ARTIST: Psychic Lemon
RELEASE: Frequency Rhythm Distortion Delay
RELEASE DATE: January 12th 2017
RECORD COMPANY: Tonzonen Records
London based psych aficionados ‘Psychic Lemon’ inject swirling space rock, well drilled prog rock and motorik krautrock into their overall sound that is both hypnotic and addictive all at once. This impressive three piece (previously a quartet) have been ploughing a deep sonic furrow into the underground psych collective since the release of their self-titled debut album back in 2016 but I have to admit that I hadn’t heard of the band up until receiving the press release for their brand new album. I’ve since rectified that issue. Entitled ‘Frequency Rhythm Distortion Delay’, this immense collection of five tracks is explosive, exquisite and quite possibly one of the best albums that I’ve heard in some time. At times sonically transcending, ‘Frequency Rhythm Distortion Delay’ breathes new life into a collective of genres that have been very much diluted beyond hope over the past few years. ‘Psychic Lemon’ strip these genres back to their base components before collectively reimagining them into a huge singular sonic entity. ‘Frequency Rhythm Distortion Delay’ gets it’s official release on January 12th 2018 via tonzonen records and is available to buy/download on various formats including lovely vinyl from psychiclemon.bandcamp.com
The swing of African themed drums pulls humming bass frequencies into audible range as ‘Exit To The Death Lane’ winds itself into a coiled sonic behemoth and prepares to strike. Swirling guitars ride turbulent waves of reverberation enveloping an impressively mantra like vocal line thus adding hypnotic circumventions to the piece as it manipulates sound waves and bends notes at will before erupting into a massive wall of fuzzed out psych induced melody. This is something altogether mesmerising. It’s a mix of space rock, modern psych and fucked up rock and roll all packed up into a huge opening salvo to whet the sonic appetite with. Up next ‘Psychic Lemon’ unleash their garage-psych side as ‘Hey Droog!’ explodes into pulsating percussive assault accompanied by throbbing bass lines and the swirling sounds of organ delectably drenched in sullen reverberation. Wailing lead guitar deploys a raging wah-wah pedal that meanders in and out of tempo driven drum patterns, unleashing a holy sonic war of attrition and laying waste to all before it. It’s another massive assault on the cranium and bloody masterful in its approach. ‘You’re No good’ tumbles into the ether riding a krautrock like percussive pattern as it’s repetitive nature keeps metronomic time allowing addictive lead lines to permeate the mix, sitting precariously on top of gravity defying bass patterns. The musicianship on this track is impressive and it’s vocal lines although sparse are very effective. Listen out for that magnificent break half way through and the brilliant introduction of saxophone. It will suck you into a mesmerising world of psychedelically charged experimentation.
The highlight of the album for me and it’s penultimate track comes in the guise of ‘Interstellar Fuzz Star’ and it does exactly as it says on the tin. A raging wall of turbulent instrumentation rides a pounding wall of percussive noise collectively enveloping an absolutely magnificent marauding bass line whilst lead guitar lines whip the entire track to within an inch of its life. ‘Interstellar Fuzz Star’ is a fuzzed out white knuckle sonic ride straight to heart of the sun and it’s explosive ending will blow your fucking mind. The album closes out with ‘Satori Disco’, a melody infused spaced out gem that sits on a bed rock of rolling drums and the consistent throb of bass frequencies. Angry strummed guitars hold court here as lead lines dipped in reverb meander in and out of the piece pulling hypnotic Saxophone and wailing wah-wah with it as it rides it’s turbulent pre-destined sonic course. This is a bloody impressive track and a fabulous ending to what is for me a masterpiece of an album. Seriously recommended.
ABOUT THE AUTHOR:
Del Chaney has spent the last five years dedicating his time to uncovering the best artists in the unsigned or small independent label based shoegaze, ethereal dream pop, post punk & modern psych rock from all over the globe & reviewing them for this blog – The Primal Music Blog. He is also a contributing writer for The Sound Of Confusion (Now On Hiatus). His other arm – Primal Radio – has gained considerable respect from bands and promoters alike since its conception in 2013 & has helped him in actively promoting a genre of music that he is passionate about. Hailing from Dublin, Ireland, he is a keen Vinyl Collector, Tattoo Fan & all round good guy! He is a self confessed music freak & is never far away from a studio console or a turntable.