ARTIST: SPC ECO
RELEASE: Dark Matter
RELEASE DATE: 03/05/15
RECORD COMPANY: kaboommusic / Saintmarierecords
This release came out about a month ago to no fanfare. Reviews of Dark Matter have been impossible to find online, so with nothing to go on, I have to wing this one. Oh, wait, there are some nice words from fans on the band’s Bandcamp page, so there you go. Dean Garcia and his daughter Rose are frighteningly prolific, often releasing two albums of new material per year. For a time, they tried changing their name, but that thankfully didn’t pan out. Their work is something you can rely on, and I don’t mean that it’s pedestrian. Rather, they continue laying down this engrossing sonic architecture of darkwave and electronica laced with dream pop. Dean is a master of studio trickery and plays a zillion instruments, and Rose has the voice of a dark angel. But they are not creatures of light, not really.
And let’s get the Curve comparisons out of the way – “The Whole World Shines” is hands down my favourite song here, and it stylistically resembles vintage Curve, but Rose sounds nothing like Toni Halliday. So there you have it. Cool tune, with its retro beats and darkly ominous bassline. But let’s not get ahead of ourselves as I have jumped forward to the bottom of the playlist. ‘Creep in the Shadows‘ opens the album, and is marred by the voice synthesiser on Rose’s vocals. It is a pretty song, and I love the other spacey elements, but I can’t get past these synthetic enhancements. “Different Kind” continues this unfortunate trend; I would have much preferred to hear Rose humming over the hypnotic backdrop. “Let it Be Always” is the perfect soundtrack to your nightmare, with that creepy, slow backbeat, and then it shifts into lightness unexpectedly. It reminds me of the sort of sinister electronica that used to dominate TV shows like La Femme Nikita back in the 90s.
“Playing Games” is a gem, floating along with found voices deep in the mix to bolster Rose’s gorgeous vocals, and Dean has woven a mesmerizing sonic tapestry. More like this, please! “I Won’t Be Heard” should be a single, and is equally beautiful. “Meteor” veers toward somber dream pop and also appears on their brand new SPC and Time – Vol 2 compilation. I can see myself hitting repeat often on this song. “Down Low” has interesting electronic elements and I really like when the guitar kicks in. “Breathe” dials it back to simpler patterns, letting the music speak for itself without too many complicated layers. “Under My Skin” (also on the aforementioned compilation) is gauzy and magnificent dream pop, and is a fitting end to this release.
Recommended for fans of dream pop, Curve, and chilled out dark wave.
ABOUT THE AUTHOR:
Music has always been a driving force for Elizabeth Klisiewicz, which she days “continues to define my existence”. During and after her college years, she ran a weekly radio show at WMUA FM Radio and also at a community station in Springfield, MA, in addition to writing music and concert reviews for the college newspaper. At present, she writes for The Big Takeover Magazine and The Active Listener Blog, and recently began producing a semi-regular Mixcloud-based show called The Kitchen Sink. In the real world, when not writing technical manuals, she gets her thrills from reading mysteries, birdwatching, and can always be found with a camera and a maxed-out storage card full of music.