ALBUM REVIEW | On The Wane - Dry

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ARTIST: On The Wane

RELEASE: Dry

RELEASE DATE: 19/12/14

RECORD COMPANY: Unsigned

Today is a good day after all. I’ve been screaming through a list of submissions for the blog & feeling frustrated at the general state of the musical trite that had been sent to us for potential review. I was just about to give up all hope when I came across a band who had contacted the blog a few weeks back. This band blew my mind from the very first listen to their recently released album entitled - ’Dry’. They are a truly Immense musical outfit! Well balanced, competent musicians who are not afraid to experiment with sound. Not only do they create sonically astute soundscapes through the medium of high octane shoegazing but they also breach the barriers between genre’s to produce a melodic concoction of 80’s/90’s Post-Punk, New-Wave & full on Noise-Rock. Kiev based ‘On The Wane’ are a breath of fresh air in a world of stagnant bands who jump on musical bandwagons and falsely declare themselves as post-punk shoegazers.
‘On The Wane’ were formed in 2014 in Ukraine and believe in everything 80’s & 90’s Alternative, Post-Punk, shoegazing, New-Wave, No-Wave & Noise-Rock. The band are: Anna Lyashok - drums & vocals, Daria Maksimova - bass & vocals, Eugene Voitov & Alexander Yarosevich - guitars. They like knobs turned right, dissonances, noise meditations & motoric rhythms. That’s an incredible list of influential musical genres and a bloody epic statement of intent! Strap yourselves in ..... This is extreme shoegazing at it’s very best.

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The album opens up with the mind bending ’Shelter’. Expressive soaring guitars co exist with addictive, sharp arrangements, pounding drums & a throbbing bassline. Throw into this mix of intense pulsating sound waves the enthralling vocal lines and we have something beyond brilliant. Im hooked after 2 minutes. It is that intense.

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Track 2 is a homage to all things Sub Pop. ‘Sweet Girl’ is a powerful juggernaut of a track that has everything going on in it. It powers through seconds of thundering guitars, bass & drums with an abandon. The hauntingly intensive vocal arrangements are reminiscent at times to early Lydia Lunch & Sonic Youth. They will have you transfixed on this bands complete sound. The vocals have a Post-Punk snarl that are so addictive at times you just want to melt into them and become one with the music. Stunning!

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Menacing distortion somehow filled with melodic guitar hooks announce the arrival of another astonishing track from this Ukrainian outfit. ‘Road And Snow’ continues this bands journey through the medium of soaring bass heavy guitars, pounding drums & addictive vocal tones. This is simply brilliant. Check it out:

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Track 4 begins with Punk Rock connotations stuffed menacingly between a heady mix of ‘Souxsie & The Banshees’ & the ferocity of ‘The Sex Pistols’ all intertwined with a Bauhaus infusion until the chorus explodes onto the musical canvass and streaks across the skyline in a haze of brilliantly executed guitar play. This self titled track will have you jumping around your bedroom & tormenting your neighbours with it’s intensity.

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‘Pheonix’ - Track 5 on this brilliant release, reminds me of early Loop with its intrusive, unsettling yet melodic guitar arrangements. Add into that the stomping drums, blistering bassline & swirling vocals and we have a monster on our hands. A creeping monolith of track that arc’s & swells all over the musical canvass. Sublime!

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Half way through & I’m still transfixed on this bands explosive sound. ‘1232’ growls like a ‘Pixies’ track mixed with Sub Pop brilliance from its opening notes. Again the addictive vocal tones of Lyashok & Maksimova preach malicious intent and drive this track to its final destination. The guitars on this composition are immense and together with the driving force of the base & drum tracks they make ’1232’ the beast that it is. Check it out:

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‘Love Thy neighbour’ is 2 minutes of noise-rock dipped in a punk rock stew and fed through a sonic feeding tube to an audience of waiting lunatics. This is another shining example of how ‘On The Wane’ are capable of switching genres on a whim. Not afraid to mix it up this band are entertaining me completely as every track is a new experience of musical delight.

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Track 8 - ‘Autumn’ leads you into a false sense of security with its opening light hearted drum pattern & jangling guitar lines. But don’t be fooled. This track has an explosive inner core that creeps up on you and packs a heavy punch when you least expect it. The vocals are suppressed but melodic & float along during the sublime verses but are set free with the onset of the slightly unsettling chorus’s breaks.

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‘Louder’ swirls into the musical atmosphere with hauntingly brilliant vocal arrangements & a repetitive drum pattern intertwined with reverb drenched guitars. This track reminds me of early 90’s shoegazing stalwarts & UK based - ‘The Cranes’ with its ferocious swirling guitars, hypnotising drumbeat, pulsating baseline and screaming vocals. Another stunning track.

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The closing track is a stroke of genius. ‘Joy Division’s - Noise Ceremony’ gets the complete ‘On The Wane’ treatment with full on explosive post-punk brilliance. Vocally sublime with hauntingly addictive tones & musically faultless. A great closing track on an already immense album.

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This album blew my mind . . . . . . I am not afraid to say that and to me it goes to show just how good the underground scene is right now in all four corners of this fine planet. Fans of shoegaze, post-punk & early Sub Pop artists will adore this bands complete sound. They create faultless sonic soundscapes that skip through multiple genre’s of an alternative nature with glee. ‘On The Wane’ do this for fun & its not contrived or half arsed either. I believe every single note on this epic release and so should you. Go out and support them by buying their music & go to see them live. I can’t wait to hear what comes next from this band. They truly are a wonder.

Del Chaney - Dublin 2015 

LINKS:

facebook.com/onthewane

onthewane.bandcamp.com

ABOUT THE AUTHOR:

Del Chaney
Del Chaney

Del Chaney has spent the last two years not only fronting popular Irish Electronic duo Analogue Wave, but also dedicating his time to uncovering the best artists in the Unsigned or Small Independent Label based Shoegaze, Dream Pop, Post-Punk & Post-Rock genre’s of music from all over the globe & reviewing them for this blog - The Primal Music Blog. His other arm - Primal Radio - has gained considerable respect from bands and promoters alike since its conception in 2013 & has hepled him in actively promoting a genre of music that he is passionate about. Hailing from Dublin, Ireland, he is a keen Vinyl Collector, Tattoo Fan & all round good guy! He is a self confessed music freak & is never far away from a studio console or a turntable.


ALBUM REVIEW: Pleasantry - Synapses

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ARTIST: Pleasantry

RELEASE: Synapses 

RELEASE DATE: 22/08/14

RECORD COMPANY: KittyWu Records.

Formed in late 2010, Pleasantry have made a name for themselves in Singapore's local music scene. Recycling musicians from active as well as inactive bands, the quintet crafts and carves music out of each member’s various listening backgrounds. Drawing inspirations from dreamed-up scenarios based on real-life scripts, their compositions showcase simple lyrical tones offset by the accompaniment of rich instrumentation and varied song structures. This genre-bending album is inspired by their collective memories as a band, turning real life scripts into fantastical scenarios. The tracks send listeners into an ethereal dreamscape, powered by airy voices layered underneath swirling instrumentals. Pleasantry are - Samantha Teng (vocals, keyboard), Isa Ong (vocals, guitar, bass, keyboard), Ahmad Ariff (keyboard, guitar, bass), Daniaal Adam (Drums) & Haziq Hussain (Guitar, bass, vocals). For the purpose of this review we picked our favourite tracks and wrote about them in detail and created an overview of the rest. Check it out:

[bandcamp width=100% height=120 album=2352710823 size=large bgcol=333333 linkcol=e32c14 tracklist=false artwork=small]

 

On my first listen to this album I realised that Pleasantry have a great knack of skipping through genre's with abandon. They skip through shoegaze, dream-pop & noise-pop with ease. They are all seriously good musicians and their sonic compositions will have you mesmerised.  There's a song for every mood on this impressive release. For me the stand out track is 'Take It in'. It's a snap shot to the mid 1990's with hints of old school dreampop & indie rock swirling around a brass section to die for. Reminiscent in parts to early Boo Radleys. The added bonus for me is the epic vocal arrangements. Simply stunning! Check it out:

[bandcamp width=100% height=120 album=2352710823 size=large bgcol=333333 linkcol=e32c14 tracklist=false artwork=small track=2766407880]

 

'Spent' floats into the ether on a wave of strings and sublime vocals and reverb drenched guitar stabs. A stunning track that would grace any dream-pop compilation worth it's salt. The duel vocal harmonies are divine & keep you interested as you float along with its addictive centre. A beautiful track indeed.

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'Owl's' - track 7 on this impressive release instantly caught my ear with its beautiful vocal arrangements, reverb drenched guitar lines & dream-pop infused swirls. This is a stunning track full of accomplished musicianship and sure to have you hooked on this band after your very first listen. This is beautiful in its arrangement & sure to captivate live audiences. Check it out:

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Take a listen to any track on this album Channels, Farewell waltz, False Realities, Habit, Take It in, Spent, Owl's, Swan Song, Nothing's There & Terminals and you will instantly become addicted to the sonic soundscapes Pleasantry create. They are a really impressive band with varying influential traits that will keep you enthralled as you swerve through their musical highways. Theres also some musical contributions from other artists on this release that really need to be mentioned - Strings on “Farewell Waltz”, “Spent”, “Owls” and “Swan Song” by Josh Wei, Vocals on “False Realities”, “Habit” & “Swan Song” by Weish, Horn section on “Take It In” by Alfrey Noor, Hafiz Ismail, “Dizzy” Dzulhusnie and Shah Rizal & Keyboards on “Nothing’s There”, “Swan Song” and “False Realities” by Firdauz Asyraft. The album was Engineered and Mixed by Leonard Soosay at Snakeweed Studios in Singapore & Mastered by Rick Fisher and Rachel Field at RFI Mastering in Seattle, WA.

Pleasantry are happy to announce that they will be playing overseas for the first time on May 8th, 2015 at Canadian Music Week in Toronto, whose lineup includes Colbie Caillat, Death Cab For Cutie, Kiesza, Magic!, Billy Talent, The Jesus and Mary Chain and more. They will also be having their first short tour in the States in hopes of gaining international fans. Go and check them out if you can.

LINKS:

facebook.com/Pleasantry

twitter.com/pleasantrymusic

instagram.com/pleasantrymusic/

pleasantry.bandcamp.com

ABOUT THE AUTHOR:

Del Chaney
Del Chaney

 Del Chaney has spent the last two years not only fronting popular Irish Electronic duo Analogue Wave, but also dedicating his time to uncovering the best artists in the Unsigned or Small Independent Label based Shoegaze, Dream Pop, Post-Punk & Post-Rock genre’s of music from all over the globe & reviewing them for this blog - The Primal Music Blog. His other arm - Primal Radio - has gained considerable respect from bands and promoters alike since its conception in 2013 & has hepled him in actively promoting a genre of music that he is passionate about. He also currently writes for Canadian based online music webzine ReplicantEars. Hailing from Dublin, Ireland, he is a keen Vinyl Collector, Tattoo Fan & all round good guy! He is a self confessed music freak & is never far away from a studio console or a turntable.


EP REVIEW | Cross Tabou - Palace Of Rare Objects

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ARTIST: Cross Tabou

RELEASE: Palace Of Rare Objects

RELEASE DATE: 20/04/15

RECORD COMPANY: Chrome Skull Tapes

In a world of big record corporations feeding untold amounts of money into manufactured tripe & then expecting these artists to make millions from physical /digital sales in a short space of time just to make a fast buck is it any wonder that the youth of today are turning to the unsigned underground artist & using their hard earned cash to collect decent musical soundscapes on various platforms hence supporting the independent scene we know and love today. I for one try my hardest to stay away from the mainstream artist in favour of the underground independently based bands because I am a firm believer that it is here that the future of music (as we know it) will reside & not in the pocket of the major labels. One such band have stolen my heart over the past 14 months & continue to stay true to the unsigned & independent mantra & also staying relevant, in the shadows, refined & cool while others flaunt their notoriety by hanging around the cool band pages on various social media sites flogging their music to anyone who will listen to them. Californian based 'Cross Tabou' is the brainchild of two of the best emerging underground artists to ever have graced the modern day independent scene. 'Sofia Vondell' & the brilliant 'Horizontal Halfspear' burst onto the scene back in 2014 with their self released debut EP and haven't looked back since. Creating sonically astute soundscapes is second nature to both of these artists and it shows on their latest 6 track release entitled - 'Palace Of Rare Objects'. 

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The EP opens up with that typical 'Cross Tabou' infectious sequenced drumbeat suffocated with reverb infused guitar patterns & intertwined with psychedelic pulses. Sofia Vondell is a breath of fresh air and never fails to deliver a hauntingly beautiful vocal arrangement that floats on a wave of effected reverb. 'Flowers' is simply divine & turns the key on another brilliantly executed EP from this San Jose based duo. Check it out:

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Track 2 is an 80's inspired masterpiece with its processed beats & synth progressions swirling around a ethereal vocal from Sofia. The synth swells are infectious & cut through the steady beat with ease. 'Purple Light' is a great track but it ends too soon! I was expecting the traditional 'Cross Tabou' reverb laden guitar to scream into the track but alas, it was not to be. Enjoy!

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Two Minutes & Twenty Six seconds of headphone candy graces us with the third track on this brand new release from Californian based duo 'Cross Tabou'. I love the way this band are not afraid to experiment with sound. This a little slice of psychedelic magic that caresses your eardrums with its brilliance. Do yourselves a favour and pop on some cans lie back, find your inner spirit & listen to 'Fountain Of Coloured Light'. You will thank me after!

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With an intro reminiscent of Leftfield, the pulsating 'View From The Palace' explodes onto the musical canvass! I don't know why but this track reminds me of early LCD Soundsystem? It has a modern day New York underground electronic sound but with a Cali twist. Sofia delivers another blistering post-punk esque' vocal take & the psychedelic swells bring this beast to life half way through! This is truly amazing and I know for sure that most radio DJ's will play this as the lead track. Check it out:

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We're treated to another psychedelic instrumental on on track 6 - 'Ghosts'. Again I have to stress how in awe I am at the way in which this duo can cross genre's with their music. This is an ambient monolith with peaks of haunting vocal swirls gracing the sound waves at various points along the track. Another reason to don the rather expensive headphones.

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The closing track on this stunning 6 track release from 'Cross Tabou' is sensational. A hazy subliminal drum beat lightly caresses the monster guitar line & Sofia Vondell's vocal arrangement takes this track to a sleazy downtown biker club where sweat drips from the walls & broken beer bottles are strewn across the floor. There is a menace in every note of this immense track. 'Cross Tabou' are telling us something through the medium of sound! 'Shadows' is short as closing tracks go but it packs a punch all the same. Check it out:

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'Cross Tabou' are not afraid to show their abilities as songwriters. They are not afraid to grab hold of their influences & twist them into a new sound. Their ability to craft psychedelic soundscapes is evident in this release but they can also turn it on its head and introduce electronic vibes when the need occurs. This is a new animal for the underground scene to sink their teeth into because this duo are writing music for themselves. They are not flying their flag on any one particular genre of music. They will not be pigeon holed into a particular scene either. This isn't a genre of music you will be familiar with per say! This is why I love them as a band and after listening to this release I know you will too.

THIS IS NO-WAVE ...........  and they don't care!

LINKS:

CrossTabou.bandcamp.com

ABOUT THE AUTHOR:

Del Chaney
Del Chaney

Del Chaney has spent the last two years not only fronting popular Irish Electronic duo Analogue Wave, but also dedicating his time to uncovering the best artists in the Unsigned or Small Independent Label based Shoegaze, Dream Pop, Post-Punk & Post-Rock genre’s of music from all over the globe & reviewing them for this blog - The Primal Music Blog. His other arm - Primal Radio - has gained considerable respect from bands and promoters alike since its conception in 2013 & has hepled him in actively promoting a genre of music that he is passionate about. Hailing from Dublin, Ireland, he is a keen Vinyl Collector, Tattoo Fan & all round good guy! He is a self confessed music freak & is never far away from a studio console or a turntable.


EP REVIEW | La Casa Al Mare - This Astro EP

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ARTIST: La Casa Al Mare

RELEASE: This Astro EP

RELEASE DATE: 07/04/15

RECORD COMPANY: Unsigned

I first came across La Casa Al Mare after the release of their double A side single 'CD girl / M' back in September 2014  & their blissful sound had me hooked instantly. Their walls of reverb laden guitars enticed me in and welcomed me with open arms. They have a distinct sound that harks back in parts to the hazy shoegazing sounds of the early 1990's. Full of expressionism & psychedelic influence La Casa Al Mare create a maelstrom of lucid but emotive shoegaze that transcends most modern day shoegazing bands but they don't showboat or gloat about it in any way. They are reserved in their songwriting ability but can bend & twist frequencies at a whim to manufacture a sound so addictive that it will have you yearning to hear more. I firmly believe that listening to them will transport you to another sonic plain - a higher plain, where psychedelic Shoegaze is king! Hailing from Rome, Italy La Casa Al Mare are: Marco Poloni - Bass & Vocals, Paolo Miceli - Drums & Alessio Pindinelli - Guitars & Vocals and they have just released their epic debut first full EP entitled -  'This Astro EP'. The EP includes the previously internet-only released double A-singles - M/CD Girl, Sunflowers/Tonight Or Never, plus three previously unreleased songs - I Don't Want To, At All  and the album's title track 'THIS ASTRO', exclusively available on CD only! The CD pre-order incudes the immediate DIGITAL DOWNLOAD of the whole tracklist, minus the 'This Astro' song. A download code for At All will be sent separately via email to You. The CD shipping date is due in early May.

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The EP opens up with the magnificent - 'I Don't Want To'. A solid wall of sound hits you between the eyes and transports you back to 1989/90  & into a live venue packed with people focused on a new musical adventure unfolding before their eyes. This Is shoegazing as it should be. Touches of My Bloody Valentine swirling around a tornado of Guitars, Bass, Drums & Vocals to create a sound so beautiful it will blow you away.

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Track 2 is the immense - 'Sunflowers'. For those of you who have never listened to 'La Casa Al Mare' before this should be your starting point. A blissful roller-coaster ride of sonic emotions wash over you as you glide on a wave of reverb laden guitars, pounding drums & blissful vocal tones. This is how it should be. This is shoegaze. 

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Sonically mind-blowing & immensely addictive 'M' enters the musical arena like a steam train. Released back in September 2014 this is a  swirling monstrous maelstrom of sound twisting around an addictive vocal line that sends shivers down your spine with its wave after wave of reverb laden guitar swells! Its another triumphant track & the very first track that I initially ever heard from this immense band. After listening to this I was instantly hooked. You will be too.

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Subtle hints of 60's psychedelia float on the sonic waves of track 5 on this impressive debut EP release from Rome based 'La Casa Al Mare'. 'Tonight Or Never' - is a laid back slice of coolness. Acoustic guitar tones soothe the atmosphere & create a welcome break from the previous sonic onslaught of the opening 3 tracks. Check it out: 

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The closing track on 'This Astro EP' doesn't disappoint. 'CD Girl' is another brilliant example of a band in love with their music. This track will take you by the hand and guide you through a universe of immense sonic delights with crashing drums & addictive guitar lines. Reminiscent at times to Ride, Slowdive & Chapterhouse - 'CD Girl' will wash over you, cleanse you of your sins & take you on a magical journey. A modern day masterpiece. Wait for the chorus change to hit you & enjoy:

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This is a magical EP full to the brim of what modern day shoegazing should be about. Emotive, awe inspiring & addictive tracks that open up your senses to every single blissful note. Do yourselves a favour & go and get a copy of this release. It is simply stunning . This is only a starting point for 'La Casa Al Mare' & I now urge them as a band to go & write a full album of new material & unleash it on to the world because I for one will be top of the Q to buy it when they do.

'This Astro EP' is now available to pre-order on CD from - lacasaalmare.bandcamp.com

LINKS:

facebook.com/pages/La-casa-al-mare/240822186006795

twitter.com/LaCasaAlMare

lacasaalmare.bandcamp.com

ABOUT THE AUTHOR:

Del Chaney
Del Chaney

Del Chaney has spent the last two years not only fronting popular Irish Electronic duo Analogue Wave, but also dedicating his time to uncovering the best artists in the Unsigned or Small Independent Label based Shoegaze, Dream Pop, Post-Punk & Post-Rock genre’s of music from all over the globe & reviewing them for this blog - The Primal Music Blog. His other arm - Primal Radio - has gained considerable respect from bands and promoters alike since its conception in 2013 & has hepled him in actively promoting a genre of music that he is passionate about. He also currently writes for Canadian based online music webzine ReplicantEars. Hailing from Dublin, Ireland, he is a keen Vinyl Collector, Tattoo Fan & all round good guy! He is a self confessed music freak & is never far away from a studio console or a turntable.


EP REVIEW: The One2's - EP 2

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ARTIST: The One2's

RELEASE: EP 2 

RELEASE DATE: 06/01/15

RECORD COMPANY: Unsigned

We get contacted regularly on the Primal Music Blog by a lot of bands with expertly written press releases outlining their sound & influences etc etc. What I mean is that most of the time their press release's or band bio's tell us what they want us to know just so they catch our eye, rather than telling us the truth. We then go and listen to their music and they sound nothing like their written bio reads and most of time we don't review or write about them at all. Its a common occurrence unfortunately & one that I can only put down bands being uneducated in the ways of contacting music blogs or reviewers. So imagine my surprise to read an email from a band who do exactly as it says on the tin via their press release & then go that extra mile to sound immense musically. Philadelphia based noise merchants 'The One2's' create a full on, no messing around, sonic attack on your senses.  Their sound is heavily laden with multiple influences from many genres of music but they manage to focus it directly at the listener & not let it get swallowed up in the maelstrom of screaming vocals, pounding drums, throbbing bass, layered walled guitars & synth sounds. Yes they have a solid shoegazing foundation in parts but they also manage to intertwine post-punk, touches of early grunge & flourishes of dream-pop into the mix to create a sonic manifesto all of their own. 'The One2's' are made up of: Leiana - Bass & Vocals, Sean Bombz - Guitars & Vocals, Jay Dyer - Drums  & Tom Nuzzie - Guitars & Vocals. The 5 track - 'EP2' was released on the 6th January 2015 and we reckon that it's immense!

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The EP opens with a two minute seven second instrumental montage (or modern day tribute) to the 80's synth era with added post-punk swirls. A bit of a misnomer for me,  but it works!  Check out 'Gazed Out' for yourselves:

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Track 2 is probably my favourite on the whole EP & is most definitely full on shoegazing at its very best. An addictive chord sequence heralds the arrival of a musical behemoth in the form of a sonic wall of reverb laden guitars, pounding drums, throbbing bass & soaring vocals. Im in shoegaze heaven! The chorus break alone will have you screaming at your stereo willing the band for more. 'Cryer' is absolutely stunning. Check it out:

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Track 3 - 'Pop The Ripper' opens with that distinctive post-punk fuelled Philadelphia sound of charging Bass & Drums, swirling effected Guitar swells and addictive Vocal lines reminiscent in parts to Philly stalwarts  - 'Stellarscope'. A triumph of a track and one that should come across monstrous in a live setting. Check it out:

[bandcamp width=100% height=42 album=2024171243 size=small bgcol=333333 linkcol=e32c14 track=1370255959]

 

'The One2's' Dream-Pop influences are clearly audible throughout the beginning of Track 4 on this impressive release. With an intro of Drums, Bass & impressive Guitar swells 'I Can See' introduces us to the vulnerable vocal tones of bassist Leiana before opening up into another explosive shoegaze fuelled maelstrom of effected Guitars thriving Drum tracks & subtle Bass lines. I've listened to this track on headphones & it is really impressive.

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The EP closes with what at first comes across as a  tame slow burner of a track - but don't be fooled. 'Blank Stare' is spacious & bright with floating reverb drenched guitar lines, a simple drum pattern and a serine bass line all cradling & protecting the venerable vocal track up to a point. This track explodes half way through spilling its guts onto the musical canvass with screaming vocals, heavy guitars and pounding drums. A truly immense track full of peaks & troughs that incites the listener into its inner core before expelling it through the medium of full on sound waves. Check it out:

[bandcamp width=100% height=42 album=2024171243 size=small bgcol=333333 linkcol=e32c14 track=2578067306]

 

Overall this EP is an impressive body of work from a band who are not afraid to experiment with particular genres of music to create something all of their own. 'The One2's' continuously show songwriting prowess throughout this EP & their song structures are faultless. Apart from the opening track, this EP is a marvel and I look forward to hearing what comes next from this distinctively sounding group of musicians.

 [youtube https://www.youtube.com/watch?v=UaK6xJNl4AE&w=640&h=360]

LINKS:

facebook.com/TheOne2s

twitter.com/theone2s

youtube.com/user/TheOne2sMusic

soundcloud.com/theone2s

www.theone2s.com

ABOUT THE AUTHOR:

Del Chaney
Del Chaney

Del Chaney has spent the last two years not only fronting popular Irish Electronic duo Analogue Wave, but also dedicating his time to uncovering the best artists in the Unsigned or Small Independent Label based Shoegaze, Dream Pop, Post-Punk & Post-Rock genre’s of music from all over the globe & reviewing them for this blog - The Primal Music Blog. His other arm - Primal Radio - has gained considerable respect from bands and promoters alike since its conception in 2013 & has hepled him in actively promoting a genre of music that he is passionate about. He also currently writes for Canadian based online music webzine ReplicantEars. Hailing from Dublin, Ireland, he is a keen Vinyl Collector, Tattoo Fan & all round good guy! He is a self confessed music freak & is never far away from a studio console or a turntable.


ALBUM REVIEW | The Marbles Jackson - Notes To The Dust.

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ARTIST: The Marbles Jackson

RELEASE: Notes To The Dust

RELEASE DATE: 05/04/15

RECORD COMPANY: Feline Frequency Recordings

Every musical artist worth their salt with a dream of recording & releasing a body of work physically either on Vinyl, Cd or Tape will eventually run into a brick wall when it comes to funding their musical adventure’s because in every walk of life imaginable the mantra remains the same - ‘Money Makes The World Go-Around’. These days artists have a wealth of ways to generate cash (without gigging themselves to death) with one medium also allowing them to expand their fan-base at the same time! That pretty cool medium of garnering funds is called - Crowdfunding. One such act to do so are UK based sonic adventurers ‘The Marbles Jackson’ who after a successful crowdfunding campaign, raised enough funds to not only release their debut album ‘Notes To The Dust’ digitally but also fund a Vinyl release! Hailing from Hakney over in London Town - ‘The Marbles Jackson’ are: Terry Kirkbride - Guitars, Vocals, percussion & Mouth Organ, Naoko TakaHashi - Guitars & Backing Vocals, Smon Gwynne - Keys, Guitar & Sound Effects & Mikey Belfast Gibson - Bass and what they have created musically is nothing short of beautiful. Most of the tracks were written by Terry Kirkbride & Naoko Takahashi except - 'Nowt Will Ever Be The Same' & 'I Want Never Gets' by Kirkbride and 'What Remains' by Simon Gwynne. The album was Produced by Kirkbride and Takahashi, Engineered, Recorded and Mastered by Mark Jasper @ Sound Savers, Hackney, LondonMixed by Takahashi @ Shabby Road Studio, Hackney, London.

We have picked a few of our favourite tracks from ‘Notes To The Dust’ for the purposes of this review and you can read what we thought about them below:

 

Track 1 on this very impressive release opens up a portal to a world of daydreams, shoegaze & dream-pop.If Symptoms Persist ( Nothing Wrong With Me )’ is a slice of laid back sonic heaven on a grand scale reminiscent in parts to early 90’s musical stalwarts such as Spiritualized & The Verve. Anyone new to this band is in for a treat as this is the entry point to a musical adventure you could only ever dream about. Beautiful in its conception with dreamy vocals and addictive guitar lines, it will evoke memories of life & love and have you floating on a wave of tone & reverb. Absolutely blissful.

 

Light & dark tones are magnified to shimmering brilliance on the albums second track - ‘Murder Mile Sunshine'. This is stunning. You stay fixed on the main vocal while a maelstrom of swirling effected guitars, immense backing vocals, lazy drum beat & hazy samples immerse you in a world of dreamscape infused shoegaze with immense psychedelic swirls.

 

Requiem For The Have It All’s’ - is a journey track. Beautiful vocal harmonies lead you in and caress your eardrums with intricate guitar lines, delayed tones & stunning ethereal vocal swells all intertwined around it's post-rock 'esque core. One for the headphones! Check it out:

 

Passionate, emotive & immense are all words that can be used to describe the feelings you get when you listen to track 8 on this stunning release.Running Man’ is a blissful ride through addictive guitars stabs, beautifully immersive reverb drenched vocal lines & swirling backing tracks that tells a sonic story through the medium of sound waves. Check it out:

 

It’s a strange thing these days for any band to touch this listener as deeply as ‘The Marbles Jackson’ have. Their attention to detail on every single one of the epic tracks on this release will stay with you long after you have finished listening to them & that’s a great thing in my opinion. Somehow they stick in your subconscious and you end up humming their tunes or speaking their lyrics at absurdly different & weird times of the day & for me that’s the mark of a great song and the total embodiment of a great band. I’ve been following the journey of this band intently ever since they got in touch with me about airplay on a radio show in early 2014. They haven’t disappointed & this album is a stunning body of work by a band that will leave you with a sweet taste in your mouth after every listen. Sonically sound & immensely beautiful ‘Notes To The Dust’ is album that every music fan should have in their collection. If you missed out on pre-ordering the album during their crowdfunding campaign, don't panic, you can still get your hands on a copy of 'Notes To The Dust' as it is available to order on Vinyl through www.RoughTrade.Com & will also be available via iTunes & the labels BANDCAMP PAGE from the release date. 

[youtube https://www.youtube.com/watch?v=9X3NWPGalfY&w=640&h=360]

 

 LINKS:

 Facebook.Com/TheMarblesJackson

Twitter.Com/TheMarblesJackson

soundcloud.com/the-marbles-jackson

ffrecordings.bandcamp.com

 

ABOUT THE AUTHOR:

Del Chaney
Del Chaney

Del Chaney has spent the last two years not only fronting popular Irish Electronic duo Analogue Wave, but also dedicating his time to uncovering the best artists in the Unsigned or Small Independent Label based Shoegaze, Dream Pop, Post-Punk & Post-Rock genre’s of music from all over the globe & reviewing them for this blog - The Primal Music Blog. His other arm - Primal Radio - has gained considerable respect from bands and promoters alike since its conception in 2013 & has hepled him in actively promoting a genre of music that he is passionate about. He also currently writes for Canadian based online music webzine ReplicantEars. Hailing from Dublin, Ireland, he is a keen Vinyl Collector, Tattoo Fan & all round good guy! He is a self confessed music freak & is never far away from a studio console or a turntable.


UNDER THE SPOTLIGHT | Tuath

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'Tuath' are an Irish language prog/ psych/ noise/ gaze band from Donegal/Galway & Dublin in the Republic Of Ireland who specialises in recording, producing & self releasing magnificent soundscapes through the medium of gaze! The outfit started off as just Robert Mulhern, sick and tired of being let down by other musicians, he got together with a band hell bent on exposing the Irish language to a bigger audience. He decided that his native tongue would help spread the word & be the vehicle that was needed to get the Irish language out through their songs! Eventually the project was minimised to just himself & Ashley Mobasser ( Saxophone) for recording purposes only, with session musicians coming on board for live experimentations! Their debut 7 track EP - 'Tuath - An Taobh TAat(hail)' had its official release on 17th March 2015. We caught up with Rob & Ashley from the band and peppered them with a few question on influences, future plans & shoegaze! Check it out:

 

WHO ARE YOU? TELL US ABOUT THE FORMATION OF THE BAND & YOUR HISTORY?

'Tuath' was started by me (Rob) in my sitting room in Galway, Ireland. At the time of recording & mixing it I was in the process of working on an EP for another band of which I play bass in called 'The Death Letter Devils'. I was playing around with my loop pedal after a stressful day of mixing so I recorded some bland guitar chord progression for a song that will be on our second EP called 'Poll Mór',
I recorded drums, bass, 2 guitars and zero vocals for half of it and I used it to pretend that we were an already existing band and that we just needed a 'new drummer'  & ' bassist' for it. Declan Huban(cracking drummer) and Dave Cigs(cracking bass player) fit the bill and off we went. My wonderful warrior girlfriend Rachel and I were running an open mic at the time and Ashley Mobasser showed up. We jammed over some Jazzy stuff and I invited him to be in the band. He accepted and off we went.

 

WHO ARE YOUR BIGGEST INFLUENCES?

ASHLEY: Biggest influences are John Zorn, Herbie Hancock, Horace Silver & Black Sabbath,

ROB: My biggest influences are Wes Borland of Limp Bizkit, Deftones, Primus & Korn. I stopped listening to bands around the age of 20 because Techno and Dubstep seemed more interesting. I still don't really listen to music but have really fallen in love with 'The Northern Drones' from Dublin.

TUATH
TUATH

DESCRIBE YOUR SOUND?

Our sound is quite varied and will continue to change a lot due to the fact that much of it is coming directly from my (Robs) back catelog of the best of failed projects from different parts of my development. At the moment electronics are starting to become more stationary but there is talk of a desert rock EP in the not to distant future. Our first EP was largely progressive, noise rock & shoegaze with some elements of Techno. Our second EP is doom jazz influenced and damn near metal levels of palm muted guitars! The lyrics are largely about depressing stuff but Ashley and I are thinking of doing a 'Shadows' influenced spaghetti western type of thing with whisteling and trumpets and some telecasters! Drum n' Bass is a big influence of mine. Im going to donate money to the surviving Winstons members from the profits of our music. How much will depend on what I can afford, but we owe them a lot.

 

WHAT INSPIRED YOU TO START MAKING MUSIC?

ASHLEY: What inspired me? Music was the only thing that gave my life a purpose and made me feel alive.

ROB: What inspired me to start making music was a few guys around me. My friend Eamonn McGee taught me the opening chords to 'Tonight Tonight' by the 'Smashing Pumpkins' & I was fascinated as it was the first thing I was able to do well & very quickly. Then I heard 'System Of A Down' and there was no quenching my thirst. Their first album has some of the best guitar work ever.

TUATH
TUATH

WHY IS IT IMPORTANT FOR THE WORLD TO HEAR YOUR MUSIC? WHAT KIND OF MESSAGE WOULD YOU LIKE TO SHARE WITH INTERNATIONAL LISTENERS? 

The reason that I decided to sing in this band was because I didn't think anyone else would see my vision correctly and I didn't want to argue with anyone over the end decisions. Drawing on my experience in Portugal, a country whose culture is insanely rich and romantic and juicy and vibrant, all I could see everywhere were TV's playing VH1's nostalgic 80's pop hits, like  - 'Girls Just Wanna Have Fun' etc etc. This upset me, as people were just kinda singing along and nobody even spoke English. So this lead me to really see how much the English language is gentrifying culture accross the Globe. These people are being exposed to mind numbing drivel when they could be exposed to the beautiful culture of 'Faro' music and other such things. This is when I decided that hearing brutal music on the radio (sung in english) & seeing Irish people acting like 'Tupac' when they have probably never even seen a gun their whole lives, just made me think that We Are Having The Piss Taken Out Of Us so I chose our native tongue as a medium of vocalisation. I have strong feelings about it. Also, my main gripe with it is that the language is being destroyed by Nationalism and guilt. When I was growing up I hated the language because it was forced down my throat by Nationalists - specifically in my Secondary School. It was Nazism on a smaller scale. I also don't care about 32 counties either. I think we need to leave them on their own. They have been living in the 'Occupied 6' for just as long as we foreign french 'gauls(gaels)' invaded Ireland for the first time and we invaded them first so Nationalism is just a tool that divides people and I could not care less about it. The Irish language is a beautiful, descriptive, floaty sounding language. It has with it - gutteral tones, lovely oohs & aahs that when combined with reverb and delay result's in top quality sounds and rhythms. It also obscures the measuring stick for me as nobody can really be compared to me vocally because nobody has done this before.  If  you take the reverb and delay away then my voice sounds like a frog croaking. The message I want to send is that our language is class. Its upsetting that we are willing to let it die as a language. It  is a window into the past & words are the amber that preserve the mosquito of culture and to lose that is to lose the history of an entire people. 

 

WHAT ARE SOME OF YOUR FAVOURITE BANDS & ALBUMS?

ROB: SOAD,  Toxicity - Unknown Mortal Orchestra(all of it), Primus - Tales From The Punchbowl, Deftones - Saturday Night Wrist, Black Sabbath - Paranoid, Tool - Aenima, Aphex Twin - Drugs, Tame Impala(All Of It), Fear Factory - Archetype, Format B -Restless, Meshuggah - obzen. Miles Davis - Bitches Brew, Phantogram - Eyelid Movies, Holy Fuck - both Lp's...those guys are so awesome!, The Flying Eyes - Self Titles. 

ASHLEY: Headhunters by Hancock, Ten by Pearl Jam, Cape Verdean Blues by Horace Silver & Aenima by Tool.

TUATH
TUATH

MUSICALLY WHAT ARE YOUR BANDS PLANS OVER THE NEST YEAR?

We plan to play all over the place! Release an album & 3 EP's, do a live soundtrack for a silent film(all the cool kids are doing it) & the grand mission is to be able to afford better equipment to make it so we can play more dense sets live with visuals and head to europe and the states for a tour(s).

 

LINKS: 

www.soundcloud.com/tuath

www.facebook.com/Tuathband

ABOUT THE INTERVIEWER:

Del Chaney
Del Chaney

Del Chaney has spent the last two years not only fronting popular Irish Electronic duo Analogue Wave but also dedicating his time to uncovering the best artists in the Unsigned or Small Independent Label based Shoegaze, Dream Pop, Post-Punk & Post-Rock genre’s of music from all over the globe & reviewing them for this blog - The Primal Music Blog. His other arm - Primal Radio - has gained considerable respect from bands and promoters alike since its conception in 2013 & has hepled him in actively promoting a genre of music that he is passionate about. He also currently writes for Canadian based online music webzine ReplicantEars. Hailing from Dublin, Ireland, he is a keen Vinyl Collector, Tattoo Fan & all round good guy! He is a self confessed music freak & is never far away from a studio console or a turntable.


UNDER THE SPOTLIGHT | Duelectrum

 

Duelectrum

Duelectrum are a shoegaze/noise pop band from São Paulo, Brazil, formed by Filipe Albuquerque (guitars), Franklin Weise (bass) and Elson Barbosa (drums), who also plays bass guitar in the super indie post-rock group Herod. As a duo (Filipe e Franklin), Duelectrum independently released the "Duelectr1" EP in 2001, which is now out of print. The "Electrolândia" EP was released in 2008 by Pisces Records and Sinewave.

Sinewave released the "Tempestadestelar" EP, which contains songs recorded between 2002 and 2005, in 2002, as well as the single "Chocolate Love" in 2008. In August 2014, the band released "She Doesn't Feel the Sun" (EP), with a guest appearance by Lucas Lippaus (Herod, Hopping to Collide With, S.O.M.A.) on guitars.

When we talk about modern day shoegazing bands, Brazil based Duelectrum are never far away from peoples lips! Their explosive walls of reverb laden sound are electrifying, emotive, passionate & expressive. Their live shows are a full on assault on your senses, bringing their fans on a musical journey with every note that they play! With their recent inclusion on the massive duel label, shoegaze compilation release - 'Revolution The Shoegaze Revival' on both 'Ear To Ear Records' & 'Gerpfast Kolektif Records', we caught up with the band and peppered them with some intrusive questions on all things music. Check out their frank but agreeable answers below:

[bandcamp width=100% height=42 album=1732919363 size=small bgcol=333333 linkcol=e32c14 track=2715668702]

 

Who are you? Tell us about your band and how you originally came together. 

I'm Filipe Albuquerque, I was born and raised in São Paulo, Brazil, currently living in Curitiba, Paraná, Brazil. We started Duelectrum in May 1999 as a duo, with just Franklin Weise and I. At the very beginning, we used to play with a drum machine. Since them, we started to play some concerts (not much) and we recorded four EPs — Duelectr1 (2001); Eletrolândia (2008); Tempestadestelar (2009); and She Doesn't Feel The Sun (2014). We also issued one single — Chocolate Love (2010).

[bandcamp width=100% height=42 album=702088333 size=small bgcol=333333 linkcol=e32c14 track=2296092510]

 

Who are your biggest influences? 

Hard to say, but the shoegaze stuff from late 80's and early 90's, plus some of current bands. Jesus and Mary Chain, Cocteau Twins, the first three Starflyer 59 albums, MBV, Spacemen 3, Astrobrite, Nothing, and Whirr.

[bandcamp width=100% height=42 album=3892007729 size=small bgcol=333333 linkcol=e32c14 track=157911623]

 

What inspired you to start making music?

Listening to good records, and seeing great bands playing live.

[youtube https://www.youtube.com/watch?v=xZW6JAQiU0M&w=640&h=360]

 

What do you love about shoegaze?

The idea of taking some pop approach, with great melodies, with noisy and loud guitars, some feedback and smooth vocals.

[bandcamp width=100% height=42 album=3892007729 size=small bgcol=333333 linkcol=e32c14 track=3419824844]

 

Is it a Shoegaze revival or a rebirth? What do you think about the recent film 'Beautiful Noise' and reunions of such bands like Ride, Swervedriver, Medicine and Slowdive?

I think this kind of sound has always been there since the late 80's, influenced by 60's garage bands. The comeback of these bands you mentioned, and the documentary, all these things have brought some light to the sound. Plus there are a huge number of new bands making some good noise, who are keeping the scene rocking. But I cannot really say if this is a revival or even a rebirth, because I really don't know.

[bandcamp width=100% height=42 album=3829125298 size=small bgcol=333333 linkcol=e32c14 track=545207570]

 

What can we expect to see happening with Duelectrum in the near future?

To release a full length and also give some concerts. We just want to make a lot of noise as loud as we can and sing about ordinary stuff.

Can you name some bands from your country or elsewhere as recommended listening?

From Brazil we have - Herod, This Lonely Crowd, Loomer, Traveling Wave, Justine Never Knew the Rules, The Soundscapes...

[bandcamp width=100% height=42 album=761514120 size=small bgcol=333333 linkcol=e32c14 track=1303888915]

 

If you had the chance to cover any artist who would it be, what song and why?

We recorded a version of “Eisbaer” by Grausone, in our EP released last year. Also, we used to play Slowdive and some Starflyer 59 tunes at past concerts. For the next record, we have the idea of making a version of a song called "Minha Vida" from a Brazilian hitmaker named Lulu Santos. The lyrics from that song are great, and I think we can make a good noisy version of that song.

If you had to pick 1 or 2 or 3 words to describe your music, what would they be?

Pop, Noisy, Loud.

[bandcamp width=100% height=120 album=1732919363 size=large bgcol=333333 linkcol=e32c14 tracklist=false artwork=small]

 

Is there anything else you'd like to share with our readers?

God bless you all!

LINKS: 

facebook.com/duelectrum

duelectrum.tumblr.com

duelectrum1.bandcamp.com

sinewave.com.br

twitter.com/duelectrum


EP REVIEW | Wild Meadows - Wild Meadows

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Artist: Wild Meadows

Release: Wild Meadows EP

Release Date: 23/04/15

Record Company: Unsigned 

With so much good music coming out of Australia these days is hardly surprising when I tell you that another brilliant band from that immense continent got in touch with the blog to announce their debut EP.  We've touched on Melbourne based shoegaze/dream-pop bands before on the Primal Music Blog, so you all should know by now just how good bands emerging from that city are at creating immensely sounding atmospheric soundscapes. 'Wild Meadows' are no different! Hailing from Melbourne primarily, but with band members originating in Birmingham, Wellington & Adelaide also, 'Wild Meadows' have a distinctly early  90's shoegaze sound with an underlying nod to 60's psych-pop & 80's electronica all intertwined with an impressive modern day 'nu-gaze' twist. The band are: Kat Karamitros - vocals & keyboards, James Ross - guitar & vocals, Donovan Pill - bass, Chris Rodgers - guitar & Tom S - drums. Their self-titled debut EP is penned in for released on April 23rd 2015 at the Tote, Collingwood and you can check out what we thought of it below:

[bandcamp width=100% height=120 album=2889063670 size=large bgcol=333333 linkcol=e32c14 tracklist=false artwork=small]

 

[youtube https://www.youtube.com/watch?v=_jkVsxQj12g&w=640&h=360]

The 4 track ’Wild Meadows EP’ opens up with the immense - ‘Colours’. A distinctive post-punk edge adorns this modern day gazing gem with swirling effected guitars, a beautiful vocal line & a really addictive bass track. Fans of Philadelphia based outfit - ‘The Morelings’ will love this track. The chorus explodes onto the musical landscape announcing the arrival of yet another amazing Melbourne based post-punk infused shoegazing outfit. Sublime!

[bandcamp width=100% height=42 album=2889063670 size=small bgcol=333333 linkcol=e32c14 track=439734667]

 

Track 2 - ‘Jennifer’, is a journey back in time to the early 90’s with its melodic vocal lines, swells of reverb drenched guitars & power-pop explosions! Reminiscent in parts to early 90’s, UK based - ‘Chapterhouse’, this is stunning example of a band in tune with their musical influences & surroundings! The songwriting & song structuring on this track are immense and coupled with the production makes this debut EP's stand out track for me. It has this addictive chorus break that will have you hooked from the very first listen & what’s going on under the vocal track is nothing short of beautiful. ‘Jennifer’ - is the bedrock of this entire EP as far as I’m concerned and that makes it possibly my favourite track. But don’t take my word for it, go & check it out for yourself:

[bandcamp width=100% height=42 album=2889063670 size=small bgcol=333333 linkcol=e32c14 track=259889752]

[youtube https://www.youtube.com/watch?v=5zQEAd47D2c&w=640&h=360]

 Track 3 ‘Save Yourself’ may lean more towards garage & 60’s psych-pop with it’s guitar stylings but it’s all about the vocal track on this one for me! Kat Karamitros (Vocals & Keyboards) has an alluring tone to her vocal that keeps you interested in the tracks that she takes the lead on. Both - ‘Save Yourself’ & this EP’s opening track - ‘Colours’, have a depth to them and I believe it’s down to Karamitros vocal abilities. They sit really well with a layered wall of reverb effected guitars, driving bass & explosive drums. Check it out:

[bandcamp width=100% height=42 album=2889063670 size=small bgcol=333333 linkcol=e32c14 track=4049477638]

 

The closing track on this impressive debut release from Melbourne based gazers ’Wild Meadows’ entitled - ’Stare At The Sun’ is another solid, early 90’s sounding melodic track full of impressive song writing and catchy production. Im not sure of the bands influences and if I offend them in any way I apologise in advance, but I can hear ‘The Soup Dragons’ & early ‘Pearl’ era ’Chapterhouse’ on this track and it doesn't disappoint at all. Go check it out:

[bandcamp width=100% height=42 album=2889063670 size=small bgcol=333333 linkcol=e32c14 track=1526686759]

 

This is a brilliantly executed debut release from ‘Wild Meadows’. It showcases some really impressive songwriting skills with tracks that loop & arc through layers of effected sound-waves & vocal tones to die for. It will have you wanting to hear more from them & I look forward to hearing what comes next?  A full release will tell more & until then I wish them well.

 

You can get your hands on this EP by heading over to the bands Bandcamp Page and supporting them there.

LINKS:

soundcloud.com/wild-meadows

facebook.com/WildMeadowsofficial

wildmeadows.bandcamp.com

Del Chaney - The Primal Music Blog - March 2015 - Dublin, Ireland.

ABOUT THE AUTHOR:

Del Chaney
Del Chaney

Del Chaney has spent the last two years not only fronting popular Irish Electronic duo Analogue Wave but also dedicating his time to uncovering the best artists in the Unsigned or Small Independent Label based Shoegaze, Dream Pop, Noise-Rock & Post-Rock genres of music from all over the globe & reviewing them for this blog - The Primal Music Blog. His other arm The Primal Radio Show has gained considerable respect from bands and promoters alike since its conception in 2013 & has helped him in actively promoting a genre of music that he is passionate about. He also currently writes for Canadian based online music webzine ReplicantEars. Hailing from Dublin, Ireland, he is a keen Vinyl Collector, Tattoo Fan & all round good guy! He is a self confessed music freak & is never far away from a studio console or a turntable.  


UNDER THE SPOTLIGHT | Bloodhounds On My Trail

Bloodhounds On My Trail
Bloodhounds On My Trail

Melbourne based 'Bloodhounds On My Trail' create a 60's sounding fuzzy psychedelic imprint that not only connect 80's atmospheric post-punk to early 90's gaze but also add a modern edge to their immense soundscapes. A love of shoegaze bands of the late 1980s to early 90s provided the catalyst for the formation of the band. Since then, members Johnny Green (guitar, vocals), Chris Donaldson (guitar), Jonny O’Hara (bass) and Nik Donaldson (drums) have sought to fuse the rhythmic underpinnings of bands like the Velvet Underground and the Stooges with the dream haze of Cocteau Twins and Slowdive. With an addictive, reverb soaked, maelstrom of layered effects and beautiful melodies their sound could grace any soundtrack of a modern day musical audience. 'Bloodhounds On My Trail' are one of our favourite bands right now & we are stoked to have interviewed them for the blog. Their latest amazing release - Escape EP is available to download from their Bandcamp Page HERE. We also reviewed it for The Primal Music Blog and you can read our thoughts on it HERE.

We new releases in the pipeline & serious attention building around the band, we caught up with them and asked them a few questions about their influences, future plans & their thoughts on shoegaze!

[bandcamp width=100% height=120 album=3015720387 size=large bgcol=333333 linkcol=e32c14 tracklist=false artwork=small]

 

1) Who are you? Tell us about the formation of the band & your history?
We are Bloodhounds On My Trail from Melbourne, Australia who practice the art form of music, writing songs, sharing experiences & falling out. In other words, we are a band. It all started pretty spontaneously with Johnny and Nik jamming on a few ideas that I had on a loop pedal. Johnny was listening to a lot of Jesus and Mary Chain at the time and that really inspired him to start a new band. Once they had worked out a few songs (incl 'She's In My Plans') Chris was asked to come check out what they were doing with it in mind to have him join as another guitarist since two guitarists could create a big sound. After hearing what the then duo had created Chris was immediately impressed and keen to contribute to what they were creating. After some practices as a trio a good friend Jonny O'Hara was recruited on bass who appeared on Escape EP. Shortly after the release of that EP O'Hara parted ways & Che (of Miniatures) threw his hat in the ring to punch out the 4 stringer. A brief history for a band that has only been around for just over a year.

[youtube https://www.youtube.com/watch?v=Ue_jrhxJblE&w=480&h=360]

 

2) Who are your biggest influences?
We focus heavy on the song writing aspect & find influence comes more from life & experiences than just music. We don't ever decide we like a particular tune so we try to do one like it. Its more the fact that tunes are written that capture a particular mood musically & have a particular content lyrically. Influence on writing a song comes from conscious thought that's decided by what happens to & around us or to an individual and the music is a subconscious influences based on the music we enjoy to listen to. As the music aspect goes, as a band we are into a wide range of music (anything from late 80s, early 90's UK/US stuff to Rockabilly to Punk) and we really dig that. It helps in keeping the ideas interesting and exciting. We collaborate and flesh out a lot of songs from a basic idea Johnny or Chris bring to the table and it's really cool when you leave rehearsal with a song that has taken a direction that you didn't see coming... Those are the songs that give us a buzz.

[bandcamp width=100% height=42 album=3015720387 size=small bgcol=333333 linkcol=e32c14 track=1944583511]

 

3) Describe your sound?

Underneath it all we hope our song writing comes through followed by a big sound sonically. We are always trying to keep tunes very much together in terms of the instrumentation so we can have a thick blanket of sound. Maybe think of drone sounding guitars where the bass denotes chord changes & a most solid of beats. Add to that some JAMC inspired riffs melodies that are emotive.

[bandcamp width=100% height=42 track=402564737 size=small bgcol=333333 linkcol=e32c14]

 

4) What inspired you to start making music?

It's best when it's more in your blood than a particular moment when you decide to make music. Sure there are turning points that may make you do something because it inspired you but music had always been a big part of growing up for all of us so it's just been a natural step from the beginning. Like Johnny got into a lot of bands (The Smiths, The clash, The White Stripes, The Beach Boys...all the good stuff) from the vinyl his Dad played from the lounge room. Wasn't something consciously thought about, just loved hearing new bands and new songs so figured why not learn guitar and start a band. The brothers (Nik & Chris), like Che as well grew up with a musical parents so nature + nurture will always win.

[bandcamp width=100% height=42 track=295292279 size=small bgcol=333333 linkcol=e32c14]

 

5) What do you love about shoegaze?
The music itself just hits the right chord with all of us. Never really thought about it. Just heard and loved it immediately. Also the "scene" is a great community really. All supportive. The way it always has been really. It's niche. Niche people always get each other more.

Bloodhounds On My Trail
Bloodhounds On My Trail

6) Why is it important for the world to hear your music? What kind of message would you like to share with international listeners?

Because like bands that we love, be that local or international, everyone can bring something great. We like to think that people could be getting a good buzz of hearing our music just like when anyone listen to anything that they enjoy. As for a message... Escape?

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7) What are some of your favorite bands or albums?
We wanna take this question to plug some Roogaze (Australian Shoegaze) that we love (no particular order of course): Lowtide, Contrast, Miniatures, Hideous Towns, Flyying Colours, Blush Response, Luna Ghost, Kigo, Lunaire, Roku Music, Fait. So many. Probably missed some!

Bloodhounds On My Trail
Bloodhounds On My Trail

8) Musically, what are your bands plans over the next year?
Been writing a lot of new songs recently and plan to release a couple of singles in this year followed by an EP. We have just finished recording a cover of a ''Dreams Burn Down" by gaze fav's Ride for a Ride tribute compilation that is available on 'the blog that celebrates itself' bandcamp - check it out! Other than that, play more shows locally, around Australia and internationally perhaps!

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LINKS:

Facebook.Com/BloodhoundsOnMyTrail

Twitter.Com/BloodHoundsMelb

BloodhoundsOnMyTrail.Bandcamp.Com

 

ABOUT THE INTERVIEWER:

Del Chaney
Del Chaney

Del Chaney has spent the last two years not only fronting popular Irish Electronic duo Analogue Wave, but also dedicating his time to uncovering the best artists in the Unsigned or Small Independent Label based Shoegaze, Dream Pop, Post-Punk & Post-Rock genre’s of music from all over the globe & reviewing them for this blog - The Primal Music Blog. His other arm The Primal Radio Show has gained considerable respect from bands and promoters alike since its conception in 2013 & has hepled him in actively promoting a genre of music that he is passionate about. He also currently writes for Canadian based online music webzine ReplicantEars. Hailing from Dublin, Ireland, he is a keen Vinyl Collector, Tattoo Fan & all round good guy! He is a self confessed music freak & is never far away from a studio console or a turntable.