RELEASE: Spectroscope EP
RELEASE DATE: June 1st 2017
RECORD COMPANY: Unsigned
Barcelona based 'Vymaanika' is a drone-heavy experimental prog & space rock collective with a sound thats underpinned by motorik krautrock and swirling psych. Consisting of Benjamin Mahoney - guitar/vocals/synths, Carles Esteban guitar/vocals/synths, Jose Jünemann - drums/synths & Andrés Paniagua - bass this magnificent quartet come from different parts of the globe with varying degrees of experience from playing in bands such as sansoma, juneorjuly, jinkovilova & palaciomalson. They released their debut two-track EP entitled 'Spectroscope' back in June 2017 and it's available to buy/download right now via vymaanika.bandcamp.com
Spectroscope EP by VYMAANIKA
The EP's title track 'Spectroscope' swirls menacingly on a repetitive guitar line that pulses through layers of deep reverberation. Explosive progressive percussion builds from beneath the mix pulling cavernous synth swells, swirling instrumental drones, pulsing electronics and a magnificent vocal line with it as it melds brilliantly with turbulent guitars and the throb of luscious bass frequencies. Heady atmospherics accompany the instrumentation as they collectively dive headlong into a cyclonic sonic behemoth filled with motorik percussion. Coming in at ten minutes plus, 'Spectroscope' is a white knuckle thrill ride into a heady world of wide eyed sonic abandonment and a serious recommendation from us. Dive in!
The EP's closing piece offers a somewhat calm introduction. 'Golden Void' unfurls it's sonic tendrils and attaches itself to the strum of tremulous guitar and the swoosh of percussion. Slow moving at first, it builds momentum with each bar pulling different instrumentation with it as it slowly spirals skywards and out into the sonic ether. Hypnotically charged vocal lines ebb and flow through offbeat drum hits and layered reverb underpinned by repetitive progressions and mantra like qualities. But it's the immense instrumental break at five minutes in that catches this listener out as ''Vymaanika' inject a kind of lysergic energy into the mix pulling space rock, neo-psych and rolling waves of heady vibration into play, moulding the entire sonic concoction into one singular pulsating entity right up until it's turbulent finale. It's a really good ending to an immense EP. Hopefully we will hear more from these guys going forward. Recommended!
ABOUT THE AUTHOR:
Del Chaney has spent the last five years dedicating his time to uncovering the best artists in the unsigned or small independent label based shoegaze, ethereal dream pop, post punk & modern psych rock from all over the globe & reviewing them for this blog - The Primal Music Blog. He is also a contributing writer for The Sound Of Confusion (Now On Hiatus). His other arm - Primal Radio - has gained considerable respect from bands and promoters alike since its conception in 2013 & has helped him in actively promoting a genre of music that he is passionate about. Hailing from Dublin, Ireland, he is a keen Vinyl Collector, Tattoo Fan & all round good guy! He is a self confessed music freak & is never far away from a studio console or a turntable.
by Primal Music
ARTIST: Shoe Shine Six
RELEASE DATE: January 5th 2018
Noisy alt-shoegaze quartet 'Shoe Shine Six' inject a melodic edge to their sound that is very hard to shake off. Beneath the sullen post-punk hued vocalisations are layers of instrumentation that collectively meld into a highly addictive blissed out melee of shimmering sonic noise. The band hail from Yekaterinburg, Russia and consist of Katarina Voronina - vocals, Paul Alimpiev - guitar, Mike Tulubaev - bass & Serge Markoff - drums. Their debut four track EP entitled 'Sunday' had it's official release on the 5th January 2018 and is available to buy/download right now via shoeshinesix.bandcamp.com
Sunday by Shoe Shine Six
'Sunday' unfurls it's fuzzy tendrils with 'Rainfall', it's opening salvo. It rocks brilliantly on a busy percussive assault whilst swirling melody driven guitars breach layers of reverb as they weave and dance on top of throbbing bass frequencies. Katarina Voronina's melodic vocals are instantly enjoyable, adding dark-wave inspired layer over proceedings and cutting a wedge through the noise thus adding sublime clarity to the overall track. It's a fantastic opening track. Up next, 'Daze' begins in quiet refrain, building slowly through it's opening verse before exploding into a cacophony of fuzzed out noise and explosive drum patterns. Catchy chorus changes and soaring lead lines help to lift this track skywards as laid back verse progressions ebb and flow with relative ease allowing the vocal track space to breathe.
'Ocean', the EP's penultimate piece is deeply melancholic as the band lean heavily into their shoegaze side injecting melody and swathes of reverb into the piece whilst steady percussion rumbles and bass lines throb in unison allowing layer after layer of guitars to soar into the ether enveloping what I believe is the best vocal performance on the release. 'Ocean' is absolutely breathtaking and probably my favourite track on the entire EP. 'Green' closes proceedings out delving more into alt-rock than the previous three tracks. There are, at times, subtle hazy moments courtesy of layered reverberations but for the most part this track rattles through a well worn alt-rock path. 'Shoe Shine Six' are definitely ones to watch throughout 2018 and it'll be interesting to hear what comes next.
ARTIST: Psychic Lemon
RELEASE: Frequency Rhythm Distortion Delay
RELEASE DATE: January 12th 2017
RECORD COMPANY: Tonzonen Records
London based psych aficionados 'Psychic Lemon' inject swirling space rock, well drilled prog rock and motorik krautrock into their overall sound that is both hypnotic and addictive all at once. This impressive three piece (previously a quartet) have been ploughing a deep sonic furrow into the underground psych collective since the release of their self-titled debut album back in 2016 but I have to admit that I hadn't heard of the band up until receiving the press release for their brand new album. I've since rectified that issue. Entitled 'Frequency Rhythm Distortion Delay', this immense collection of five tracks is explosive, exquisite and quite possibly one of the best albums that I've heard in some time. At times sonically transcending, 'Frequency Rhythm Distortion Delay' breathes new life into a collective of genres that have been very much diluted beyond hope over the past few years. 'Psychic Lemon' strip these genres back to their base components before collectively reimagining them into a huge singular sonic entity. 'Frequency Rhythm Distortion Delay' gets it's official release on January 12th 2018 via tonzonen records and is available to buy/download on various formats including lovely vinyl from psychiclemon.bandcamp.com
Frequency Rhythm Distortion Delay by Psychic Lemon
The swing of African themed drums pulls humming bass frequencies into audible range as ‘Exit To The Death Lane’ winds itself into a coiled sonic behemoth and prepares to strike. Swirling guitars ride turbulent waves of reverberation enveloping an impressively mantra like vocal line thus adding hypnotic circumventions to the piece as it manipulates sound waves and bends notes at will before erupting into a massive wall of fuzzed out psych induced melody. This is something altogether mesmerising. It’s a mix of space rock, modern psych and fucked up rock and roll all packed up into a huge opening salvo to whet the sonic appetite with. Up next ‘Psychic Lemon’ unleash their garage-psych side as ‘Hey Droog!’ explodes into pulsating percussive assault accompanied by throbbing bass lines and the swirling sounds of organ delectably drenched in sullen reverberation. Wailing lead guitar deploys a raging wah-wah pedal that meanders in and out of tempo driven drum patterns, unleashing a holy sonic war of attrition and laying waste to all before it. It's another massive assault on the cranium and bloody masterful in its approach. ‘You’re No good’ tumbles into the ether riding a krautrock like percussive pattern as it's repetitive nature keeps metronomic time allowing addictive lead lines to permeate the mix, sitting precariously on top of gravity defying bass patterns. The musicianship on this track is impressive and it’s vocal lines although sparse are very effective. Listen out for that magnificent break half way through and the brilliant introduction of saxophone. It will suck you into a mesmerising world of psychedelically charged experimentation.
The highlight of the album for me and it’s penultimate track comes in the guise of ‘Interstellar Fuzz Star’ and it does exactly as it says on the tin. A raging wall of turbulent instrumentation rides a pounding wall of percussive noise collectively enveloping an absolutely magnificent marauding bass line whilst lead guitar lines whip the entire track to within an inch of its life. ‘Interstellar Fuzz Star’ is a fuzzed out white knuckle sonic ride straight to heart of the sun and it’s explosive ending will blow your fucking mind. The album closes out with ‘Satori Disco’, a melody infused spaced out gem that sits on a bed rock of rolling drums and the consistent throb of bass frequencies. Angry strummed guitars hold court here as lead lines dipped in reverb meander in and out of the piece pulling hypnotic Saxophone and wailing wah-wah with it as it rides it's turbulent pre-destined sonic course. This is a bloody impressive track and a fabulous ending to what is for me a masterpiece of an album. Seriously recommended.
RELEASE: Past, Preset and Future
RELEASE DATE: January 23rd 2018
RECORD COMPANY: Self Released
It's been quite some time since we've had any music from brilliant San Francisco based experimental shoegazers 'Echodrone'. Their impressive 2015 released long player 'Five' caught the ear of the venerable 'Saint Marie Records' and marked a significant change sonically for the band. It was released at a time when the resurgent underground scene was booming and shoegaze was a buzz word on the lips of passionate scenesters. It was also met with rave reviews upon release and is still spoken about today as being a landmark album from that year. Now the band have returned with a brand new thirteen track opus entitled 'Past, Preset and Future'. Self -released, this massive compendium of tracks swirls and dances through a multitude of music genres such as shoegaze, dream pop, post-punk, electronica, post-rock and indie-rock with relative ease and is sure to stir up the hearts and minds of the underground faithful once more. The album gets it's full release on January 23rd 2018 and will be available to buy/download from that date via all of the bands usual outlets.
A swirling tremulous drone pulls jangling instrumental progressions filled with shimmering guitars and wide scoped reverberations out into the ether as ‘Threaded Barrel’ unfurls it’s glistening tendrils and reaches out to pull the listener inside. Giddy percussion rides the wave of blissed out sound waves as hazy vocalisations meander in and out of deep laid bass frequencies. Catchy lead lines stick to the sonic concoction like glue as we’re pulled into a marvellous chorus surge and swept away on a wave of beautiful noise. ‘Threaded Barrel’ bounces and moves like clock work and is a massive statement of intent. Up next, ‘Failure’ glides into audible range trapped in a melancholic dream-pop hue underpinned with stunning instrumentation and an immense vocal performance. Chorus parts soar skywards on layers of streaming guitars and pounding drum patterns as the throb of bass envelopes walls of outstanding production. The albums title track ‘Past, Present And Future’ begins with a busy sequenced synth progression that clutches noisy guitars, swirling electronics and a metronomic percussive beat. Electro styled bass lines spiral through the melee instilling a post-punk kind of edge to proceedings thus allowing us to take breath and prepare ourselves for the monstrous instrumental build ahead and it doesn't disappoint. It's sublime, absolutely spellbinding and definitely one of my favourite tracks on the album.
‘Open Your Mind’ swirls into action tumbling through instrumental drones, building slowly and announcing another marvellous vocal track. It’s guitar parts bubble through layers of synth swells, humming bass lines and solid production before exploding into a cacophony of intense noise all wrapped around a stunning chorus progression whilst the opening bars of 'Dystopian Story' has ambient intentions with it’s swirling electronics and twinkling production. It opens up into captivating guitar progressions that swoop and circumnavigate hazy vocalisations as catchy melody filled chord changes and hook laden atmospherics add ethereal like connotations to the entire piece. It is absolutely beautiful from start to finish and I recommend that you pop on some headphones to experience it in full. Up next, ‘Save Me’ begins with punchy post-punk hued guitars before you get sucked into that beautiful vocal and fall head long into pools of heady reverb. Electronic theatrics bubble and dance just below the mix as steady drum patterns keep the tempo just nice allowing cascading synth lines and the addictive throb of bass to wash over you.
‘Below From Above’ has that 80’s post-punk sound reminiscent of ‘The Cure’ or ‘Siouxsie Sue’ but with a modern dream-pop twist. Twinkling electronics meander deep within the mix catching the ear in between vocal breaths as driving guitars, surging synths and reverberating bass notes create a heady sonic brew that is highly addictive and keeps the listener focused on the track whilst ‘Rock Waltz’ uses backwards instrumentation and slow moving production to great effect. The entire track reminds me of early ‘Deus’ and I can’t quite put my finger on wether that’s down to the vocal track, the use of vocal sampling or the overall layering of instruments? Either way it’s a stunning piece of music. ‘Land Of Nothingness’ jangles on a wave of bass frequencies and lo-fi vocalisations. Hi-hat heavy percussion keeps things simple as we weave and bob through shimmering guitars and heady experimental production values building brilliantly through each interconnecting sonic part before unfolding into a blissed out chorus progression with relative ease.
Swirling guitars announce ‘Home’ and we’re again pulled into a mesmerising vocal performance reminiscent at times to seminal USA based dream-gazing outfit ‘Whimsical’. Soaring chorus progressions take your breath away as they glide skywards on streaming jets of beautiful melody, layered guitars, luscious synth and senses tingling percussion whilst ‘Low’ keeps things almost ethereal. Guitars drone effervescently, drenched in reverb and twirling through percussive shakers before pulling trembling guitar progressions into the mix enveloping another fragile vocal line perfectly. It’s another stand out track for me on an album filled with great songs. ‘Abstract Thoughts’, the albums penultimate piece, is a slow moving atmospheric affair with sparse percussion, jangling bass lines, surging synth swells and another beautiful melancholic vocal collectively pinned to twinkling guitar progressions drenched in stunning reverberation whilst the album closes out with ‘Snow Drift’. Ghostly vocalisations ride steady drum patterns and meandering guitar progressions as the pull of deep cascading bass frequencies wrap themselves gracefully around swirling lines of synth. This track explodes into a marvellous cacophony of reverb and noise as the chorus progressions launch themselves skywards into a glistening sonic ether closing out what is another immense compendium of tracks by a band who have been sorely missed from the underground music scene.
ARTIST: Stupid Cosmonaut
RELEASE DATE: 5th January 2018
RECORD COMPANY: Drone Rock Records
Back in March 2017 UK based sonic experimentalists 'Stupid Cosmonaut' wowed us lot here at Primal Music by unleashing the dark and brooding ambient psych beast that was 'Algol', their first full release on the brilliant 'Drone Rock Records' and one of their most impressive albums to date. Now the band have returned with a six track second outing on the aforementioned label. The totally immersive 'Digitalis' leans heavily into an ambient lunar world filled with hazy electronics, swirling drones, meticulous sequencing and massive swathes of reverberation to bring us something altogether immense. 'Digitalis' gets it's official release on January 5th 2018 with vinyl copies available right now via dronerockrecords.com and digital downloads available from stupidcosmonaut.bandcamp.com
Digitalis by Stupid Cosmonaut
Deep pulsating bass notes, exquisitely sequenced and overlaid with cascading rock fall electronics announce ‘Field Trip’, the albums immense opening salvo. Swirling reverberations cradle huge sprawls of synth that collectively surf ambient atmospherics effortlessly allowing soft percussive patterns to balance precariously atop repetitive claps, tingling lines of keyboard and the consistent surge of blissed out sonic abandonment as we’re swept along on a wave of intimate sonic bliss. Up next, ‘Rephlex’ bounces into audible range tumbling along brilliantly with a thinned out electronic pulse that holds this track together allowing swirling synth swells caught in massive patches of reverb to float and eddy freely. ‘Rephlex’ has martian like atmospherics that hang in suspended animation deftly tied to a beautifully ambient sonic construction. At thirteen minutes long it’s a magical sonic journey, reminiscent of that masterful ambient electronic wizard ‘Vangelis’ and definitely one for the headphones. ‘Offline’ permeates the ether on a melancholic wave of synth and creeping percussion. Off timed drum hits add intense atmosphere as the track builds, introducing deep penetrating waves of breakbeat drenched in reverberating electronic theatrics and dancing lines of warbling synth. It’s a well thought out track that loops and arcs brilliantly through waves of ambient psych.
‘Post Human’ screams 60’s sci-fi as it unfurls shimmering lines of addictive synth drenched in atmosphere. Sequenced percussion runs the gauntlet as instrumentally we move skywards through rings of sonic enrichment, attached to a bouncing bass line and swirling swells of reverb that coalesce as one sentient being before massive chord changes add a kind of ethereal hue to proceedings. This is a majestic track and a firm favourite of mine on the album. Up next the albums penultimate piece enters the sonic arena. ‘Digitalis’ is a fuzzy brute that in it’s opening bars rides a punchy drum pattern drenched in a kind of post-punk hue. Busy sequenced synth lines add turbulent windswept atmospherics just below the mix as those twinkling lines of piano dance and skirt atop deep stabs of synth and fizzing electronics. The album closes out with ‘Sadness And Euphoria’. Melancholic guitar lines meander effortlessly through hazy sonic channels filled with shimmering synth and catchy chord changes as the track builds ever so slowly, adding intense atmosphere with every added musical layer. ‘Sadness And Euphoria’ is deeply ambient and is underscored at times with subtle hints of post-rock and brilliantly executed electronic psychedelia that raises it’s head at precise moments and catches the ear before melding back brilliantly into the mix. It’s a thoroughly enjoyable ending to marvellously executed release.
RELEASE: Like A Dog
RELEASE DATE: 15th November 2107
RECORD COMPANY: Unsigned
Auckland based shoegaze/dream pop quartet 'Scarp' released their debut four track EP entitled 'Like A Dog' to the masses back on the 15th November 2017 via bandcamp. Their collective sound swirls effortlessly around some intense summery vibes as woozy shoegaze and beautifully entrancing dream pop hued vocal lines permeate noisy passages of layered reverberations. The band are made up of Pia - vocals/bass, Andrew - guitar, Adam - guitar & Howl - drums with EP available to buy/download right now via scarp.bandcamp.com
Like A Dog by Scarp
The EP opens with gentle guitar strums and a warbling lead line that intertwines with the plod of bass and steady percussion as those beautiful vocalisations wash over the listener. 'Youth Large, Size Small' builds slowly as it's instrumentation swoops through reverb hued atmospheric breaks underpinned with simple yet effective drum patterns and brilliantly executed chorus progressions. Up next, 'Air Max' shimmers on a wave of jangling guitars and intense reverb. Melancholic summer vibes explode into a cacophony of colour as this track unfurls it's sonic tendrils and instrumentally envelops another stunning vocal performance. It builds and builds gracefully into a wonderful crescendo driven dream pop standard echoing layers of subtle fuzz, captivating lead lines and rocking steadily on a pin point percussive pattern. 'Air Max' is simply beautiful and probably my favourite track on the entire release.
The slow moving 'Old Age' tip toes along it's steady drum pattern as it's bass line hums beneath a layer of hazy guitar drenched in swathes of reverb. Catchy hook laden chorus changes drag that vocal skywards, hoisting the repetitive verse progressions with it into new territory. 'Old Age' dips into the pop side of alternative rock at times and that's not a bad thing at all. It adds to the overall atmospherics of the piece and hit's home the tracks subject matter brilliantly. The EP closes out with 'Wasps', another slow moving slab of dreamy dream-gaze. Vocally sublime this track has a marvellous ambient hued break that builds brilliantly alongside pounding drums, throbbing bass and soaring lead guitar collectively guided by hazy rhythmic guitar progressions. It's a fantastic ending to a wonderful EP and I can't wait to hear what comes next for this band.
ABOUT THE AUTHOR:
ARTIST: E Gone
RELEASE: Brilliant Apparatus
RELEASE DATE: 24th November
RECORD COMPANY: Self Released
'Brilliant Apparatus' is the latest five track release from the immense Swedish based experimental psych aficionado 'E Gone' aka Daniel Westerlund. 'E Gone' has been wowing us lot here at Primal Music for some time with the way he melds together various musical stylings including electronica, psych, post rock, oriental, dub, raga, ambient and folk to create a stunning cacophony of mesmerising soundscapes that float and permeate layers of impressive sonic production with relative ease. 'Brilliant Apparatus' is self-released and it follows on from Februarys full length LP 'The Third Is A Mountain Which Holds A Dagger'. It's available to buy/download right now via egone.bandcamp.com
Brilliant Apparatus EP by E GONE
In a fizzing haze of twinkling drones and shimmering electronics 'Ectoplasm', the EP's opening salvo ignites and burns sporadically for a short time spilling ambient clouds of reverberating frequencies out into the ether before announcing 'Liber Null Tango', an ambient infused dub electro outing doused in melody and accompanied by deep resonating bass notes that coalesce brilliantly with sequenced synth lines and the constant pitter patter of hi-hats. Sequenced drums pound the senses pulling into the mix cascading synth and low frequency atmospheric drones that sit just below the mix adding weight and depth to the piece. Up next, 'Brilliant Apparatus' bullies its way into audible range bouncing alongside sampled vocalisations and deeply resonating synth lines. Sequenced percussion travels along in breakbeat style dragging angry electronics and film soundtrack accompaniments with it as it meanders brilliantly through ambient breaks, huge sonic builds with screaming crescendos filled with maliciously dark electronics. 'Brilliant Apparatus' is an absolutely fantastic track and possibly my favourite on the entire release.
'Hökarängen' the EP's penultimate piece opens with plinking synth riding dub reggae stylings albeit in an electronic fashion. Off kilter percussion concentrates the sound as panned instrumentation ebbs and flows underneath, jumping in and out of ambient tinged breaks filled with guitar stabs and lines of undulating lead that intertwines effortlessly with layers of synth, sequenced electronics and the heady pull of reverberation. The 'Brilliant Apparatus' EP closes out with 'The Autumn Equinox of 1993'. Floating instrumental drones glimmer and dance on top of pulsating electronics and celestial reverberations as intense melodic psychedelia greets this listener, rising and falling brilliantly through magnificent production and stunning organ swells as sporadic percussive hits permeate the ether from far below the mix. It's a fascinating ending to what is an interesting EP.
RELEASE DATE: 8th December 2017
RECORD COMPANY: Fuzz Club Records
Glasgow based experimental psych outfit 'Helicon' have announced their highly anticipated self-titled debut album to the masses. With eight EP's under their belts, 'Helicon' have taken the live scene by storm, touring Europe and sharing the stage with some serious heavy hitters including Wooden Shjips, The Warlocks and Dead Skeletons. Helicon's sound is addictive, engagingly dynamic and at times all consuming or otherworldly with melodic eastern tinged psych, swirling drones, mantra like vocalisations and intricately intense guitar work that collectively merges into one almighty sonic attack. 'Helicon' get's it's full release on December 8th 2017 via the ever reliable 'Fuzz Club Records' with pre-orders available on deluxe edition vinyl (limited to 100 copies) and standard vinyl (limited to 400 copies) over on fuzz club.com and digitally from fuzzclub.bandcamp.com
Helicon by Helicon
A pulsating motorik wave of driving sonic abandonment announces the arrival of ‘Devil On Your Tongue’, the opening salvo on this sublime collection of tracks. It’s rhythmic progressions envelope the senses as they swirl menacingly through layers of fizzing synth, throbbing bass and driving guitars created primarily to carry those mantra like vocalisations into and out of crawling cavernous breaks that are filled to the brim with heady clouds of resonating sounds and atmospheric reverberations. ‘Valmiki’ swirls into ether tumbling gracefully through the shimmering sounds of luscious sitar underpinned by a steady drum pattern, the plink of fragile synth and rolling guitars. The pace soon quickens introducing droning instrumentation to the mix, echoing brilliantly as sonic frequencies stack on top of one another, gaining momentum with each tempestuous turn, sucking the listener into a broiling mass of stunning sonic sound waves. ‘Valmiki’ is a masterful track, highly infectious and deeply entrancing. Up next, ‘Seraph’ the albums lead single, drones into life meandering on the sweet sounds of melodic sitar and metronomic percussion. Shimmering guitars accompanied by deep throbbing bass frequencies permeate the mix, adding a heady atmosphere before dragging those stunning vocalisations into audible range whilst undulating brilliantly through layers of sticky reverberation.
‘Drinking Of You’ fizzes into life riding a sequenced synth line accompanied by hum of bass, subtle guitar and rolling percussion. A dark and oppressive atmosphere starts to build, and it seeps into every single fibre of the track, erupting in stages into a heaving mass of angry instrumentation that undulates into periods of calm and at times can slip into deep dark trenches filled with raging frequencies and tinged with a kind of lysergic sonic energy. It’s a bloody impressive track that can both scare and amaze all at once. ‘The Bold Yin’ momentarily drones into life pulling blissed out synths and shaking percussion with it as it tumbles through the ether. Heavenly vocals float atop shimmering sounds topped up with swirling organ swells and resonating acoustic guitar as catchy chord changes drenched in reverb pull searing lines of lead guitar into close orbit allowing them to lick and whip the piece into shape. ‘The Bold Yin’ morphs into a very different animal half way though as ‘Helicon’ move up through the gears and inject an acid tinged hue on proceedings. Driving instrumentation swirls and dances alongside senses pummelling percussion, collectively building into an unstoppable sonic behemoth. Up next, my favourite track on the entire release is let loose to fuck with peoples minds. ’Teenage Murder’ is an immensely addictive, crawling, metronomic beast drenched in dark and oppressive psych induced atmospherics. A processional drum beat holds court here forming a bedrock of sound waves capable enough to carry surging synth swells, bubbling electronics, howling guitars and throbbing bass frequencies, drenched in sullen reverberation and deftly enveloping that absolutely immense vocal performance. Resonating synths intertwine with spine tingling tambourine hits and wrap themselves around huge sprawling chord changes as this track is dragged through walls of stunning effects and intense production with relative ease. ‘Teenage Murder’ is infectious and will have you replaying it for days.
The albums penultimate piece entitled ‘French As Fuck’ unfurls it’s sonic tendrils floating through hazy walls of esoteric psych. Luscious sitar lines loop and arc through pulses of organ and fizzing synth as subtle guitars rumble and move alongside cascading bass frequencies and steady percussion. Melodic vocal lines hover atop repetitive progressions and work through shimmering verse patterns with ease as chorus parts explode into a vivid kaleidoscope of colour. ‘French As Fuck’ is a wonderful blissed out psychedelic excursion into the sonic ether. The album closes out with ‘Ring The Albanian’. It’s opening salvo’s shake and shudder into audible range bellowing violently on a layer of growling guitars, shimmering sitar and senses pummelling percussion. A throbbing bass line meanders underfoot as howling guitars take centre stage building maliciously into a blisteringly explosive cacophony of noise accompanied by soaring synth and huge percussive breaks. It's a marvellous end to an absolutely immense album.
ARTIST: Sun System
RELEASE: Strange Ways We Meet
RELEASE DATE: 1st December 2017
Arizona based 'Sun System' unleash their brilliant debut four track EP entitled 'Strange Ways We Meet' to the underground fraternity on December 1st 2017. With a sound that sits firmly in the alt-shoegaze stable 'Sun System' collectively inject shimmering melodic melancholy into every single track on this EP telling stories throughout and bringing the listener on a sonic journey of discovery with each passing instrumental progression. The band are made up of Cory – vocals/guitar, Nathan – guitar, Curt – bass, Christopher – keys and Lorenzo – drums. The EP gets it's full release on iTunes and Spotify from December 1st but you can check out some more of their singles right now via sunsystem.bandcamp.com
Shimmering guitar progressions glide and echo through layers of melodically hazy reverberation as ‘Smiles With No Teeth’ unwinds itself and shows us it’s inner workings. Throbbing bass frequencies ride a turbulent percussive pattern collectively leading a sublime vocal performance in and out of smooth verse transitions and noisy chorus parts with relative ease. This track builds, builds and builds into a cacophony of blissed out noise before cascading into a marvellously melodic finale. Up next, ‘Glimmer Man’ floats into the ether on swells of synth and jangling guitar that gracefully envelope another impressive vocal performance. Sun System’s shoegaze tendencies are laid bare for all to hear on this track as it rises and falls through stages of impeccable songwriting filled with effervescent layers of addictive noise.
The EP’s penultimate piece is a melodic, slow moving slice of sonic melancholy. ‘Alone Together’ is beautifully intense and it meanders through yearning and thought provoking verse progressions, pulling the listener with it as it tumbles into chorus parts filled with soaring tumults of glittering noise. It’s a wonderful track and possibly my favourite on the entire release. ‘Strange Ways We Meet’ closes out with ‘Scooter (feat. Travis Williams)’ and we’re pulled into an opening salvo of lo-fi guitars and and steady drum patterns. It’s not long before this track explodes into a kaleidoscope of noise, calming down at times to allow us catch little snippets of songwriting brilliance. There’s also a subtle dream-pop hue emanating from it that is rather interesting but for the most part instrumentally it skirts close to alternative or post-rock. All in all it’s this EP has an interesting mix of sounds and some brilliant passages of songwriting all underscored with some fantastic production values. It will be interesting to hear what comes next from ‘Sun System’.
ARTIST: The Cabin Fever
RELEASE: Exercise The Demon
RELEASE DATE: 23rd January 2018
Los Angeles based experimental dark gazing trio ‘The Cabin Fever’ have just announced their brand new sophomore release brilliantly titled 'Exercise The Demon'. This brand new eight track EP gets it's full release on January 23rd 2018 and it follows on from their 2016 debut album ‘Enjoy Yourself’. The band are made up of Sean Moriarty (vocals/guitar), Joel Bedolla (guitar) and Tripp Beam (drums) and 'Exercise The Demon' is available to pre-order right now via thecabinfever.bandcamp.com
Exercise the demon EP by The Cabin Fever
The tumble of slow paced percussion announces the arrival of track one ‘B-L-S-H’ and it’s soon accompanied by the melodic pull of heady bass frequencies and fuzzy guitar squall. There’s a deeply melancholic vibe coursing through the The Cabin Fever’s overall sound that’s inherently captivating and the arrival of those sublime vocalisations adds weight to that statement. They instantly suck you in and initiate a snapshot of modern times and the many pit-falls that lie beneath the blank facade of everyday life. They float effortlessly in amongst melody strewn lanes filled with catchy chord changes, undulating lead lines and the sweet pull of violin. An impressive opening salvo. Up next, ‘Simon Says’ shimmers on a trembling wave of tambourine and almost droning instrumentation that rises and falls through sullen verse parts that envelope another great vocal track and build brilliantly into driving chorus progressions filled with soaring lead lines and busy percussion.
‘Trucrime’ chugs into existence strapped to a crawling guitar progression and a slow processional snare hit that ricochets atop a pinging delay. It’s vocal track meanders brilliantly through 80’s themed synth lines and layers of hazy reverberation, cruising through catchy hook laden highs and dipping below the ether into addictively dark post-shoegaze atmospherics. ‘His People’ pulses and weaves a repetitive sonic web filled with off beat drum patterns and crawling guitar progressions underpinned with streamlined synth and layered production theatrics whilst ‘Exercise The Demon’ is dark and atmospheric. It moves extremely slow attached to the pull of intense guitars, it’s underlying strings and the melancholic tone of it’s lead vocals that keep the listener focusing intently on their every move. This track builds brilliantly. In fact, it has a subtle movie soundtrack quality and introduces it’s layered instrumentation as each verse progression passes adding colour when needed and slowing down at times to highlight lyrical narrative.
The Cabin Fever included a fantastic bonus track on this EP entitled ‘Tony’s Song’ that swirls into audible range on 60’s sci-fi synth swells and plodding bass progressions riding an almost metronomic percussive pattern. It explodes into a melting pot of sounds including resolute hand claps, cascading synth, hazy shoegaze hued layers of resonating guitars and the outright addictiveness of those sublime vocalisations. The EP closes out with two alternate mixes of both ‘B-L-S-H’ and ‘Exercise The Demon’. If that kind of thing floats your boat then these are for you. However if like me you don’t see the point in including them, then the EP finished up on that brilliant bonus track. All being said, ‘Exercise The Demon’ is an impressive collection of tracks loaded with layers of atmosphere and impressive melancholic abandonment.