RELEASE: Wasted Mind
RELEASE DATE: 2nd June 2017
RECORD COMPANY: Unsigned
Austin based noise aficionados 'Glaze' self-released their stunning sophomore EP 'Wasted Mind' back on the 2nd June 2017, following on from their impressive debut three track 2016 release entitled 'Dimensions'. Their sound centres around angst ridden post-punk & fantastically noisy alt-rock thats underscored by soaring layered shoegaze collectively topped off with utterly sublime vocalisations that will make the hairs on the back of your neck stand to attention. The band are made up of Stephen McElwee, Austin Yeates & Jake Villarreal and you can buy/download the full EP right now via glazeusa.bandcamp.com
Wasted Mind by Glaze
The EP opens up with ‘No Surprises’; a swirling vortex of intense sound waves buffer and arc through layers of turbulent reverberation as charging percussion tumbles and skits alongside chugging bass frequencies and the resonating pull of guitars. Haunting vocalisations ride the tempestuous instrumental surge as lead lines whip and cajole the track to within an inch of its life dragging this listener with it as it streams into an abrupt finale. This is a masterful opening salvo! Up next, ‘Who Can Say’, the EP's lead single, builds from the off and steadily rises into a raging sonic behemoth filled with with brilliantly dark post-punk hued bass lines, screaming lead guitars and hazily melodic vocals. It breaks midway through into a sublime cacophony of tempo changes, psych induced instrumentation and production theatrics before fading into obscurity by swirling aimlessly into a reverberating fog.
‘Mercury’ jangles into earshot on a tremulous guitar progression before busy percussion drags the deep hum of bass and another blistering melody driven vocal line into focus. This track floats effortlessly through it’s verse parts before breaking into an explosive chorus stacked to the brim with soaring guitars and deliciously catchy vocal hooks. The EP closes out with ‘Chow Mein’, probably my favourite track on the entire release. A simple bass line opens proceedings up before we’re sucked into a swirling sonic whirlwind, battered around the senses and dumped out the back end to perch precariously on a melodic verse progression, only to be pulled along brilliantly by the aforementioned bass line and sucked back into the sonic melee once more. Thoroughly enjoyable and a fantastic finale to a well executed EP.
ABOUT THE AUTHOR:
Del Chaney has spent the last five years dedicating his time to uncovering the best artists in the unsigned or small independent label based shoegaze, ethereal dream pop, post punk & modern psych rock from all over the globe & reviewing them for this blog - The Primal Music Blog. He is also a contributing writer for The Sound Of Confusion (Now On Hiatus). His other arm - Primal Radio - has gained considerable respect from bands and promoters alike since its conception in 2013 & has helped him in actively promoting a genre of music that he is passionate about. Hailing from Dublin, Ireland, he is a keen Vinyl Collector, Tattoo Fan & all round good guy! He is a self confessed music freak & is never far away from a studio console or a turntable.
by Primal Music
RELEASE DATE: 13th January 2016
Ethereal and dreamy, from Austin Texas comes the low-key shimmer and shine of 'Tether'; the debut EP from dream pop quartet (comprised of two husband and wife pairs) 'Blushing'. On this release the band use all of their technological wizardry to offer a basic, by the books dream pop EP, albeit a greatly enjoyable and catchy one at that.
Tether by Blushing
The EP opens with the title track, whose gentle guitars leads the way into the well written melodic structure of the song, built around the slow tap of the drums, well mixed and comfortable bass and the noisy but ethereal influenced guitars. Special credit to the fantastic and memorable chorus, in which two soaring female vocals meld mesmerizingly with the instrumentation to create a beautiful and original type of sound. The band take que's from many other dream pop bands and include noise and feedback laden guitars in the songs outro; tying everything together into a neat and dreamy songs. The opener is followed by the much less engaging ‘Why Can’t We?’ which rolls along in a simple, almost generic form of pop music, culminating with a good outro and guitar sound before sliding back into its shell. Much like many pop musicians in the modern age 'Blushing' play it way too safe and straight forward with ‘Why Can’t We?’ making it look like the ultimate b-side on an otherwise very interesting debut EP.
The more slower and strung out ‘Mess’ stands out as one of the EPs most well-written tracks, helped graciously by the brilliant bluegrass/soft-rock style guitar strumming away in the background. The whole song shows the bands strongest points and puts on display their talents in the mixing and production area of things. The subtlety of the drum beats and fills can almost go unnoticed but I plead that one pay attention to this, as with the synth/soundscapes that meld away into the background (on purpose) making the whole song sound like a mixture of hipster paradise and palm tree-shoegaze styled aesthetics. The guitar shines through in the second half of the piece, in a breakdown styling that further compliments the song. ‘Protect You’ opens with a nice drone noisescape before the band show their previously explored, swinging jangle style sound backed up by a darker and heavier tone. As though the EP is a progression of the bands song writing, ‘Protect You’ stands as a few steps away from the EP’s beginning, with the band projecting a more well-rounded sound in an invigorating way. This very fact makes the EP even more enjoyable when you listen with the whole thing in context.
The more one listens to 'Tether', the more one notices how heavily the band’s sound is either reflected or influenced by indie and jangle pop bands. Though the EP projects a warm and fuzzy form of dream pop and ethereal rock, it is the songs undercurrents and foundations that owe much to indie and pop rock influence, mainly through the songs melodies and the style in which 'Tether' is produced. As previously stated, this EP is by no means avant-garde or extremely inventive in terms of stepping forward into new musical territory; it instead utilizes a well-rehearsed form of creating and writing dream pop and shoegaze music. Is this a bad thing? Well, no it’s not… It’s just that when you listen to it; make sure you listen for enjoyment completely. And before you ask, in no way was that some sort of stab at 'Blushing' or some kind of way of saying their music isn’t great. Their music is in fact great, but in a way that you may have already heard. The band should be congratulated however, on the beautiful and clear production and mixing on the EP, which highlights every little facet of their skills. Almost every chorus on the EP is brilliant and catchy; something that many dream pop acts generally forget about. And altogether, the performances are definitely worth a mention. This EP is a fantastic reminder of how dream pop can be just as brilliant as it’s ever been, channelled through production, mixing and sound.
Cam Phillips is a writer and above all, a music lover, who seeks to gain experience through writing and listening. He is also an avid film viewer and art and literature junkie who enjoys creative writing. His most recent published work was featured on the Australian heavy music blog, I Probably Hate Your Band.
Austin based shoegaze/alt rock four piece 'Honeyrude' have unleashed the first single, a one song teaser entitled 'Roger McClain' and it's brilliant accompanying video from their forthcoming full EP that's penned in for release sometime in the spring via Shifting Sounds. The band are made up of Ian Lund - guitar, Billy Kunath - bass, Paul Goetz - drums & Jess Ledbetter - guitar/vocals and what they collectively create are melodious soundscapes filled with mesmerising lead licks, uplifting hooks and glorious vocalisations that deftly skip through jangling shoegaze & brilliantly executed rock ‘n’ roll whilst being marvellously steeped in 90's sounding nostalgia.
The band reference My Bloody Valentine, The Verve, Failure, Medicine, Teenage Fanclub & Swervedriver as major influences on their overall sound so what's not to like?
We'll be keeping our well tuned ear's out for these guys throughout 2017.