Sun System - Strange Ways We Meet - EP Review - Featured Image - (700x700)

EP REVIEW | Sun System - Strange Ways We meet

Sun System - Strange Ways We Meet - EP Review - Post Image - (300x300)ARTIST: Sun System 

RELEASE: Strange Ways We Meet

RELEASE DATE: 1st December 2017

RECORD COMPANY: Unsigned

Arizona based 'Sun System' unleash their brilliant debut four track EP entitled 'Strange Ways We Meet' to the underground fraternity on December 1st 2017. With a sound that sits firmly in the alt-shoegaze stable 'Sun System' collectively inject shimmering melodic melancholy into every single track on this EP telling stories throughout and bringing the listener on a sonic journey of discovery with each passing instrumental progression. The band are made up of Cory – vocals/guitar, Nathan – guitar, Curt – bass, Christopher – keys and Lorenzo – drums. The EP gets it's full release on iTunes and Spotify from December 1st but you can check out some more of their singles right now via sunsystem.bandcamp.com

Shimmering guitar progressions glide and echo through layers of melodically hazy reverberation as ‘Smiles With No Teeth’ unwinds itself and shows us it’s inner workings. Throbbing bass frequencies ride a turbulent percussive pattern collectively leading a sublime vocal performance in and out of smooth verse transitions and noisy chorus parts with relative ease. This track builds, builds and builds into a cacophony of blissed out noise before cascading into a marvellously melodic finale. Up next, ‘Glimmer Man’ floats into the ether on swells of synth and jangling guitar that gracefully envelope another impressive vocal performance. Sun System’s shoegaze tendencies are laid bare for all to hear on this track as it rises and falls through stages of impeccable songwriting filled with effervescent layers of addictive noise.

The EP’s penultimate piece is a melodic, slow moving slice of sonic melancholy. ‘Alone Together’ is beautifully intense and it meanders through yearning and thought provoking verse progressions, pulling the listener with it as it tumbles into chorus parts filled with soaring tumults of glittering noise. It’s a wonderful track and possibly my favourite on the entire release. ‘Strange Ways We Meet’ closes out with ‘Scooter (feat. Travis Williams)’ and we’re pulled into an opening salvo of lo-fi guitars and and steady drum patterns. It’s not long before this track explodes into a kaleidoscope of noise, calming down at times to allow us catch little snippets of songwriting brilliance. There’s also a subtle dream-pop hue emanating from it that is rather interesting but for the most part instrumentally it skirts close to alternative or post-rock. All in all it’s this EP has an interesting mix of sounds and some brilliant passages of songwriting all underscored with some fantastic production values. It will be interesting to hear what comes next from ‘Sun System’.

4/5

LINKS:

facebook.com/sunsystemband/

sunsystem.bandcamp.com

instagram.com/sunsystemband/

ABOUT THE AUTHOR: 

Del Chaney - (Author Photo)

Del Chaney has spent the last five years dedicating his time to uncovering the best artists in the unsigned or small independent label based shoegaze, ethereal dream pop, post punk & modern psych rock from all over the globe & reviewing them for this blog - The Primal Music Blog. He is also a contributing writer for The Sound Of Confusion (Now On Hiatus). His other arm  - Primal Radio -  has gained considerable respect from bands and promoters alike since its conception in 2013 & has helped him in actively promoting a genre of music that he is passionate about. Hailing from Dublin, Ireland, he is a keen Vinyl Collector, Tattoo Fan & all round good guy! He is a self confessed music freak & is never far away from a studio console or a turntable.


ALBUM REVIEW | Well Being - Well Being

ARTIST: Well Being

RELEASE: Well Being

RELEASE DATE: 25th November 2016

RECORD COMPANY: Unsigned

Bright but dark, heavy but soft and alternative but approachable, the debut album of Toronto’s 'Well Being' turns the face of post-punk to look into an indie mirror to create some sort of wild and heavy piece of psych-rock. Each song shimmers in its own right, but the albums background is where the real reward lies; beautiful textured pieces of instrumentation and subtle but neat FX push the sound forward for the listener in a way that highlights everything smart about conventional (mostly) guitar lead music. However, the album scores clever points with the clean and crisp production, sounding at equals (or perhaps even better) than ‘pro’ bands. This point locks in with the aforementioned comment about Well Being’s power of musical textures. 'Well Being' is by no means a leap forward in the world of music; there is little genre or avant-garde experimentation, there’s no wildly obtuse production techniques, it’s just well-written and very well produced music by a band who clearly know what they are doing.

Well Being opens with ‘Fear, Love and Everything in Between’ and it showcases the albums clean and crisp production; the vocals hover easily over a slow and steady drum beat that floats away on a post-punk guitar line before rolling straight into the emotive psych-pop the band revisits and revisits over the course of the release. The outro morphs the song again, with the beautiful and intelligent guitar picking away in the background adding weight to the already heavy sound. ‘The Kuleshov Effect’ follows with a more conventional/indie sound and an utterly brilliant sounding chorus. As far as instrumentation goes, the sounds and textures presented on the song are definitely a highlight. This is followed by the rock-influenced ‘Hands Tied’, with its post-punk sounding guitar and passages of song built around a more psych-rock aesthetic. ‘Waterboarding’ may be the albums best track. Its claustrophobic, indie tongue in cheek guitar mix with the clean and precise vocals, proclaiming lyrics that sound like somebody trying to coax another into using heavy drugs… Or maybe getting water boarded. That was a joke. ‘Habitual’ follows this blueprint to a slower tempo. The drums tap along slowly while the guitars play a psych influenced post-punk riff; the vocals hover over in a squeaky clean fashion and the whole song ties itself together with the bands previously explored sound. ‘Jean Seberg’ is the point on the album when you turn around and say ‘hey, wait… Haven’t I heard this before?’ The point where the bands ultra clean sound begins to wear thin. And just to clarify, ‘Jean Seberg’ is a good and well written song… It’s just that it seems to be re-using an already re-used formula.

Thankfully, the engaging and energetic ‘I Walk Through Clouds’ follows on and adds another element to the band’s sound. ‘I Walk Through Clouds’ sees Well Being step into an alternative rock space that features an almost pop punk sound throughout the entire song. The outro screams ‘I don’t need you anymore, I don’t need you anymore’ make sure that the listener feels as if they are listening to a rock and guitar driven song. ‘Don’t Complicate It’ could have, or should have, been a B-side, or C-side for that matter. Enough said. ‘Girls of Kilimanjaro’ is a brilliant, deep track that almost saves the band in a way. It’s instrumental and dazzling lead in carves the way for an indie rock guitar based song that bounces around in the listeners face. The bands instruments sound dirtier, or perhaps less focused on sounding clean, giving a neat breeze of authenticity to the song and its placement within the context of the album.

While perhaps the band and those associated with the album would love to have it slated as a piece of post-punk or indie music, the honest and obvious truth is that this lands closer to a conventional rock album more than any of those genres. Even the moniker of ‘psych-pop’ doesn’t seem appropriate… Some of the album even sounds like crisp and clean ‘modern’ pop punk. And this in itself is enough for some listeners to walk away in a haze of disinterest and cringe. But the truth is that it’s a very well written album. The majority of songs show a maturity and sort of simple complexity in them, and the musical textures prove to be a rewarding experience in themselves. Sure, the production is very clean… But it’s done so as to avoid sounding artificial and that fact in itself should be applauded. Some won’t like it, some won’t even look at it; but I proclaim to listen closely and enjoy the bands neat song writing skills, showed through production, playing and sound.

4/5

LINKS:

wellbeingband.bandcamp.com

facebook.com/wellllbeing/

ABOUT THE AUTHOR:

Cam Phillips is a writer and above all, a music lover, who seeks to gain experience through writing and listening. He is also an avid film viewer and art and literature junkie who enjoys creative writing. His most recent published work was featured on the Australian heavy music blog, I Probably Hate Your Band.


NEW SINGLE PREMIERE | Elemantra - Peach Fuzz.

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New York based alt-shoegazers 'Elemantra' released a brand new two track single entitled 'Peach Fuzz' back on the 10th July 2016. This latest track is lifted from their recently released sophomore album 'Foreign Breath'.  The band are made up of Justin W - Guitar, Vocals, Keyboards, 6 String Bass, Brent B - Guitar, Nick B - Bass & Jonah - Drums and you can get your hands on 'Peach Fuzz' plus the new album right now from elemantraband.bandcamp.com

[bandcamp width=100% height=120 album=2841517119 size=large bgcol=333333 linkcol=e32c14 tracklist=false artwork=small]

 

'Peach Fuzz' is swift, sharp, shock of melodically brilliant alternative shoegaze with intricate instrumentation and those instantly addictive vocal lines ....

Recommended listening! 

LINKS:

elemantraband.bandcamp.com

facebook.com/Elemantra