ARTIST: Lazy Legs
RELEASE DATE: 15/07/16
RECORD COMPANY: Wild Patterns Records
Noisy, fuzzy electric shoegaze is brilliant when it’s pulled off properly, so here’s a band that skips the non-brilliant and stays brilliant. Make sense? Maybe? Anyway, Lazy Legs, a fine trio of musicians, have exerted all their musical knowledge and song writing skills on their latest full length LP to bring you some brilliant noisy, fuzzy electric shoegaze; it’s called VISIONDEATH and its central sounds are built around the dirty, the dreamy and the intelligent.
The LP begins with the distortion heavy intro track, ‘Rapid Eyes’ a nice, melding intro of all sorts of both pointed and beautiful sound mixed together. This leads into the next track, ‘Open’, which features a more garage rock sound than other songs, so much so that it evolves into a post-punk-esque storm, which layers and layers until a distant hum entrenches the background sound; fantastic. ‘Blister’ is much more drenched and heavy, maintaining only the tap of the drums to keep its tempo from swaying at a slowcore pace. The chorus showcases the bands noise pop tendency, taking the music and vocals a note or two higher than the gutter verses (using the word gutter in a good way that is) and blending together beautiful and conceptual sounds. ‘Deep Breath’ sounds almost like a dream pop song compared to the previous few tracks, with a deep, shoegaze inspired chorus that slots swiftly between the crunchy, less violent fuzz of the song.
Songs like ‘Sparks’ and ‘Deathvisions’ again pull the layer blending off, but only in the bands favour, who crunch out brilliant performance after brilliant performance. The songs at this point sound like a mix between noise rock, noise pop, garage, post-punk shoegaze with majestic slowcore, airy and distant vocals thrown in for good measure. The vocals are on a different wavelength altogether with bizarre, echoed, low volume singing that purposefully can’t be fully heard in the battleground built by the band; full of noise and sludge, with the occasional soundscape and ambient piece of genius thrown in for good measure. ‘Snaketeeth’ is a prime example of this and of perhaps the most shoegaze of all the songs on the album, period. The songs outro is close to one of the most ambient, beautiful and downtempo pieces of music on the entire album.
‘Beholder’ turns the game back around, however, with its crunchy and loud intro; full of filthy and dirty bass and guitars. Eventually though, the song captures the mood and style of almost the entire album; that is a mixture of loud, confronting noises coupled in harmony and blended with serene, dreamy vocals, soundscapes and instrumentation. ‘Beholder’ rises with a mix of winter and sweaty and dirty spaces; who would have thought of that? The albums closer, ‘Wide Awake’, plays on a much slower beat, eventually displaying everything shoegaze that the band have been toying with over the course of the entire album. This album is whether or not the band think so, very very conceptual. It’s so much so that it’s bordering on a concept album… But, I hear you so patiently ask, what’s the concept? Well… It’s not a conceptual story; Lazy Legs don’t sing about the medieval period or how a girl learned to dance, rather the concept is blending. Every sound on the album is blended with each other, on a theoretical level, ideas (of how a sound should be heard, whether it is loud or soft) are also heavily blended. This theory is backed up even more so by the abstract, digital art on the albums cover… A piece of art built upon blending. The good part of all of this is that Lazy Legs are actually extremely talented in the art of musical and sonic blending, of joining and building a relationship between sounds and instrumentation, which in turn reinforces the albums concept and makes the listening experience all the more enjoyable.
For some, the album will be perhaps too alternative. These same some may ask why the vocals are so distant and become bored with the same fuzz, distortion and ambience that features so heavily on the album. But for those who enjoy truly alternative and original music, the listening experience will be the exact opposite of that. So listen and enjoy the noise, and appreciate the texture and blending, achieved through performance, production and sound.
ABOUT THE AUTHOR:
Cam Phillips is a writer and above all, a music lover, who seeks to gain experience through writing and listening. He is also an avid film viewer and art and literature junkie who enjoys creative writing. His most recent published work was featured on the Australian heavy music blog, I Probably Hate Your Band.