ALBUM REVIEW - The Final Age - The Final Age - Featured Image - (700x700)

ALBUM REVIEW | The Final Age - The Final Age

ALBUM REVIEW - The Final Age - The Final Age - Post Image - (300x300)ARTIST: The Final Age

RELEASE: The Final Age 

RELEASE DATE: 9th February 2018

RECORD COMPANY: Cardinal Fuzz / Sunrise Ocean Bender

Improvisational project 'The Final Age' is the brain child of Bristol-based drummer Jesse Webb. Originally conceived as an accompaniment to an imagined film focusing on themes of loss and isolation, Webb enlisted the help of guitarist Paul Allen (The Heads, Anthroprophh), saxophonist Dave McLean (Gnod), vocalist Annette Berlin (Big Joan), trumpeter Pete Judge & violinist Agathe Max (Kuro) among others to create something altogether mesmerising. Swimming in a sonic melting pot filled to the brim with various levels of psychedelic enchantment, howling vocals and experimental percussion that establishes connections between psych, proto-punk, jazz and heavy rock 'The Final Age' is a collection of tracks that cannot be defined as standing in one clear musical genre. It is an album of experimentation, of finding new ideas and new sonic stylings and crafting them into something magical. The album gets it's official release on 9th February 2018 via Cardinal Fuzz Records (UK) & Sunrise Ocean Bender (USA) respectively and is available to pre-order right now on various formats via cardinalfuzz.bigcartel.comsunriseoceanbender.bigcartel.com

The album leads track begins swirling in a huge instrumental drone. 'The Final Age' pulls deep penetrating bass notes into the mix building gracefully by introducing subtle synth swells, strings and hazy atmospherics to create a massive wall of blissful noise. This is progressively experimental, spiritually infectious and at times hypnotic as you spiral away into a cyclonic filled landscape. Up next, 'Trust Fund Death Camp Moan' is a mind-bending thrill ride through pulses of synth, repetitive fusion styled drumming, tremulous guitars and resonating frequencies deftly tied to huge reverbs, sampled vocalisations and effervescent delays whilst the jazz sounding 'Second Rule' is absolutely huge in scope. Penetrating percussion rumbles exponentially as squally electronics fizz and ebb in close proximity pulling sporadic swells of trumpet and resonating bass frequencies into the mix adding a sullen atmosphere to the overall proceedings. Changes in tempo and addition of alternate drum fills momentarily break the hypnotic spell before we're thrown back in headfirst into dub like trumpet stabs and throb of bass noise. 'Second Rule' is superbly captivating and a definite highlight on the release. '96 Rules' continues the percussive trend of the previous track although gone are the stabs of trumpet to be replaced by noisy guitar progressions and lines of spoken word. Sparkling repetitive keyboard progressions cascade just below the mix, melding brilliantly with those dub like bass progressions thus drawing the ear to them as all around explodes into a cacophony of resonating noise. '96 Layers' is a fascinating piece of music. It's as if Mark E Smith's & The Fall had recorded fusion jazz record high on enlightening psychedelics. Simply mesmerising.

'Past Minus Future' pulses atmospherically on a bedrock of immense percussion as it's fizzing electronics and swirling drones circumnavigate in close proximity pulling fuzzy vocal samples and senses pummelling production with them into the melee whilst upon next, 'A Certain Breed' is bloody immense. Slow moving percussion instils a menacing air to proceedings as the pull of violin and those swirling drones meld to create the perfect cradle for those magnificent vocalisations. This track is allowed to breathe and meander effortlessly through layers of reverb and stunning atmosphere. Throbbing bass progressions add dept to the track as we glide away on waves of psychedelic abandonment and fall headlong into that eastern esoteric ending. 'I Fall' unfurls it's sonic tendrils and dives headlong into a brooding mass of noise and vocal samples before heavy percussion and atmospheric drones pull saxophone and deep penetrating bass frequencies out into the ether. It is five minutes plus of animalistic, senses pummelling experimental psych that takes no prisoners whilst 'Mephadrone' does exactly as it says on the tin. Leaning more into proto-punk this track has movie soundtrack material written all over it. It's pulsating instrumentation cuts a deep wedge into the sonic ether as a driving percussive assault ferries rumbling bass progressions and swirling synths through layers of atmospheric reverberations and sequenced electronics pulse & bleep just below the mix. The albums penultimate piece comes inn the guise of 'There Will Be Waste'. Swirling vocalisations accompanied by the toll of church bells, sporadic percussive hits, noisy layers of synth and throbbing bass amble into audible range, rising and falling through deep passages of psych and deeply spiritual experimentalism. 'The Final Age' closes out with 'Punching A Hole', a mesmerising piece of heavy psych tumbling through explosive drum tracks, soaring lead lines and throbbing bass progressions as spoken word rages from beneath a heady cloud of atmospheric reverberation. Its a masterful track and a fitting ending to a mesmerising album.

'The Final Age' as a standalone album is one that will take repetitive listens before it begins to sink into the inner psyche. With some mesmerising  passages of experimental instrumentation and a percussive assault that at times seems unbelievable, this album is a welcome addition to any true modern psych fans music collection.

4/5

LINKS:

cful.bandcamp.com

cardinalfuzz.bigcartel.com

sunriseoceanbender.bandcamp.com

sunriseoceanbender.bigcartel.com

ABOUT THE AUTHOR:

Del Chaney - (Author Photo)

Del Chaney has spent the last five years dedicating his time to uncovering the best artists in the unsigned or small independent label based shoegaze, ethereal dream pop, post punk & modern psych rock from all over the globe & reviewing them for this blog - The Primal Music Blog. He is also a contributing writer for The Sound Of Confusion (Now On Hiatus). His other arm  - Primal Radio -  has gained considerable respect from bands and promoters alike since its conception in 2013 & has helped him in actively promoting a genre of music that he is passionate about. Hailing from Dublin, Ireland, he is a keen Vinyl Collector, Tattoo Fan & all round good guy! He is a self confessed music freak & is never far away from a studio console or a turntable.


ALBUM REVIEW - Dead Sea Apes- Recondite - Featured Image - (700x700)

ALBUM REVIEW | Dead Sea Apes - Recondite

ARTIST: Dead Sea Apes

RELEASE: Recondite 

RELEASE DATE: February 9th 2018

RECORD COMPANY: Cardinal Fuzz/Sunrise Ocean Bender

Manchester based experimental psych aficionado's 'Dead Sea Apes' have returned with a brand new sonic compendium entitled 'Recondite', a collection of tracks recorded for various compilations, off-the-cuff jams, dub remixes and covers of Kraftwerk, Harmonia and Alexander ‘Skip’ Spence. The band have been carving out their own rather special niche in a scene that strives on it's core principles of expansive and consciousness-altering guitar, bass and drum based compositions. 'Dead Sea Apes' have never easily fitted into a 'psychedelic scene' as such like so many of their contemporaries but have instead taken a different path to sonic enlightenment by experimenting with dub, electronic sequencing and mind altering reverberations that both thrill and hypnotise all at once. Those of you new the sounds of 'Dead Sea Apes' will find this brand new compendium of tracks absolutely fascinating as it perfectly explores every facet of their collective sound, from their influences to their unique talent of merging various genres to create one hell of a lysergic tinged trip. 'Recondite' has it's official release on February 9th 2018 with pre-orders available on various formats from Cardinal Fuzz Records (UK) & Sunrise Ocean Bender Records (USA) respectively.

The absorbing opening salvos of ‘Tentacles (version)’, a track that originally appeared on ‘Dead Sea Apes’ last album - ‘Sixth Side Of The Pentagon’ are taught and frequented with swirling drones, glitchy dub lined scratches and sequenced electronics. Spoken word courtesy of artist and author ‘Adam Stone’ float into earshot accompanied by the rumblings of deep dub lined bass notes, warbling stabs of guitar and synth as heady clouds of machine gun delay and sticky reverb fill the ether with intense atmospherics. This take is longer than the original version of ‘Tentacles’ but it’s a highly infectious mix of psych and dub with this listener marvelling at the melding of it’s dystopian vocalisations and the aforementioned hypnotically charged accompanying instrumentation. Up next ‘Coronal’ (originally appearing on a Cardinal Fuzz compilation entitled Stay Holy) tumbles into audible range on a swirling instrumental drone. Rolling percussion builds from below the mix and a subtle surge of eastern esoteric psych bubbles to the surface dragging noisy electronics and tempestuous production theatrics with them as shimmering guitars undulate and merge with repetitive lines of atmospheric synth. This track is deeply incantational, krautrock heavy and it rises and falls through huge cavernous sonic troughs before surging skywards on layers of wide scoped sonic reverberation.

‘Planet V’ undulates and moves in unison with big repetitive bass progressions riding pounding drum patterns and swirling drones as impressive lead lines whip the entire piece to within an inch of it’s life whilst ‘True Believers’, another alternate take, originally appeared on the brilliant Evil Hoodoo ‘For Nepal’ compilation, staggers into ear shot on a wave of sullen atmosphere. Slow moving percussion keeps a steady back beat, carefully carrying the throb of bass and subtle production theatrics before all hell breaks loose and we’re spinning wildly in a dark and oppressive slab of stunning space rock. This track builds slowly through staggered verse progressions and unleashes an explosive surge of sonic energy through catchy breathtaking progressional changes that are pinned to meandering lead lines that loop and arc throughout. It’s a masterpiece and a highlight for me on this release. Up next, ‘Land Of The Sun’ featuring 'Gabriel Minnikin' is a cover version, originally released by Canadian native Alexander ‘Skip’ Spence (Jefferson Airplane, Moby Grape, Quicksilver Messenger Service) and deftly undertaken here by Dead Sea Apes. Feedback laden opening bars build and merge with the swirl of cymbals and the pull of reverb before sporadic percussion and the throb of bass lure this listener into a melee of swirling instrumentation and resonating frequencies. It’s a white knuckle thrill ride, permeated at times with intense spoken words that are reminiscent to Iggy’s stint with UK based ‘Death In Vegas’ during the 90’s.

‘The Recognition’ is lifted from the brilliant ‘Stand With Standing Rock’ compilation from Sky Lantern Records and is another album highlight for me. It’s opening permutations are mesmerising as they snake alongside deep rumbling bass kicks separated by shimmering tambourine and deeply spiritual guitar progressions that build and build forever adding layers of intriguing combinations that culminate brilliantly into a magical murmuration of sound. Up next, ‘Universal Translator’ spins in a haze of tumbling synth as rumbling percussion rattles underneath closely followed by throbbing bass lines and swirling feedback that collectively builds into a pulsating sonic behemoth whilst ‘Lupine Wavelength’, originally released on the magnificent ‘Magnetic North’ split album from Drone Rock Records, spirals through massive layers of reverb as those steady drum patterns hold court deftly ferrying cascading bass signatures, fizzing synth and pull of lead guitar out into the sonic ether. ‘Dead Sea Apes’ inject yet another cover version into the compendium as ‘Rückstoss Gondoliére’, originally recorded by 'Kraftwerk' enters into audible range. Swirling drones accompanied by kosmische theatrics, swells of synth and luscious guitar progressions float and ebb through layers of atmospheric reverberation pulling sparse percussive hits and squally instrumentation with them before building into a slow moving slab of incantational psych. It’s mesmerising guitar progressions loop and arc effortlessly through throbbing bass frequencies and rumbling drum patterns. ‘Rückstoss Gondoliére’ is formidable in sonic stature and yet another tripped out highlight on this release.

The highly experimental ‘Rethreads’ pulses menacingly within it’s metronomic, almost motorik sounding skin, as noisy frequencies bend and pull through a kind of backwards cyclonic motion dragging angry feedback laden guitars and the throb of dub strewn bass frequencies with them through the whoosh of cymbal noise and deep dark atmospherics before we’re introduced to the albums closing piece, the absolutely sublime ‘Vamos Compańeros’, a cover version of the original track by ‘Harmonia 76’. This track originally appeared on yet another one of the many ‘The Blog That Celebrates Itself’ covers compilation entitled ‘Komische Musik’. It rattles and surges through layers of repetitious krautrock and fizzing electronics that are permeated at times with subtle fuzziness courtesy of sparse guitars and throbbing bass frequencies. ‘Vamos Compańeros’ is a monstrous sonic filled thrill ride and a fitting ending to a wonderful compendium of tracks

5/5

LINKS:

cardinalfuzz.bigcartel.com

cful.bandcamp.com

sunriseoceanbender.bandcamp.com

sunriseoceanbender.com

facebook.com/deadseaapes

twitter.com/deadseaapes

ABOUT THE AUTHOR:

Del Chaney - (Author Photo)

Del Chaney has spent the last five years dedicating his time to uncovering the best artists in the unsigned or small independent label based shoegaze, ethereal dream pop, post punk & modern psych rock from all over the globe & reviewing them for this blog - The Primal Music Blog. He is also a contributing writer for The Sound Of Confusion (Now On Hiatus). His other arm  - Primal Radio -  has gained considerable respect from bands and promoters alike since its conception in 2013 & has helped him in actively promoting a genre of music that he is passionate about. Hailing from Dublin, Ireland, he is a keen Vinyl Collector, Tattoo Fan & all round good guy! He is a self confessed music freak & is never far away from a studio console or a turntable.


The Radiation Flowers - Summer Loop - Featured Image - (700x700)

ALBUM REVIEW | The Radiation Flowers - Summer Loop

ARTIST: The Radiation Flowers 

RELEASE: Summer Loop

RELEASE DATE: 7th July 2017

RECORD COMPANY: Sunmask/Cardinal Fuzz

Saskatoon based psych-gaze quartet 'The Radiation Flowers' have been very, very busy this summer. Not only have they released a fantastic split EP with fellow Canadian's 'Hawkeyes Doom' (which we have previously reviewed for Primal Music), but now they've just unleashed what is in our opinion one of the best albums of 2017 so far in the guise of 'Summer Loop', a seven track thrill ride through impressive layers of psych, shoegaze and alternative sounds that will leave you absolutely floored. The band are made up of Shelby Gaudet - guitar/vocals, Amber Ross - drums/percussion, Christopher Laramee – guitar & Jay Allen - bass/vocals and 'Summer Loop' is available to buy on lovely limited release 350 eco-colour vinyl's & 50 limited edition vinyl replica jacket CD-R's via the ever reliable Cardinal Fuzz Records (UK) & Sunmask (USA) or digitally via theradiationflowers.bandcamp.com

Fuzzy guitar progressions build menacingly as ‘Just Go Away’ announces itself as a brooding psych-gaze gem. Steady percussion underscored with throbbing bass frequencies pull floating dual vocal lines into audible range as the soaring hammond organ infused chorus hook is generously whipped by vivacious lead lines and the luscious swirl of reverberation. Coming in at just under six minutes long ‘Just Go Away’ is infectiously addictive and a stunning opening salvo. Up next, ‘Walking Down The Street’ is steeped in melody as tremulous guitars ride a woozy swell of hammond and a cascading bass line. Slow ambling drum patterns hold a hypnotic beat as entrancing vocal lines weave and bob in and out through layers of resonating sonic waves and wall of sound reverberations. ‘Colours’ glistens into earshot on a swirling organ progression as a mesmerising vocal performance dances along on a bedrock consisting of a throbbing bass line and punchy drum patterns. Jangling guitars envelope the entire piece, placing a protective layer around those impressive vocal lines thus reinforcing deep melody in the process.

‘Dancing In The Flames’ growls into existence held fast in a turbulent whirlwind filled with growling guitars, angry bass frequencies and thunderous percussion. Lysergic lead lines lick and harass a punk edged vocal take as we’re drawn headlong into a cacophony of raging psych induced instrumentation that is absolutely drenched in stunning reverberation. ‘Sunrise’ injects some 60’s psych-pop connotations into proceedings as it bounces along on a mid-tempo drum pattern and a repetitive guitar progression underscored with bubbling bass frequencies and that swirling instrumental drone. Intricate lead guitar lines and another impressive vocal performance tie everything together brilliantly and that catchy synth laden break is immense. Up next, the instrumental beast that it ‘Summer Of Burnout’ ambles into audible range tumbling menacingly in a glistening synth drone, a throbbing bass line and acid drenched guitar progressions. Those bass notes are utterly addictive and they drag you with them through layer after layer of undulating psych-gaze as the constant thud of percussion keeps steady metronomic time. The album closes out with ‘Walking (Reprise)’, a lysergic acoustic filled dreamscape that swirls beautifully in a luscious cloud of resonating sound, sporadically pierced by subtle percussive stabs, intense reverberations and delayed swells of instrumentation. A stunning finale to a mesmerising album.

5/5

LINKS:

theradiationflowers.bandcamp.com

theradiationflowers.com

twitter.com/radiationflowrs

facebook.com/TheRadiationFlowers/

cardinalfuzz.bigcartel.com

discogs.com/seller/sunmask/profile

ABOUT THE AUTHOR:

Del Chaney - (Author Photo)

Del Chaney has spent the last five years dedicating his time to uncovering the best artists in the unsigned or small independent label based shoegaze, ethereal dream pop, post punk & modern psych rock from all over the globe and reviewing them for this blog - The Primal Music Blog. He is also a contributing  writer for The Sound Of Confusion (Now On Hiatus). His other arm  - Primal Radio -  has gained considerable respect from bands and promoters alike since its conception in 2013 & has helped him in actively promoting a genre of music that he is passionate about. Hailing from Dublin, Ireland, he is a keen Vinyl Collector, Tattoo Fan & all round good guy! He is a self confessed music freak & is never far away from a studio console or a turntable.


Hawkeyes / The Radiation Flowers - Split LP - Featured Image (700x700)

EP REVIEW | Hawkeyes / The Radiation Flowers - Split EP

ARTIST: Hawkeyes / Radiation Flowers

RELEASE: Split EP

RELEASE DATE: 7th July 2017

RECORD COMPANY: Sunmask / Cardinal Fuzz

Ontario based heavy psych aficionados 'Hawkeyes' have joined forces with Saskatoon natives 'Radiation Flowers' on a brand new five track 'Split EP' that is absolutely immense. Stacked with massive walls of hypnotic acid drenched noise 'Hawkeyes' formed back in 2012 (apparently out of sheer boredom) and began self-releasing tracks on cassette before their debut album 'Poison Slows You Down' was picked up by Helmet Lady Records back in 2015. 'Radiation Flowers' on the other hand create spacious psychedelically charged shoegaze permeated at times by edgier, fuzzier moments of sonic contemplation accompanied by floating vocalisations that hark back to that early 4AD sound. The album gets it's full release on the 7th July 2017 via 'Sunmask' and the ever reliable Cardinal Fuzz Records and it available to pre-order right now on colour vinyl with full colour printed inner sleeve via cful.bandcamp.com

'Hawkeyes' open up proceedings with the first of two tracks; 'Atom Heart Motherfuckers Never Learn' swirls into audible range stuck firm to a warbling atmospheric guitar progression steeped in hypnotic reverberations. Sparse flourishes of cymbal and fizzing fret noise pull a massive surge of instrumentation into play as growling guitars, humming bass and steady percussion gently pushes us out into a turbulent sonic sea. Wailing lead lines whip up a sonic frenzy as a pulsing metronomic procession of drums and bass keep up a steady tempo for eight minutes plus, acting like some sort of sonic chariot meandering through layer after layer of spaced out grooves and ambient hued textures before 'Hawkeyes' briefly slip their spaced out ambient leanings and explode into a riotous sonic behemoth filled with darker, heavier guitar progressions and explosive accompanying instrumentation, goading the listener with their impressive mind bending production. All in all this is a massive opening salvo. Their second track entitled 'Creator Destroyer' floats into earshot on a wave of intense atmosphere deftly enveloped in beautifully textured acoustic guitar progressions and hushed vocal tones. That illusion is quickly shattered however as they explode into a cacophony of fuzz and reverb. Soaring lead guitars intertwine with delay & the pull of wah-wah to create a claustrophobic wall of hypnotic sound that builds and builds, tumbling brilliantly through rolling percussion and driving bass frequencies before culminating in a wind swept spoken word finale.

'The Radiation Flowers' unfurl '33 Floors Up', a pulsating sonic behemoth that pounds its way through the ether on a resonating wave of instrumentation swirling magnificently through layer after layer of tantalising reverberations. Soaring guitars traverse huge organ swells and there's no let up to the meandering whip of turbulent frequencies as this track explodes into the ether. Up next, 'Always On the Ground' bounds into earshot rocking giddily on a throbbing bass progression before squally synth hits add a sliver of comedy. Off kilter percussion drags itself into the mix accompanied by luscious lead guitars drenched in subtle feedback, effected fret noise and lashings of reverb. The collective instrumentation builds into a rolling wash of sound as beautifully translucent vocalisations ebb and flow into earshot underscored by an off putting organ drone before huge swathes of noise erupt, adding blistering atmospheric depth that seems undulates on that bouncing bass line. The album closes out with 'Never Fade' as 'The Radiation Flowers' meld tremulous shoegaze & indie rock with 60's psych flair. Surging organ swells ride a steady drum pattern as swirling lead guitar lines wrap themselves around another impressive vocal performance. Catchy chorus changes coupled with intricate guitar progressions keep this listener interested as the band inject some serious jolts of melody into proceedings. A fantastic ending to a rather interesting split release.

4/5

LINKS:

cful.bandcamp.com

hawkeyes.bandcamp.com/

theradiationflowers.bandcamp.com/

discogs.com/seller/sunmask/profile

cardinalfuzz.bigcartel.com/

ABOUT THE AUTHOR:

Del Chaney - (Author Photo)

Del Chaney has spent the last five years dedicating his time to uncovering the best artists in the unsigned or small independent label based shoegaze, ethereal dream pop, post punk & modern psych rock from all over the globe & reviewing them for this blog - The Primal Music Blog. He is also a contributing  writer for The Sound Of Confusion (Now On Hiatus). His other arm  - Primal Radio -  has gained considerable respect from bands and promoters alike since its conception in 2013 & has helped him in actively promoting a genre of music that he is passionate about. Hailing from Dublin, Ireland, he is a keen Vinyl Collector, Tattoo Fan & all round good guy! He is a self confessed music freak & is never far away from a studio console or a turntable.


ALBUM REVIEW | Mt. Mountain - Dust

ARTIST: Mt. Mountain 

RELEASE: Dust

RELEASE DATE: 24th April 2017

RECORD COMPANY: CARDINAL FUZZ

Perth based droning & experimental psych aficionados 'Mt. Mountain' have announced the follow up to last years monumental six track release 'Cosmos Terros' in the form of 'Dust', a four track sonic thrill ride penned in for release on the 24th April via the ever reliable UK based 'Cardinal Fuzz Records'. 'Mt. Mountain' first came to our attention back in 2014 after the release of their brilliant sophomore self titled EP and we subsequently played it to death over on our online sister station 'Primal Radio'. 'Mt. Mountain' are already lauded and revered in Australia where they have built a reputation as one of the most compelling live bands, a distinction that has seen them share stages with myriad Australian and international heavyweights including Sleep, King Gizzard and the Lizard Wizard, Thee Oh Sees, Endless Boogie, Tortoise, Bardo Pond and Boris. 'Dust' is available to pre-order right now on limited edition of 200 - Copper/Black Swirl 12" Vinyl Records with UK/EU purchases available via Cardinal Fuzz.

In a whirling instrumental drone steeped in acutely atmospheric tape hiss and trembling sound waves the opening salutations of ‘Dust’ manoeuvres itself into audible range. It builds ever so slowly, drenched in a menacing experimental air as a subtle percussive pulse sets a persuasive tempo, slow enough to accommodate those haunting guitar lines and the brilliant addition of a ghostly flute progression whilst being whipped by an ever present & deeply incessant high pitched drone. Coming in at a mere sixteen minutes plus, ‘Dust’ isn’t for the faint hearted as half way through it explodes into a maelstrom of reverberating noise steeped in flurries of modern & experimental psych and peppered with passages of plodding bass frequencies, throbbing synth, addictive lead lines and simmering vocalisations to collectively enthral and captivate it’s listeners all at once. A marvellous opening track indeed. Up next, ‘Floating Eyes’ staggers into earshot on a rickety guitar progression that rides a wave of tumbling bongo hits, the repetitive twinkle of tambourine and a surging synthetic drone. The addition of warbling lead lines add weight to proceedings as ‘Mt. Mountain’ unleash a swirling psychedelic behemoth steeped brilliantly in eastern esoteric flair. Addictive vocal lines float into the mix bubbling on those cascading bass progressions, doffing a well worn cap to those early experimental psych pioneers as we float away on wave after wave of captivating golden hued frequencies that eventually leads us into the tracks final throws.

Swirling organ swells echoed by translucent guitar and subtle instrumental drones announce ‘Kokoti’, the albums penultimate piece, and we drift off into a entrancing psychedelic haze filled with jangling progressions, glorious flute lines and hypnotically charged percussive reverberations. Ghostly vocalisations fill the remaining quiet spaces as sonic reflections rise and fall in and out of throbbing bass frequencies and wah wah heavy lead lines before the track takes on a completely different form and rises high up into the firmament on wings of trance like psychedelic joy. ‘Kokoti’ is a sonic journey of discovery, it’s probably my favourite track on this entire release and I firmly recommend that you listen to it via headphones to experience every ounce of it’s sonic mastery. The album closes out with a three minute peaceful ‘Outro’. A beautifully intoxicating guitar progression pulses into the ether dragging with it a repetitive percussive pattern filled with haunting vocal lines and massive swathes of reverberation. ‘Outro’ is a fitting closing piece and it deftly book ends this impressive collection of tracks.

4/5

LINKS:

mtmountain.bandcamp.com

ABOUT THE AUTHOR:
Del Chaney has spent the last four years dedicating his time to uncovering the best artists in the unsigned or small independent label based shoegaze, ethereal dream pop, post punk, post rock & modern psych rock from all over the globe & reviewing them for this blog - The Primal Music Blog. He is also a contributing  writer for The Sound Of Confusion (Now On Hiatus). His other arm  - Primal Radio -  has gained considerable respect from bands and promoters alike since its conception in 2013 & has helped him in actively promoting a genre of music that he is passionate about. Hailing from Dublin, Ireland, he is a keen Vinyl Collector, Tattoo Fan & all round good guy! He is a self confessed music freak & is never far away from a studio console or a turntable.
 

ALBUM REVIEW | Mt. Mountain - Dust (Cardinal Fuzz Records)

ARTIST: Mt. Mountain 

RELEASE: Dust

RELEASE DATE: 24th April 2017

RECORD COMPANY: CARDINAL FUZZ

Perth based droning & experimental psych aficionados 'Mt. Mountain' have announced the follow up to last years monumental six track release 'Cosmos Terros' in the form of 'Dust', a four track sonic thrill ride released on the 24th April via the ever reliable UK based 'Cardinal Fuzz Records'. 'Mt. Mountain' first came to our attention back in 2014 after the release of their brilliant sophomore self-titled EP and we subsequently played it to death over on our online sister station 'Primal Radio'. 'Mt. Mountain' are already lauded and revered in Australia where they have built a reputation as one of the most compelling live bands, a distinction that has seen them share stages with myriad Australian and international heavyweights including Sleep, King Gizzard and the Lizard Wizard, Thee Oh Sees, Endless Boogie, Tortoise, Bardo Pond and Boris. 'Dust' is available to buy right now on limited edition of 200 - Copper/Black Swirl 12" Vinyl Records with UK/EU purchases available via Cardinal Fuzz.

In a whirling instrumental drone steeped in acutely atmospheric tape hiss and trembling sound waves the opening salutations of ‘Dust’ manoeuvres itself into audible range. It builds ever so slowly, drenched in a menacing experimental air as a subtle percussive pulse sets a persuasive tempo, slow enough to accommodate those haunting guitar lines and the brilliant addition of a ghostly flute progression whilst being whipped by an ever present & deeply incessant high pitched drone. Coming in at a mere sixteen minutes plus, ‘Dust’ isn’t for the faint hearted as half way through it explodes into a maelstrom of reverberating noise steeped in flurries of modern & experimental psych and peppered with passages of plodding bass frequencies, throbbing synth, addictive lead lines and simmering vocalisations to collectively enthral and captivate it’s listeners all at once. A marvellous opening track indeed. Up next, ‘Floating Eyes’ staggers into earshot on a rickety guitar progression that rides a wave of tumbling bongo hits, the repetitive twinkle of tambourine and a surging synthetic drone. The addition of warbling lead lines add weight to proceedings as ‘Mt. Mountain’ unleash a swirling psychedelic behemoth steeped brilliantly in eastern esoteric flair. Addictive vocal lines float into the mix bubbling on those cascading bass progressions, doffing a well worn cap to those early experimental psych pioneers as we float away on wave after wave of captivating golden hued frequencies that eventually leads us into the tracks final throws.

Swirling organ swells echoed by translucent guitar and subtle instrumental drones announce ‘Kokoti’, the albums penultimate piece, and we drift off into a entrancing psychedelic haze filled with jangling progressions, glorious flute lines and hypnotically charged percussive reverberations. Ghostly vocalisations fill the remaining quiet spaces as sonic reflections rise and fall in and out of throbbing bass frequencies and wah wah heavy lead lines before the track takes on a completely different form and rises high up into the firmament on wings of trance like psychedelic joy. ‘Kokoti’ is a sonic journey of discovery, it’s probably my favourite track on this entire release and I firmly recommend that you listen to it via headphones to experience every ounce of it’s sonic mastery. The album closes out with a three minute peaceful ‘Outro’. A beautifully intoxicating guitar progression pulses into the ether dragging with it a repetitive percussive pattern filled with haunting vocal lines and massive swathes of reverberation. ‘Outro’ is a fitting closing piece and it deftly book ends this impressive collection of tracks.

4/5

LINKS:

mtmountain.bandcamp.com

ABOUT THE AUTHOR:
Del Chaney has spent the last four years dedicating his time to uncovering the best artists in the unsigned or small independent label based shoegaze, ethereal dream pop, post punk, post rock & modern psych rock from all over the globe & reviewing them for this blog - The Primal Music Blog. He is also a contributing  writer for The Sound Of Confusion (Now On Hiatus). His other arm  - Primal Radio -  has gained considerable respect from bands and promoters alike since its conception in 2013 & has helped him in actively promoting a genre of music that he is passionate about. Hailing from Dublin, Ireland, he is a keen Vinyl Collector, Tattoo Fan & all round good guy! He is a self confessed music freak & is never far away from a studio console or a turntable.
 

ALBUM REVIEW | Dead Sea Apes - Sixth Side Of the Pentagon (Sky Lantern Records & Cardinal Fuzz Records)

ARTIST: Dead Sea Apes

RELEASE: Sixth Side Of The Pentagon

RELEASE DATE:  3rd April 2017

RECORD COMPANY: Sky Lantern Records & Cardinal Fuzz Records

Manchester based experimental psych aficionado's 'Dead Sea Apes' have returned with a brand new album entitled 'Sixth Side Of The Pentagon'. The band have been carving out their own rather special niche in a scene that strives on it's core principles of expansive and consciousness-altering guitar, bass and drum based compositions. 'Dead Sea Apes' have never easily fitted into a 'psychedelic scene' as such like so many of their contemporaries but have instead taken a different path to sonic enlightenment by experimenting with dub, electronic sequencing and mind altering reverberations that both thrill and hypnotise all at once. 'Sixth Side Of The Pentagon' is available to pre-order right now from skylanternrecords.bandcamp.com (US) or cardinalfuzz.bigcartel.com (UK) on standard weight black vinyl edition, 250 copies with full color printed inner sleeves & on CD.

Cavernous reverb peppered with echoing percussive delays swirl menacingly around the rise and fall of a repetitive bass line as ‘The Map Is Not The Territory’ kicks open the door to an atmospheric world of mesmerising (almost incantational) psychedelic dub. This track heaves effortlessly through moments of unrepentant experimentation as growling guitars ride soaring instrumental drones and deliriously off kilter drum patterns as its lead lines whip and harass the senses with wild sonic abandon. Up next, ‘Sixth Side Version I’ provides an atmospheric interlude before ‘Low Resolution’ staggers into earshot riding a resonating drone and slow moving bass line. Synth lines fizz as the tension builds and the track meanders through layers of reverberating lead guitar lines collectively battered by angry synchronised electronics. ‘Dead Sea Apes’ inject the twenty second long 'Sixth Side Version II' next, fitting another piece into the sonic jigsaw before unleashing the brilliant ‘Pale Anxiety’, my favourite track on the entire release. Slow moving drones swirl and loop around a snaking bass line as a repetitive percussive assault keeps a steady metronomic beat. The occasional delayed vocal line slips into earshot riding a turbulent processional wave of noisy reverb laden electronics, jittering effected guitar lines and the odd chopped brass sample that tumbles and dances through layers of echoing hypnotics.

‘Nerve Centre’ explodes into a cacophony of guitar stabs, intense ethereal vocal samples as wailing lead guitar lines and those off tempo drum patterns that collectively add billowing atmosphere. This track hangs suspended in the sonic ether, held fast in a whirlwind of undulating reverb and mind bending production. 'Sixth Side Version III' enters audible range and squeezes shuddering lo-fi instrumentation into a melting pot of spellbinding echoing delays whilst ‘Lo Res’ ambles into the ether tethered to a meandering bass line and it’s accompanying sequenced electronic theatrics. Glorious guitar progressions act like bedrock thus fixating this listener to their hypnotising sway whilst swirling bleeps and whirrs meld with immense production to bring us on a gratifying sonic adventure of immense proportions. The album twinkles and jitters in a golden hued haze before the opening salvos of ‘Tentacles (The Machine Rolls on)’ shatter the illusion and unfurl their sonic tendrils to intertwine brilliantly with a shuddering drum pattern, undulating bass progression and venomous lines of spoken word. Angry sequenced production gradually bubble up to the surface to circumnavigate the entire piece, draping it in resonating reverb laced snare hits and the constant gyrating throb of bass.

The album drags ‘Sixth Side Version IV’ out into the open to show us it’s final death throws before plying us with it’s closing soundscape. ‘Rectifier’ jangles and sways on a wave of fizzing synth, hypnotic bass and the repetitive pitter patter of steady metronomic percussion. Heady lead lines stream and glide in close proximity to those senses pummelling effected delays and the occasional stab of rhythm guitar as ‘Dead Sea Apes’ exhume every single morsel of hallucinogenic dub they can muster and fire it out into the sonic ether. A fitting end to a bloody marvellous album.

4/5

LINKS:

skylanternrecords.bandcamp.com

cardinalfuzz.bigcartel.com

facebook.com/deadseaapes

twitter.com/deadseaapes

ABOUT THE AUTHOR:

Del Chaney has spent the last four years dedicating his time to uncovering the best artists in the unsigned or small independent label based shoegaze, ethereal dream pop, post punk, post rock & modern psych rock from all over the globe & reviewing them for this blog - The Primal Music Blog. He is also a contributing writer for The Sound Of Confusion (Now On Hiatus). His other arm - Primal Radio - has gained considerable respect from bands and promoters alike since its conception in 2013 & has helped him in actively promoting a genre of music that he is passionate about. Hailing from Dublin, Ireland, he is a keen Vinyl Collector, Tattoo Fan & all round good guy! He is a self confessed music freak & is never far away from a studio console or a turntable.


ALBUM REVIEW | LAMAGAIA - Lamagaia (Cardinal Fuzz & Sunrise Ocean Bender Records)

ARTIST: LAMAGAIA

RELEASE: Lamagaia

RELEASE DATE: 13th February 2017

RECORD COMPANY: Cardinal Fuzz / Sunrise Ocean Bender Records

Two of the more interesting of independent record labels that are firmly established in this modern day psych rock/kraut rock firmament have joined forces to release an immensely bruising two track self-titled monolith by magnificent Gothenburg based psychedelic explorers ‘Lamagaia’. The initial seed for this release was sown by UK based ‘Cardinal Fuzz Records’ after the release of the bands ingenious ‘Lamagius’ LP and is wasn’t long before U.S based ‘Sunrise Ocean Bender Records’ jumped on board with the collective aim to get this release out to as many ears as was feasibly possible. The ‘Lamagaia’ LP has it’s official launch 13th February 2017 on standard black vinyl with full coloured printed inners (sleeve and inner sleeve designed by Rommel Valgart) and you can pre-order it right now from both www.sunriseoceanbender.com & www.cardinalfuzz.bigcartel.com respectively.

‘Aurora’ billows into the ether and immediately sets up a kind of gravitational holding pattern, held fast within a vicious feedback laden whirlwind. Coming in at a whopping 16 minutes plus, it was quickly evident that I was in this turbulent behemoth for the long haul. Growling overdriven guitars creep in close proximity with metronomic percussive patterns as throbbing bass frequencies feed effortlessly into the sonic mayhem. ‘Aurora’ surges through sonic peaks and deep atmospheric troughs fed solely on repetitious progressions, mantra like vocalisations and menacingly good instrumentation as the band inject reverberating electronics, explosive percussive breaks and self flagellating lead licks into to the already revolving cauldron of noise. This track is hypnotically intense, absolutely all consuming and saturated by mescaline fuelled sound waves purposefully positioned to bring you on a glorious hallucinogenic trip.

Up next, ‘Paronama Vju’ swirls into earshot building gracefully on luscious waves of shimmering synth, impressive bass frequencies and sporadic drum patterns. Gyrating drones meld effortlessly with fret board theatrics collectively immersed in swathes of diminishing reverb until we’re led into astonishing passages of entrancing ambient abandonment. ‘Lamagaia’ unleash their experimental side as ‘Paronama Vju’ unfurls itself into a repetitious monster, fastened brilliantly to free form instrumental progressions, cascading bass lines and screaming saxophone whirls, all fixed to a bedrock of an almost Jazz like percussive swagger. I can honestly say that this track is eighteen minutes plus of pure sonic enjoyment that I will return to again and again. Absolutely magnificent.

4/5

LINKS:

sunriseoceanbender.com

cardinalfuzz.bigcartel.com

ABOUT THE AUTHOR:

Del Chaney has spent the last four years dedicating his time to uncovering the best artists in the unsigned or small independent label based shoegaze, ethereal dream pop, post punk, post rock & modern psych rock from all over the globe & reviewing them for this blog - The Primal Music Blog. He is also a contributing writer for The Sound Of Confusion (Now On Hiatus). His other arm - Primal Radio - has gained considerable respect from bands and promoters alike since its conception in 2013 & has helped him in actively promoting a genre of music that he is passionate about. Hailing from Dublin, Ireland, he is a keen Vinyl Collector, Tattoo Fan & all round good guy! He is a self confessed music freak & is never far away from a studio console or a turntable.


EP REVIEW | Dead Sea Apes - SOY DIOS

a3288375533_16ARTIST: Dead Sea Apes

RELEASE: SOY DIOS

RELEASE DATE: 5th September 2016

RECORD COMPANY: SKY LANTERN RECORDS / CARDINAL FUZZ

Manchester based underground psych experimentalists 'Dead Sea Apes' have had their stunning debut single 'SOY DIOS' repackaged and re-released on vinyl via Cardinal Fuzz (Sky Lantern Records in the US). It contains a reworking of the original track, released back in 2010 on a then run of 100 CDR's. 'Dead Sea Apes' create massive sonic soundscapes and have the ability to switch from wonderfully picturesque sun-scorched psychedelia to dust laden desert rock and on into hypnotically charged & motorik driven drone rock improvisation with marvellous aplomb! The album is available to buy/download on various formats from cful.bandcamp.com & skylanternrecords.bandcamp.com. You can also purchase the vinyl right now from cardinalfuzz.bigcartel.com

The opening salvo's of 'Soy Dios I' are hauntingly good. Aggravated fret noise and spacious atmospherics open proceedings as 'Dead Sea Apes' bring their post-rock credentials to the fore. Melodious guitar progressions add tension as sparse percussive hits enter the fray and we push off on a magical journey of sonic experimentation, stepping into a world of expansive musical understanding and distorted sonic hallucinations. Its not long before a swell of explosive instrumentation takes over and the metronomic swing of the drum pattern brings on a giddying state of hypnotic abandonment. Guitar lines meander menacingly throughout the piece, every so often allowed to soar into the ether as if chasing some unknown prey, before arriving back to terra firma and slotting into its assigned progression to continue on with its pre-designed course. Truly magical in its entirety!

If 'Soy Dios I' was the doorway into the world of 'Dead Sea Apes' then Part II  is the hallway ....  a wide expansive room filled with oppressive atmosphere, droning swells and spiralling guitar squall. 'Soy Dios II' is a pleasure craft bobbing up and down in a dark tremulous ink like sea, constantly being hit by a wave after wave of shuddering reverberation. The percussion builds as throbbing bass lines hold court before the track lurches forward and explodes into a cacophony of wonderful noise and warbling repetitious progressions.

'Soy Dios III' achingly drones into existence, its burgeoning weight swirling & snarling as it enters earshot, shattering the perilous ideology of the previous soundscape as it circumnavigates its own self. It builds in momentum allowing it to plough a deep furrow into the sonic template, eagerly trying to gain enough updraft to lift itself into the ether. Intermittent fret noise doused in reverb adds atmosphere to the piece as the arrival of much welcomed guitar squall builds intensity ....  and we're up and soaring into the ether on waves of golden frequencies inlayed with swathes of reverberation. 'Soy Dios III' is a true masterpiece of modern day psychedelic exploration.

The closing piece on the momentous release brushes aside the previous three tracks from the off. 'Soy Dios IV' is the stunning finale to an expansive collection of experimental musicianship. The culmination of a trip through massive passages of sonic floatation and distorted but oppressive melody driven hallucinations, into a gargantuan cyclonic whirlwind. 'Dead Sea Apes' bring the curtain down completely on this impressive release riding a maelstrom of senses pummelling distorted noise. A fitting end to a marvellous sonic journey. Recommended listening!

4/5

LINKS:

facebook.com/deadseaapes

skylanternrecords.bandcamp.com

cful.bandcamp.com

twitter.com/deadseaapes

ABOUT THE AUTHOR:

Del Chaney has spent the last four years not only fronting popular experimental Irish Electronic duo Analogue Wave but also dedicating his time to uncovering the best artists in the unsigned or small independent label based shoegaze, ethereal dream pop, post punk, post rock & modern psych rock from all over the globe & reviewing them for this blog - The Primal Music Blog. He is also a contributing writer for The Sound Of Confusion. His other arm - Primal Radio - has gained considerable respect from bands and promoters alike since its conception in 2013 & has hepled him in actively promoting a genre of music that he is passionate about. Hailing from Dublin, Ireland, he is a keen Vinyl Collector, Tattoo Fan & all round good guy! He is a self confessed music freak & is never far away from a studio console or a turntable.