Flashes- Rzev - Featured Image - (700x700)

EP REVIEW | Flashes - Rzhev

Flashes - Rzhev - Post Image - (300x300)ARTIST: Flashes 

RELEASE: Rzhev

RELEASE DATE: 21st July 2107

RECORD COMPANY: Unsigned

Cornwall based heavy shoegaze quartet 'Flashes' inject driving alt-rock and dreamy melodies into their collective sound as the listener is dragged head long through sonic peaks and troughs filled to the brim with powerful lysergic energy and hazy melancholic reflections. Their latest five track EP entitled 'Rzhev' was released back on the 21st July 2017 and it blew us away here at Primal HQ. It's available to buy/download right now via flashesband.bandcamp.com

A surge of tremulous hook laden guitars permeate the sonic ether as ‘Summation’ slowly enters audible range drenched in a sticky post-rock hued reverberation. Sparse percussion intertwined with the throb of bass frequencies swirl effortlessly around that dreamy, lysergic tinged vocal track as psychedelically charged instrumentation loops and arc’s throughout, churning up stunning, almost incantational sound waves that build into that immense melodic finale. Up next, ‘Paintbrush’ creeps into view stuck fast to a glistening instrumental drone as it’s haunting vocalisations undulate through turbulent clouds of hazy reverb. Driving percussion then enters the arena accompanied by twinkling synth progressions and addictive lead lines that tumble and vie for space within soaring chorus changes as ‘Flashes’ lure us into a false sense of security. Before long the entire piece explodes into a riot of thunderous grunge tinged instrumentation sullied by screaming vocalisations and overdriven guitars.

‘The Upset’ rocks precariously on lines of sequenced electronic percussion and Nine Inch Nails esque vocalisations that builds rapidly, winding themselves up into a coiled sonic behemoth. Atmospheric fret noise and hunting vocalisations pull addictive guitar progressions into the mix doused in reverb, sampled theatrics and melodically charged instrumentation before ‘Obliterator’, the EP’s penultimate piece, swirls and undulates through wavy guitar signatures, atmospheric fret noise, busy percussion and a brilliant vocal line that collectively explodes into a raging wall of turbulent grunge hued noise. The EP closes out with ‘Dream Fuzz’, eleven minutes plus of repetitive percussive electronics, swirling synths, fuzzed out guitars and reverb hued vocalisations that merge brilliantly into an explosive and atmospheric, fuzzed out, alt-rock leaning monster! A fitting end to a rather interesting EP.

4/5

LINKS:

flashesband.bandcamp.com

facebook.com/flashesband

twitter.com/flashesband

ABOUT THE AUTHOR:

Del Chaney - (Author Photo)

Del Chaney has spent the last five years dedicating his time to uncovering the best artists in the unsigned or small independent label based shoegaze, ethereal dream pop, post punk & modern psych rock from all over the globe & reviewing them for this blog - The Primal Music Blog. He is also a contributing writer for The Sound Of Confusion (Now On Hiatus). His other arm  - Primal Radio -  has gained considerable respect from bands and promoters alike since its conception in 2013 & has helped him in actively promoting a genre of music that he is passionate about. Hailing from Dublin, Ireland, he is a keen Vinyl Collector, Tattoo Fan & all round good guy! He is a self confessed music freak & is never far away from a studio console or a turntable.


Ask For Joy - A Blow And A kiss - Featured Image - (700x700)

EP REVIEW | Ask For Joy - A Blow And A Kiss

Ask For Joy - A Blow And A kiss - Post Image - (300x300)ARTIST: Ask For Joy

RELEASE: A Blow And A Kiss

RELEASE DATE: 10th September 2107

RECORD COMPANY: Unsigned

Texas based Aaron Rossetto aka 'Ask For Joy' has been wowing the underground shoegaze fraternity for quite some time with his fuzzy blissed out musical compositions deftly filled with inspired melancholic subject matter. His ninth release aptly titled 'A Blow And A Kiss' is an immense five track EP that had it's official release back on September 10th 2017. The EP is available to buy/download right now via askforjoy.bandcamp.com

In a haze of shimmering guitar frequencies, ‘Under A Breaking Wave’ washes effervescent swathes of reverberation over this listener and pours ripple after ripple of immense atmospheric sound waves out into the ether. Melancholic vocalisations ride the melodic wall of sound as bubbling bass notes hum and throb alongside repetitive drum patterns and soaring synth swells making ‘Under A Breaking Wave’ a triumphant opening salvo. Up next, ‘Luna’ swirls into audible range tumbling gracefully through layer after layer of blissed out sonic waves as it’s heavenly vocalisations float effortlessly on pulses of sparse percussion and cascading instrumentation. Catchy hook laden chorus progressions pull beautifully intense chord sequences into view, allowing those stunning vocal lines to soar blissfully out into the ether.

The EP’s lead single entitled ‘Corsets’ bounces into ether and quickly unfurls it’s sonic tendrils. It tumbles headlong through layers of shimmering reverb as it’s sparse percussion resonates through the swirl of guitar and the echo of simplistic vocalisations. There’s a subtle hint of post-punk nestling under the surface of this dreamy track as it meanders and arc’s brilliantly along a luscious predestined verse/chorus route before ‘Ask For Joy’ dismisses with the intoxicating haze and allows it to explode into a veritable melting pot of shimmering instrumentation that includes the addition of a brilliant trumpet line making this track my favourite on the entire release. ‘Deep Into The Night’, the EP’s penultimate piece, explodes into a kaleidoscope of colourful sound waves before driving into the ether on a thunderous percussive pattern intertwined with swirling guitars. Throbbing bass frequencies add a lysergic kind of atmosphere that envelopes an impressive vocal take as cascading synth progressions tumble and fall through masses of reverb and a hazy wall of melodic guitars. ‘Rebirth’ closes proceedings swirling gracefully through dreamy sonic incantations filled with glistening synth swells and addictive guitar progressions. Repetitive drum patterns hold everything together spectacularly as those totally addictive vocalisations pull you in with them as they begin a spiralling journey of luscious sonic discovery. A brilliant ending to a wonderful EP.

4/5

LINKS:

askforjoy.com

bandcamp.com/askforjoy

twitter.com/askforjoy

facebook.com/AskForJoy

ABOUT THE AUTHOR:

Del Chaney - (Author Photo)

Del Chaney has spent the last five years dedicating his time to uncovering the best artists in the unsigned or small independent label based shoegaze, ethereal dream pop, post punk & modern psych rock from all over the globe & reviewing them for this blog - The Primal Music Blog. He is also a contributing writer for The Sound Of Confusion (Now On Hiatus). His other arm  - Primal Radio -  has gained considerable respect from bands and promoters alike since its conception in 2013 & has helped him in actively promoting a genre of music that he is passionate about. Hailing from Dublin, Ireland, he is a keen Vinyl Collector, Tattoo Fan & all round good guy! He is a self confessed music freak & is never far away from a studio console or a turntable.


When The Sun Hits - Immersed Within Your Eyes - Featured Image - (700x700)

EP REVIEW | When The Sun Hits - Immersed Within Your Eyes

When The Sun Hits - Immersed Within Your Eyes - Post image - (300x300)ARTIST: When The Sun Hits

RELEASE: Immersed Within Your Eyes

RELEASE DATE: 22nd September 2017

RECORD COMPANY: Saint Marie Records

Nottingham based 'When The Sun Hits' unleash their debut six track EP entitled 'Immersed Within Your Eyes' to the masses on September 2snd 2017 via the good people over at 'Saint Marie Records'. With a great name and a deeply melodic sound that echoes through swathes of luscious reverb and delay, 'When The Sun Hits' write catchy hook laden soundscapes that both mesmerise and amaze all at once. The EP gets it's full release on various formats over the next few weeks with all information available via saintmarierecords.com

A meandering sonic drone ushers in track one ‘The Last Light’ as ethereal fret noise swirls through the ether underscored brilliantly by the repetitive hit of percussion and the surge of swirling reverb hued guitars. Floating vocalisations ride a wave of glistening sound waves that loop and arc throughout, adding another layer of intense frequencies into the already burgeoning mix thus allowing this track to have a melodic way point to focus on deep within the massive wall of noise. Up next, ‘Lie To Me’ ambles into audible range on a wave of tremulous guitars and a melodic hum of cascading bass frequencies. Yearning vocal lines add atmosphere as the track builds and builds into a thunderous chorus break filled with incredible swathes of reverb and skittish percussion.

80’s inspired sequenced synth lines announce the opening salvos of the instrumentally inclined ‘Twilight’. They build in intensity adding reams of ambient melody before buffering into obscurity and allowing a beautiful guitar progression to fill the sound space as my favourite track on the entire release 'Stereopium' unfurls it’s sonic tendrils and envelopes another stunning vocal take. Atmospheric synth swells bubble from far below melding effortlessly with that repetitive guitar progression, the steadying drum pattern and the brilliant production values. The EP’s penultimate piece entitled ‘Lovedead Town’ charges into the ether on explosive percussion and turbulent reverberation. Beautiful vocalisations take centre court here as raging guitars intertwine with the throb of bass and subtle hint of synth to collectively tumble into a maelstrom of beautiful noise and as the chorus break kicks it drags this listener with it into swirling cacophony of blissed out sound. The EP closes out with a slice of swriling instrumental shoegaze. ‘Coopers Secret’ rides a wave of instrumental noise that loops and arcs through swathes of shimmering reverberation. An ambient inspired ending to a rather interesting EP.

4/5

LINKS:

saintmarierecords.com

facebook.com/whenthesunhitsmusic

whenthesunhits.com

twitter.com/wtshband

ABOUT THE AUTHOR:

Del Chaney - (Author Photo)

Del Chaney has spent the last five years dedicating his time to uncovering the best artists in the unsigned or small independent label based shoegaze, ethereal dream pop, post punk & modern psych rock from all over the globe & reviewing them for this blog - The Primal Music Blog. He is also a contributing  writer for The Sound Of Confusion (Now On Hiatus). His other arm  - Primal Radio -  has gained considerable respect from bands and promoters alike since its conception in 2013 & has helped him in actively promoting a genre of music that he is passionate about. Hailing from Dublin, Ireland, he is a keen Vinyl Collector, Tattoo Fan & all round good guy! He is a self confessed music freak & is never far away from a studio console or a turntable.


A Thousand Hours - Sleep - Featured Image - (700x700)

ALBUM REVIEW | A Thousand Hours - Sleep

A Thousand Hours - Sleep - Post Image - (300x300)ARTIST: A Thousand Hours

RELEASE: Sleep

RELEASE DATE: 22nd July 2017

RECORD COMPANY: Vesper Records

Alaskan based shoegaze/post-punk aficionado Red Collier aka 'A Thousand Hours' released his latest ten track sonic opus entitled 'Sleep' to the waiting public back on the 22nd July 2017. 'Sleep' is the highly anticipated follow up to January 2017's insanely good 'Endless Grey' and was mainly written and composed by Collier himself with the addition of Demi Haynes on a few tracks, backing vocals by Nadi Mack and additional arrangements, synths and drums by Saad Khan. The album was released via Vesper Records and is abvailable to buy/download right now from onethousandhours.bandcamp.com

The album's opening track begins very brightly indeed before quickly nosediving into a mix match of genres. ‘Shipwreck’ is an EMO filled slice of alt-rock, infused sporadically with dreamy garnishes of melodic instrumentation and very precise guitar work; sufficed to say that I can't get my head around bands covering all angles generically and it seems to be the in-thing with most bands in this scene nowadays, a tactic used not only to keep the same circle of inner scenesters happy but more often than not deployed for PR purposes to catch the ears of as many blogs, online radio fanboy podcasts and webzines as is feasibly possible. As opening tracks go however (and I have to be brutally honest here), ‘Shipwreck’ unfortunately doesn't float my boat one bit and reminds me of those god awful mind numbing naughties era bands like ‘Paramore’ or ‘Dashboard Confessional’ although it’s one saving grace is it’s powerful vocal track. Up next ‘Christine’ shimmers on waves of ethereal joy as ‘A Thousand Hours’ redeem themselves ten fold. This track glistens on beautifully intense frequencies as it’s tumbling dual vocal lines swirl beautifully in an effervescent hue. Trembling guitar progressions ebb and flow effortlessly on subtle lines of synth and sequenced percussion, resonating brilliantly through sticky clouds of reverb all the while accompanied by some stellar music production whilst 'A Stillness In The Moment' is a mesmerising snap shot of late 80’s ‘Cocteau Twins’ with it’s post-punk inspired percussive attack and those beautifully intense vocals intertwined with soaring synth swells and the twang of tremulous guitar. Simply breathtaking. ‘Bleach’ ambles into the ether on a simmering cloud of droning instrumentation and jangling reverb hued guitar progressions. Sporadic percussion adds a heavy atmosphere allowing that stunning wall of vocal tracks to penetrate the gloom and drench this listeners ears in glorious sonic joy. ‘Bleach’ is another triumph on an increasingly impressive collection of tracks.

Up next, ‘The Understudy’ is instrumentally reminiscent of those seminal early 90’s stalwarts ‘Cranes’ with it’s experimental piano stabs precariously positioned on soaring lines of synth and echoing reverberation. It’s vocal lines are subdued and melancholic, weighed down by sequenced percussion and it’s dark ambient atmosphere whilst ‘Sleep Of Angels’ screams of ‘Siouxie Sioux’ with it’s breathtaking vocalisations, the thrum of bass and the deep punch of percussion intertwined with cascading synth and those swirling guitars. ‘Clutch’ soars into audible range on hazy lines of synth used primarily to drive those impressive vocals. Sparse experimental percussion clunks and bangs under the mix like some unheard track lifted from the recording sessions of ‘Massive Attacks’ masterpiece ‘Mezzanine’ as those heavy lines of synth loop and arc through catchy hook laden instrumental progressions, collectively streamlined into an impressively dreamy ambient hued behemoth. The albums penultimate piece entitled ‘It’s Rumoured’ is simply divine. Shimmering vocals absolutely drenched in reverb fizz through luscious synth progressions and jangling guitar signatures as those slow metronomic drum patterns keep a well grounded bedrock of frequencies churning underfoot. The addictive sequences of cascading keyboard keep this listener interested as they lead us to the tracks finale and on into a decent cover version of ‘Crushed’ by the fantastic ‘Cocteau Twins’. I'm not one for cover versions appearing on albums so I’ll let this one slide. You can make up your own mind on it though by listening to the album in full.

In closing, ‘Sleep’ will take a few listens before the penny drops and you realise just how good it actually is. It’s god awful beginnings eventually flower into a blossoming procession of impressive tracks that fit neatly into one another and leave a lasting imprint on the listener. Will it be in any ‘end of year’ lists? Only time will tell, but ‘A Thousand Hours’ have definitely placed themselves on the right path sonically. They just have to avoid those 90’s EMO comparisons!

4/5

LINKS:

onethousandhours.bandcamp.com

facebook.com/axthousandxhoursx/

twitter.com/xThousandHours

ABOUT THE AUTHOR:

Del Chaney - (Author Photo)

Del Chaney has spent the last five years dedicating his time to uncovering the best artists in the unsigned or small independent label based shoegaze, ethereal dream pop, post punk & modern psych rock from all over the globe & reviewing them for this blog - The Primal Music Blog. He is also a contributing  writer for The Sound Of Confusion (Now On Hiatus). His other arm  - Primal Radio -  has gained considerable respect from bands and promoters alike since its conception in 2013 & has helped him in actively promoting a genre of music that he is passionate about. Hailing from Dublin, Ireland, he is a keen Vinyl Collector, Tattoo Fan & all round good guy! He is a self confessed music freak & is never far away from a studio console or a turntable.


Fuss - Fuss - Featured Image - (500x500)

EP REVIEW | Fuss - Fuss

ARTIST: Fuss

RELEASE: Fuss

RELEASE DATE: 1st September 2017

RECORD COMPANY: Modernsky UK

Liverpool based psych-pop aficionados 'Fuss' release their sublime debut self-titled four track EP on vinyl via Modernsky UK on September 1st 2017 just in time for their appearance at 'Liverpool's International Festival Of Psychedelia' on the 22nd September. The band are made up of David Baddeley, Tony Dixon, Karl Byrne, Bobby Reardon & Cormac Gould and they've previously shared the live stage with some serious sonic heavyweights such as the fantastic Psychic Ills, Ulrika Spacek and The Vryll Society. The 'Fuss' EP is available on lovely vinyl via Modernsky UK and digitally over on iTunes and Spotify. 

Jangling melody driven guitars intertwine with swirling synth lines and throbbing bass progressions as 'Fluff' unfurls it's sticky sonic tendrils and washes this listener in simmering reverberations. Addictive vocalisations float into the ether held fast to sticky instrumentation, rocking slowly on a bedrock of steadying percussion and lysergic vibrations that build effortlessly into a kaleidoscope of sonic colour. Up next, 'Human Music' fills the ether with sparking guitar riffs, cascading bass lines and slow metronomic drumming as fizzing electronics and bubbling synths envelope another impressive vocal take. Lead guitars loop and arc in and out of catchy hook laden chorus progressions that float and undulate on magical psychedelically charged sonic frequencies.

'Life Forming' bubbles on a slow moving bass line as subtle organ stabs shimmer beneath the surface allowing the tinkering guitars to dance and move along that addictive drum pattern. Laid back vocals lead the listener on a sonic journey, keeping them focused on meandering guitar hooks and shimmering lead lines that circumnavigate the entire piece brilliantly. Thoroughly enjoyable, 'Life Forming' is my favourite track on the entire release. The EP closes out with it's lead single. 'Coma' enters audible range on a swirling guitar riff and simmering sampled vocalisations before exploding into a cacophony of instrumentation. It's fizzing synth lines hold court, strapped to a busy percussive pattern and the throb of magnificent bass frequencies as swirling psych induced guitars lick and whip those impressive vocal lines to within an inch of their life. 'Coma' is an absolutely absorbing piece of music and a fitting end to a marvellous debut EP. Definitely ones to watch going forward!

5/5

LINKS:

facebook.com/fussband

twitter.com/fussband

soundcloud.com

modernsky.uk

ABOUT THE AUTHOR:

Del Chaney - (Author Photo)

Del Chaney has spent the last five years dedicating his time to uncovering the best artists in the unsigned or small independent label based shoegaze, ethereal dream pop, post punk & modern psych rock from all over the globe & reviewing them for this blog - The Primal Music Blog. He is also a contributing  writer for The Sound Of Confusion (Now On Hiatus). His other arm  - Primal Radio -  has gained considerable respect from bands and promoters alike since its conception in 2013 & has helped him in actively promoting a genre of music that he is passionate about. Hailing from Dublin, Ireland, he is a keen Vinyl Collector, Tattoo Fan & all round good guy! He is a self confessed music freak & is never far away from a studio console or a turntable.


Retrieval - Sleep Cycle - Featured Image - (700x700)

ALBUM REVIEW | Retrieval - Sleep Cycle

Retrieval - Sleep Cycle - Post image - (300x300)ARTIST: Retrieval

RELEASE: Sleep Cycle

RELEASE DATE: 21st July 2017

RECORD COMPANY: Unsigned

Tunisian based shimmering dream-gaze duo 'Retrieval' unleashed their latest album entitled 'Sleep Cycle' to the masses back on the 21st July 2017 and as far as we're concerned this instantly catapulted them into the 'Best Of 2017' category in the process. Their previous incarnation stood firmly in indie rock territory but boy are we glad that they decided to step outside that generic melting pot and turn their attention to pastures new. Their collective sound now swirls effortlessly through hazy 90's era shoegaze but is definitely underscored with modern instrumentation & production techniques that lifts their sonic footprint to new heights. The band are made up of Omar Chouikha - vocals/guitar/drums/ synths & Tima Savchenko - vocals/guitar/bass/synths and 'Sleep Cycle' is available to buy/download right now via retrieval.bandcamp.com

The albums opener bounds into the sonic arena in a rush of percussion and hazy reverberation. ‘Away’ soars through the ether on waves of turbulent guitar and throbbing bass frequencies, deftly circumnavigating impressive dual vocalisations. Up next, my favourite track, ‘Sleep Cycle’ screams into audible range with it’s soaring guitar signatures enveloping fragile vocalisations as it’s steady almost metronomic drum patterns keep everything strapped down. Intricate chord structures make way for catchy hook laden chorus changes allowing haunting vocal tracks to shimmer and undulate through layers of mesmerising production whilst ‘Calling’ floats effortlessly on a slow melodic frequency laden guitar progression accompanied by those stunning vocal tracks and an explosive percussive swagger. ‘Waves’ opening bars tremble on crisp acoustic frequencies before the track explodes into a melee of hazy instrumentation that is absolutely drenched in stunning reverb. Slow and ambling drum patterns guide this soundscape through meandering psychedelic impressions as it’s ghost like vocalisations float along in close proximity, rising and falling with every single chord change wrapped in luscious lines of lead guitar and the constant twang of acoustic vibrations.

‘Costal Life’ swirls into earshot on atmospheric samples, subtle fret noise and wavy instrumentation before ‘Bones’ erupts into a cloud of fuzzy splendour as it’s lumbering vocal tracks cut a v-shaped wedge into a massive wall of beautiful noise. Lead guitars wail as bass frequencies throb, collectively rocking on a bedrock of heady noise, synth and precision drum tracking. Up next, ‘In The Frame’ is a noisy modern day shoegazing beast with powerful guitars and post-metal like vocal tracks whilst ‘Shut Down’ loops and arcs through massive swathes of stunning reverb as it’s wispy vocalisations magically intertwine with bass frequencies, soaring lead guitar, bubbling synth swells and beautifully atmospheric production. The albums penultimate piece entitled ‘Luna’ is steeped in an ambient hue with subtle sonic reflections that swirl momentarily through layers of tumbling psychedelia before noisy guitars, plodding bass progressions and pounding hi-hat heavy percussion take over, dragging the track kicking and screaming into a melding of post-rock or post-metal with a dollop of soaring shoegaze for good measure. It’s all very confusing instrumentally but deeply satisfying all the same. The album closes out with ‘Lessons’, a droning malicious entity filled with noisy guitars and overfed pedal boards. Melodic vocal lines twist themselves around fuzz filled frequencies as hazy production swallows up any chord changes crazy enough to pop their head over the sonic parapet. Again there is a definite post-rock edge to this track as it undulates through the ether on an atmospheric and percussion-less voyage. A fitting end to a rather interesting album.

4/5

LINKS:

facebook.com/Retrievaltn/

retrieval.bandcamp.com

soundcloud.com/retrievaltn

ABOUT THE AUTHOR:

Del Chaney - (Author Photo)
Del Chaney has spent the last five years dedicating his time to uncovering the best artists in the unsigned or small independent label based shoegaze, ethereal dream pop, post punk & modern psych rock from all over the globe & reviewing them for this blog - The Primal Music Blog. He is also a contributing  writer for The Sound Of Confusion (Now On Hiatus). His other arm  - Primal Radio -  has gained considerable respect from bands and promoters alike since its conception in 2013 & has helped him in actively promoting a genre of music that he is passionate about. Hailing from Dublin, Ireland, he is a keen Vinyl Collector, Tattoo Fan & all round good guy! He is a self confessed music freak & is never far away from a studio console or a turntable.

JUJu - Our Mother Was A Planet - Featured Image - (700x700)

ALBUM REVIEW | JuJu - Our Mother Was A Plant

JUJU - Our Mother Was APlanet - Post Image - (300x300)ARTIST: JuJu

RELEASE: Our Mother Was A Plant

RELEASE DATE: 22nd September 2017

RECORD COMPANY: Fuzz Club Records

Back in 2016 whilst writing reviews for 'The Sound Of Confusion', I came across a fantastic seven track self-titled debut album from Sicilian based sonic manipulator Gioele Valenti of Lay Llamas fame now recording under the moniker of 'JuJu'. Being a Lay Lamas fan myself, I immediately dived headlong into it's swirling lysergic sound waves which were more akin to a pulsating living organism drenched in swathes of rhythmic, almost ritualistic golden frequencies. Sonically, it was something that I'd never heard before and it quite simply blew me away. Fast forward twelve months; 'JuJu' has teamed up with one of the best underground independent record labels currently plying it's trade in this ever evolving scene, the immense 'Fuzz Club Records' and had just announced his sophomore release aptly titled 'Our Mother Was A Plant'. This time around Gioele Valenti dips his sonic tendrils into a plethora of genres that includes afrobeat, krautrock, glam, post-punk, art rock, shoegaze & drone and it also features guest appearances from 'Capra Informis', the masked djembe player of Swedish based psych aficionados 'Goat', making this album one of the most anticipated releases of 2017. It gets it's full release on the 22nd September and is available to pre-order right now on 180g vinyl via www.fuzzclub.com

Repetitious percussion accompanied by sporadic electronic sampling and the constant throb of skittish bass notes announce the arrival of track one, the brilliantly titled ‘Death By Beautiful Things’. Swirling reverberations pull luscious lead guitar lines into the mix as JuJu prepares to jump off the deep end and splash headlong into a pool of emotively experimental psych rock. The music drags this listener along with it tumbling freely into a droning synth laden soundscape filled with impressive kraut like percussive tendencies and mind numbing guitar progressions that seem to loop and arc effortlessly through swathes of psychedelic enchantment. At times ‘Death By Beautiful Things’ dips brilliantly in and out of ambient experimentalism leading you on a totally immersive sonic adventure. Up next, ‘In A Ghetto’ unfurls its sonic tendrils wavering menacingly on a sequenced drum loop that slowly adds a pensive kind of atmosphere with the addition of each musical layer. Hypnotic shakers rattle and shimmer as pulsing guitar progressions rise up from beneath a heady cloud of bass and reverb to envelope those mantra like vocalisations deftly undulating through JuJu’s subtle eastern esoteric leanings.

‘And Play A Game’ is refreshing as it bleeps and whirrs through sticky electronic vibes and repetitive percussion. It’s bass patterns are mesmerising and when accompanied by those addictive synth swells and it’s subtle lead licks, are totally unstoppable. Stunning vocal lines swirl throughout the mix as this track builds and builds into a surging psychedelically charged dance floor filler. It is absolutely magnificent. Up next, the insatiable ‘James Dean’ bounds into the ether on a wave of pounding drums, swirling guitars, haunting vocal lines and throbbing bass frequencies. It’s impressive organ lines intertwine brilliantly with soaring lead guitars and electronic percussion whilst the experimental pull of ‘I Got Your Soul’ is hard to escape. The sway of it’s funk like origins keep perfect time as the duel assault of bass and drums keep a firm hold on the earth allowing it’s mesmerising guitars to circumnavigate impressive vocalisations and soar out into the ether on reverberating sonic waves. ‘Patric’ begins life as a glitchy, atmospheric beast that trembles on yet another impressive bass progression. It’s haunting vocal lines undulate and merge effortlessly with raging guitars and stunning production to collectively create something altogether magical.

The albums penultimate piece entitled ‘What A Bad Day’ comes in at a whopping nine minutes plus and at no stage does it disappoint. This track enters audible range strapped to a metronomic drum pattern and the repetitive throb of angry bass. Atmospheric instrumental drones intertwine with fuzzy fret noise and resonating frequencies to circumnavigate it’s stunning vocals, as luscious synth swells bubble up from far below to drench the entire piece in shimmering reverb. There’s a hazy but ambient hue hanging over this track at times that tweaks this listeners attention as it meanders through layer after layer of psychedelic abandonment, twisting and turning through stunning musical passages filled with the occasional saxophone hook, colourful lead guitar progressions, electronic experimentalism and the ever present bark of dark bass frequencies. ‘Sunny Afternoon’ closes proceedings out and does exactly as it says on the tin. Shimmering guitar progressions and sparse percussion make way for fizzing electronics and the hum of bass as subtle synth swells pulse through the mix accompanied by electronic theatrics and the constant pull of simmering reverb. It’s a masterful ending to a totally entrancing sophomore album ...... bravo JuJu!

5/5

LINKS:

fuzzclub.com

juju-spell.bandcamp.com

facebook.com/JuJuSpell

ABOUT THE AUTHOR:

Del Chaney - (Author Photo)

Del Chaney has spent the last five years dedicating his time to uncovering the best artists in the unsigned or small independent label based shoegaze, ethereal dream pop, post punk & modern psych rock from all over the globe & reviewing them for this blog - The Primal Music Blog. He is also a contributing  writer for The Sound Of Confusion (Now On Hiatus). His other arm  - Primal Radio -  has gained considerable respect from bands and promoters alike since its conception in 2013 & has helped him in actively promoting a genre of music that he is passionate about. Hailing from Dublin, Ireland, he is a keen Vinyl Collector, Tattoo Fan & all round good guy! He is a self confessed music freak & is never far away from a studio console or a turntable.


Ummagma - LCD - Featured Image - (700x700)

EP REVIEW | Ummagma - LCD

Ummagma - LCD - Post Image - (300x300)ARTIST: Ummagma

RELEASE: LCD

RELEASE DATE: 22nd September 2017

RECORD COMPANY: Label Obscura & Somewhere Cold

It's always a pleasure to feature new music from the fantastic Canadian based electronic dream-pop/shoegaze duo of Shauna McLarnon (vocals) & Alex kretov (multi-instrumentalist) aka Ummagma and I take any release from them as a sign that all is well within this burgeoning underground music scene. Never ones to shy away from challenging their musical boundaries, Ummagma continuously push the sonic bar higher and higher with every single one of their releases and this latest four track EP entitled 'LCD' is no different. It features three stunning remixes by two legendary musicians, the fantastic Dean Garcia (SPC ECO/Curve) and the masterful Robin Guthrie of Cocteau Twins fame, both with wide and varying musical styles but who both shine and buff, twist and reshape some of Ummgama's finest tracks into absolutely incredible soundscapes. The EP gets its full release through both 'Label Obscura (Cassette)' and 'Somewhere Cold Records (CD)' on the 22nd September 2017 with pre-orders available right now on various formats via ummagma.bandcamp.com

The EP opens up with ‘LCD’, a beautifully entrancing track with a vocal attack that is simply breathtaking. Both McLarnon and Kretov are back to their best with this deeply experimental eastern esoteric take on their usual electronic dream gaze fair. Punchy drum patterns hold court as surging synth, bouncing frequencies and fizzing electronics swirl effortlessly around a rather interesting vocal performance. Up next is the first of three remixes; ‘Dean Garcia (CURVE/SPC ECO)’ injects some hard hitting industrial sounds into ‘LCD’ turning it into a crawling electronic monolith with dark atmospheric undertones whilst ‘Robin Guthrie (Cocteau Twins)’ sprinkles some shimmering sonic stardust over the insatiably melodic ‘Lama’ (lifted off Ummagma’s debut album ‘Antigravity’) turning it into a bright and airy soundscape that seems to suit Shauna McLarnon’s vocal prowess immensely, offering them up in a whole new light.

The EP closes out with yet another ‘Dean Garcia (CURVE/SPC ECO)’ remix. This time he turns his attention to ‘Back To You’ (again lifted from Ummagma’s 2012 debut album ‘Antigravity’) and he doesn't disappoint. Fans of Massive Attack and Stereolab will love the wide expansive spaces and the huge swathes of reverb injected into this piece, deftly underscored by a hard hitting percussive swagger and airy dual vocalisations courtesy of Shauna McLarnon & Alex Kretov respectively.

Recommended!

4/5

LINKS:

ummagma.bandcamp.com

facebook.com/ummagma

twitter.com/ummagma

ABOUT THE AUTHOR:

Del Chaney - (Author Photo)

Del Chaney has spent the last five years dedicating his time to uncovering the best artists in the unsigned or small independent label based shoegaze, ethereal dream pop, post punk & modern psych rock from all over the globe & reviewing them for this blog - The Primal Music Blog. He is also a contributing  writer for The Sound Of Confusion (Now On Hiatus). His other arm  - Primal Radio -  has gained considerable respect from bands and promoters alike since its conception in 2013 & has helped him in actively promoting a genre of music that he is passionate about. Hailing from Dublin, Ireland, he is a keen Vinyl Collector, Tattoo Fan & all round good guy! He is a self confessed music freak & is never far away from a studio console or a turntable.


The Breaks - Misery - Featured Image - (700x700)

EP REVIEW | The Breaks - Misery

ARTIST: The Breaks

RELEASE: Misery

RELEASE DATE: 3rd July 2107

RECORD COMPANY: Unsigned

Manchester based alt-shoegaze outfit 'The Breaks' unleashed their debut four track EP entitled 'Misery' to the masses via bandcamp back on the 3rd July 2017. With various worldwide commentators to the scene mentioning them on social media we felt it was about time we dissected it for ourselves to see just how good it really is and being completely honest; we weren't disappointed! The band's collective sound is inherently shoegaze orientated although their are lovely passages of music throughout that effortlessly jump in and out of luscious dream-pop or edgy alternative rock. 'Misery' is available to buy/download right now via thebreaks.bandcamp.com

The EP's opener entitled 'Honey' sways brilliantly on hard hitting percussion before swerving into a shimmering wall of reverberating guitars, throbbing bass frequencies and the twinkling splash of cymbal crash. Beautifully melodic vocalisations intertwine with heavier surges of guitar as catchy chorus hooks take flight dragging this listener up and out into the sonic ether, making this track a stunning opening salvo indeed. Up next, 'I Need' explodes into earshot on a massive wall of angry instrumentation. It's distorted vocal lines spit venom as they trudge through layers of wavy guitars and screaming lead lines, collectively tip-toeing in and out of noisy alt-rock and hazy shoegaze with relative ease.

The slow metronomic percussive thud of 'Biscuit Factory' enters the sonic arena and introduces us to 'The Breaks' melodic dream-pop sensibilities. Jangling guitar progressions accompanied by cascading bass lines and subtle swells of reverb circumnavigate a stunning vocal performance as this track twists and turns through catchy hooks and shimmering production. The EP closes out with 'Misery', possibly the most alt-pop that this band get on the whole EP and to be honest I was getting a tad worried until things took a rather interesting turn after the first verse. Opening bars of acoustic guitar rattle and scrape through standard street busking fair before lurching into a warm & fuzzy chorus layered with explosive drum patterns, bouncing bass frequencies and shimmering guitars thus restoring the balance and turning this track into an impressive sonic finale on what is a bloody marvellous debut EP. It'll be very interesting to hear what comes next from these guys!

4/5

LINKS:

thebreaks.bandcamp.com

twitter.com/TheBreaks_btown

ABOUT THE AUTHOR:

Del Chaney - (Author Photo)

Del Chaney has spent the last five years dedicating his time to uncovering the best artists in the unsigned or small independent label based shoegaze, ethereal dream pop, post punk & modern psych rock from all over the globe & reviewing them for this blog - The Primal Music Blog. He is also a contributing  writer for The Sound Of Confusion (Now On Hiatus). His other arm  - Primal Radio -  has gained considerable respect from bands and promoters alike since its conception in 2013 & has helped him in actively promoting a genre of music that he is passionate about. Hailing from Dublin, Ireland, he is a keen Vinyl Collector, Tattoo Fan & all round good guy! He is a self confessed music freak & is never far away from a studio console or a turntable.


The Radiation Flowers - Summer Loop - Featured Image - (700x700)

ALBUM REVIEW | The Radiation Flowers - Summer Loop

ARTIST: The Radiation Flowers 

RELEASE: Summer Loop

RELEASE DATE: 7th July 2017

RECORD COMPANY: Sunmask/Cardinal Fuzz

Saskatoon based psych-gaze quartet 'The Radiation Flowers' have been very, very busy this summer. Not only have they released a fantastic split EP with fellow Canadian's 'Hawkeyes Doom' (which we have previously reviewed for Primal Music), but now they've just unleashed what is in our opinion one of the best albums of 2017 so far in the guise of 'Summer Loop', a seven track thrill ride through impressive layers of psych, shoegaze and alternative sounds that will leave you absolutely floored. The band are made up of Shelby Gaudet - guitar/vocals, Amber Ross - drums/percussion, Christopher Laramee – guitar & Jay Allen - bass/vocals and 'Summer Loop' is available to buy on lovely limited release 350 eco-colour vinyl's & 50 limited edition vinyl replica jacket CD-R's via the ever reliable Cardinal Fuzz Records (UK) & Sunmask (USA) or digitally via theradiationflowers.bandcamp.com

Fuzzy guitar progressions build menacingly as ‘Just Go Away’ announces itself as a brooding psych-gaze gem. Steady percussion underscored with throbbing bass frequencies pull floating dual vocal lines into audible range as the soaring hammond organ infused chorus hook is generously whipped by vivacious lead lines and the luscious swirl of reverberation. Coming in at just under six minutes long ‘Just Go Away’ is infectiously addictive and a stunning opening salvo. Up next, ‘Walking Down The Street’ is steeped in melody as tremulous guitars ride a woozy swell of hammond and a cascading bass line. Slow ambling drum patterns hold a hypnotic beat as entrancing vocal lines weave and bob in and out through layers of resonating sonic waves and wall of sound reverberations. ‘Colours’ glistens into earshot on a swirling organ progression as a mesmerising vocal performance dances along on a bedrock consisting of a throbbing bass line and punchy drum patterns. Jangling guitars envelope the entire piece, placing a protective layer around those impressive vocal lines thus reinforcing deep melody in the process.

‘Dancing In The Flames’ growls into existence held fast in a turbulent whirlwind filled with growling guitars, angry bass frequencies and thunderous percussion. Lysergic lead lines lick and harass a punk edged vocal take as we’re drawn headlong into a cacophony of raging psych induced instrumentation that is absolutely drenched in stunning reverberation. ‘Sunrise’ injects some 60’s psych-pop connotations into proceedings as it bounces along on a mid-tempo drum pattern and a repetitive guitar progression underscored with bubbling bass frequencies and that swirling instrumental drone. Intricate lead guitar lines and another impressive vocal performance tie everything together brilliantly and that catchy synth laden break is immense. Up next, the instrumental beast that it ‘Summer Of Burnout’ ambles into audible range tumbling menacingly in a glistening synth drone, a throbbing bass line and acid drenched guitar progressions. Those bass notes are utterly addictive and they drag you with them through layer after layer of undulating psych-gaze as the constant thud of percussion keeps steady metronomic time. The album closes out with ‘Walking (Reprise)’, a lysergic acoustic filled dreamscape that swirls beautifully in a luscious cloud of resonating sound, sporadically pierced by subtle percussive stabs, intense reverberations and delayed swells of instrumentation. A stunning finale to a mesmerising album.

5/5

LINKS:

theradiationflowers.bandcamp.com

theradiationflowers.com

twitter.com/radiationflowrs

facebook.com/TheRadiationFlowers/

cardinalfuzz.bigcartel.com

discogs.com/seller/sunmask/profile

ABOUT THE AUTHOR:

Del Chaney - (Author Photo)

Del Chaney has spent the last five years dedicating his time to uncovering the best artists in the unsigned or small independent label based shoegaze, ethereal dream pop, post punk & modern psych rock from all over the globe and reviewing them for this blog - The Primal Music Blog. He is also a contributing  writer for The Sound Of Confusion (Now On Hiatus). His other arm  - Primal Radio -  has gained considerable respect from bands and promoters alike since its conception in 2013 & has helped him in actively promoting a genre of music that he is passionate about. Hailing from Dublin, Ireland, he is a keen Vinyl Collector, Tattoo Fan & all round good guy! He is a self confessed music freak & is never far away from a studio console or a turntable.