ARTIST: The Citradels
RELEASE: God Bless
RELEASE DATE: 8th January 2018
RECORD COMPANY: Self-Released
Australian based experimental sound manipulators 'The Citradels' independently released their eight studio album brilliantly titled 'God Bless' back at the beginning of January 2018. Formed back in 2010 'The Citradels' traditionally created engagingly dynamic soundscapes filled with repetitive drones, fuzz and intense melody deftly underpinned with a subtle undercurrent of shoegaze but on this latest album the five piece have channelled the sonic mindset of both Brian Wilson and The Byrds with an added touch of west coast coolness for good measure whilst exploring themes of influence, religion and morality through characters from a small town gradually falling out of touch with its surrounds. 'God Bless' is a stunning listen and it directly showcases the metamorphosis of a band who are not afraid to experiment with music genres or atypical sounds. The album was officially released back on January 8th 2018 and is available to buy/download right now on various formats via thecitradels.bandcamp.com
God Bless by The Citradels
Exploding with a kaleidoscope of sound, the opening bars of 'Hill Out Of Town' are filled with blissed out psychedelic sounds as we take a sonic thrill ride through swirling guitars, bouncing percussion, throbbing bass frequencies and the twinkling whirl of hypnotic keys all lovingly enveloping brilliant layers of vocal. It's a blistering opening salvo indeed and it leads us into the heavenly sounds of track two, 'Holy Ghost', a deeply spiritual affair that floats atop of quivering church organ and repetitive tap dancing keyboard skills that deliciously circumnavigate those ethereally layered eerie vocalisations. It's a short lived piece ideally destined for the stage and imprinted with semi-gothic gregorian flair. Up next, 'God Bless' swims in summery vibes as driving percussion and repetitive organ lines hold court and spoken word is the order of the day whilst 'Believe And Receive' meanders gloriously through golden tinged sound waves and woozy production. Immense vocal lines meander in and out of catchy hook laden guitars, subtle synth swells and off beat drums and float effortlessly through the sonic ether and out into the cosmos.'Believe And Receive' is a triumphant track and definitely a highlight on the album for me.
'Roman Holiday' rattles skittishly as it spirals through incantational instrumentation. Rumbling percussion keeps an almost metronomic time as cascading bass lines undulate beneath swirling lines of organ and the pull of acoustic guitar. There's a slight prog-rock feel to those vocal tracks as they merge and arc into a singular sonic murmuration leading us to the tracks finale and on into 'GRC', a pulsing sonic behemoth tumbling through catchy hook laden guitar progressions, jangling percussion and the repetitive synth rumbling beneath the mix like a sugar rush. The opening salvo's of 'Post-war preschool' scream experimental krautrock with it's repetitive drum patterns, throbbing bass lines and a highly addictive synth line that swirls just under the mix allowing stabs of guitar and sequenced swells of instrumentation to wash over the listener. Off kilter percussive hits drag this track to another dimension though, as we lurch forward all of a sudden and dive headlong into a pool of cascading sonic delight filled with catchy hook laden progressions and colourful instrumentation all wrapped around that immense vocal performance. 'Post-war preschool' is THAT track! The one that appears on every great album, catching you off guard before dragging you with it on a journey of sonic discovery. It's a masterstroke and one that I will come back to again and again.
The mighty 'St.David' injects one minute plus of highly melodic, fast paced instrumentation into the psyche. Charging drums strapped to the meandering jangle of guitar and driving bass catapults those airy 'Byrds' like vocal tones into audible range as a delicious brass section tweaks this listeners attention followed by the rush of acoustic vibrations whilst 'Pictures Of Uncle Arthur' rattles and creaks on a jittering percussive bedrock as it's luscious layers of acoustic frequencies and the twang of resonating lead guitar swirl & float atop hovering bass lines and cascading organ swells. This track gets progressively hypnotic the further you get into it and I must admit, you do get carried away with it's incantational sounds. Ohh, and watch out for the brass section towards the end. It'll seriously blow your mind. 'Holy Water' takes a brief sojourn through agitating vocal harmonies and deep resonating gregorian chants as the ghost of 'Beach Boys' past and present arrives to float ethereally above layers of reverberation whilst the wavy opening bars of 'Milk And Honey' tickle the senses with it's swirling lines of synth and catchy guitar progressions. Meandering bass lines dip in and out of those steady drum patterns as another impressive vocal performance circulates through layers of shimmering reverb.
The albums penultimate piece entitled 'Sunday Best' appears with an addictive 60's psych swagger attached. It's synth lines skip and dance along with those pounding drums and bounce of bass frequencies as the whirl of wurlitzing sound-waves stick to those glorious vocal harmonies like glue. The occasional twang of heavy guitars add weight and atmosphere as we're swept along in a magical sonic haze before the albums closing piece unfurls and washes us all in it's wonderfully translucent light. 'Dawn Chorus' shimmers and floats atop a swirling cacophony of golden tinged sound waves, filled to the brim with stunning five part vocal harmonies, jangling guitar progressions and subtle percussion. Cascading bass lines hum and dance alongside melodic orchestral arrangements adding instant warmth to the ethereal ambience. It's a fantastic ending to a mammoth album, filled to the brim with sounds for everybody to enjoy.
ABOUT THE AUTHOR:
Del Chaney has spent the last five years dedicating his time to uncovering the best artists in the unsigned or small independent label based shoegaze, ethereal dream pop, post punk & modern psych rock from all over the globe & reviewing them for this blog - The Primal Music Blog. He is also a contributing writer for The Sound Of Confusion (Now On Hiatus). His other arm - Primal Radio - has gained considerable respect from bands and promoters alike since its conception in 2013 & has helped him in actively promoting a genre of music that he is passionate about. Hailing from Dublin, Ireland, he is a keen Vinyl Collector, Tattoo Fan & all round good guy! He is a self confessed music freak & is never far away from a studio console or a turntable.
by Primal Music
Austrailian based experimental sound manipulators 'The Citradels' have released the first single to be lifted from their forthcoming eight independently released studio album interestingly titled 'God Bless'. Formed back in 2010 'The Citradels' traditionally created engagingly dynamic soundscapes filled with repetitive drones, fuzz and intense melody deftly underpinned with a subtle undercurrent of shoegaze. On this latest single release entitled 'Dawn Chorus' the Melbourne based five piece have channelled the sonic mindset of both Brian Wilson and The Byrds with an added touch of west coast coolness for good measure. 'Dawn Chorus' was released on the 22nd November 2017 and is available to buy/download right now via thecitradels.bandcamp.com
'Dawn Chorus' shimmers and floats atop a swirling cacophony of golden tinged sound waves filled to the brim with stunning five part vocal harmonies, jangling guitar progressions and subtle percussion. Cascading bass lines hum and dance alongside melodic orchestral arrangements adding instant warmth to the ethereal ambience. 'Dawn Chorus' is a welcome injection of summer sun to this damp European winter.
ARTIST: The Gentle Cycle
RELEASE: The Gentle Cycle
RELEASE DATE: 24th January 2017
RECORD COMPANY: Unsigned
Swirling San Jose based psych aficionados 'The Gentle Cycle' have just unleashed their debut self-titled full album to the masses. The band are made up of Derek See - guitar/vocals, Maxwell Borkenhagen - guitar/mellotron, Todd Flanagan - bass and Craig Heitkam - drums and they have a unique talent of creating infectiously addictive psychedelic soundscapes by utilising vintage gear and bygone recording methods to birth a swirling, grooving style of rock 'n' roll that's both timeless and relevant. The overall outcome is mesmerising! 'The Gentle Cycle' is available to buy/download on various formats right now from thegentlecycle.bandcamp.com
The Gentle Cycle by The Gentle Cycle
The album begins with the jangling opening salvo’s of ‘Follow Light’, a swirling tremulous affair, filled with blistering 60’s psych connotations massively underscored by thunderous drums and impressive instrumentation. Vocally sublime, ‘Follow Light’ is a well received opening assault on the senses. Up next, ‘Shells And Spells’ meanders gracefully on an undulating wave of fuzzy reverberation and skittish percussion whilst it’s 60’s garage orientated vocal lines shimmer in and out of cascading guitar lines and snaking bass progressions with glorious aplomb. Track three, ‘You Line’, explodes into earshot held fast within a flurry of shimmering hi-hat & cymbal vibrations whilst the off kilter drum pattern keeps a skittish metronomic beat. It’s woozy guitar progressions deftly envelope another impressive vocal performance while that ever present and deeply menacing organ line adds some seriously dark atmospherics.
‘Love Is The Plan’ slows proceedings down a tad but it’s catchy guitar riff’s and steadying drum pattern’s keep this listener interested whilst ‘Way To Decay’ adds a very welcoming (and highly infectious) psych/folk acoustic swagger to the album thus tapping into another brilliant and previously unknown sonic variation that The Gentle Cycle can swerve into when needed. The album starts to grow on me a bit more as we move into the opening drones of ‘Memory Day’, which soon unfurls into trembling guitar squall and on into the tracks subtle prog-rock leanings. Thunderous percussion, throbbing bass lines and wailing guitars circumnavigate that reverb hued vocal line as the track opens up into an explosive wah-wah fuelled lead break and on into it’s grand finale. A pretty impressive track by my reckoning.
‘Far Beyond’ drives effortlessly through a wave of impulsively melodious instrumentation, filled with luscious breaks, duel lead guitar lines, angry cyclonic drones and undulating reverberation. The albums penultimate track however, entitled ‘She Came This Way’, leans brilliantly into 60’s psych/blues with its woozy bass progressions, melancholic vocal lines, busy drum patterns and punchy guitar stabs. It explodes into a fuzzy maelstrom of immense frequential noise as the lead guitar soars into the ether, looping and arcing through an angry reverb induced sky before eventually coming to an abrupt stop. ‘She Came This Way’ is my favourite track on this entire album and a recommendation from me. Do yourselves a solid and pop on some headphones for this one! You will thank me for it. The albums closing piece is a fitting book end to this collection of tracks. ‘New Day’ brings an air of serenity to proceedings as we float on acoustic atmospherics draped beautifully with harmonious instrumental swells and gloriously addictive vocal tones. A fitting end to a marvellous album.
ABOUT THE AUTHOR:
Del Chaney has spent the last four years dedicating his time to uncovering the best artists in the unsigned or small independent label based shoegaze, ethereal dream pop, post punk, post rock & modern psych rock from all over the globe & reviewing them for this blog - The Primal Music Blog. He is also a contributing writer for The Sound Of Confusion (Now On Hiatus). His other arm - Primal Radio - has gained considerable respect from bands and promoters alike since its conception in 2013 & has helped him in actively promoting a genre of music that he is passionate about. Hailing from Dublin, Ireland, he is a keen Vinyl Collector, Tattoo Fan & all round good guy! He is a self confessed music freak & is never far away from a studio console or a turntable.