RELEASE: East / West
RELEASE DATE: March 15th 2018
RECORD COMPANY: Buh Records / Recoop
Hailing from Ecuador, ‘Sexores’ have been major players on the underground music scene for quite some time. With various releases spanning over eight years the band have continuously evolved and continuously shed their sonic exo-skeleton to bring us some of the most incredible selections of music to ever have graced todays independent music scene. Their influences are wide ranging and span a multitude of music genres with relative ease. From electronic dream-pop to dark atmospheric shoegaze, modern psych rock to new wave and synth-pop to retro-wave, ‘Sexores’ continue to amaze with each evolving release. Now the band have returned with a massive double album entitled ‘East / West’, a collection of tracks that touches on many of the afore mentioned music genres whilst continuing to remain a standalone beacon of hope in this muggy and overly diluted modern underground scene. Split into two parts, ‘East / West’ opens with eight unabashed cuts of what are primarily synth-pop tunes touched with undercurrents of dream-pop, subtle atmospheric shoegaze and bubbling new wave whilst part two is a journey into sonic experimentalism that touches on dark psychedelics, menacing electronics and synth driven sonic futurism. ‘East / West’ is carefully balanced on knife edge and takes several listens before the listener finally realises just what ‘Sexores’ are trying to achieve. It’s an album of evolutionary change by a band who are in a constant flux with music. ‘East / West’ was produced by Daniel Pasquel & co-produced by Sexores. It was officially released back on March 15th 2018 via ‘Buh Records’ & ‘Recoop Records’ respectively and is available to buy/download on various formats right now via sexores.bandcamp.com
The albums a-side opens up swirling into luscious synth-pop territory as ‘Bluish Lovers’ shimmers and dances through bounding electronic percussion and the constant whoosh of synth. Twinkling layers of reverb stick to fizzing electronics and balance precariously on top of those deep penetrating bass frequencies as wonderfully blissful vocalisations are pulled along with the collective instrumentation. It’s a marvellous opening salvo. Up next, ‘The City That Sorrow Built’ pulses into audible range lurching on a massive metronomic themed percussive assault as tumbling progressions of synth carefully cushion another beautiful vocal performance. Catchy lines of cascading synth meld brilliantly with tricky electronic sequences to highlight changes in progression thus allowing the vocals to soar skywards whilst ‘When I’m In Your Eyes’ is the clearest sign thus far that ‘Sexores’ have evolving their sound. It’s sequenced percussion and swirling electronics are at times nauseating but it has definite plus points too as it’s subtle undercurrents of dark-wave and those brilliantly executed vocal lines help to raise it’s profile immensely.
‘Tropical Nest’ is a blissed out slice of endearing electronic dream-pop filled to the brim with shimmering instrumentation and magically overpowering chord changes that both captivate and mesmerise all at once whilst the opening bars of ‘Underneath’ are steeped in melancholy before those wonderfully deep piano stabs give way to bouncing 80’s themed dreamy electronica and those catchy chorus changes soar skywards strapped to twinkling lines of repetitive synth. ‘Evil Drivers’ delivers another slice of synth-pop as big bass heavy frequencies meld with soaring lines of synth and the repetitive tap of sequenced percussion to deliver that absolutely immense vocal line whilst ‘Berlin’ leans into a more industrial feel with it’s pulsing bass frequencies, floating lines of synth and the metronomic tap of percussion. There’s an in your face rawness to the accompanying vocal line that helps it to sit perfectly in amongst the repetitiveness of the instrumentation here and that helps to keep things very interesting indeed. ‘Rigel’ is absolutely huge in scope. It’s massive lines of instrumentation pummel the senses as those dreamy vocal lines intertwine with sequenced electronics and the ever constant pitter patter of reverb hued synth. It’s a wonderful track and a definite highlight for me on this release.
‘The Great Blue Hole’ erupts into a swirling instrumental cloud of synth and reverb as subtle twinkles of electronics bubble to the surface and meld with hushed vocalisations. Massive chord changes usher in a dark kind of atmosphere as we tumble through layers of hazy production drenched in swathes of sticky reverberation and we float effortlessly through clouds of frequency laced brilliance. The next two tracks are utterly mesmerising. The opening salvos of ‘Dazed’ are big and brash sounding. Droning synths and brilliant production values hog the limelight here as Sexores turn their sound on it’s head once again and inject some dark experimental psych into proceedings whilst ‘#nsfk’ is totally atmospheric in it’s approach. Dark penetrating drones twist and morph into something altogether menacing as subtle samples and fizzing electronics whip and arc through layers of deep black reverberations.
We float into the albums distinctly atmospheric b-side with the brilliantly cinematic ‘Neon Hearts’. Sounding like it belongs on a 70’s sci-fi soundtrack, ‘Neon Hearts’ swirls and flows with ease alongside soaring layers of synth and majestically executed lines of twinkling keyboard and those huge chord sequences reminiscent at times to those early electronic pioneers like Vangelis or Jean-Michel Jarre whilst ‘6th Floor’ is a mass of pulsing synths, frequential sequences and pre-destined electronics. ‘Tibidabo’ is beautifully atmospheric in it’s approach. Surging lines of synth accompany cascading electronics and subtle vocal samples into a melee of reverberation and catchy production until we’re introduced to the albums penultimate piece. Swirling electronic drones buffer and fizz as ‘Luna’ unfurls its sonic tendrils and reaches out to engulf the listener in a haze of glitchy synth and dark atmospherics. This menacing track builds like a steam train, is absolutely sublime and definitely worthy of your ears. ‘East/West’ closes out with ‘This Is Not My Way Home’, a punishing slice of sonic experimentation. Menacing electronic drones meld with dark sonic manifestations to bring us something altogether animalistic in stature and closes out an exceptional album of deep sonic experimentalism. ‘East/West’ is most definitely an album of two opposing sonic halves but totally captivating none the less.
ABOUT THE AUTHOR:
Del Chaney has spent the last five years dedicating his time to uncovering the best artists in the unsigned or small independent label based shoegaze, ethereal dream-pop, postpunk & modern psych rock from all over the globe & reviewing them for this blog – The Primal Music Blog. He is also a contributing writer for The Sound Of Confusion (Now On Hiatus). His other arm – Primal Radio – has gained considerable respect from bands and promoters alike since its conception in 2013 & has helped him in actively promoting genres of music that he is passionate about. Hailing from Dublin, Ireland, he is a keen Vinyl Collector, Tattoo Fan & all round good guy! He is a self confessed music freak & is never far away from a studio console or a turntable.