Up next, the opening bars of 'Sugar High Of The Year' erupt into an fuzzy sonic behemoth filled with explosive percussion, raging guitars and soaring synth swells. The track echoes through quieter moments of instrumentation allowing the vocals to move through those impressive verse patterns before exploding into a mesmerising display of blissed out noise.

‘Don’t Tell Me How’ is simply divine and it shimmers and glides through undulating waves of instrumentation that glisten with graceful lustre, drenching melancholic vocalisations in scintillating reverberation that echoes and lingers with every single note, chord change or plucked string. It’s deeply infectious and beautifully constructed making it an album highlight for me. The albums penultimate piece entitled ‘Brutal Truth Of The World’ opens up pulsing atmospherically through massive walls of hazy reverb hued guitars. Slow moving percussion, circumnavigated by the constant sweep of synth and the undulating rumble of bass accompany another impressive duel vocal performance laced with stunning melody that collectively leads the listener through pretty impressive instrumental passages of sonic light and shade right up until its finale. The album closes out with ‘That’s Not All’, a turbulent sonic whirlwind filled with woozy guitars, charging drum patterns, the plink of synth and the throb of bass frequencies all wrapped around those stunning melody driven vocalisations. A fitting ending to an absolutely marvellous album.

4/5

LINKS:

piafraus.bandcamp.com

facebook.com/PiaFraus

seksound.com

ABOUT THE AUTHOR:

Del Chaney - (Author Photo)

Del Chaney has spent the last five years dedicating his time to uncovering the best artists in the unsigned or small independent label based shoegaze, ethereal dream pop, post punk & modern psych rock from all over the globe & reviewing them for this blog - The Primal Music Blog. He is also a contributing writer for The Sound Of Confusion (Now On Hiatus). His other arm  - Primal Radio -  has gained considerable respect from bands and promoters alike since its conception in 2013 & has helped him in actively promoting a genre of music that he is passionate about. Hailing from Dublin, Ireland, he is a keen Vinyl Collector, Tattoo Fan & all round good guy! He is a self confessed music freak & is never far away from a studio console or a turntable.


Bolywool - From Void To Matter Volume 2 - Featured Image - (700x700)

EP REVIEW | Bolywool - From Void To Matter Volume 2

Bolywool - From Void To Matter Volume 2 - Post Image - (300x300) ARTIST: Bolywool

RELEASE: From Void To Matter Volume 2 

RELEASE DATE: 29th September 2017

RECORD COMPANY: VÅRØ Records 

Hailing from the wind swept isle of Öland in Sweden, Calle Thor and Oskar Karlström aka 'Bolywool' have been fascinating us lot here at Primal Music for quite some time with their shimmering, cinematic, frost laden soundscapes filled to the brim with flourishes of atmospheric post-rock and scintillating shoegaze collectively underscored by stunning electronic progressions. Their collective sound has the ability to bring listeners on a melancholic journey into their world, a world that twists and turns through epic snapshots of life, death and an inherent love for their homeland. Back in May 2017 the band released the first of a planned trilogy of EP's entitled 'From Void To Matter' via VÅRØ Records  and now they have returned with their second thrilling instalment, boldly continuing on a journey of sonic enlightenment and once again blowing our minds. 'From Void To Matter Volume 2' was released back on the 29th September 2017 and is available to buy/download right now via varorecords.bandcamp.com

The soft thud of sequenced percussion accompanied by pulsing bass frequencies and cascading synth lines permeate the ether as ‘The Dial (Revisited)’ glides into audible range punctuated by reverb laden guitars and impressive production values. Otherworldly vocalisations add to the seemingly peaceful atmospheric hubris that tumbles wilfully throughout the piece but that ethereal feeling is short lived as we’re pushed headlong into a raging whirlwind of sound that surrounds an immense chorus progression that seems to build and build brilliantly into a undulating sonic behemoth. ‘Bolywool’ continuously amaze me. They are experts at changing the mood of a track at will and it’s well documented here as the track bounces quickly from a melancholic fuelled slice of atmospheric post-rock into a lurching lysergic tinged monster, amalgamating serene vocalisations with churning percussion, fuzzed out guitars and swirling lead lines to create something altogether magical. Not only is ‘The Dial(Revisited)’ my favourite track on this release but it’s possibly Bolywool’s best track to date and it ranks as one of my favourite tracks of this year by far.

Up next, ‘Mirror Sky’ rumbles on a repetitive back beat as reverb laced guitars tremble and shimmer through icy atmospherics, the hum of bass and sullen synth swells. Stunning vocals float effortlessly atop of the collective instrumentation guiding the listener into a deeply atmospheric break filled with blissed out sonic reflections and the collective twinkle of instrumentation before exploding into a huge wall of hazy guitars and that soaring maleficent howl. The EP closes out with ‘Blues For Stornoway (Pts 1,2,3 & 4) and if ever a piece of music deserved to appear on a movie soundtrack it has to be this track. Beautifully melancholic opening vibes meander and intertwine with delay and reverb, enveloping themselves around a ghostly vocal line and the woozy flourishes of synth and rumbling percussion. It loops and arcs through shimmering electronics and wavering instrumental progressions before opening up into an almost industrial feel, metronomic in it’s tempo but majestic in it’s approach before finishing up caught in a brilliant atmospheric cloud of samples and synth that rise and fall into it’s stunning finale. A blistering end to another marvellous collection of tracks.

5/5

LINKS:

varorecords.bandcamp.com

bolywool.bandcamp.com

bolywool.com

facebook.com/Bolywool/

twitter.com/Bolywool

ABOUT THE AUTHOR:

Del Chaney - (Author Photo)

Del Chaney has spent the last five years dedicating his time to uncovering the best artists in the unsigned or small independent label based shoegaze, ethereal dream pop, post punk & modern psych rock from all over the globe & reviewing them for this blog - The Primal Music Blog. He is also a contributing writer for The Sound Of Confusion (Now On Hiatus). His other arm  - Primal Radio -  has gained considerable respect from bands and promoters alike since its conception in 2013 & has helped him in actively promoting a genre of music that he is passionate about. Hailing from Dublin, Ireland, he is a keen Vinyl Collector, Tattoo Fan & all round good guy! He is a self confessed music freak & is never far away from a studio console or a turntable.


Shoegazer Sanctuary Records - Dreaming In Sound - VA - Featured Image - (700x700)

ALBUM REVIEW | Shoegazer Sanctuary Records - (V/A) - Dreaming In Sound

Shoegazer Sanctuary Records - Dreaming In Sound - Post Image - (300x300)ARTIST: V/A

RELEASE: Dreaming In Sound 

RELEASE DATE: 15th September 2017

RECORD COMPANY: Shoegazer Sanctuary Records

Our good friends over at 'Shoegazer Sanctuary Records' have compiled yet another no-nonscense, anti-inner sanctum, genre-defining collection of worldwide artists in the guise of their latest compilation release aptly titled 'Dreaming In Sound'. As you are probably all aware we're usually not ones for reviewing compilation releases here at Primal Music as most of the time they do absolutely nothing for the artists involved and we've always found that they're either full of the same old, same old bands & featured artists or it's just another blog, webzine or net label trying their luck by forcing us into another click bait exercise. It's all a very disappointing & mundane exercise to be honest. 'Shoegazer Sanctuary Records' are the exception! They've released three immense compilations so far without fuss or bother. They didn't add the usual heavy hitters from the underground psych/gaze/ethereal/ambient scene just to get Facebook likes or numbers across a blog. They didn't annoyingly force the release into our inbox either by harassing or tagging us in their social media posts. They purposefully & honestly decided on each artist by their sonic individuality (and not by their social standing). We really dig that! Their latest compilation release entitled 'V/A Dreaming In Sound' was released back on September 15th 2017 and it features twenty three artists from the world wide dream pop, dream wave, dream noise & ambient scene and as usual the label have put this out as a 'Name Your Price' tariff via shoegazersanctuaryrecords.bandcamp.com

The album opens up with the fantastic Mississippi based dreamscape duo 'The Starlight Run' and their track 'Lower', lifted off June 2017's 'Let's Float EP'. It glides on shimmering streamlined reverberations deftly underscored with repetitive percussion, soaring synths and hazy vocalisations. A blistering opening salvo indeed. Up next, Alaska's 'A Thousand Hours' bring 'Bleach' to the party. Lifted off their recently released full length album 'Sleep' this track is a simmering cloud of droning instrumentation and jangling reverb hued guitar progressions. Sporadic percussion adds a heavy atmosphere allowing that stunning wall of vocal tracks to penetrate the gloom and drench this listeners ears in glorious sonic joy and that's followed brilliantly by Swedish based dream-gazers 'Weather Island' with their stunning January 2017 released single 'The Eternal'. A massive wall of hazy guitars pound the senses as misty vocalisations swirl in the maelstrom buffered by meandering lead lines and huge chord changes. French based 'Fools Ferguson' appear here supported by 'The Alohama Lakes', a track lifted off their sublime January 2017 released album 'Dead Lines'. This track is a slow and yearning piece of heavy dream-pop whilst California based 'The Fawns Of Love' are up next with their decent track 'Silly Boy' lifted off 2017's 'Who Cares About Tomorrow'. This band are a constant enigma to me as they have seriously great potential but seem to care more about blog, webzine & American based online radio coverage than anything else. Either way 'Silly Boy' swoons into the ether held fast within a whirlwind of tremulous guitars and repetitive sequenced percussion. Add into the mix the dreamy vocalisations of Jenny Andreotti and what we have is a shimmering wall of translucent dream pop underscored by a flurry of shoegaze impressions, impressive instrumentation and some fantastic production.

Nathan Guzman aka 'Southpavv' is a Californian based dream-gaze artist and he is supported on this compilation by his mesmerising track 'Saturday Night 1997' lifted off an EP of the same name released back in June 2017. Luscious walls of swooning guitar & effervescent synth float effortlessly on the serine hum of bass frequencies as sequenced percussion lulls sweetly beneath the intoxicating swirl of reverberation. 'Saturday Night 1997' is a stunning track and a great addition here. Michigan based 'Cesium Swimsuit' appear next and they bring some rather mundane electro-gaze to the mix with their track 'Particles' whilst up next 'Wintermilk' hail from Russia and they fuse blissed out dream-pop and luscious synths together with almost ethereal vocalisations on their track 'Lots Of Light' lifted off their May 2017 released debut album 'Pretty Ugly'Florida based 'Zooey' create stunning blissed out dream-gaze and they are well represented here by a track called 'Never Was' lifted off their debut album entitled 'Bottlerocket', released back in April 2o17. Hazy walls of melodically infused instrumentation languish in pools of intense reverb as shimmering vocalisations float effortlessly throughout the mix firmly tethered to the earth by those impressive drum patterns. This is a beautiful track worthy of your ears. Virginia based 'Distant Creatures' have been wowing the underground shoegaze fraternity ever since the release of their immense two track single entitled 'Escape' back in September 2016. 'Haunted By You' appears here and it's is lifted from their recently released thirteen track opus entitled 'Snares In Safe Harbours'. It's a dreamy slice of reverberating joy permeated by luscious vocalisations, throbbing bass frequencies, surging synth swells and driving guitars. Andy Jossi aka 'The Churchill Garden' has worked with countless vocalists and used them to bring his sonic visualisations to life. Here he has supplied is latest track entitled 'Breath' fronted by Ben Aylward from Australian based outfit 'Swirl'. His vocal moves and undulates in a mesmerising manner capturing moments of melancholic abandonment as it pulses through wave after wave of magical instrumentation whilst up next UK based 'beatastic' appears here with his track 'Always Us', an atmospherically charged synth driven electro-gaze outing lifted off his 2016 released twelve track entitled 'Staticity'.

Texas based dream-gazers 'Blushing' have supplied their track 'Tether' lifted off an EP of the same name released back in January 2107. 'Tether' has gentle guitars that leads the way into a well written melodic structure built around the slow tap of drums, well mixed and comfortable bass and the noisy but ethereal influenced guitars. Special credit to the fantastic and memorable chorus, in which two soaring female vocals meld mesmerizingly with the instrumentation to create a beautiful and original type of sound. Liverpool based dreamy trio 'Cascadia Fault Line' appear here with an alt/indie acoustic track entitled 'Firefly', a run of the mill add reverb for effect sort of thing, lifted off their recently released two track single 'Firefly/Counting Kings On Rainy Days' whilst up next Texas based 'Creature In The Spiral' balance the playing field once again with their sublime dream laden track 'Anodyne', a simmering slice of melodic dream-pop that floats effortlessly on streamlined waves of tingling reverb, subtle synths and stunning vocalisations. Brazilian based post-gaze outfit 'Alles Club' unleash their explosive track 'Eclipse' lifted off their recently released three track remix package of the same name. Melodic guitar lines merge with huge walls of hazy atmospheric reverb, humming bass frequencies, ghostly vocalisations and busy percussion to collectively inject a massive lysergic ball of sonic energy out into the ether. 'Eclipse' is a triumphant addition to this collection of tracks by a band who I will be checking out further. Experimental duo 'Mayu' join forces with the ever reliant 'Tom Lugo' (Panophonic, Stellarscope, Patetico Recordings) to create an atmospherically dreamy ambient hued track entitled 'Mayu-Quiero Despertar', originally released back in November 2016. Danish based 'Keith Canisius' appears next, bringing his brand of spaced out electronica to the fore in the guise of 'We Gotta Get Going', a busy synth laden affair with repetitive sequenced percussion and huge spaced out chorus breaks. The compilation takes some what of a confusing twist here with the addition of two cover versions. The first is a cover of New Order's 'Temptation' by Maryland based 'Soñder' and it's followed by a cover version of The Byrds track 'It Happens Each Day' by 'Daydream Cathedral'. If you are into this sort of thing by all means check them both out but as I'm completely against cover versions appearing on underground releases I'm going to take a step out and move quickly on.

Tennessee based 'HR_Lexy' released her five track EP 'Nature Vs Neon' back on February 21st 2015. Her sound echoes through electronically charged gothic mysticism with dreamy ambient hued overtones and lashings of atmospheric synth, reverb and sequenced percussion. Her track 'You're Not Mine' is lusciously addictive and stands out here as a major positive. The albums penultimate track comes from Melbourne based droning alt-psych aficionados 'Seasloth'. Their latest album 'Somnuiva' was released on the 5th September 2017 and it is represented here with a track entitled 'Scarlet'. Throbbing bass lines bounce into the sonic ether tethered to subtle atmospherically charged drones and intense vocalisations. Brilliantly executed guitar progressions and the occasional instrumental drone wraps itself around cascading bass frequencies as dark malicious sound wave envelopes the entire track. 'Scarlet' is absolutely absorbing making 'Seasloth' a band to check out going forward. 'Dreaming In Sound' closes out with a track called 'Low Valley Low' by Washington based electronic dream-pop du0 'Static Shore'. This track is lifted off their July 2016 released five track EP 'Life & Love In The Hologram' and it's a shimmering synth laden slice of summery electronica with beautifully entrancing and utterly dreamy vocalisations underscored by sublime production. A fitting ending to another fantastic collection of tracks.

4/5

LINKS:

shoegazersanctuaryrecords.bandcamp.com

twitter.com/JShoegazer

facebook.com/groups/shoegazersanctuary/

facebook.com/shoegazersanctuaryrecords/

ABOUT THE AUTHOR:

Del Chaney - (Author Photo)

Del Chaney has spent the last five years dedicating his time to uncovering the best artists in the unsigned or small independent label based shoegaze, ethereal dream pop, post punk & modern psych rock from all over the globe & reviewing them for this blog - The Primal Music Blog. He is also a contributing writer for The Sound Of Confusion (Now On Hiatus). His other arm  - Primal Radio -  has gained considerable respect from bands and promoters alike since its conception in 2013 & has helped him in actively promoting a genre of music that he is passionate about. Hailing from Dublin, Ireland, he is a keen Vinyl Collector, Tattoo Fan & all round good guy! He is a self confessed music freak & is never far away from a studio console or a turntable.


Tús Nua - Horizons - Featured Image - (700x700)

ALBUM REVIEW | Tús Nua - Horizons

Tús Nua - Horizons - Post Image - (300x300)ARTIST: Tús Nua 

RELEASE: Horizons 

RELEASE DATE: 15th September 2017

RECORD COMPANY: Unsigned

Every once and a while a brand new band comes along and gets me really excited about their music. Usually this aforementioned band comes straight out of left-field, far away from the usual underground cyclical music fraternity but with music that has the power to grab me by the ears and throw me willingly around a room. Back in July 2016 a little known band from Zagreb by the name of Tús Nua released their debut single 'Matches', then followed it up in July 2017 with their second single, the stunning 'Geysir', and I instantly fell in love with their sound. Collectively it consisted of melodic & atmospheric post-rock peppered at times with impressively hazy shoegaze moments that occasionally leans slightly into alt-rock territory and drags with it stunning vocalisations and impressive production values. This perfect combination of sounds have led the band to release their debut nine track album back on the 15th September 2017 entitled 'Horizons' and with the help of friends and fellow musicians they have put together one of my favourite albums of 2017 so far. The band are made up of  Jordi Ilić – guitar/vocals/synths, Jelena Božić – guitar/vocals/synths & Matea Milevoj – bass guitar/back vocals/synths with guest appearances on various tracks by Sara Ercegović (ŽEN), Goran Grey (###), Lucija Potočnik (Irena Zilic), Eva Badanjak (ŽEN) & vana Picek (π). 'Horizons' is available to buy/download right now from tus-nua.bandcamp.com

Hazy, reverberating sonic reflections intertwined with sullen chord progressions build into an atmospheric crescendo as 'Tendons' winds itself up into a brooding maelstrom of sound. Subtle electronically styled percussive hits add intense depth as the track explodes into life pulsing haunting vocalisations out into the ether. It's luscious guitar progressions swirl in a magnificent undulating sweep through resonating refractions and echoing instrumentation. Up next, 'Matches' washes into audible range trembling on a thread of  brilliantly atmospheric post-gaze. It swoons as its harmonious vocal track floats through the ether on a swirling foundation of addictive lead guitar licks and undulating synth lines. Its steadying percussive attack holds everything in place, gracefully leading the listener into explosive tempestuous finale thats filled to the brim with dreamy post-rock promise. 'There's A Thin Line Between Everything' jangles on a tremulous guitar progression as that haunting vocal track sucks you into the piece and leaves you floating brilliantly on swathes of shimmering reverb. Instrumentally this track ebbs and flows through explosive bass filled passages underpinned by mesmerisingly hazy guitars and stunning effects laden production that is steeped in ethereal atmosphere. 'Postcards With All Sorts Of Phrases' soars into the ether on streamlined guitars and ghostly atmospherics. 'Tús Nua' have this uncanny knack of building tracks slowly, before twisting and morphing them into massive melancholic beasts that teeter nervously on brilliantly executed drum patterns. Their tracks linger on addictive passages of guitar before diving headlong off the edge into mesmerisingly deep pools of shimmering shoegaze orientated instrumentation before climbing out and starting all over again. 'Postcards With All Sorts Of Phrases' is one of those tracks that brings you on a sonic journey from it's opening bars straight through until it's effects laden death throws. Simply stunning!

Up next, 'Geysir' opens up in a haze of jangling guitars, subtle synth swells and noisy atmospherics. Steady percussion keeps a firm bedrock underfoot as throbbing bass frequencies bubble and skip through entrancing verse progressions, deftly enveloping those impressive vocal skills. It soars through it's chorus parts with relative ease, swirling and tumbling through layers of reverberating instrumentation and magical lead lines effortlessly whilst 'Hills' fizzes into life on a 80's post-punk type of vibe before those sequenced synths start up and drag it into the modern age. Sublime vocals lead meandering guitar progressions on a merry dance through electronically charged percussion and subtle swells of synth led bass frequencies as those yearning vocalisations swirl and shimmer majestically. 'Fight!' is an angry brute that barks into life held fast to a punishing guitar progression as that slow moving percussion grinds through the ether on a wave of bass heavy frequencies and cascading lead lines. It builds into a menacing sonic behemoth dragging a vocal line out from somewhere within and drenching it in an interesting mix of post-rock, psych-rock and alt-gaze before 'Obvious' arrives on a lighter note with melodic guitars and blissed out vocals clinging to the throb of bass and a busy drum pattern. Lead guitars meander in and out of the overall mix as heavier passages of instrumentation rise and fall brilliantly, streaming through hazy reverberations and subtle lines of bubbling synth. The album closes out on a post-rock orientated gem. 'Repeat' is steeped in atmosphere and is underpinned from the off by another impressive percussive display that lays down a bedrock for those repetitive lead lines and that amazing vocal take. The hum of bass expertly hovers over deep lying synth as the track slows down to an addictive pace with 'Tús Nua' injecting a sort of lysergic/psychedelic hue into proceedings before fizzing out into a peaceful finale. A masterful end to a wonderful album.

5/5

LINKS: 

tus-nua.bandcamp.com

facebook.com/tusnuaofficial/

twitter.com/tusnuaofficial

ABOUT THE AUTHOR: 

Del Chaney - (Author Photo)

Del Chaney has spent the last five years dedicating his time to uncovering the best artists in the unsigned or small independent label based shoegaze, ethereal dream pop, post punk & modern psych rock from all over the globe & reviewing them for this blog - The Primal Music Blog. He is also a contributing writer for The Sound Of Confusion (Now On Hiatus). His other arm  - Primal Radio -  has gained considerable respect from bands and promoters alike since its conception in 2013 & has helped him in actively promoting a genre of music that he is passionate about. Hailing from Dublin, Ireland, he is a keen Vinyl Collector, Tattoo Fan & all round good guy! He is a self confessed music freak & is never far away from a studio console or a turntable.


Citrus Clouds - Ultra Sound - Featured Image - (700x700)

EP REVIEW | Citrus Clouds - Ultra Sound

ARTIST: Citrus Clouds

RELEASE: Ultra Sound

RELEASE DATE: 22nd September 2017

RECORD COMPANY: Custom Made Music

Phoenix based desert-gaze trio ‘Citrus Clouds’ have announced the highly anticipated follow up to their debut full length album ‘Imagination’ which was released back in November 2016 via Custom Made Music. This new release entitled 'Ultra Sound' has it's official unveiling on the 22nd September 2017 and it consists of seven brand new tracks that swirl effortlessly in a sonic style that only 'Citrus Clouds' can create. The band are made up of Eric Pineda, Stacie Huttleston & Anthony Jarero and collectively they create stunning soundscapes that swim effortlessly through swathes of reverberating shoegaze and addictive, dreamy vocal lines that are impressively underpinned by steadying percussion and sublime instrumentation. 'Ultra Sound' is available to pre-order right now via citrusclouds.bandcamp.com

The repetitive tap of percussion announces the EP's opening track entitled 'Ocean Eyes' and it not long before we're awash in that Citrus Clouds trademark luscious wall of melody. Hazy guitars underpinned by the subtle throb of bass frequencies collectively swirl around that impressive vocal performance. There's a brilliant ethereal vocal highlight that touches each line throughout the chorus parts and that instantly catapults this track into a fantastic dream-pop state and it marks another level in 'Citrus Clouds' continuously evolving sound. Up next, 'You Loved Me First' fizzes into life held fast in an addictive shoegaze orientated cloud. Beautifully melodic duel vocal tracks meander through warbling guitar stabs and humming bass lines as that steady percussive swagger holds perfect time. Catchy chord structures and hook laden instrumental sequences mark this track out as a favourite of mine and let's not forget that impressive lead break and its soaring reverberations. Simply stunning!

'Life Happens' trembles on a quivering bass signature before opening up into a swirling maelstrom of mind numbing reverberations held fast to a punchy percussive swagger and overlaid by majestic vocalisations. A repetitive lead guitar line races in and out of the collective instrumentation casting magical sonic spells throughout the ether whilst 'Happy' (reminiscent at times to early 90's era 'Lemonheads') explodes into a cacophony of hazy sound waves and lazily undulates through laid back vocalisations, catchy chorus lines and sticky instrumentation that seems to linger long after the track ends. Up next is another favourite! 'Is This Real?' echoes in a 4AD kind of way. It's opening salvos sound like thunder before mellowing out into a melody driven slice of blissed out desert gaze. Jangling guitars ride a busy drum pattern deftly delivering that immense vocal take as it's distinct chord changes are permeated by the throb of bass and deep echoes of reverb.

The EP's penultimate piece entitled 'Here Is Where We Are' is drenched in luscious reverb and this helps immensely with it's atmospheric opening bars, instilling a kind of fragility that is both addictive and melancholic all at once. As per the norm for Citrus Clouds this track unfurls it's sonic tendrils and we're absolutely drenched in a collective downpour of melody as lead guitars soar into the ether accompanied by those beautifully intense backing vocals, cascading bass and that steady percussive assault. The EP closes out with what is one of the best pieces of music that I think I've heard this year. 'A Dream Of You' is a meandering wave of jangling desert-gaze. Lazy percussion keeps metronomic time as warbling guitars and a bloody brilliant bass line protects that haunting vocal line. The chord sequences on this track are absolutely fantastic and catch you off guard as they seamlessly connect verse and chorus with a pull of whammy bar and that downward step of heavy bass and as for that stunning instrumental break ...... well you'll have to hear that for yourself ..... THIS IS MUSIC!

As EP's go 'Ultra Sound' is one of the best I've heard this year. It's so exciting to hear a bands development from their early releases until now with each release being a positive step forward. As far as I'm concerned this band have gone from strength to strength and they've worked hard to create a sound all to themselves in a scene that is so bloody diluted right now the hip scensters are fighting over genre tags!

5/5

LINKS:

citrusclouds.bandcamp.com

facebook.com/citrusclouds/

twitter.com/Citrus_Clouds

ABOUT THE AUTHOR:

Del Chaney - (Author Photo)

Del Chaney has spent the last five years dedicating his time to uncovering the best artists in the unsigned or small independent label based shoegaze, ethereal dream pop, post punk & modern psych rock from all over the globe & reviewing them for this blog - The Primal Music Blog. He is also a contributing writer for The Sound Of Confusion (Now On Hiatus). His other arm  - Primal Radio -  has gained considerable respect from bands and promoters alike since its conception in 2013 & has helped him in actively promoting a genre of music that he is passionate about. Hailing from Dublin, Ireland, he is a keen Vinyl Collector, Tattoo Fan & all round good guy! He is a self confessed music freak & is never far away from a studio console or a turntable.


Flashes- Rzev - Featured Image - (700x700)

EP REVIEW | Flashes - Rzhev

Flashes - Rzhev - Post Image - (300x300)ARTIST: Flashes 

RELEASE: Rzhev

RELEASE DATE: 21st July 2107

RECORD COMPANY: Unsigned

Cornwall based heavy shoegaze quartet 'Flashes' inject driving alt-rock and dreamy melodies into their collective sound as the listener is dragged head long through sonic peaks and troughs filled to the brim with powerful lysergic energy and hazy melancholic reflections. Their latest five track EP entitled 'Rzhev' was released back on the 21st July 2017 and it blew us away here at Primal HQ. It's available to buy/download right now via flashesband.bandcamp.com

A surge of tremulous hook laden guitars permeate the sonic ether as ‘Summation’ slowly enters audible range drenched in a sticky post-rock hued reverberation. Sparse percussion intertwined with the throb of bass frequencies swirl effortlessly around that dreamy, lysergic tinged vocal track as psychedelically charged instrumentation loops and arc’s throughout, churning up stunning, almost incantational sound waves that build into that immense melodic finale. Up next, ‘Paintbrush’ creeps into view stuck fast to a glistening instrumental drone as it’s haunting vocalisations undulate through turbulent clouds of hazy reverb. Driving percussion then enters the arena accompanied by twinkling synth progressions and addictive lead lines that tumble and vie for space within soaring chorus changes as ‘Flashes’ lure us into a false sense of security. Before long the entire piece explodes into a riot of thunderous grunge tinged instrumentation sullied by screaming vocalisations and overdriven guitars.

‘The Upset’ rocks precariously on lines of sequenced electronic percussion and Nine Inch Nails esque vocalisations that builds rapidly, winding themselves up into a coiled sonic behemoth. Atmospheric fret noise and hunting vocalisations pull addictive guitar progressions into the mix doused in reverb, sampled theatrics and melodically charged instrumentation before ‘Obliterator’, the EP’s penultimate piece, swirls and undulates through wavy guitar signatures, atmospheric fret noise, busy percussion and a brilliant vocal line that collectively explodes into a raging wall of turbulent grunge hued noise. The EP closes out with ‘Dream Fuzz’, eleven minutes plus of repetitive percussive electronics, swirling synths, fuzzed out guitars and reverb hued vocalisations that merge brilliantly into an explosive and atmospheric, fuzzed out, alt-rock leaning monster! A fitting end to a rather interesting EP.

4/5

LINKS:

flashesband.bandcamp.com

facebook.com/flashesband

twitter.com/flashesband

ABOUT THE AUTHOR:

Del Chaney - (Author Photo)

Del Chaney has spent the last five years dedicating his time to uncovering the best artists in the unsigned or small independent label based shoegaze, ethereal dream pop, post punk & modern psych rock from all over the globe & reviewing them for this blog - The Primal Music Blog. He is also a contributing writer for The Sound Of Confusion (Now On Hiatus). His other arm  - Primal Radio -  has gained considerable respect from bands and promoters alike since its conception in 2013 & has helped him in actively promoting a genre of music that he is passionate about. Hailing from Dublin, Ireland, he is a keen Vinyl Collector, Tattoo Fan & all round good guy! He is a self confessed music freak & is never far away from a studio console or a turntable.


Ask For Joy - A Blow And A kiss - Featured Image - (700x700)

EP REVIEW | Ask For Joy - A Blow And A Kiss

Ask For Joy - A Blow And A kiss - Post Image - (300x300)ARTIST: Ask For Joy

RELEASE: A Blow And A Kiss

RELEASE DATE: 10th September 2107

RECORD COMPANY: Unsigned

Texas based Aaron Rossetto aka 'Ask For Joy' has been wowing the underground shoegaze fraternity for quite some time with his fuzzy blissed out musical compositions deftly filled with inspired melancholic subject matter. His ninth release aptly titled 'A Blow And A Kiss' is an immense five track EP that had it's official release back on September 10th 2017. The EP is available to buy/download right now via askforjoy.bandcamp.com

In a haze of shimmering guitar frequencies, ‘Under A Breaking Wave’ washes effervescent swathes of reverberation over this listener and pours ripple after ripple of immense atmospheric sound waves out into the ether. Melancholic vocalisations ride the melodic wall of sound as bubbling bass notes hum and throb alongside repetitive drum patterns and soaring synth swells making ‘Under A Breaking Wave’ a triumphant opening salvo. Up next, ‘Luna’ swirls into audible range tumbling gracefully through layer after layer of blissed out sonic waves as it’s heavenly vocalisations float effortlessly on pulses of sparse percussion and cascading instrumentation. Catchy hook laden chorus progressions pull beautifully intense chord sequences into view, allowing those stunning vocal lines to soar blissfully out into the ether.

The EP’s lead single entitled ‘Corsets’ bounces into ether and quickly unfurls it’s sonic tendrils. It tumbles headlong through layers of shimmering reverb as it’s sparse percussion resonates through the swirl of guitar and the echo of simplistic vocalisations. There’s a subtle hint of post-punk nestling under the surface of this dreamy track as it meanders and arc’s brilliantly along a luscious predestined verse/chorus route before ‘Ask For Joy’ dismisses with the intoxicating haze and allows it to explode into a veritable melting pot of shimmering instrumentation that includes the addition of a brilliant trumpet line making this track my favourite on the entire release. ‘Deep Into The Night’, the EP’s penultimate piece, explodes into a kaleidoscope of colourful sound waves before driving into the ether on a thunderous percussive pattern intertwined with swirling guitars. Throbbing bass frequencies add a lysergic kind of atmosphere that envelopes an impressive vocal take as cascading synth progressions tumble and fall through masses of reverb and a hazy wall of melodic guitars. ‘Rebirth’ closes proceedings swirling gracefully through dreamy sonic incantations filled with glistening synth swells and addictive guitar progressions. Repetitive drum patterns hold everything together spectacularly as those totally addictive vocalisations pull you in with them as they begin a spiralling journey of luscious sonic discovery. A brilliant ending to a wonderful EP.

4/5

LINKS:

askforjoy.com

bandcamp.com/askforjoy

twitter.com/askforjoy

facebook.com/AskForJoy

ABOUT THE AUTHOR:

Del Chaney - (Author Photo)

Del Chaney has spent the last five years dedicating his time to uncovering the best artists in the unsigned or small independent label based shoegaze, ethereal dream pop, post punk & modern psych rock from all over the globe & reviewing them for this blog - The Primal Music Blog. He is also a contributing writer for The Sound Of Confusion (Now On Hiatus). His other arm  - Primal Radio -  has gained considerable respect from bands and promoters alike since its conception in 2013 & has helped him in actively promoting a genre of music that he is passionate about. Hailing from Dublin, Ireland, he is a keen Vinyl Collector, Tattoo Fan & all round good guy! He is a self confessed music freak & is never far away from a studio console or a turntable.


When The Sun Hits - Immersed Within Your Eyes - Featured Image - (700x700)

EP REVIEW | When The Sun Hits - Immersed Within Your Eyes

When The Sun Hits - Immersed Within Your Eyes - Post image - (300x300)ARTIST: When The Sun Hits

RELEASE: Immersed Within Your Eyes

RELEASE DATE: 22nd September 2017

RECORD COMPANY: Saint Marie Records

Nottingham based 'When The Sun Hits' unleash their debut six track EP entitled 'Immersed Within Your Eyes' to the masses on September 2snd 2017 via the good people over at 'Saint Marie Records'. With a great name and a deeply melodic sound that echoes through swathes of luscious reverb and delay, 'When The Sun Hits' write catchy hook laden soundscapes that both mesmerise and amaze all at once. The EP gets it's full release on various formats over the next few weeks with all information available via saintmarierecords.com

A meandering sonic drone ushers in track one ‘The Last Light’ as ethereal fret noise swirls through the ether underscored brilliantly by the repetitive hit of percussion and the surge of swirling reverb hued guitars. Floating vocalisations ride a wave of glistening sound waves that loop and arc throughout, adding another layer of intense frequencies into the already burgeoning mix thus allowing this track to have a melodic way point to focus on deep within the massive wall of noise. Up next, ‘Lie To Me’ ambles into audible range on a wave of tremulous guitars and a melodic hum of cascading bass frequencies. Yearning vocal lines add atmosphere as the track builds and builds into a thunderous chorus break filled with incredible swathes of reverb and skittish percussion.

80’s inspired sequenced synth lines announce the opening salvos of the instrumentally inclined ‘Twilight’. They build in intensity adding reams of ambient melody before buffering into obscurity and allowing a beautiful guitar progression to fill the sound space as my favourite track on the entire release 'Stereopium' unfurls it’s sonic tendrils and envelopes another stunning vocal take. Atmospheric synth swells bubble from far below melding effortlessly with that repetitive guitar progression, the steadying drum pattern and the brilliant production values. The EP’s penultimate piece entitled ‘Lovedead Town’ charges into the ether on explosive percussion and turbulent reverberation. Beautiful vocalisations take centre court here as raging guitars intertwine with the throb of bass and subtle hint of synth to collectively tumble into a maelstrom of beautiful noise and as the chorus break kicks it drags this listener with it into swirling cacophony of blissed out sound. The EP closes out with a slice of swriling instrumental shoegaze. ‘Coopers Secret’ rides a wave of instrumental noise that loops and arcs through swathes of shimmering reverberation. An ambient inspired ending to a rather interesting EP.

4/5

LINKS:

saintmarierecords.com

facebook.com/whenthesunhitsmusic

whenthesunhits.com

twitter.com/wtshband

ABOUT THE AUTHOR:

Del Chaney - (Author Photo)

Del Chaney has spent the last five years dedicating his time to uncovering the best artists in the unsigned or small independent label based shoegaze, ethereal dream pop, post punk & modern psych rock from all over the globe & reviewing them for this blog - The Primal Music Blog. He is also a contributing  writer for The Sound Of Confusion (Now On Hiatus). His other arm  - Primal Radio -  has gained considerable respect from bands and promoters alike since its conception in 2013 & has helped him in actively promoting a genre of music that he is passionate about. Hailing from Dublin, Ireland, he is a keen Vinyl Collector, Tattoo Fan & all round good guy! He is a self confessed music freak & is never far away from a studio console or a turntable.


A Thousand Hours - Sleep - Featured Image - (700x700)

ALBUM REVIEW | A Thousand Hours - Sleep

A Thousand Hours - Sleep - Post Image - (300x300)ARTIST: A Thousand Hours

RELEASE: Sleep

RELEASE DATE: 22nd July 2017

RECORD COMPANY: Vesper Records

Alaskan based shoegaze/post-punk aficionado Red Collier aka 'A Thousand Hours' released his latest ten track sonic opus entitled 'Sleep' to the waiting public back on the 22nd July 2017. 'Sleep' is the highly anticipated follow up to January 2017's insanely good 'Endless Grey' and was mainly written and composed by Collier himself with the addition of Demi Haynes on a few tracks, backing vocals by Nadi Mack and additional arrangements, synths and drums by Saad Khan. The album was released via Vesper Records and is abvailable to buy/download right now from onethousandhours.bandcamp.com

The album's opening track begins very brightly indeed before quickly nosediving into a mix match of genres. ‘Shipwreck’ is an EMO filled slice of alt-rock, infused sporadically with dreamy garnishes of melodic instrumentation and very precise guitar work; sufficed to say that I can't get my head around bands covering all angles generically and it seems to be the in-thing with most bands in this scene nowadays, a tactic used not only to keep the same circle of inner scenesters happy but more often than not deployed for PR purposes to catch the ears of as many blogs, online radio fanboy podcasts and webzines as is feasibly possible. As opening tracks go however (and I have to be brutally honest here), ‘Shipwreck’ unfortunately doesn't float my boat one bit and reminds me of those god awful mind numbing naughties era bands like ‘Paramore’ or ‘Dashboard Confessional’ although it’s one saving grace is it’s powerful vocal track. Up next ‘Christine’ shimmers on waves of ethereal joy as ‘A Thousand Hours’ redeem themselves ten fold. This track glistens on beautifully intense frequencies as it’s tumbling dual vocal lines swirl beautifully in an effervescent hue. Trembling guitar progressions ebb and flow effortlessly on subtle lines of synth and sequenced percussion, resonating brilliantly through sticky clouds of reverb all the while accompanied by some stellar music production whilst 'A Stillness In The Moment' is a mesmerising snap shot of late 80’s ‘Cocteau Twins’ with it’s post-punk inspired percussive attack and those beautifully intense vocals intertwined with soaring synth swells and the twang of tremulous guitar. Simply breathtaking. ‘Bleach’ ambles into the ether on a simmering cloud of droning instrumentation and jangling reverb hued guitar progressions. Sporadic percussion adds a heavy atmosphere allowing that stunning wall of vocal tracks to penetrate the gloom and drench this listeners ears in glorious sonic joy. ‘Bleach’ is another triumph on an increasingly impressive collection of tracks.

Up next, ‘The Understudy’ is instrumentally reminiscent of those seminal early 90’s stalwarts ‘Cranes’ with it’s experimental piano stabs precariously positioned on soaring lines of synth and echoing reverberation. It’s vocal lines are subdued and melancholic, weighed down by sequenced percussion and it’s dark ambient atmosphere whilst ‘Sleep Of Angels’ screams of ‘Siouxie Sioux’ with it’s breathtaking vocalisations, the thrum of bass and the deep punch of percussion intertwined with cascading synth and those swirling guitars. ‘Clutch’ soars into audible range on hazy lines of synth used primarily to drive those impressive vocals. Sparse experimental percussion clunks and bangs under the mix like some unheard track lifted from the recording sessions of ‘Massive Attacks’ masterpiece ‘Mezzanine’ as those heavy lines of synth loop and arc through catchy hook laden instrumental progressions, collectively streamlined into an impressively dreamy ambient hued behemoth. The albums penultimate piece entitled ‘It’s Rumoured’ is simply divine. Shimmering vocals absolutely drenched in reverb fizz through luscious synth progressions and jangling guitar signatures as those slow metronomic drum patterns keep a well grounded bedrock of frequencies churning underfoot. The addictive sequences of cascading keyboard keep this listener interested as they lead us to the tracks finale and on into a decent cover version of ‘Crushed’ by the fantastic ‘Cocteau Twins’. I'm not one for cover versions appearing on albums so I’ll let this one slide. You can make up your own mind on it though by listening to the album in full.

In closing, ‘Sleep’ will take a few listens before the penny drops and you realise just how good it actually is. It’s god awful beginnings eventually flower into a blossoming procession of impressive tracks that fit neatly into one another and leave a lasting imprint on the listener. Will it be in any ‘end of year’ lists? Only time will tell, but ‘A Thousand Hours’ have definitely placed themselves on the right path sonically. They just have to avoid those 90’s EMO comparisons!

4/5

LINKS:

onethousandhours.bandcamp.com

facebook.com/axthousandxhoursx/

twitter.com/xThousandHours

ABOUT THE AUTHOR:

Del Chaney - (Author Photo)

Del Chaney has spent the last five years dedicating his time to uncovering the best artists in the unsigned or small independent label based shoegaze, ethereal dream pop, post punk & modern psych rock from all over the globe & reviewing them for this blog - The Primal Music Blog. He is also a contributing  writer for The Sound Of Confusion (Now On Hiatus). His other arm  - Primal Radio -  has gained considerable respect from bands and promoters alike since its conception in 2013 & has helped him in actively promoting a genre of music that he is passionate about. Hailing from Dublin, Ireland, he is a keen Vinyl Collector, Tattoo Fan & all round good guy! He is a self confessed music freak & is never far away from a studio console or a turntable.